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Welcome to the "Nashville Corner"!
Below, you will find tid bits about the goings on in good ole Nashville, TN. Nashville is where I lived for quite awhile, and I am currently on "FoxFireRecords" I now reside in Largo FL where I do a single, and enjoy the great FL weather. Feel free to visit my music site at: www.annemariee.com |
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WILL & CAITLIN
Will
Snyder and his duet
partner Caitlin
Lynn won CMT’s Can
You Duet competition. Will shares his thoughts about
the journey.
When we made it to the top 25 duos, they moved us to the Gaylord Opryland Resort. My room was delta 4044, and I remember when I checked in to the hotel they handed me a map to find my room. I couldn’t find my room because it seemed like a mile away through a maze, so me Carlos, and Dave got a bellboy to help us find our way to our rooms. Camera men were going crazy videotaping everyone trying to find there way through the confusion lol. Actually, Camera men was everywhere you’d turn for the majority of the show. I could be standing out in the hall talking to one of the contestants, and before you would know it… you’d look around, and you would be filmed. Once I finally got to my room, we all found out that Can You Duet wanted us down in a certain area of the hotel for a mixer to get to know our competition, and also for the show to split us up into two groups. One thing that stood out to me was everyone in my group seemed to be really nice and down to earth. It was relieving to meet everyone and make friends; it eased some of the stress of losing Belvis in the first round. I went from feeling alone, to feeling more at home with the other contestants. Right off I became friends with David Oakleaf, and Lewis Brice, The Lexington Brothers were a blast to hang with. Things started looking up, and as I got to know more people… I really liked about everyone. I met all the singles that night at the mixer except for the guy they teamed me with lol. I wanted to be put with a Girl because I thought it would be cool being able to sing in a higher range, and do some powerful duets. When I was teamed up with Jared Johnson it was a surprise, I really had hoped that they would put me with a female singer. But I got to know him very quick, and he was a blast to hang with. We started singing together and going over songs that we could do, he sung in a similar range as me so that was relief. I really liked Jared’s voice, but I noticed that we didn’t blend that well as singers. But I also knew we had never met and had never sung together, so I didn’t know what to expect. We chose to sing “When Will I Be Loved” Every time we played it, something seemed to be missing. I couldn’t tell what it was, well when we got to play it for Amy at SIR… I noticed that she did like our voices, just not together. So I got the vibe that we would end up being split, so the only thing that I was worried about was I could be the one getting sent home because I kept forgetting certain parts in the song. It was great working with Jared, but when we played for the judges and they split us up… we both knew it was for the best. We both were very relieved that we got split instead of being sent home, so once again we were singles. The only question now was who are they going to put me with now? I thought that the judges would either place me with Lewis or Caitlin… When they put me with Caitlin, I already knew we sounded really good together cause we had sung with each other just goofing around. Honestly, they could have put me with either one of them and I would have been happy. Before I knew it, Caitlin and I were knocking round after round down in the contest. It seemed like every time we sung for the judges, they loved us more and more. All through the show I was just hoping to make it in the top 8 duo’s, when we was still getting great reviews from the judges after the top 8… things just kept getting harder and harder to believe. I truly did not think Wild Honey was going home… I really thought they would at least have made it into the top 3. When they got voted off, it shocked the crap out of me. I really thought Caitlin and I would have been sent home before them, and before I knew it… Caitlin and I were in the top 4 duos. We had talked and talked about preparing the right time to do a love song, and it was time to bring out the big guns and take a risk. I had said when Caitlin and I had first got teamed up that doing a love song at that point wouldn’t be a good idea. Looking back, I really believe I was right. I didn’t want to go up on stage with someone I barely knew and sing a passionate song with them. I knew I wouldn’t pull it off, I had never done a duet like that before, and I was afraid that our performance wouldn’t be believable. So it seemed to make better sense to do a few rocking songs at first, and in the mean time we would get to know each other enough that it wouldn’t be an issue. So I talked Caitlin into waiting. When we made it into the top 4 duos, we knew it was time to do the love song. We knew that they wouldn’t expect two people that barely knew each other to pick a love song, especially a Faith and Tim love song. It was a song that would either make us or brake us. As soon as we went into the performance of the song, the mood of the audience completely changed. Everyone went quiet, and we didn’t know if it was a good quiet, or a bad quiet. As I walked up beside Caitlin as we were singing, everyone just broke out into cheering. I looked over at the judges, and they were giving us a standing ovation. By the time we had ended the song, I was all choked up. It really meant a lot to get that sort of reaction from everyone. The Judges loved the performance; Aimee went on to say that it was the best of the whole show. I never saw that coming!! It felt like we had won the show that night lol!! That was the first time that I had ever been mobbed by fans after the show was over. It was so sad to see the Coppolas get voted off that night, I was so worried that Joey and Rory was getting sent home. Rory kept saying how worried he was that they were leaving that night, it had me worried lol. I was so glad to see them make it; they are like family to me. They got so close to everyone, they are the kind of people that you could go a whole lifetime and never meet… They truly are one in a million. I really believe the last few shows was the hardest because we had said goodbye to so many duets in the contest that had became so close as friends. The last 3 rounds of the show was the hardest, I felt really sad that it all was coming to an end. I found myself missing some of the other contestants that I had hung out with everyday. I missed David Oakleaf a lot, David was such a great stress reliever because we would set around a joke all the time. At the last show, David and Lewis came… I had hoped they would, and when the showed up… It really made me want to player as good as I could. David and I had set around playing “Stupid Boy” on the guitar different times through out the show… So It was great to be able to play it up on stage and have Caitlin help me add a female flavor to it. We played it in a higher key, and split the main vocals to make the song more personal. It was a blast!! I looked out in the crowed and David and Lewis looked so proud, dad and mom were grinning from ear to ear. It always helped me do better when I could see friends and family in the crowed. For some reason, it would make it easy to play for the judges. After Caitlin and I had played “Stupid Boy,” I felt really good about the performance. I wasn’t sure if we had did good enough to make it to the top 2 duos, but I knew that if we got voted off… we had went out with a bang. And honestly we could have got voted off at that point and we would have walked away knowing we did a good job. I would have hated to have gotten voted off because I screwed something up in the song. After everyone had played, the judges went off to talk over who should be the top 2 duets. Well, I sat down beside Caitlin and she asked me… Do you want to win? I said yes, but If we don’t… I’m just glad we’ve made it this far. She smiled and said; well it’s good to know we both feel the same. We really didn’t think we would win, but we really wanted to make it into the top two duos. When we found out we had made it, we was freaked out!! It was so great, but at the same time… We also had to go up and play another song. We knew even if we didn’t win, we at least had made it into the top 2. I loved the song that Sony had picked for us to do “Love Is” it’s such a powerful message, but it also was a hard song to pull off. It’s one of those power vocal songs, you have to sing it as good as or better than the original version… and the original recording of it was amazing. When we sung it and I seen Brett start crying, it hit me like a ton of rocks! I had never seen anyone in the whole show make Brett manning cry. It really meant a lot to know that we did good enough to have that sort of emotional pull on him. We worked our butts off to win, and when we did… I didn’t know what to think. All through the show we kept hearing Rossi start each show with the lines ” These duos have came in hopes of winning a recording contract with Sony BMG Nashville” and all through the contest I would look over at all the contestants thinking, one of these duos is going to win that. It never crossed my mind that it was me and Caitlin that would be the ones to walk away the winners. Brett, Aimee, and Naomi were amazing judges, and they truly gave us priceless advice throughout the show. It was a great experience getting to know them and learn from them, I went into this wanting to meet them and learn as much as I could from them. Not purely for the fact that its neat meeting a star, I wanted to know what they thought and how they looked at things. After all, they would know better than anyone about what it takes to become successful in music. Can you Duet and the Producers of American Idol really did us well by handing us those three, they always had something to tell us to uplift and keep us raising the bar every round. I started out being intimidated by them, but as I got to spend time with them in the mentoring sessions, I really got to find out what they were about and what they wanted. I think where people can make the worst mistake is not listening to the judges, I seen people come into the contest thinking they were able to do things the way they wanted no matter what the judges said… you might be lucky enough to make it past a round or two being that way, but somewhere down the line it will get you kicked off. You truly have to be flexible; the judges are there to help… if they talk, it’s best to listen. To end the blog, I just want to say that… Can you Duet has been a great thing in my life. It was by far the hardest thing I’ve be put through in my music, but it really paid off. I met people in the contest that I will probably stay friends with from now on.
CAN YOU DUET????
I must say that I could have never predicted how this competition was going to turn out. Not that I’m unhappy with the final choice. In fact when you look at it purely from inside the music business, the duet with the best chance of establishing themselves and making a long career as artist were the winners. It’s no secret that Joey and Rory were my favorites. To me they were the most authentic duet on the show and I loved practically everything they did. After the filming of the last episode I found out that my masseuse, Richard Valdez and family, is their next-door neighbor and never told me. It must have been difficult for him to have kept that secret, but knowing that it could have impacted the show, he knew it was best not to tell me. My husband Larry and I just had lunch a few days ago at Joey’s little restaurant, Marcy Jo’s, outside of Columbia, Tenn. Pork Chops, mashed potatoes and green beans. I want to make a public apology to The Coppola twins. I was too hard on them and in the pressure of filming the show I misspoke when I said they had no character. What I was trying to convey, and it was all in the context of their music, was that I didn’t think they had a specific style or sound. They both can sing and they are both very talented, pretty young ladies. I just didn’t hear a unique blend to their voices. In fact, in my opinion, the twin thing worked against them because they blended too well. If that makes any sense. I’m sure they will go on and do very well in the business if they choose to. I took my position as a judge on the show very serious. I tried to have fun with it but at the same time I didn’t want to mislead anyone. Trust me, it wasn’t easy. You really have to try and remove any emotion from the decisions you have to make, but it still hurt when we had to cut a duet. I got very close and emotionally invested in those kids and I wish all of them success and happiness. - Naomi Judd
![]() Why are some segments of the media painting Kenny Chesney as a hypocrite after expressing his opinion about the Academy of Country Music’s entertainer of the year award being turned into a fan-voted honor? Although he criticized the ACM’s recent decision to have fans decide the winner through online voting, he never once claimed (or otherwise hinted) that he hadn’t used his Web site and fan club to campaign for votes. The suggestion that Chesney was being hypocritical was raised in an Associated Press story that was later used as a point of reference for a blog on the Los Angeles Times‘ Web site. The truth is that banner ads and messages to promote voting were prominently featured on the official Web sites of all five of the entertainer of the year nominees — including George Strait, Keith Urban, Brad Paisley and Rascal Flatts. Regardless of how it’s decided, the entertainer of the year award provides a level of prestige and bragging rights, so who could blame the artists and their handlers for trying to win? Chesney’s point was that artists being forced to lobby and beg for votes is “what they’ve lowered us to, to get entertainer of the year.” Although Brad Paisley doesn’t care how the winner is determined, he acknowledged backstage that various artists “have different levels of organization in their fan clubs and the ability to win an award.” I was in the pressroom at the ACM Awards in Las Vegas and was stunned by Chesney’s candor in answering the question asked by Peter Cooper of The Tennessean newspaper. And, trust me, I didn’t feel the vibe that Chesney was dissing his fans — or any country fans — in making what he referred to as “an industry complaint.” In a letter to fans, Chesney says his views on the fan voting are “something an awful lot of artists and business people have told me they not only agree with, but something the entire media room applauded pretty resoundingly after I addressed it Sunday night.” (You can read Chesney’s letter by clicking on the “news” icon on his official Web site.)
KELLIE PICKLER
A is for Australians - Before the event officially started, I checked out some international showcases in the honkytonks of Lower Broadway. Some of it was terrible, and one guy traveled all the way from Australia to sing “Crazy.” (Um, I think we’ve all heard that before.) My personal favorite was Troy Cassar-Daley, with his smooth baritone, traditional bent and songs reminiscent of Randy Travis, Doug Stone and non-silly Joe Diffie. If I ever get to Australia, hopefully I can hear some more. B is for Bluegrass - On the first official day of the festival, I strolled down to the Sommet Center to hear The SteelDrivers, a hotshot bluegrass band with a blues influence. Usually, the quick melodies in bluegrass put a spring in my step, but this band’s approach is kind of down and dirty - and I love it. Chris Stapleton is one hell of a singer and it’s always a treat to hear Tammy Rogers on harmony. Later in the afternoon, I checked out The Dan Tyminski Band, who were previewing music from an album that comes out next week. That’s some mighty good pickin’, boys. C is for Country - Last night I attended the stadium show with a friend who grew up in the Nashville area, but has never been to the festival. She loved it, up and down and sideways. Personally, I get the biggest kick out of Kellie Pickler and I enjoyed her new songs a lot, too. Overall, this year’s festival has been a refreshing reminder that country fans in Nashville have it made. Where else are you going to see Sugarland, Rascal Flatts, Taylor Swift, Jewel and Montgomery Gentry, all in one night? Even better, we’ve got three more nights to go….
MARTINA McBRIDE
Martina McBride (born Martina Schiff) was born July 29, 1966, in Sharon, Kan., and grew up on a farm singing country music from the moment she could tiptoe up to a mike. Before launching her own career on RCA Records, McBride learned about life on the road by selling T-shirts at Garth Brooks concerts. Her first album, 1992's The Time Has Come, stumbled, but the 1993 follow-up The Way That I Am introduced her to the country audience with the upbeat single and video "My Baby Loves Me." Another single from that album, "Independence Day," failed to crack the Top 10. However, by singing about spousal abuse without coming off as preachy, the song has since become McBride's signature song. The video earned a CMA award in 1994, and McBride has rarely released a single since then without an accompanying video. The title track from 1995's Wild Angels became her first No. 1 hit, and she joined the Grand Ole Opry that same year. She continued to rack up hits -- including "A Broken Wing," "Happy Girl," "Wrong Again," "Whatever You Say, "I Love You" and "Love's the Only House" -- and captured her first CMA female vocalist award in 1999. She took her second CMA female vocalist trophy in 2002, on the strength of her Greatest Hits package, with the new singles "When God-Fearin' Women Get the Blues," "Blessed," "Where Would You Be" and "Concrete Angel." a studio album, Martina, followed in 2003. She also won the CMA female vocalist trophy in 2003 and 2004. In 2005, McBride covered an album's worth of country classics on Timeless.
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