This is a selection of notes from over two years of behavioral intervention sessions with a young child who ultimately recovered completely from autism. It includes many curricula ("drill sheets"), therapists' notes, and parents' notes, covering (in part) the development of social skills to an age-appropriate level. The notes are by the parents, Megan and Jim Sumlin (pseudonyms), who feel strongly that this information should be freely available to all who might benefit from it. They ask only that these notes belong in the public domain, and are not to be claimed or copyrighted by any person who is or will in the future be seeking monetary gain for wide distribution of same. Feel free to re-distribute this document, but please include this entire preface.

These notes are just one part of a comprehensive program guided by a behavior analyst; there were other parts of the total program, not included here, that were necessary to the child's development and eventual recovery. They are specific to one individual child. Use them as a resource to help you plan your child or student's curriculum. What works for one child will not work for all. While much of the material here addresses problems common to many or most children with an autism spectrum disorder, you will want to select carefully based on individual needs, learning style, and personality.

A few notes on terminology: 

Proper reinforcement is the key to learning. Much more common in these notes is DRO, which stands for "differential reinforcement of other behavior." In addition to reinforcement for "getting the right answer," the child was frequently praised for unprompted appropriate behaviors (in place of undesirable, 'stereotypical' behaviors). For example, when playing with dolls, the therapist may say, "I'm glad you're not banging the characters together," or as the notes say in many places, "DRO'd flexibility"--unprompted spontenaity. Remembering to "catch 'em being good" takes a lot of practice, but it is essential to the development of a truly natural repertoire of age-appropriate skills.

See also: Sumlin Program Notes and Teach Me to Play and a personal statement on overcoming autism

Back to ABA Resources


Everything after this point was written by Megan and Jim Sumlin. Please note there is no connection between this document or its authors and Carol Gray or her books entitled Social Stories.

Introduction

Although there may be a few repeats in the stories that follow, most of the time there will be slight differences in stories w/the same name (i.e., all Social Stories Originals 1, 2, 3 & Masters look the same, but there are differences in the wording of the stories within each letter under those). We did this b/c we realized right from the start that our son was memorizing the words too well and would criticize us if we'd change any of them in the slightest. They were kept unpredictable in this way and it helped him key into the words and what they meant instead of whether or not WE were doing them correctly.

Even if all of this is confusing (it is to me as well), if you have a child who is ready, I hope that you could glean from these since so many of the "residual" problems these kids have seem, at least from correspondence we've had with parents, to be fairly universal.

The graph sheets at the beg of some of the series were for check off/initialing by therapists (so we could keep track that they're all getting done and sometimes could assign specific ones that weren't worked on enough within the notes). This was in a small print font. In notes (loose-leaf sheets after the graph, at the end of this document) they'd write which "set" (a, b, or c) of the story we were currently using (Social Stories: Originals, 1, 2, 3, or Master) that they'd used, though the graph was the same no matter which letter they were using. We of course preferred that whoever was there did not use the same "set" the previous therapist did.

Here is an abbreviated version of the graph we used throughout the programs to keep track of how many times each story had been taught:

  Week 4/17 Week 4/24 Week 5/1 … (etc.)
1. Time out                                                                    
2. No answer from others                                                                    
3. Asking questions you know the answer to                                                                    
4. Other's property                                                                    
… up to 24.                                                                    

To clarify: We didn't do CAROL GRAY'S social stories but rather something our consultant showed us that was loosely based on these. As with everything we post, these were tailor-made for our son and may or may not be appropriate for every child. There were many, MANY pre-requisites for these stories related to the degree of language and ability to reason that he had before we even engaged him in the very simplest forms of these stories. We also had been working with our son on self-control, pride and confidence statements (we'd had signs on every wall months before to alert us to continuously do this) and TONS of scripted language (i.e., FULLY prompted conversational language) well before we started these, so he was quite accustomed to repeating large, complicated sentences and hearing similar language even before he really understood any of it. Our stories obviously did contain negatives but we were instructed to balance anything we'd write with pride and self control statements and, as I think we mentioned in brackets in one of our stories posts, we wished we'd had done even more of these (not that we could see that he suffered ANY for lack of -- again, we and our therapists constantly did these in life & therapy before, during and since).

Certainly, there are other ways to create and deliver stories like these. We're posting the ones we wrote because they worked for our son and more and more became the primary focus of our endgame.

These interventions should of course be discussed with your consultants &/or team to determine whether or not they (or some variation) would be appropriate either at the point of therapy you're at, at some future time, or at all.


Social Sentences

1. TIME OUT - Sometimes grown-ups send me to a timeout when I don't listen.

2. NO ANSWER FROM OTHERS - Sometimes people don't answer when you talk to them

3. ASKING ?s YOU KNOW THE ANSWER TO - It's not good to ask questions that I know the answer to.

4. TOUCHING OTHER'S PROPERTY - I should not touch other people's things.

5. CIRCLE TIME - In circle time I listen to the teacher.

6. LEAVING ACTIVITY - I talk to the kids that I'm playing with.

7. TUNING IN TO PEOPLE - I only think about what people are saying or doing.

8. PREDICTING - I should not try to guess what's going to happen later

9. CALLING OUT - Whenever I want to talk to someone, I need to walk over & speak to them.

10. NOT LISTENING - It's important to look at people and stop what I'm doing when they have something to tell me.

11. RULES - I'm not allowed to make up rules.

12. LEAVING OBJECTS WHEN GROWN-UP CALLS - When a grown-up calls me I need to immediately stop what I'm doing and go to them.

13. STEPPING ON THINGS - When I'm walking someplace I need to look everywhere in front of me.

14. INTERRUPTING - I can't interrupt when others are having a conversation or are busy with something.

15. PERSONAL SPACE - When I talk to people I need to give them their space and stay away from their faces.

16. WALKING FROM CONVERSATION - I never turn away from anyone when I'm in a conversation.

17. LISTENING THE FIRST TIME - It's important to listen to grown-ups the first time.

18. TASK LAZINESS / DOING BEST - It's important to do my best in everything I do.

19. I MUST TALK - Sometimes I want to say things very badly, it feels like I have to say it right that second.


How social stories work

Each story consists of three sections:

1. The OPENING STATEMENT

(keep this as close to the original as possible).

[You can tell from the following -- Bullet Pts. -- that these notes were written with the original Social Sentences in mind, but it was hard for all the therapists to put the stories in their own words until they had many stories, probably even different versions of same stories, memorized well. This is probably an additional reason why it was good to go with our "three-version" method (additional to that he was memorizing them)]

2. BULLET POINTS

[Our original stories were titles w/bullet points. Our team had to improvise around these. Later, we created three versions of full-blown stories.] Each social story contains several bullet points for you to touch upon. You've got leeway to improvise here since these are general themes that are put into your own words.

3. Always end with a CONFIDENCE STATEMENT ("I can do it.", etc.)

These stories give a rationale for "why" you do things in certain situations.

These stories also work hand in hand with perspective taking.

EXPANDED EXPLANATIONS OF BULLET POINTS

1. After reading the OPENING STATEMENT (as close to verbatim as possible), look at each BULLET POINT and read it from any perspective (his, yours, ours, people's...)

e.g., "People like me better when I look at them; it makes them want to talk to me more."

The bullet point above can be delivered several ways (be sure to keep shifting the POINT OF VIEW):

a. As a statement read to him (exactly as above) b. As a scripted answer delivered by him to the question, "Do you ever walk away from someone when they're talking to you?" c. Ask him, "How would YOU feel if I walked away from you when you spoke to me?" and script the above answer as "I would like you better if you looked at me."

2. Remember, each BULLET POINT is a THEME that you can play with as above. Take some time to discuss some of these themes and return to them more than once as you cover each topic. DO NOT ZIP THROUGH THESE WITH HIM. Make sure he's attentive and is trying to comprehend what you're saying. These are to be treated as stories/conversations. Pause here and there to give him a space to comment in between your scripting.

3. Other themes can bleed across boundaries ("getting stuck" fits in many places).

***ALWAYS CLOSE WITH A CONFIDENCE STATEMENT

TO GET A COMPLETE PICTURE OF THE VARIATIONS ON DELIVERING THE BULLET POINTS, CHECK OUT THE VIDEO WHERE WE WORK "LISTENING TO A GROWN UP THE FIRST TIME" TO DEATH THROUGHOUT THE TAPE. [this was probably a videotape from a follow-up workshop w/our consultant]

METHODS OF DELIVERING STORIES

Here are some of the ways we recall that we presented the Social Stories.

1. Read them to him.

2. Acted out with dolls and puppets (with him only as an observer). When we got to the "behavior" we would stop and de-brief him about what happened.

e.g., SD: "Why did they walk away?"

Then we would re-enact the scene (or crime!) without the offending behavior and have a positive outcome and de-brief again.

e.g., SD "Why did they stay and play with him?"

3. Once he could handle it, we had him join in the doll/puppet play with his doll or puppet being the one reacting to the weird/ inappropriate behavior. Then we would ask him why his doll/puppet was nice/mean to the offending doll/puppet. This was very reinforcing to him and gave him a chance to contemplate someone else's perspective of his behaviors (empathy).

4. We acted out stories on a flannel board (similar to dolls/puppets) and later had him join in (again de-briefing...we ALWAYS de-briefed, no matter what method we used for the stories).

5. Since he was able to read we would have him read the stories to us or trade lines from the stories with us.

6. Since he was writing we would sometimes write questions (as part of the de-briefing) and have him write the answers.

7. We used the Grolier "Help Me Be Good" Books extensively, either reading them to him or having him read them to us. Or sometimes making up stories using the pictures. We ALWAYS de-briefed (e.g., "why is that boy making that face?", etc.).

8. Sometimes we did "overlapping sessions" where the last half hour of one therapist's session overlapped with the first half hour of the next. The two therapists could then overlap and role play various social stories and de-brief. Even if only one therapist were available, they could role play one of his behaviors and then de-brief him ("How do you feel when I ignore you?", etc)

9. Whenever we could (rare for us but it happened), we would get an older NT child to play with him. We would let them play and then prompt (whisper in the NT kid's ear) a response that was a negative reaction to any inappropriate behavior ("I'm not playing with you; you're making weird faces"; "If you don't look at me it makes me upset"). This was critical since it was an early phase of transferring stimulus control to other kids. As mean as it sounds, we wanted other children to get upset with him when he behaved inappropriately so we could de-brief him later. This had a tremendous impact and made him really WANT to play with others appropriately.

The Social Stories have specific topics (Personal Space, Acting Weird, Interrupting, etc.). Once we were rolling with all the previous things mentioned, we were able to use many of the familiar expressions we created in these stories in real life to deal with these situations. (e.g., "Who gets good things?" "Good boys get good things"). So we constantly generalized these stories and de-briefed in real life when the situations came up. We also created new Social Stories all the time as new situations arose (and added them into the many ways we used them mentioned previously).


The stories

Set Original A

1. NO ANSWER FROM OTHERS

2. WAITING MY TURN

3. NOT LISTENING

4. TOUCHING OTHER PEOPLE OR THEIR THINGS

5. LEAVING ACTIVITY

6. TIME-OUTS

7. STANDING AND SITTING STILL

8. BELL RINGS

9. MY HANDS

10. TASK LAZINESS / DOING MY BEST

11. RULES

12. EARNING STARS

13. WEIRD THINGS

14. I MUST TALK

15. CALLING OUT

16. LISTENING THE FIRST TIME

17. LOOKING WHERE I'M GOING

18. PACING

19. GROWN UPS ARE DIFFERENT FROM KIDS

20. WALKING FROM CONVERSATION

21. DAYDREAMING

22. CIRCLE TIME

23. ANSWERING THE FIRST TIME

24. DOING THINGS QUICKLY

Set Original B

1. TIME-OUTS

2. NO ANSWER FROM OTHERS

3. ASKING ?s YOU KNOW THE ANSWER TO

4. TOUCHING OTHER'S PROPERTY

5. CIRCLE TIME

6. LEAVING ACTIVITY

7. TUNING IN TO PEOPLE

8. PREDICTING

9. CALLING OUT

10. NOT LISTENING

11. RULES

12. LEAVING OBJECTS WHEN A GROWN-UP CALLS

13. STEPPING ON THINGS

14. INTERRUPTING

15. PERSONAL SPACE

16. WALKING AWAY FROM CONVERSATION

17. LISTENING THE FIRST TIME

18. TASK LAZINESS / DOING BEST

19. I MUST TALK

20. ANSWERING THE FIRST TIME

21. PACING

22. WEIRD THINGS

23. WAITING YOUR TURN

24. MY HANDS

Set Original C

1. TIME-OUT

2. NO ANSWER FROM OTHERS

3. ASKING ?s YOU KNOW THE ANSWER TO

4. TOUCHING OTHER'S PROPERTY

5. CIRCLE TIME

6. LEAVING ACTIVITY

7. TUNING IN TO PEOPLE

8. PREDICTING

9. CALLING OUT

10. NOT LISTENING

11. RULES

12. LEAVING OBJECTS WHEN GROWN-UP CALLS

13. STEPPING ON THINGS

14. INTERRUPTING

15. PERSONAL SPACE

16. WALKING AWAY FROM CONVERSATION

17. LISTENING THE FIRST TIME

18. TASK LAZINESS / DOING BEST

19. I MUST TALK

20. ANSWERING THE FIRST TIME

21. PACING

22. WEIRD THINGS

23. WAITING YOUR TURN

24. MY HANDS

Set 1 A

1. NO ANSWER FROM OTHERS

2. WAITING MY TURN

3. NOT LISTENING

4. TOUCHING OTHER PEOPLE OR THEIR THINGS

5. LEAVING ACTIVITY

6. TIME-OUT

7. STANDING AND SITTING STILL

8. BELL RINGS

9. MY HANDS

10. TASK LAZINESS / DOING MY BEST

11. RULES

12. EARNING STARS

13. WEIRD THINGS

14. I MUST TALK

15. CALLING OUT

16. LISTENING THE FIRST TIME

17. LOOKING WHERE I'M GOING

18. PACING

19. GROWN-UPS ARE DIFFERENT FROM KIDS

20. WALKING AWAY FROM CONVERSATION

21. DAYDREAMING

22. CIRCLE TIME

23. ANSWERING THE FIRST TIME

24. DOING THINGS QUICKLY

Set 1 B

1. TIME-OUT

2. NO ANSWER FROM OTHERS

3. ASKING ?s YOU KNOW THE ANSWER TO

4. TOUCHING OTHER'S PROPERTY

Sometimes I notice things that belong to other people.

5. CIRCLE TIME

6. LEAVING ACTIVITY

7. TUNING IN TO PEOPLE

8. PREDICTING

9. CALLING OUT

10. NOT LISTENING

11. RULES

12. LEAVING OBJECTS WHEN GROWN-UP CALLS

13. STEPPING ON THINGS

14. INTERRUPTING

15. PERSONAL SPACE

16. WALKING AWAY FROM CONVERSATION

17. LISTENING THE FIRST TIME

18. TASK LAZINESS / DOING BEST

19. I MUST TALK

20. ANSWERING THE FIRST TIME

21. PACING

22. WEIRD THINGS

23. WAITING YOUR TURN

24. MY HANDS

Set 1 C

1. NO ANSWER FROM OTHERS

2. WAITING MY TURN

3. NOT LISTENING

4. TOUCHING OTHER PEOPLE OR THEIR THINGS

5. LEAVING ACTIVITIES

6. TIME-OUT

[Parent's note: WE DON'T LIKE USING WORD "BAD", THOUGH I SUPPOSE (with some embarrassment) WE DID USE IT HERE FOR AT LEAST A WHILE. WE LIKE TO USE "INAPPROPO BEHAV" OR "NOT GOOD" INSTEAD]

7. STANDING AND SITTING STILL

8. BELL RINGS

9. MY HANDS

10. TASK LAZINESS / DOING BEST

11. RULES

12. EARNING STARS

13. WEIRD THINGS

14. I MUST TALK

15. CALLING OUT

16. LISTENING THE FIRST TIME

17. LOOKING WHERE I'M GOING

18. PACING

19. GROWN-UPS ARE DIFFERENT FROM KIDS

20. WALKING AWAY FROM CONVERSATION

21. DAYDREAMING

22. CIRCLE TIME

23. ANSWERING THE FIRST TIME

24. DOING THINGS QUICKLY

Set 2 A

1. NO ANSWER FROM OTHERS

2. TEACHER TALKS

3. NOT LISTENING

4. LEAVING ACTIVITY

5. STANDING AND SITTING STILL

6. TASK LAZINESS / DOING MY BEST

7. RULES

8. WEIRD THINGS

9. BULLYING

10. I MUST TALK

11. LISTENING THE FIRST TIME

12. LOOKING WHERE I'M GOING

13. PACING

14. GROWN UPS ARE DIFFERENT FROM KIDS

15. WALKING FROM CONVERSATION

16. DAYDREAMING

17. ANSWERING THE FIRST TIME

18. DOING THINGS QUICKLY

Set 2 B

1. NO ANSWER FROM OTHERS

2. TEACHER TALKS

3. NOT LISTENING

4. LEAVING ACTIVITY

5. STANDING AND SITTING STILL

6. TASK LAZINESS / DOING MY BEST

7. RULES

8. WEIRD THINGS

9. BULLYING

10. I MUST TALK

11. LISTENING THE FIRST TIME

12. LOOKING WHERE I'M GOING

13. PACING

14. GROWN-UPS ARE DIFFERENT FROM KIDS

15. WALKING AWAY FROM CONVERSATION

16. DAYDREAMING

17. ANSWERING THE FIRST TIME

18. DOING THINGS QUICKLY

19. PERSONAL SPACE

Set 2 C

1. NO ANSWER FROM OTHERS

2. TEACHER TALKS

3. NOT LISTENING