*The History Of

"TAPS"


         



Click here to listen to "TAPS"

The origin of the bugle call TAPS in its present form is generally attributed to CIVIL WAR Major-General Daniel Butterfield who commanded a brigade in the Army of the Potomac during the Peninsular Campaign of 1862. After a particularly hard fighting day as the weary troops settled down for the night along the James River near Richmond Virginia, the bugler sounded "Extinguish Lights" or what is more commonly called "Lights Out".

On this night Butterfield felt that this bugle call was not as smooth, melodious, and musical as it should be. He felt that the day's final call should bring comfort and peace to tired troubled men. With the help of his bugler, Oliver W. Norton, Butterfield composed the music to what we know today as TAPS.

Later in the Peninsular Campaign a funeral was being held during a lull in the fighting. The bugler was ordered to play TAPS in place of the three volleys usually used to render the final honors to a deceased comrade. This was done because it was feared that rifle fire might cause the enemy to renew their attack. The playing of TAPS was eventually written into Army regulations as a part of the honors to be paid at a military funeral.


This music is the haunting melody we now know as "Taps" that is used at all military funerals.



Unknown to most people, here are the words to"TAPS" *:

Day is done,
Gone the sun,
From the lakes,
From the hills,
From the sky.
All is well.
Safely rest.
God is nigh.

Fading light,
Dims the sight,
And a star,
Gems the sky,
Gleaming bright,
From afar,
Drawing nigh,
Falls the night.

Thanks and praise,
For our days,
Neath the sun,
Neath the stars,
Neath the sky,
As we go,
This we know,
God is nigh.


~~~~~~~~~~~~~~~


BELOW IS A POPULAR VERSION OF HOW TAPS BEGAN. IT IS NOT TRUE, IT IS MERELY AN URBAN LEGEND:

It all began in 1862 during the Civil War, when Union Army Captain Robert Ellicombe was with his men near Harrison's Landing in Virginia. The Confederate Army was on the other side of the narrow strip of land.        

During the night, Captain Ellicombe heard the moan of a soldier who lay mortally wounded on the field. Not knowing if it was a Union or Confederate soldier, the captain decided to risk his life and bring the stricken man back for medical attention. Crawling on his stomach through the gunfire, the captain reached the stricken soldier and began pulling him toward his encampment. When the captain finally reached his own lines, he discovered it was actually a Confederate soldier, but the soldier was dead.        

The captain lit a lantern. Suddenly, he caught his breath and went numb with shock. In the dim light, he saw the face of the soldier.
It was his own son.
The boy had been studying music in the South when the war broke out. Without telling his father, he enlisted in the Confederate Army.        

The following morning, heartbroken, the father asked permission of his superiors to give his son a full military burial despite his enemy status. His request was partially granted.        

The captain had asked if he could have a group of Army band members play a funeral dirge for the son at the funeral. That request was turned down since the soldier was a Confederate. Out of respect for the father, they did say they could give him only one musician.        

The captain chose a bugler. He asked the bugler to play a series of musical notes he had found on a piece of paper in the pocket of his dead son's uniform.        

This wish was granted.


         


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"Thanks Marie for the rest of the words"

© Jack Grant 1999-2008

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