8 North Window (at the stair) - left:
The Good Samaritan (Luke 10:33) In memory of John B. Smith and
Warren Smith Newcomb, by Mrs. Richard TenBroeck, dedicated on All
Saints Day (November 1), 1896. Designed by the Tiffany Studio, New
York.
9 South Window - right The Resurrection Angel "He is risen; he is not here." (Mark 16:6) In memory of William Chambers Hite, vestryman 1870-1882, and his wife, Mary Rose Hite, by their daughter, 1898. Designed by Tiffany Glass and Decorating Company.
10 The Good Shepherd (center) "I know my sheep." (John 10:14) In memory of Henry W. Barret (1843-1923), vestryman and Chapter member 1872-1914, by Mrs. William Heyburn, 1924. Designed by D'Ascenzo Studios, Philadelphia.
11 Blessed Virgin Mary and Jesus (South Side) In memory of Theodore Harris Ballard (1886) and Samuel Thruston Ballard (1891-1895) by their parents S. Thruston and Sunshine Harris Ballard, 1926. Designed by D'Ascenzo Studios.
12 Elizabeth and John the Baptist (North Side) In memory of Rogers Clark Ballard (1891-1919), by his parents S. Thruston and Sunshine Harris Ballard, 1926. Designed by D'Ascenzo Studios.
| The Cathedral Organ, designed by John N. Mander of N. P. Mander Ltd., London, England, will be a three manual and pedal organ of 36 stops with freestanding console and mechanical action. The organ will have one enclosed division (the 'Swell Organ') and two unenclosed divisions (the 'Great Organ' and the ' Choir Organ') together with a Pedal Organ. (Construction pending funding) |
13 The Nave includes the original brick side walls
and timber roof structure constructed in 1824 by Graham &
Ferguson. The original east wall was demolished for the Chancel
addition of 1845, John Stirewalt, architect. The west front was
reconstructed in 1870-71, William H. Redin, architect. The original
structure was consecrated by Bishop Thomas Brownell of Connecticut
in 1829; re-consecrated (after additions) in 1860. The Nave Walls
and Ceiling were first "frescoed" in 1850. Decorative
color schemes were painted over in the 1921 Centennial renovation,
using a stone gray color. The present color scheme is not a
reconstruction but uses colors dated to 1896 and is inspired by
historic patterns. The wood-paneled wainscot below the windowsills
was replaced in the 2000-2001 renovation using solid yellow poplar
and white pine boards re-milled from the mid-19th century pews
formerly in the Nave.
