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Sat, 23 Mar 2013
Down by the Riverson (updated)
Now Playing: Bobby Dylan Live in Sydney '66
Topic: Entry data revision

One of several excellent obscurities on Canadian CBS, the increasingly popular Riverson may be headed towards the $500+ zones where label-mates like It's All Meat reside. However, few collectors outside Canada seem to be aware that there are in fact two different pressings of this LP, despite its rarity. The pressings are easy to tell apart, as the earliest one comes with the old CBS '360' label, while the second variant has the red label with circular yellow lettering that CBS used in the '70s (not sure how this label design is usually referenced).

Both discs were pressed at the same plant and reportedly display no aural differences, but the issue is still significant as most known copies have a pressing defect; a 'stick' or repeat skip on the track "Take Me" which closes side 1. The defect has been described as 'fixable', for those with steady hands and the needed cojones.

When I first posted about this I assumed that the second pressing, does not have this defect, since a few known copies of this run (yellow/red label), including my own, play with no notable problems at all. It seemed a reasonable theory that the repeat skip defect only affected the first pressing and was corrected for the second pressing, during which time CBS also switched label designs.

A neat theory--a little too neat, in fact, for the ever enigmatic domain of vinyl records. A German collector got in touch and pointed out that he knew of a second pressing with the repeat skip defect, which sort of ruins my theory. Things got increasingly confusing when we compared matrix numbers and found that the first and second pressing were manufactured from the same stamper; the dead wax notations are identical. I checked with a couple of other proud Riverson owners, and they confirmed that the dead wax data was the same (side A): 'ES-90136A-1A', and on opposite side 'C2-G' and some tiny squiggles.

In a nutshell, both pressings (with completely different label designs) were manufactured from the same stamper, yet some copies have the pressing flaw on S1T6, and some do not. It appears that all copies with the 360 label have the flaw, while some (but definitely not all) copies with the yellow/red label have the flaw. I see no reasonably simple explanation for this, theories are invited. It's not quite as mysterious as the Madrigal madness (see old post), but close. 

Regardless of the stamper mystery, the collector faces an interesting dilemma--the first pressing has the usual cachet of being the 'original' run, but has a rather troubling defect, which some copies of the less attractive second run lacks. So which one do you want? To complicate things further, it seems that the playability of the defective track differs between turntables, probably due to tonearm weight. As mentioned above, the Riverson pressings are otherwise identical, both are Unipak gatefolds.

On a related note, both Perth County Conspiracy's CBS debut and the Roger Rodier LP exist in two different versions, like Riverson, but PCC is the only one of the three where the basic pressings differ. The earliest PCC run from 1970 comes in a regular gatefold (later replaced by Unipak), is pressed on better vinyl than the 2nd press and includes a booklet which the c1972 reprint lacks (I think). In the case of Rodier it is simply a case of two different pressings, with neither defects or booklets to complicate matters. I hope.


Posted by Patrick at Lysergia at 21:46 MEST
Updated: Wed, 27 Mar 2013 22:28 MEST
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Sun, 10 Feb 2013
Corpus delicti
Now Playing: J D Elias LP
Topic: Entry data revision

The long-running mystery around the various pressings of the TX private press classic Creation A Child by Corpus turns out to be not so mysterious after all. There exists at least two, probably three different bootleg reissues, of which one may date back to the 1970s (it may in fact even be a legit 2nd press). One of these, on the notorious bootleg Breeder label from Austria c1987, is easy to tell from an original as it openly credits 'Breeder', and comes with a yellow label.

The earlier bootleg/counterfeit/2nd press is a little trickier since it has no markings to indicate it not being an original BUT they-that-know verify that this riddle is easy to solve: the true Corpus original has a purple label, whereas the later pressing has a red-orange label. Once you've seen these side by side there's no problem in telling them apart -- the purple label really is purple, and it's the only one that is the real thing.

Also, the red label counterfeit/2nd press comes in a thick cover like those used for certain 1980s boots like Morly Grey, while the true original is a slightly thinner sleeve typical of the early 1970s.

The Acid Archives entry needs to be updated thus:

CORPUS (Corpus Christi, TX)
Creation A Child 
1972 (Acorn 1001) [purple label; true original]
Creation A Child  197  (Acorn)  [red-orange label; counterfeit or 2nd press]
Creation A Child  197 (Acorn)  [green/pink label; unbanded tracks; 2nd press]
-- existence of this press variant unconfirmed
Creation A Child 
1986 (Breeder 567, Austria)
...
(Akarma reissues omitted here, see AA book for details)

I was also told that true Corpus originals are exceedingly rare, more so than Homer or Josefus or such, and this may have contributed to the confusion around the pressings -- very few people have seen an actual original. Checking the internet you can spot several red label reissues/counterfeits being sold as originals, sometimes up to $700-800.

Like Dr Leary says, Just Say Know when buying rare rekkids.


Posted by Patrick at Lysergia at 17:56 CET
Updated: Sun, 10 Feb 2013 22:13 CET
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Sun, 13 Jan 2013
Too Smooth
Now Playing: Sampdoria-Milan
Topic: Entry data revision

The action on the tax scam fringe continues, most recently with an eBayed copy of Too Smooth, one of the rarest Tiger Lilys, which ended up selling for circa $1000.

This is however less interesting than the fact that the story of this band is now emerging. Contrary to what has been claimed before, this really is the long-running Austin TX band Too Smooth, who in other words were given the Tiger Lily treatment with the band name intact. There are (at least) two possible sources for the TL tax scam album, one being a set of unreleaed recordings the group cut for Just Sunshine in California 1974, the other being a prospective LP they recorded for Mercury/Phonogram in 1976. One might speculate that the '76 material may have been a little too 'hot' even for Tiger Lily's fearless production norms, but it's impossible to tell currently whether it's the '74 or '76 recordings that were used. The album, incidentally, is very good Southern rock with a professional finish like most Tiger Lily jobs--see Acid Archives review for details.

The source for the above info also pointed to an (official) 45 release by Too Smooth from 1980, which has a re-recording of a track also on the Tiger Lily album, spelled slightly different:

TOO SMOOTH (Austin, TX)
Non-LP 45 from 1980:
Side 1: "Mamie Mama" (3:47)
Side 2: "Don't Stop Lovin' Me" (3:33)
Label: Armadillo Records (Austin, Texas)
Catalog #: ARS 80-3 Stereo

The band existed between 1973-1981 and seem to offer excellent prospects for a retrospective reissue/sampler.


Posted by Patrick at Lysergia at 21:06 CET
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Tue, 8 Jan 2013
Madrigal madness (updated)
Now Playing: Bobb Trimble
Topic: Entry data revision

An arcane mystery connected to the profoundly great and spectacularly rare MADRIGAL album from New Jersey c1970 is clearly an appropriate way to kick 2013 into action! One might figure that the vibe around this beast couldn't get stranger, but a recent discovery concerning its pressing really uplevels the whole trip. In a nutshell, it appears that part of the pressing has a weird and to my knowledge unparalleled manufacturing error, which causes two tracks on side 1 to play only one channel of music -- the other channel is dead silence! This is curious by itself, but the mind reels when one realizes that this is not a mastering error, or a defective run, but a pressing fault which only affects part of the one (and only) run of copies. To my mind this seems near impossible, but a look at all the facts on hand produces this only explanation.

A task force of three weathered collectors of underground rarities have scrutinized the Madrigal mystery, and among other things found out that:

- there definitely exists two different disc variants of Madrigal, one which plays normal stereo throughout, and one which loses one channel on S1T2 and S1T3. Original copies have been played to check, no one is relying on memory or old tape dubs. It is a fact.

- the stamper/matrix used for the disc variants was the same, unlikely as that may sound. Hand-etched dead wax details have been compared down to the tiniest marking and found to be identical in every aspect between the 'normal stereo' and the 'channel drop' copies. In other words, all copies were pressed from the same stamper, but some of them came out with only 1 channel on two tracks. Again, a fact.

- another collector was remembered as saying that he had heard another Madrigal long ago which was also a 'channel drop' variant, which means that at least two such exist. The number of 'normal stereo' copies are verified as at least two in existence. Upwards 10 copies of Madrigal have been found and sold over the years, so at least 5-6 are sitting in collections and need to be examined for potential channel loss. Input here is most welcome.

UPDATE: a European collector got in touch to report that his Madrigal copy was a 'channel-drop', and that his dead wax markings were identical to what is described in this thread. This makes 3 known channel-drop copies so far.

Again, I cannot explain in any credible technical way how the mechanical and not overly complex process of pressing a record from a stamper can cause the loss of a channel on some copies but not on others, and no one involved had heard of anything similar. Withdrawn and replaced pressings, yes, second runs that introduce new errors, yes, but this Madrigal madness... unheard of.

This becomes a bigger deal than a mere tech curiosity since Madrigal is one of the truly rare and expensive US private pressings, changing hands for several thousand dollars at times. Evaluating the rarity and status of the 'channel drop' variant, unknown to exist until now, presents a formidable challenge for the leading dealers of big ticket items. The fact that the channel loss affects the long second track, which some consider the centre-piece of the album, will probably factor in. On the other hand, it's possible that the 'channel drop' copy is the rarer variant of a record that was already exceptionally rare, which may interest some heavy specialist collectors.  

Madrigal is a unique animal in many ways, and I guess it just grew another deformed extremity with our discovery.


Part of dead wax markings on 'channel drop' Madrigal; as observed above the dead wax on the 'normal stereo' variant is identical in every detail, meaning that both copies come from one and the same stamper.


Posted by Patrick at Lysergia at 00:22 CET
Updated: Sun, 13 Jan 2013 20:55 CET
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Mon, 10 Dec 2012
Franklin & Hayes & other folky tidbits
Topic: Entry data revision

Except for the insightful (?) review, the Acid Archives entry for the obscure Franklin & Hayes folk LP is woefully short on info. A copy now excavated and sold allows for an update of the basic release data:
FRANKLIN & HAYES (Olmstead Falls, OH)
Autumn To May 1969 (WR Productions WR1-69)

The equally obscure TRANSITIONS album from Michigan also turned up recently with what may be the second known copy. Unlike the one reviewed by Mr DMT in the Acid Archives book, this copy included the back cover paste-on, which has some mighty boastful liner notes plus detailed personnel credits. As it turns out, the album is one of those college project things, a product of 'Maury Dean's Modern Music class' at Monroe County Community College, to be precise. The record is described as featuring a mix of South Detroit 'gutrock' and rural melodies. For a fuller description I refer to the AA review, which accurately speculated on the college project nature of the thing. The title indicates this being the second album in a series, but the first one may never have reached the vinyl pressing stage.

Finally, our Spanish correspondent Juan C pointed out the odd fact that the first album by CHUCK & MARY PERRIN is routinely referred to as 'Brother & Sister', while this supposed title is actually nowhere to be found on the original LP. In other words, this is actually a self-titled LP (the original label gives the title as The Chuck and Mary Perrin Album), which has 'aquired' a new title over the years. Another minor adjustment to the entry: the catalog number is in fact '2101', not '2101/2'.


Posted by Patrick at Lysergia at 23:00 CET
Updated: Mon, 10 Dec 2012 23:22 CET
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Thu, 31 May 2012
Johnny Kitchen & the Santa Cruz ripoff
Now Playing: Exotic Sounds Of Tiki Gardens LP
Topic: Entry data revision

 

Our Northern-most correspondent Jens U recently forwarded the rather remarkable discovery that the contents of the Victims Of Chance Goin' Home Blue LP are lifted wholesale from the obscure Music Of The Santa Cruz Mountains LP. Mastermind behind the Victims Of Chance LP was the notorious music biz hustler Johnny Kitchen, and this case marks the first instance of him appropriating someone else's music in toto, rather than just using old studio reels and backing tracks. There may be other cases like this in the Kitchen catalog.

Both LPs are listed in the Acid Archives Second Edition, but the connection between them was unknown until now. Kitchen renamed some of the tracks and omitted two, and needless to say removed all credits from the Santa Cruz LP. This puts a release date of 1974 at the earliest on the Victims Of Chance LP; most likely it dates from the 1976-77 tax scam window.


Posted by Patrick at Lysergia at 15:42 MEST
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Sat, 26 May 2012
Drywater hits the big time
Now Playing: Kaleidoscope "Taxim"
Topic: Entry data revision

Had to break this out into a post of its own, as various pieces of info flew in regarding Drywater.

This lengthy piece from a local newspaper details the mysterious scoop of Drywater, with all your favorite psych mafia guys name-checked. Mike A managed to namedrop the Acid Archives also, much appreciated!
http://meadvilletribune.com/x1358973881/Drywater-makes-it-big-three-decades-later

Follow up article:
http://meadvilletribune.com/local/x1704536727/Former-rockers-Drywater-enjoying-glow-from-albums-rebirth

The Backbone Of The Nation LP was originally pressed up in only 25 copies, making this a severe rarity even by Acid Archives standards. Apparently 25 copies was RPC's minimum order!

The band were from Ohio (aren't they all?). A 500-press vinyl reissue is now out from Time-Lag with 2 bonus tracks.

DRYWATER (OH)
Backbone Of The Nation  1973 (R.P.C. Z-70581) 
[25p; lyric sheet]



 


Posted by Patrick at Lysergia at 16:59 MEST
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Thu, 15 Mar 2012
Children Of Sunshine / Dandelions correction
Now Playing: Pearl Jam "Jeremy"
Topic: Entry data revision

Thanks to Juan in Spain for alerting me to the rather vital fact that the currently popular girl-pop album the 'Dandelions' is incorrectly listed pretty much everywhere. The band name was Children Of Sunshine, and Dandelions was the album title. However, the group name Children Of Sunshine appears nowhere on the record label, while 'Dandelions' does, so the confusion isn't surprising. Some might prefer to credit the band as Tres & Kitsy for clarity, but according to Tres, they were the Children Of Sunshine. The girls were both 10 when the LP was recorded in 1970. See here:

http://www.youtube.com/watch?v=F07o5_AP6zw

CHILDREN OF SUNSHINE (MN)
Dandelions 1971 (KBK MK 27-41)


DANDELIONS see Children Of Sunshine


TRES & KITSY see Children Of Sunshine
 


Posted by Patrick at Lysergia at 17:29 MEST
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Sat, 15 Oct 2011
Corpus (TX) facts & fun
Now Playing: Milan-Palermo, currently 3-0
Topic: Entry data revision

The hip and most energetic blog "It's Psychedelic Baby" keeps churning out interviews with bands you never thought be tracked down. Recently two members from Corpus of Creation A Child told the band's story, including the rather mindblowing detail that "Joy" -- probably the best track on the LP -- was about the teenage Farrah Fawcett who went to a Corpus high school back then!

Also, a press size of 1000 copies was reported by both members.

CORPUS (Corpus Christi, TX)
Creation A Child
1972 (Acorn 1001)  [red label; banded tracks; 1000p]


Posted by Patrick at Lysergia at 22:34 MEST
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Fri, 9 Sep 2011
Filet Of Soul / Freedom correction
Now Playing: the kids @ Fifa 11
Topic: Entry data revision

Contrary to popular record collector belief over the past decades, the rarely discussed Filet Of Soul album was cut by a band named Freedom, with "Filet Of Soul" being the title. The two are usually reversed, as they are in the Acid Archives book. So the entry should look like this.

FREEDOM (Thorp, WI)
Filet Of Soul 1970 (Moniquid 4857)

In addition, there is now a reissue of this album from Gear Fab. The band were formerly known as Attila & The Huns and had some 45s.


Posted by Patrick at Lysergia at 16:48 MEST
Updated: Fri, 9 Sep 2011 16:50 MEST
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Sat, 2 Jul 2011
Sunshine on Album World, lots of new info
Topic: Entry data revision

SUNSHINE (Las Vegas, NV / Los Angeles, CA)
Makes My Day 1977 (Obregon/Album World AW 14017)
[the last 2 tracks on side 2 are missing from most but not all copies] 

 

The Sunshine Makes My Day album on Obregon/Album World is probably the best LP on this infamous tax scam label, along with Ilian. Recently I was able to dig up some info on the sources for the music, which was released in 1977 under the fictious Sunshine band name.In actuality, half of the tracks come from two 45s released c1974 by a Las Vegas band called Skurow, who were under contract with London Records. The track titles and songwriting credits given on the Album World LP are correct, but the band name Skurow isnowhere mentioned. The four tracks range from good to excellent, and remind me of Felt and Homer in places. The 45 versions are identical to what's on the tax scam LP.

The other half of the Sunshine LP has songs credited to P Kachaturian -- this is  probably Philip Kachaturian, who wrote 7 songs for the original Gone In 60 Seconds movie soundtrack. You can hear his soundtrack songs on the net -- good stuff, not quite in the Sunshine LP style. There was never an official release of these soundtrack tunes, but curiously there exists an Album World tax-scam LP credited to Viva (see Acid Archives book) which seems to feature these very Kachaturian movie tunes. What's on side 2 of the Sunshine LP may simply be further outtakes or demos from this LA-based songwriter. In any event, there is a definite link between the Sunshine and Viva albums, beyond the label.

But that's not all. Some of the Skurow tracks on side 1 of Sunshine are part-credited to "G Kato". This is Gary Kato, who was in hit band the Merry-Go-Round with Emitt Rhodes, and later formed a band with ex-members of the Knack -- the '60s Knack from LA, not the "Sharona" dudes. Kato also performs on Rhodes' acclaimed American Dream album. After this, Gary Kato turned up in Pinkiny Canady, who had a very obscure LP release on UNI. And later still, Gary Kato became a member of the Skurow band in Las Vegas, named after band leader Ronnie Skurow. What's intriguing here is that there is also a link between Phil Kachaturian and Gary Kato, since one track on Sunshine is co-written by "G Kato-P Kachaturian". So while the tracks on the Sunshine album seemed to have been pulled from two (or more) completely different sources, there may still be some sort of connection between these sources.

I've been in contact with Ronnie Skurow, but apart from expressing surprise at the Sunshine album's existence, and recognizing the four songs on side 1 as his old 45 recordings, he had no additional info concerning Kato or Kachaturian. Someone else may want to take this further, not least since the music in question is quite good!

As a final twist, there are two different pressings of the Sunshine album, one of which contains only 3 songs on side 2, even if 5 songs are listed in the credits. It was believed that all copies were like that (not unusual with tax scams) but recently a Sunshine copy popped up that included the two missing songs on side 2 -- a loungey version of "When A Man Loves A Woman" and an odd latin rock number titled "Space Flying", both of which sound completely unlike the rest of the album. Thanks to James B for excavating and forwarding these two long lost numbers.

The dead wax markings for the copy I have without the last 2 songs reads as follows: ' 'IRDA/AW 14017-2 (MINUS LAST 2 CUTS-O.K.)'As mentioned above, a good story can probably be pieced together from the Skurow-Kato-Kachaturian connection. Hopefully someone will be able to find out more.


Posted by Patrick at Lysergia at 15:00 MEST
Updated: Sat, 2 Jul 2011 15:07 MEST
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Mon, 18 Apr 2011
Butch details
Now Playing: FIFA 11 on Wii
Topic: Entry data revision

The Butch album "The Bitch Of Rock'n'Roll" may be less obscure than is usually assumed. At least the band claims 5000 copies were pressed! They stayed in California in their quest for rock stardom, but were originally from Utica, NY. All this & much more will hopefully be found on a new website that is currently in progress.

BUTCH (Utica, NY / CA)
The Bitch Of Rock & Roll 1977 (Sunndial no #)  [5000p]

 


Posted by Patrick at Lysergia at 17:08 MEST
Updated: Tue, 19 Apr 2011 16:04 MEST
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