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Penny Thornton & Lady Diana


Penny Thornton war für eine bestimmte Zeit Lady Diana's Astrologin. Sie hatte 1989 etwas in ihr Tagebuch geschrieben, was sie aus zwei Traum-Erlebnissen erinnerte und das (Zitat) 'C.G.Jung vielleicht als 'großen Traum' bezeichnet hätte'. Das, was sie in ihr Tagebuch geschrieben hatte, beschrieb sie auch in ihrem Buch 'With Love from Diana', das im Januar 1995 veröffentlicht wurde.



Das Kapitel in dem Buch, in dem sie darüber schrieb, nannte sie: 'Foreshadows of the Future' (Vor-Schatten aus der Zukunft). 

In dem folgenden Auszug aus dem Buch "With Love from Diana" sind Worte farblich hervorgehoben und die korrespondierenden Groß-Buchstaben der genannten Daten in eckige Klammern eingefügt, welche einen Zusammenhang mit Ereignissen aus der Nacht des 31. August 1997 in Paris vermuten lassen - als sie starb. Das mag insofern von Bedeutung sein, als die Ereignisse von Paris 1997 erst 8 Jahre nach ihrem Traum und erst 2 ½ Jahre nach  ihrer Buchveröffentlichung geschahen.


Beginn der Zitate

     " In the second dream, which I will recount in the present tense since that is how I recorded it in my diary, I am sitting in a sand dune having a picnic. Diana comes towards me, dressed in white with a black cloak around her [A] .

She sits down besides me. I feel awkward and unprepared for her sudden and unannounced arrival. She is telling me about someone who is called Peter, who has been fired because of her [G]. Apparently he is going to France [F] and will be undergoing plastic surgery [F] to conceal his identity.

She goes on to talk me about William, and while she does this, she holds up a large figure 3 [I].

She then begins to cry, and I comfort her, urging her not to give up on the marriage. She recovers her composure and I take up the topic of Peter, refering to him as a past relationship. "Its's not over. It's very much on, " [K] she says.  .....

I escort her out to her car, and when I return, William is seated in the same chair. He is much older [C] {1989 war William 7} and sporting a beard.
He says to me. "They don't tell me everything, you know. For a few minutes we lost complete radio contact with them ... "

As he was saying this to me, I saw an event from an aerial point of view [J]

Two
police motorcycles [D] and a white car [E] streaming ahead [E], leaving a black car [B] on its own.

Two vans
[H] approch from either side [H]
and prevent the black car [B] from moving forward. [!]

The dream ends in chaos and I hear my own voice saying, "Isn't anyone going to do anything ...?"



 

"...sitting at a large desk, was Her Majesty the Queen. She was delivering a somber speech, but no matter how hard I tried, I couldn't hear what she was saying...."

"[Charles and Diana] were posing for photographs and were seated...on a child's rocking horse. Diana was laughing and Charles was urging her to be more responsible and to look serious for the cameras. There was a flash and a large explosion. All that was left on the stage was an empty car seat on a raised dais.[L]"

Original book text (page 76): " Charles was not recovering from his injury as well or as quickly as he had hoped, and the prospect orbis being unable to pl1;ly polo again was deeply depressing for him. According to Diana, he was intolerable to live with, moody, unapproachable-impossible. During the phone call, in light of her musings over events happening in threes, she was to remind me of a conversation we had had a few days before Christmas or, more particularly, the two dreams I bad discussed with her.

Dreams are more than the stuff of mindless imaginings. Clearly an element of sifting through day-to-day events and processing our experience is part and parcel of the function of dreams. But a dream is much more than a psychological shuffling process. In a dream's cryptic imagery lies not only the inner landscape of the psyche in the Jungian sense, hut the shadows of past and future events.

In the summer and autumn of 1989, I had what Jung might have termed two "big dreams." In the first, I was in the front row of an audience watching a play. The curtain went up and on the stage, sitting at a large desk, was Her Majesty, the Queen. She was delivering a somber speech, but no matter how hard I tried, I couldn't hear what she was saying. I knew only that it concerned the future of the monarchy. My eyes were then drawn to Charles and Diana, who were just behind her. They were posing for photographs and were seated - Charles behind Diana - on a child's rocking horse. Diana was laughing and Charles was urging her to be more responsible and to look serious for the cameras. There was a flash and a large explosion. All that was left on the stage was an empty car seat on a raised dais.

In the second dream, which I will recount in the present tense since that is how I recorded it in my diary, I am sitting in a sand dune having - a picnic. Diana comes towards me, dressed in white with a black cloak around her. She sits down beside me. I feet awkward and unprepared for her sudden and unan­nounced arrival. She is telling me about someone called Peter who has been fired because of her. Apparently he is going to France and will be undergoing plastic surgery to conceal his identity. She goes on to talk to me about William, and while she does this, she holds up a large figure 3. She then begins to cry, and I comfort her, urging her not to give up on the marriage. She recovers her composure and I take up the topic of Peter, referring to him as a
past relationship. "It's not over. It's very much on," she says.

The scene changes to my then home, Bramshott Court. Diana comes into the sitting room with a large gift-wrapped present, which she bands to me. When I open it, I find a strange-Iooking object about three feet in size - the only thing this object vaguely resembles is the ornate hand of a large clock I am embarrassed at the enormity of the gift and refuse it, saying Prince Charles might be cross if she gave it away. I escort her out to her car, and when I return, William is seated in the same chair. He is much older and sporting a beard. He says to me, "They don't tell me everything, you know. For a few minutes we lost complete radio contact with them . . ." As he was saying this to me, I saw an event from an aerial point of view. Two police motorcycles and a white car streaming ahead, leaving a
black car on its own. Two vans approach from either side and prevent the black car from moving forward. The dream ends in chaos and I hear my own voice saying, "Isn't anyone going to do anything . . . ?"

Analysts will clearly have a field day with the offerings of my own personal unconscious here, but aside from taking the dreams apart on a strictly
psychological level, there are some intriguing fore­tastes of the future here - and the past.

During our December '89 conversation, the topic of reincarnation had come up. Diana confided that she was becoming more and more deeply involved in a spiritual path that she not only believed was her role in this life but something she had done in
a past existence. Given that "Peter" was a key figure in the second dream and that we were by the sea, I wondered if there was an echo of the time of Christ here. "Oh, yes. . ." she said emphatically, "I was a martyr."

I will return to the premonitory aspects of these dreams in Chapter VIII, but suffice to say, the images in the second dream convey a wealth of information about the current state of play in Diana's life - more specifically that there was a strong possibility of an ongoing relationship


31. August 1997

 

 In der Nacht des 31. August des Jahres 1997 starb Lady Diana, die Prinzessin von Wales um 4 Uhr morgens in Paris (Frankreich), nach einem Autounfall, der sich um 0 Uhr 25 CED ereignete.

 

 

 

 

 

K. Im Sommer 1997 hatte die geschiedene Lady Diana eine neue Beziehung zu einem Mann aufgebaut

 

 


 

 
 

 A. Als sie verunglückte trug sie eine weiße Hose und einen schwarzen Blazer.

 

 
 

 

        

 
 


 

 B. Das Auto, in dem Lady Diana verunglückte war schwarz (Mercedes 280)

 

 C. Ihr Sohn William ist im August 1997 15 Jahre alt.
 

 

 D. Unmittelbar vor dem Unfall begleiteten zwei Motorräder das schwarze Auto.






E. Ein weißes Auto (Fiat?) soll dem schwarzen Auto voraus gefahren sein.

 "According to witnesses, Paparazzi -- the commercial photographers who constantly followed Diana -- were pursuing the car on motorcycles.

Authorities said seven photographers -- six reported to be French and one Macedonian -- were in custody, and a criminal investigation was under way. Police seized two motorcycles and a motor scooter believed used in the chase."


" Mystery of the white Fiat Uno

Probably the most intriguing eye-witness account was that of Sabine and George D.
Their surnames were withheld to save them from media harassment.
In January, they gave a detailed interview to Hello magazine in which they said they saw a Fiat Uno shoot out of the tunnel moments after the crash."

"
Mysteriös blieb bisher auch das Fahrzeug, das mit dem Mercedes vor dem Unfall kollidiert sein muss. Farbspuren eines Fiat Uno fanden sich an dem Unfallwagen. Am Unfallort hatten Ermittler Scherben vom Rückscheinwerfer eines Fiat Uno gefunden. Im Januar 1999 wurde der offizielle Untersuchungsbericht veröffentlicht. In dem offiziellen Bericht heißt es: "Aus der Untersuchung aller bekannten Faktoren ergibt sich, dass der Unfall durch überhöhte Geschwindigkeit, die besonderen Straßenverhältnisse, einen Fiat Uno am Eingang des Tunnels und die schlechte Kontrolle des Fahrers über das Fahrzeug zurückzuführen sein dürfte". Der nie gefundene weiße Fiat Uno wurde demnach von dem Mercedes der Prinzessin und ihres Freundes Dodi al Fayed kurz gestreift. Die Fotografen, die dem Wagen hinterhergejagt waren, entgingen einer Anklage wegen Totschlages. der Wagen hatten die Fotografen demnach zum Zeitpunkt des Unfalls bereits abgehängt. Einer von ihnen gab demnach bei der Polizei zu Protokoll: "Ich versuchte, Diana ins Bild zu bekommen und zoomte. Es stimmt, wir haben den Opfern nicht geholfen."
 

F. Ein Angestellter (Trevor Rees-Jones) des Hotel Ritz, der mit bei Diana im schwarzen Auto saß, musste sich nach dem Unfall in Paris (Frankreich) einer plastischen Gesichtsoperation (10 Stunden) unterziehen. 



G. Sein Arbeitgeber beschuldigte ihn der Unprofessionalität 


 

   



In seinen Vernehmungen gab Rees-Jones an, der Fahrer habe einen normalen Eindruck auf ihn gemacht. Diana habe noch wenige Minuten vor dem Unfall ihn aufgefordert, schneller zu fahren. Zwei Motorräder mit Fotografen seien dem Mercedes vorausgefahren und hätten die Sicht des Fahrers Henri Paul durch ein Blitzlichtgewitter behindert. Unmittelbar nach dem Unfall sei die Prinzessin noch am Leben gewesen und habe Dodis Namen gerufen.
 

H. Das schwarze Auto stand nach dem Unfall zwischen zwei großen LKW's (der Polizei)

 

 



 


 

    

I. Bei dem Unfall starben 3 Menschen.

 

 
 

J. Das verunglückte Auto konnte  'von oben' betrachtet werden, da es sich in einem einsehbaren Tunnel befand.





 

 

 
 

L. Das leere Auto wurde auf eine große Bühne eines Lasters gehoben.

 

 

Kopie der Umschlagseite aus 'With Love From Diana' mit dem Druckdatum Januar 1995.

[1]  ISBN 0-671-89186-3 Pocket Book New York, Printing January 1995

 

Kopie eines Dokuments das Lady Diana im October 1996 schrieb.

Anmerkung: Auf Seite 76.ff. ihres Buches schrieb Penny Thornton, dass sie im Dezember 1989 ein detailiertes Telefongespräch mit Lady Diana hatte über ihre beiden Träume (Sommer und Herbst 1989). Dies mag etwas Licht in ihr Dokument bringen, aber es muss nicht bedeuten, dass ihr Unfall geplant wurde, von wem auch immer.

 

 


 

 
volker doormann    -  2003.10.04