precipitation | the underwaterboys | la lune et les étoiles | in the wake of the gale | the church |
road tripping | indiana | |||
Could it be that one small voice doesn't count in the world? Yellow like a geisha gown. Denial all the way. | ||||
When
I first came to Florida, we had a boat. Every now and then we would take
it out into the river, hitch a line to it, and water ski, hydro slide, or
just idle through the mangrove cays. A very few times, we took the boat
out onto the ocean, set out the trolling lines, and just cruised, taking
in all the sights, sounds, and motions of a summer gulf stream day.
Once, I even fed a porpoise from the bow, as it raced alongside us and
leapt into the air, catching the ballyhoo I held above the water for it,
never thinking the porpoise would actually see it, much less leap for
it. I saw sea turtles and manta rays, flying fish and tiger
sharks...everything I had read about as a shy farm boy in Indiana.
I remember I was in my AP English class when I first was told that water often is used as a symbol of life. Later, I stumbled onto ee cummings and he talked about what IS and what is NOT, and he taught me what YES! could mean if I only could be so lucky (or perhaps just perceptive enough to notice). In Biology and Chemistry, I was learning about the primordial soup...life seemed to be precipitants of chemicals reacting in the water. My thoughts, I realized, were also reacting bits of dilute matter in a largely unprecipitated universe. I began to stir the mix giving life to the poems which precipitated. |
There is a song I like called Hotel Womb, by a group I love called The Church, in which it is sung "I say, why are those buildings swaying like trees? I say, can we stop for a while? She says, can't you hear the city that's hidden in there? It's just another mile". Somehow, I connect this to the waving corn of my childhood or the water rushing in and out, through the spaces between my arms, legs and my body, as I stand waiting for the perfect wave to form. Is it some spirit in the wind that bends the remembering concrete to listen to the waves crashing on the shore? Is it the some vestigial yearning of the tortured souls trapped within that causes high-rises to seem to sway? If they put their noses to the glass pane and looked straight up between the mirrored, angular facades and the sky reflected, what would they, dizzying, see? And when they do, do they lean toward the sundown like plants growing towards the sun? What are the ears of corn listening to in the wind? Is it all connected, and how can I connect? Hurricane Erin below...something of a curiosity after Andrew... |
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