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Laurell K. Hamilton was born in Heber Springs, Arkansas but grew up in Sims, Indiana, a hamlet with a population of about one hundred souls. Laurell's mother died in a car crash in 1969, after which time her grandmother held the household together. Her mother's death, her grandmother's role in raising her, and having grown up with no men in the home are "the three things that made who I am," she says. She still believes she would have grown up to be a writer regardless.
Laurell says that it was her grandmother, Laura Gentry, who was responsible for Laurell's interests in things that go bump in the night. Mrs. Gentry related tales of horror originating in the hills of Arkansas, the state where she grew up. From those stories Laurell got this lesson: "Rawhide and bloody bones will get you if you aren't good."
When Laurell was 13, she discovered a short story collection titled Pigeons from Hell. "It was the first heroic fantasy I'd read. It was fights, swords, monsters. I decided not only did I want to become a writer, it was this I wanted to write." She chanced upon another book in the high school library, The Natural History of the Vampire. She read it so many times she nearly memorized it. It was sometimes suggested that her choice of creepy films and stories were unseemly since, after all, her girlfriends played with dolls.
To that Laurell says only: "I wasn't like most girls. "
Laurell does not shy away from sex or violence in her books. "I want a kiss to be so believable it give the reader shivers. Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development."
Before her writing career kept her so busy, Laurell volunteered at an animal shelter. She also has a degree in both literature and biology. Laurell is a self-admitted technophobe, though she is learning to use email with help from her friends.
In 1994, Laurell published her first Anita Blake: Vampire Hunter book, GUILTY PLEASURES, and she hasn't stopped writing since. She has written nine additional Anita Blake books, and in October, 2000, began the New York Times bestselling Meredith Gentry series for Ballantine Books. She says she writes because to not write—even for her own enjoyment—would be like not breathing. It is just something she has to do. She now resides in St. Louis, Missouri with her husband, her young daughter, three pug dogs, and an ever-fluctuating assortment of fish.
My name is Anita Blake. Vampires call me "The Executioner". What I call them isn't repeatable.
Ever since the Supreme Court granted the undead equal rights, most people think vampires are just ordinary folks with fangs. I know better. I've seen their victims. I carry the scars...
But now a serial killer is murdering vampires—and the most powerful bloodsucker in town wants me to find the killer...
Willie McCoy had been a jerk before he died. His being dead didn't change that. He sat across from me, wearing a loud plaid sport jacket. The polyester pants were primary Crayola green. His short, black hair was slicked back from a thin, triangular face. He had always reminded me of a bit player in a gangster movie. The kind that sells information, runs errands, and is expendable.
We sat in the quiet air-conditioned hush of my office. The powder blue walls, which Bert, my boss, thought would be soothing, made the room feel cold.
"Mind if I smoke?" he asked.
"Yes," I said, "I do."
"Damn, you aren't gonna make this easy, are you?" I looked directly at him for a moment. His eyes were still brown. He caught me looking, and I looked down at my desk.
"Not afraid, just cautious."
"You don't have to admit it. I can smell the fear on you, almost like somethin' touching my face, my brain. You're afraid of me, 'cause I'm a vampire."
I shrugged; what could I say? How do you lie to someone who can smell your fear? "Why are you here, Willie?"
"Geez, I wish I had a smoke." The skin began to jump at the corner of his mouth.
"I didn't think vampires had nervous twitches." His hand went up, almost touched it. He smiled, flashing fangs. "Some things don't change."
I glanced up at him, avoiding his eyes. His tie tack caught the overhead lights. Real gold. Willie had never had anything like that before. He was doing all right for a dead man. "I raise the dead for a living, no pun intended. Why would a vampire need a zombie raised?"
"But you got one of 'em on retainer to your outfit." I nodded. "You could just hire Ms. Sims directly. You don't have to go through me for that."
Again that jerky head shake. "But she don't know about vampires the way you do."
I sighed. "Can we cut to the chase here, Willie? I have to leave"—I glanced at the wall clock—"in fifteen minutes. I don't like to leave a client waiting alone in a cemetery. They tend to get jumpy."
I felt fear like a jerk in the pit of my stomach. Vampires could change movements like clicking a switch. If he could do that, what else could he do?
"You know about the vampires that are getting wasted over in the District?"
"You still working with the cops?"
"I am still on retainer with the new task force." He laughed again. "Yeah, the spook squad. Underbudgeted and undermanned, right."
"You've described most of the police work in this town." "Maybe, but the cops feel like you do, Anita. What's one more dead vampire? New laws don't change that."
It had only been two years since Addison v. Clark. The court case gave us a revised version of what life was, and what death wasn't. Vampirism was legal in the good ol' U.S. of A. We were one of the few countries to acknowledge them. The immigration people were having fits trying to keep foreign vampires from immigrating in, well, flocks.
I stared at the vampire in front of me and shrugged. Did I really believe, what was one more dead vampire? Maybe. "If you believe I feel that way, why come to me at all?"
"Because you're the best at what you do. We need the best." It was the first time he had said "we." "Who are you working for, Willie?"
"Won't even give me that, will ya?" "I am not at liberty to discuss police business with you." "I told 'em you wouldn't go for this." "Go for what? You haven't told me a damn thing."
"We want you to investigate the vampire killings, find out who's, or what's, doing it. We'll pay you three times your normal fee." I shook my head. That explained why Bert, the greedy son of a gun, had set up this meeting. He knew how I felt about vampires, but my contract forced me to at least meet with any client that had given Bert a retainer. My boss would do anything for money. Problem was he thought I should, too. Bert and I would be having a "talk" very soon.
He sat staring up at me, very still. It was not that lifeless immobility of the long dead, but it was a shadow of it. Fear ran up my spine and into my throat. I fought an urge to draw my crucifix out of my shirt and drive him from my office. Somehow throwing a client out using a holy item seemed less than professional. So I just stood there, waiting for him to move. "Why won't you help us?"
"I have clients to meet, Willie. I'm sorry that I can't help you." "Won't help, you mean." I nodded. "Have it your way." I walked around the desk to show him to the door.
He moved with a liquid quickness that Willie had never had, but I saw him move and was one step back from his reaching hand. "I'm not just another pretty face to fall for mind tricks." "You saw me move."
It took everything I had not to step back from him. But dammit, undead or not, he was Willie McCoy. I wasn't going to give him the satisfaction.
He said, "You ain't human, any more than I am." I moved to open the door. I hadn't stepped away from him. I had stepped away to open the door. I tried convincing the sweat along my spine that there was difference. The cold feeling in my stomach wasn't fooled either.
He paused in the open doorway. "Why won't you work for us? I gotta tell 'em something when I go back." I wasn't sure, but there was something like fear in his voice. Would he get in trouble for failing? I felt sorry for him and knew it was stupid. He was the undead, for heaven's sake, but he stood looking at me, and he was still Willie, with his funny coats and small nervous hands.
"Tell them, whoever they are, that I don't work for vampires." "A firm rule?" Again he made it sound like a question. "Concrete."
There was a flash of something on his face, the old Willie peeking through. It was almost pity. "I wish you hadn't said that, Anita. These people don't like anybody telling 'em 'no.'"
"It ain't a threat, Anita. It's the truth." He straightened his tie, fondling the new gold tie tack, squared his thin shoulders and walked out.
I closed the door behind him and leaned against it. My knees felt weak. But there wasn't time for me to sit here and shake. Mrs. Grundick was probably already at the cemetery. She would be standing there with her little black purse and her grown sons, waiting for me to raise her husband from the dead. There was a mystery of two very different wills. It was either years of court costs and arguments, or raise Albert Grundick from the dead and ask.
Craig, our night secretary, was typing furiously at the computer keyboard. His eyes widened as I walked over the thick carpeting. Maybe it was the cross swinging on its long chain. Maybe it was the shoulder rig tight across my back, and the gun out in plain sight. He didn't mention either. Smart man.
I put my nice little corduroy jacket over it all. The jacket didn't lie flat over the gun, but that was okay. I doubted the Grundicks and their lawyers would notice.
I had gotten to see the sun rise as I drove home that morning. I hate sunrises. They mean I've overscheduled myself and worked all bloody night. St. Louis has more trees edging its highways than any other city I have driven through. I could almost admit the trees looked nice in the first light of dawn, almost. My apartment always looks depressingly white and cheerful in morning sunlight. The walls are the same vanilla ice cream-white as every apartment I've ever seen. The carpeting is a nice shade of grey, preferable to that dog poop-brown that is more common.
"Oh, I'm sorry. Did I wake you?" It was a woman I didn't know. If it was a salesperson I was going to become violent. "Who is this?" I blinked at the bedside clock. It was eight. I'd had nearly two hours of sleep. Yippee. "I'm Monica Vespucci." She said it like it should explain everything. It didn't.
"Yes." I tried to sound helpful, encouraging. I think it came out as a growl.
"My god, you mean you've only had two hours of sleep. Do you want to shoot me, or what?"
I didn't answer the question. I'm not that rude. "Did you want something, Monica?"
"Sure, yes. I'm throwing a surprise bachelorette party for Catherine. You know she gets married next month."
I nodded, remembered she couldn't see me, and mumbled, "I'm in the wedding."
Actually, the last thing I wanted to spend a hundred and twenty dollars on was a long pink formal with puffy sleeves, but it was Catherine's wedding. "What about the bachelorette party?"
"Oh, I'm rambling, aren't I? And you just desperate for sleep." I wondered if screaming at her would make her go away any faster. Naw, she'd probably cry. "What do you want, please, Monica?" "Well, I know it's short notice, but everything just sort of slipped up on me. I meant to call you a week ago, but I just never got around to it."
This I believed. "Go on."
"The bachelorette party is tonight. Catherine says you don't drink, so I was wondering if you could be the designated driver." I just lay there for a minute, wondering how mad to get, and if it would do me any good. Maybe if I'd been more awake, I wouldn't have said what I was thinking. "Don't you think this is awfully short notice, since you want me to drive?"
"I know. I'm so sorry. I'm just so scattered lately. Catherine told me you usually have either Friday or Saturday night off. Is Friday not your night off this week?"
As a matter of fact it was, but I didn't really want to give up my only night off to this airhead on the other end of the phone. "I do have the night off."
It wasn't, but what else could I say. "That's fine." "Pencil and paper?"
"You said you worked with Catherine, right?" I was actually beginning to remember Monica.
"Why, yes."
"I know where Catherine works. I don't need directions." "Oh, how silly of me, of course. Then we'll see you about five. Dress up, but no heels. We may be dancing tonight." I hate to dance. "Sure, see you then."
"See you tonight."
The phone went dead in my ear. I turned on the answering machine and cuddled back under the sheets. Monica worked with Catherine, that made her a lawyer. That was a frightening thought. Maybe she was one of those people who was only organized at work. Naw.
It occurred to me then, when it was too late, that I could just have refused the invitation. Damn. I was quick today. Oh, well, how bad could it be? Watching strangers get blitzed out of their minds. If I was lucky, maybe someone would throw up in my car.
Monica Vespucci was wearing a button that said, "Vampires are People, too." It was not a promising beginning to the evening. Her white blouse was silk with a high, flared collar framing a dark, health-club tan. Her hair was short and expertly cut; her makeup, perfect.
The button should have tipped me off to what kind of bachelorette party she'd planned. Some days I'm just slow to catch on.
I was wearing black jeans, knee-high boots, and a crimson blouse. My hair was made to order for the outfit, black curling just over the shoulders of the red blouse. The solid, nearly black-brown of my eyes matches the hair. Only the skin stands out, too place, Germanic against the Latin darkness. A very ex-boyfriend once described me as a little china doll. He meant it as a compliment. I didn't take it that way. There are reasons why I don't date much.
"I'm so sorry that I put off planning this to the last minute, Catherine. That's why there's only three of us. Everybody else had plans," Monica said.
"Imagine that, people having plans for Friday night," I said. Monica stared at me as if trying to decide whether I was joking or not.
Monica began dancing down the sidewalk, happy as a drunken clam. She had had only two drinks with dinner. It was a bad sign.
"Be nice," Catherine whispered.
"What did I say?"
"Anita." Her voice sounded like my father's used to sound when I'd stayed out too late.
I sighed. "You're just no fun tonight."
"I plan to be a lot of fun tonight." She stretched her arms skyward. She still wore the crumpled remains of her business suit. The wind blew her long, copper-colored hair. I've never been able to decide if Catherine would be prettier if she cut her hair, so you'd notice the face first, or if the hair was what made her pretty.
There was a kind of fierceness to the last word. I stared up at her. "You are not planning to get falling-down drunk, are you?" "Maybe." She looked smug.
Catherine knew I didn't approve of, or rather, didn't understand drinking. I didn't like having my inhibitions lowered. If I was going to cut loose, I wanted to be in control of just how loose I got.
Monica yelled, "Hurry up, slowpokes."
Catherine looked at me and grinned. The next thing I knew, she was running towards Monica.
"Oh, for heaven's sake," I muttered. Maybe if I'd had drinks with dinner, I'd have run, too, but I doubted it.
Monica calmed enough to fake an ominous stage whisper. "Do you know what lies around this corner?"
As a matter of fact, I did. The last vampire killing had been only four blocks from here. We were in what the vampires called "the District." Humans called it the Riverfront, or Blood Square, depending on if they were being rude or not.
"Oh, pooh, you spoiled the surprise."
"What's Guilty Pleasures?" Catherine asked.
Monica giggled. "Oh, goodie, the surprise isn't spoiled after all." She put her arm through Catherine's. "You are going to love this, I promise you."
Maybe Catherine would; I knew I wouldn't, but I followed them around the corner anyway. The sign was a wonderful swirling neon, the color of heart blood. The symbolism was not lost on me.
The vampire stood beside the door, very still. There was still a movement to him, an aliveness, for lack of a better term. He couldn't have been dead more than twenty years, if that. In the dark he looked almost human, even to me. He had fed already tonight. His skin was flushed and healthy. He looked damn near rosy-cheeked. A meal of fresh blood will do that to you.
But he nodded. "Go on in, Monica. Your table is waiting." Table? What kind of clout did Monica have? Guilty Pleasures was one of the hottest clubs in the District, and they did not take reservations.
There was a large sign on the door. "No crosses, crucifixes, or other holy items allowed inside." I read the sign and walked past it. I had no intention of getting rid of my cross. A rich, melodious voice floated around us. "Anita, how good of you to come."
"You two know each other?" Monica sounded surprised.
"Oh, yes," Jean-Claude said. "Ms. Blake and I have met before."
"I've been helping the police work cases on the Riverfront." "She is their vampire expert." He made the last word soft and warm and vaguely obscene.
"I would never harm such a lovely young woman." He took Catherine's hand and raised it to his mouth. A mere brush of lips. Catherine blushed.
He kissed Monica's hand as well. He looked at me and laughed. "Do not worry, my little animator. I will not touch you. That would be cheating."
He moved to stand next to me. I stared fixedly at his chest. There was a burn scar almost hidden in the lace. The burn was in the shape of a cross. How many decades ago had someone shoved a cross into his flesh?
He breathed my name like a whisper against my skin. "Anita, what are you thinking?"
The voice was so damn soothing. I wanted to look up and see what face went with such words. Jean-Claude had been intrigued by my partial immunity to him. That and the cross-shaped burn scar on my arm. He found the scar amusing. Every time we met, he did his best to bespell me, and I did my best to ignore him. I had won up until now.
"You were on police business then; now you are not."
I stared at his chest and wondered if the lace was as soft as it looked; probably not.
"Are you so insecure in your own powers, little animator? Do you believe that all your resistance to me resides in that piece of silver around your neck?"
I didn't believe that, but I knew it helped. Jean-Claude was a self-admitted two hundred and five years old. A vampire gains a lot of power in two centuries. He was suggesting I was a coward. I was not. I reached up to unfasten the chain. He stepped away from me and turned his back. The cross spilled silver into my hands. A blonde human woman appeared beside me. She handed me a check stub and took the cross. Nice, a holy item check girl.
Jean-Claude stepped close again. "You will not resist the show tonight, Anita. Someone will enthrall you."
"No," I said. But it's hard to be tough when you're staring at someone's chest. You really need eye contact to play tough, but that was a no-no.
He laughed. The sound seemed to rub over my skin, like the brush of fur. Warm and feeling ever so slightly of death.
He laughed again, that warm awful sound. "This is a place of pleasure, Anita, not violence."
Monica was pulling at my arm. "Hurry, the entertainment's about to begin."
"Entertainment?" Catherine asked.
I had to smile. "Welcome to the world's only vampire strip club, Catherine."
"You are joking."
Harold Gaynor's house sat in the middle of an intense green lawn, and graceful sweep of trees. The house gleamed in the hot August sunshine. Bert Vaughn, my boss, parked the car on the crushed gravel of the driveway. The gravel was so white, it looked like hand picked rock salt. Somewhere out of sight, the soft whir of sprinklers pattered. The grass was absolutely perfect in the middle of one of the worst droughts Missouri has had in over twenty years. Oh well, I wasn't here to talk with Mr. Gaynor about water management. I was here to talk about raising the dead.
Animating has only been a licensed business for about five years. Before that it was just an embarrassing curse, a religious experience or a tourist attraction. It still is in parts of New Orleans, but here in St. Louis it's a business. A profitable one, thanks in large part to my boss. He's a rascal, a a scalawag, a rouge, but damn if he doesn't know how to make money. It's a good trait for a business manager.
Bert, adjusted his blue and red striped tie, mopping a bead of sweat off his tan forehead. "I heard on the news there's a movement to use zombies in pesticide-contaminated fields. It would save lives."
"It was just a thought. The dead have no rights under the law Anita."
"Not yet."
Working conditions. They didn't understand. You can't give a corpse nice working conditions. They don't appreciate it anyway. Zombies may walk, even talk, but they are very very dead.
Bert smiled indulgently at me. I fought the urge to pop him one in his smug face. "I know you and Charles are working on that committee." Bert said. "Going around to all the businesses and checking up on the zombies. It makes great press for Animators, Inc."
"I know. You believe in your little cause."
"You're a condescending bastard." I said, smiling sweetly up at him.
He grinned at me. "I know."
I just shook my head; with Bert you can't really win an insult match. He doesn't give a damn what I think of him, as long as I work for him.
Bert turned to me, small eyes narrowing. His eyes lend themselves to suspicious squints. "You're still wearing your gun." he said.
"The jacket hides it Bert. Mr. Gaynor will never know." Sweat started collecting under the straps of my shoulder holster. I could feel the silk blouse beginning to melt. I try not to wear silk and the shoulder rig at the same time. The silk starts to look indented, wrinkling where the straps cross. The gun was Browning Hi-Power 9mm, and I liked having it close at hand.
"Come on Anita. I don't think you'll need a gun in the middle of the afternoon, while visiting a client." Bert's voice held that patronizing tone that people use on children. Now, little girl, you know this is for your own good.
to him. The implication was that there was more money if we agreed to take his case. A lot of money. Bert was all excited about that part. After all, Bert didn't have to raise the corpse. I did.
The trouble was, Bert was probably right. I wouldn't need the gun in broad daylight. Probably. "All right. Open the trunk."
I folded the shoulder holster around the gun and laid it in the clean trunk. It smelled like a new car, plastic and faintly unreal. Bert shut the trunk, and I stared at it as if I could still see the gun.
"Are you coming?" he asked.
"Yeah." I said. I didn't like leaving my gun behind for any reason. Was that a bad sign? Bert motioned for me to come on.
I did, walking carefully over the gravel in my high heeled black pumps. Women may get to wear lots of pretty colors, but men get the comfortable shoes.
The door opened, and I knew Bert was wrong about me not needing the gun. The man was maybe five eight, but the orange polo shirt he wore strained over his chest. The black sports jacket seemed too small, as if when he moved the seams would split, like an insect's skin that has been outgrown. Black, acid- washed jeans showed off a small waist, so he looked like someone had pinched him in the middle while the clay was still wet. His hair was very blond. He looked at us silently. His eyes were empty, dead as a doll's. I caught a glimpse of the shoulder holster under the sports jacket and resisted the urge to kick Bert in the shins.
The bodyguard - what else could he be - moved away from the door. Bert took that as an invitation and walked inside. I followed, not at all sure I wanted to. Harold Gaynor was a very rich man. Maybe he needed a bodyguard. Maybe people had threatened him. Or
maybe he was one of those men that had enough money to keep muscle around whether he needed it or not.
The air-conditioning was on high and the sweat gelled instantly. We followed the bodyguard down a long central hall that was paneled in dark, expensive looking wood. The hall runner looked oriental and was probably handmade.
Heavy wooden doors were set in the right-hand wall. The bodyguard opened the doors, and again stood to one side as we walked through. The room was a library, but I was betting no one ever read any of the books. The place was ceiling to floor with dark wood bookcases. There was even a second level of books and shelves reached by an elegant sweep of narrow staircase. All the books were hardcover, all the same size, colors muted and collected together like a collage. The furniture,was of course, red leather with brass buttons worked into it.
"Mr. Vaughn and Ms. Blake, how nice of you to drive out." His voice went with his face, pleasant, damn near amiable.
A slender black man sat in one of the leather chairs. He was over six feet tall, exactly how much was hard to tell. He was slumped down, long legs stretched out in front of him, with the ankles crossed. His legs were taller than I was. His brown eyes watched me as if trying to memorize me and would be graded later.
The blond bodyguard went to lean against the bookcases. He couldn't quite cross his arms, jacket too tight, muscles too big. You really shouldn't lean against a wall and try to look tough unless you can cross your arms. Ruins the effect.
Mr. Gaynor said,"You've met Tommy." He motioned towards the smiling bodyguard. "That's Bruno."
He shifted just a little in his chair. "Real name."
I smiled.
"Why?" he asked. "I've just never met a bodyguard whose real name was Bruno."
"Is that suppose to be funny?" he asked.
I shook my head. Bruno. He never had a chance. It was like naming a girl Venus. All Bruno's had to be bodyguards. It was a rule. Maybe a cop? Naw, it was a bad guy's name. I smiled.
Bruno sat up in his chair, one smooth, muscular motion. He wasn't wearing a gun that I could see, but there was a presence to him. Dangerous, it said, watch out.
Guess I shouldn't have smiled.
"Don't apologize for me Bert. I don't like it." I don't know what he was so sore about anyway. I hadn't said the really insulting stuff out loud.
"Now, now," Mr. Gaynor said,"No hard feelings. Right, Bruno?"
Bruno frowned and shook his head at me, not angry, sort of perplexed.
Bert flashed me an angry look, then turned smiling to the man in the wheelchair. "Now, Mr. Gaynor, I know you must be a busy man. So exactly how old is the zombie you want raised?"
"A man who gets right down to business. I like that." Gaynor hesitated, staring at the door.
There was dried chicken blood imbedded under my fingernails. When you raise the dead for a living, you have to spill a little blood. It clung in flaking patches to my face and hands. I'd tried to clean the worst of it off before coming to this meeting, but some things only a shower would fix. I sipped coffee from a personalized mug that said, "Piss me off, pay the consequences," and stared at the two men sitting across from me.
Mr. Jeremy Ruebens was short, dark, and grumpy. I'd never seen him when he wasn't either frowning, or shouting. His small features were clustered in the middle of his face as if some giant hand had mashed them together before the clay had dried. His hands smoothed over the lapel of his coat, the dark blue tie, tie clip, white shirt collar. His hands folded in his lap for a second, then began their dance again, coat, tie, tie clip, collar, lap. I figured I could stand to watch him fidget maybe five more times before I screamed for mercy and promised him anything he wanted.
Ruebens's hands were making their endless dance for the fourth time. Four was my limit.
I wanted to go around the desk, grab his hands, and yell, "Stop that!" But I figured that was a little rude, even for me. "I don't remember you being this twitchy, Ruebens," I said.
I motioned at his hands, making their endless circuit. He frowned and placed his hands on top of his thighs. They remained there, motionless. Selfcontrol at its best.
"I am not twitchy, Miss Blake."
"It's Ms. Blake. And why are you so nervous, Mr. Ruebens?" I sipped my coffee.
"I am not accustomed to asking help from people like you."
"People like me?" I made it a question.
He cleared his throat sharply. "You know what I mean."
"Well, a zombie queen . . ." He stopped in mid-sentence. I was getting pissed, and it must have shown on my face. "No offense," he said softly. "If you came here to call me names, get the hell out of my office. If you have real business, state it, then get the hell out of my office."
Ruebens stood up. "I told you she wouldn't help us."
"Help you do what? You haven't told me a damn thing," I said.
"Perhaps we should just tell her why we have come," Inger said. His voice was a deep, rumbling bass, pleasant.
Ruebens drew a deep breath and let it out through his nose. "Very well." He sat back down in his chair. "The last time we met, I was a member of Humans Against Vampires."
"I have since started a new group, Humans First. We have the same goals as HAV, but our methods are more direct." I stared at him. HAV's main goal was to make vampires illegal again, so they could be hunted down like animals. It worked for me. I used to be a vampire slayer, hunter, whatever. Now I was a vampire executioner. I had to have a death warrant to kill a specific vampire, or it was murder. To get a warrant, you had to prove the vampire was a danger to society, which meant you had to wait for the vampire to kill people. The lowest kill was five humans, the highest was twenty-three. That was a lot of dead bodies. In the good ol' days you could just kill a vampire on sight.
"What exactly does 'more direct methods' mean?"
"You know what it means," Ruebens said.
"No," I said, "I don't." I thought I did, but he was going to have to say it out loud.
"HAV has failed to discredit vampires through the media or the political machine. Humans First will settle for destroying them all."
I smiled over my coffee mug. "You mean kill every last vampire in the United States?"
"That is the goal," he said.
"It's murder."
"You have slain vampires. Do you really believe it is murder?" It was my turn to take a deep breath. A few months ago I would have said no. But now, I just didn't know. "I'm not sure anymore, Mr. Ruebens." "If the new legislation goes through, Ms. Blake, vampires will be able to vote. Doesn't that frighten you?"
"Yes," I said.
"Then help us."
"Quit dancing around, Ruebens; just tell me what you want."
"Very well, then. We want the daytime resting place of the Master Vampire of the City."
I just looked at him for a few seconds. "Are you serious?"
I had to smile. "What makes you think I know the Master's daytime retreat?"
It was Inger who answered. "Ms. Blake, come now. If we can admit to advocating murder, then you can admit to knowing the Master." He smiled ever so gently.
"Tell me where you got the information and maybe I'll confirm it, or maybe I won't."
His smile widened just a bit. "Now who's dancing?"
He had a point. "If I say I know the Master, what then?"
"Give us his daytime resting place," Ruebens said. He was leaning forward, an eager, nearly lustful look on his face. I wasn't flattered. It wasn't me getting his rocks off. It was the thought of staking the Master.
"How do you know the Master is a he?"
"There was an article in the Post-Dispatch. It was careful to mention no name, but the creature was clearly male," Ruebens said.
I wondered how Jean-Claude would like being referred as a "creature." Better not to find out. "I give you an address and you go in and what, stake him through the heart?"
Ruebens nodded. Inger smiled.
I shook my head. "I don't think so."
"You refuse to help us?" Ruebens asked.
"No, I simply don't know the daytime resting place." I was relieved to be able to tell the truth.
"You are lying to protect him," Ruebens said. His face was growing darker; deep frown wrinkles showed on his forehead.
"I really don't know, Mr. Ruebens, Mr. Inger. If you want a zombie raised, we can talk; otherwise . . ." I let the sentence trail off and gave them my best professional smile. They didn't seem impressed. "We consented to meeting you at this ungodly hour, and we are paying a handsome fee for the consultation. I would think the least you could do is be polite."
Ruebens's scowl deepened, little anger lines showing around his eyes. "Do you treat all your . . . customers this way?"
"The last time we met, you called me a zombie-loving bitch. I don't owe you anything."
"You took our money."
"My boss did that."
"Could you find out the location of the Master's retreat?" Inger asked.
"Probably, but if I did, I wouldn't give it to you."
"Why not?" he asked.
"Because she is in league with him," Ruebens said.
"Hush, Jeremy."
Ruebens opened his mouth to protest, but Inger said, "Please, Jeremy, for the cause."
Ruebens struggled visibly to swallow his anger, but he choked it down. Control.
"Why not, Ms. Blake?" Inger's eyes were very serious, the pleasant sparkle seeping away like melting ice.
"I've killed master vampires before, none of them with a stake." "How then?"
I smiled. "No, Mr. Inger, if you want lessons in vampire slaying, you're going to have to go elsewhere. Just by answering your questions, I could be charged as an accessory to murder."
I thought about that for a minute. Jean-Claude dead, really dead. It would certainly make my life easier, but . . . but.
"I don't know," I said.
"Why not?"
"Because I think he'll kill you. I don't give humans over to the monsters, Mr. Inger, not even people who hate me."
"We don't hate you Ms. Blake."
I motioned with the coffee mug towards Ruebens. "Maybe you don't, but he does."
Ruebens just glared at me. At least he didn't try to deny it.
I stared at Ruebens's angry little eyes. "Sure, why not?"
Inger stood and offered me his hand. "Thank you, Ms. Blake. You have been most helpful."
His hand enveloped mine. He was a large man, but he didn't try using his size to make me feel small. I appreciated that.
"The next time we meet, Anita Blake, you will be more cooperative." Ruebens said.
"That sounded like a threat, Jerry."
Ruebens smiled, a most unpleasant smile. "Humans First believes the means justifies the end, Anita."
"When it comes to survival, Jerry, I believe that, too."
"We have not offered you violence," Inger said.
"No, but ol' Jerry here is thinking about it. I just want him and the rest of your little group to believe I'm serious. Mess with me, and people are going to die."
"There are dozens of us," Ruebens said, "and only one of you."
"Yeah, but who's going to be first in line?" I said.
"Don't bring him," I said.
"Of course," Inger said. "Come along, Jeremy." He opened the door. The soft clack of computer keys came from the outer office. "Good-bye Ms. Blake."
"Good-bye, Mr. Inger, it's been really unpleasant."
Ruebens stopped in the doorway and hissed at me, "You are an abomination before God."
"Jesus loves you, too," I said, smiling. He slammed the door behind them. Childish.
I could go home, shower, and get eight hours uninterrupted sleep. Glorious. My beeper went off. I jumped like I'd been stung. Nervous, me?
The beeper went off again. Same number. "Shit," I said it softly. "I heard you the first time, Dolph." I thought about pretending that I'd already gone home, turned off the beeper, and was now unavailable, but I didn't. If Detective Sergeant Rudolf Storr called me at half-past dawn, he needed my expertise. Damn. I called the number and through a series of relays finally got Dolph's voice. He sounded tinny and faraway. His wife had gotten him a car phone for his birthday. We must have been near the limit of its range. It still beat the heck out of talking to him on the police radio. That always sounded like an alien language.
"Hi, Dolph, what's up?"
"What sort of murder?"
"The kind that needs your expertise," he said.
"It's too damn early in the morning to play twenty questions. Just tell me what's happened."
"You got up on the wrong side of bed this morning, didn't you?"
"I haven't been to bed yet."
"I sympathize, but get your butt out here. It looks like we have a vampire victim on our hands."
I took a deep breath and let it out slowly. "Shit."
"You could say that."
"Give me the address," I said.
He did. It was over the river and through the woods, way to hell and gone in Arnold. My office was just off Olive Boulevard. I had a forty-five-minute drive ahead of me, one way. Yippee. "I'll be there as soon as I can."
"We'll be waiting," Dolph said, then hung up.
I didn't bother to say good-bye to the dial tone. A vampire victim. I'd never seen a lone kill. They were like potato chips; once the vamp tasted them, he couldn't stop at just one. The trick was, how many people would die before we caught this one?
I didn't want to think about it. I didn't want to drive to Arnold. I didn't want to stare at dead bodies before breakfast. I wanted to go home. But somehow I didn't think Dolph would understand. Police have very little sense of humor when they're working on a murder case. Come to think of it, neither did I.
It was two weeks before Christmas. A slow time of year for raising the dead. My last client of the night sat across from me. There had been no notation by his name. No note saying zombie raising or vampire slaying. Nothing. Which probably meant whatever he wanted me to do was something I wouldn't, or couldn't, do. Pre-Christmas was a dead time of year, no pun intended. My boss, Bert, took any job that would have us.
He sat in front of me, crushing his toboggan hat, kneading it in his big hands. The coffee that he'd accepted sat cooling on the edge of my desk. He hadn't taken so much as a sip.
I was drinking my coffee out of the Christmas mug that Bert, my boss, had insisted everyone bring in. A personalized holiday mug to add a personal touch to the office. My mug had a reindeer in a bathrobe and slippers with Christmas lights laced in its antlers, toasting the merry season with champagne and saying, "Bingle Jells."
The silver outline of an angel gleamed in my lapel. I looked very Christmasy. The Browning Hi-Power 9mm didn't look Christmasy at all, but since it was hidden under the jacket, that didn't seem to matter. It might have bothered Mr. Smitz, but he looked worried enough to not care. As long as I didn't shoot him personally.
"Now, Mr. Smitz, how may I help you today?" I asked.
He was staring at his hands and only his eyes rose to look at me. It was a little-boy gesture, an uncertain gesture. It sat oddly on the big man's face. "I need help, and I don't know who else to go to."
"Exactly what kind of help do you need, Mr. Smitz?"
"It's my wife."
I waited for him to continue, but he stared at his hands. His hat was wadded into a tight ball.
"You want your wife raised from the dead?" I asked.
He looked up at that, eyes wide with alarm. "She's not dead. I know that."
"Mr. Vaughn said you knew all about lycanthropy." He said that as if it explained everything. It didn't.
"My boss makes a lot of claims, Mr. Smitz. But what does lycanthropy have to do with your wife?" This was the second time I'd asked about his wife. I seemed to be speaking English, but perhaps my questions were really Swahili and I just didn't realize it. Or maybe whatever had happened was too awful for words. That happened a lot in my business.
He leaned forward, eyes intense on my face. I leaned forward, too, I couldn't help myself. "Peggy, that's my wife, she's a lycanthrope."
I blinked at him. "And?"
"If it came out, she'd lose her job."
I didn't argue with him. Legally, you couldn't discriminate against lycanthropes, but it happened a lot. "What sort of work is Peggy in?"
"She's a butcher."
"She runs a specialty meat store. It's a good business. She inherited it from her father."
"Was he a lycanthrope, too?" I asked.
He shook his head. "No, Peggy was attacked a few years back. She survived . . ." He shrugged. "But, you know."
I did know. "So your wife is a lycanthrope and would lose her business if it came out. I understand that. But how can I help you?" I fought the urge to glance at my watch. I had the tickets. Richard couldn't go in without me.
"Peggy's missing."
Ah. "I am not a private detective, Mr. Smitz. I don't do missing persons."
"How long has she been missing?"
"Two days."
"My advice is to go to the police."
He shook his head stubbornly. "No."
I sighed. "I don't know anything about finding a missing person. I raise the dead, slay vampires, that's it."
"Mr. Vaughn said you could help me."
"Did you tell him your problem?"
He nodded.
Shit. Bert and I were going to have a long talk. "The police are good at their job, Mr. Smitz. Just tell them your wife is missing. Don't mention the lycanthropy. See what they turn up." I didn't like telling a client to withhold information from the police, but it beat the heck out of not going at all.
"Ms. Blake, please, I'm worried. We've got two kids."
"Can I trust her?"
"I do."
He stared at me for a long moment, then nodded. "All right, how do I get in touch with her?"
"Let me give her a call, see if she can see you."
"That would be great, thank you."
"I want to help you, Mr. Smitz. Hunting missing spouses just isn't my specialty." I dialed the phone as I talked. I knew Ronnie's number by heart. We exercised at least twice a week together, not to mention an occasional movie, dinner, whatever. Best friends, a concept that most women never outgrow. Ask a man who his best friend is and he'll have to think about it. He won't know right off the top of his head. A woman would. A man might not even be able to think of a name, not for his best friend. Women keep track of these things. Men don't. Don't ask me why.
Ronnie's answering machine clicked in. "Ronnie, if you're there, it's Anita, pick up."
See, best friends. "Not with the date. I've got a client here who I think is more up your alley than mine."
"Tell me," she said.
I did.
"Did you recommend he go to the police?"
"Yep."
"Nope."
She sighed. "Well, I've done missing persons before but usually after the police have done everything they can. They have resources I can't touch."
"I'm aware of that," I said.
"He won't budge?"
"I don't think so."
"So it's me or . . ."
"Bert took the job knowing it was a missing person. He might try giving it to Jamison."
"Jamison doesn't know his butt from a hole in the ground on anything but raising the dead."
"Yeah, but he's always eager to expand his repertoire."
"Ask him if he can be at my office . . ." She paused while she leafed through her appointment book. Business must be good. "At nine tomorrow morning." "Jesus, you always were an early riser."
I asked George Smitz if nine o'clock tomorrow was all right.
"Couldn't she see me tonight?"
"He wants to see you tonight."
She thought about that for a minute. "Why not? It's not like I have a hot date, unlike some people I could mention. Sure, send him over. I'll wait. Friday with a client is better than Friday night alone, I guess."
"And you've hit a wet spell."
"Very funny."
She laughed. "I'll look forward to Mr. Smitz's arrival. Enjoy Guys and Dolls."
"I will. See you tomorrow morning for our run."
"You sure you want me over there that early in case dream boat wants to stay over?"
"You know me better than that," I said.
"Yeah, I do. Just kidding. See you tomorrow."
We hung up. I gave Mr. Smitz Ronnie's business card, directions to her office, and sent him on his way. Ronnie was the best I could do for him. It still bothered me that he wouldn't go to the police, but hey, it wasn't my wife. I've got two kids, he'd said. Not my problem. Really. Craig, our nighttime secretary, was at the desk, which meant it was after six. I was running late. There really wasn't time to argue with Bert about Mr. Smitz, but . . .
"Mr. Vaughn left about thirty minutes ago."
"It figures," I said.
"Something wrong?"
I shook my head. "Schedule me some time to talk to the boss tomorrow."
"I don't know, Anita. He's booked pretty solid."
"Find some time, Craig. Or I'll barge in on one of the other appointments."
"You're mad," he said.
"You bet. Find the time. If he yells about it, tell him I pulled a gun on you."
"Anita," he said with a grin, as if I were teasing.
With that cheerful thought I bundled into my coat and left. Richard was waiting. If traffic cooperated, I might just make it before the opening number. Traffic on a Friday night, surely not.
It was St. Patrick's Day, and the only green I was wearing was a button that read, "Pinch me and you're dead meat." I'd started work last night with a green blouse on, but I'd gotten blood all over it from a beheaded chicken. Larry Kirkland, zombie-raiser in training, had dropped the decapitated bird. It did the little headless chicken dance and sprayed both of us with blood. I finally caught the damn thing, but the blouse was ruined.
I had to run home and change. The only thing not ruined was the charcoal grey suit jacket that had been in the car. I put it back on over a black blouse, black skirt, dark hose, and black pumps. Bert, my boss, didn't like us wearing black to work, but if I had to be at the office at seven o'clock without any sleep at all, he would just have to live with it.
One skull spread its unhinged jaws in a silent scream. A scraggle of pale hair still clung to the skull. The dark, stained cloth wrapped around the corpse was the remnants of a dress. I spotted at least three femurs next to the upper half of a skull. Unless the corpse had had three legs, we were looking at a real mess.
The pictures were well done in a gruesome sort of way. The color made it easier to differentiate the corpses, but the high gloss was a little much. It looked like morgue photos done by a fashion photographer. There was probably an art gallery in New York that would hang the damn things and serve cheese and wine while people walked around saying, "Powerful, don't you think? Very powerful." They were powerful, and sad.
I gathered the pictures up, slipped them into the envelope, picked my coffee mug up in the other hand, and went for the door.
There was no one at the desk. Craig had gone home. Mary, our daytime secretary, didn't get in until eight. There was a two-hour space of time when the office was unmanned. That Bert had called me into the office when we were the only ones there bothered me a lot. Why the secrecy?
Bert's office door was open. He sat behind his desk, drinking coffee, shuffling some papers around. He glanced up, smiled, and motioned me closer. The smile bothered me. Bert was never pleasant unless he wanted something.
"Have a seat, Anita."
I tossed the envelope on his desk and sat down. "What are you up to, Bert?"
His smile widened. He usually didn't waste the smile on anybody but clients. He certainly didn't waste it on me.
"You looked at the pictures?"
"Yeah, what of it?"
I frowned at him and sipped my coffee. "How old are they?"
"You couldn't tell from the pictures?"
"In person I could tell you, but not just from pictures. Answer the question." "Around two hundred years."
I just stared at him. "Most animators couldn't raise a zombie that old without a human sacrifice."
"But you can," he said.
"Yeah. I didn't see any headstones in the pictures. Do we have any names?"
"Why?"
I shook my head. He'd been the boss for five years, started the company when it was just him and Manny, and he didn't know shit about raising the dead. "How can you hang around a bunch of zombie-raisers for this many years and know so little about what we do?"
"You use names to call the zombie from the grave."
"Without a name you can't raise them?"
"Theoretically, no," I said.
"But you can do it," he said. I didn't like how sure he was.
"Yeah, I can do it. John can probably do it, too."
He shook his head. "They don't want John."
I finished the last of my coffee. "Who's they?"
"Beadle, Beadle, Stirling, and Lowenstein."
"A law firm," I said.
He nodded.
"No more games, Bert. Just tell me what the hell's going on."
"Beadle, Beadle, Stirling, and Lowenstein have some clients building a very plush resort in the mountains near Branson. A very exclusive resort. A place where the wealthy country stars that don't own a house in the area can go to get away from the crowds. Millions of dollars are at stake."
"What's the old cemetery have to do with it?"
Ah. "They found it," I said.
"They found an old cemetery, but not necessarily the Bouvier family plot."
"So they want to raise the dead and ask who they are?"
"Exactly."
I shrugged. "I can raise a couple of the corpses in the coffins. Ask who they are. What happens if their last name is Bouvier?"
"They have to buy the land a second time. They think some of the corpses are Bouviers. That's why they want all the bodies raised."
I raised my eyebrows. "You're joking."
He shook his head, looking pleased. "Can you do it?"
"Would you be willing to try?"
I spread the pictures over the desk, staring at them. The top half of a skull had turned upside down like a bowl. Two finger bones attached by something dry and desiccated that must once had been human tissue lay next to it. Bones, bones everywhere but not a name to speak.
Could I do it? I honestly didn't know. Did I want to try? Yeah. I did.
"I'd be willing to try."
"Wonderful."
"Raising them a few every night is going to take weeks, even if I can do it. With John's help it would be quicker."
"It will cost them millions to delay that long," Bert said.
"There's no other way to do it."
"You raised ten family members, Anita. They only asked for three."
"So?"
"So can you raise the entire cemetery in one night?"
"You're crazy," I said.
"Can you do it?"
I opened my mouth to say no, and closed it. I had raised an entire cemetery once. Not all of them had been two centuries old, but some of them had been older, nearly three hundred. And I raised them all. Of course, I had two human sacrifices to ride for power. It was a long story how I ended up with two people dying inside a circle of power. Self-defense, but the magic didn't care. Death is death.
"That's not a no," he said. He had an eager, anticipatory look on his face.
"They must have offered you a bundle of money," I said.
He smiled. "We're bidding on the project."
"We're what?"
"They sent this package to us, the Resurrection Company in California and the Essential Spark in New Orleans."
"They prefer ol an Vi t al t o t he Engl i s h t r ans l at i on, " I sai d. Fr ankl y, i t sounded more like a beauty salon than an animating firm, but nobody had asked me. "So what? The lowest bid gets it?"
"That was their plan," Bert said.
He looked entirely too satisfied with himself. "What?" I asked.
"Probably," I said.
He nodded. "Okay. Could Phillipa raise without a name?"
"I don't have any way of knowing that. John could. Maybe she could."
"Could either she or John raise from the mass bones, not the ones in the coffin?"
That stopped me. "I don't know."
"Would either of them stand a chance of raising the entire graveyard?" He was staring at me very steadily.
"You're enjoying this too much," I said.
"Just answer the question, Anita."
"I know John couldn't do it. I don't think Phillipa is as good as John, so no, they couldn't do it."
"I'm going to up the bid," Bert said.
I laughed. "Up the bid?"
"Probably not," I said.
"Then I'm going to take them to the cleaners," he said with a smile.
I shook my head. "You greedy son of a bitch."
"You get a share of the fee, you know."
"I know." We looked at each other. "What if I try and can't raise them all in one night?"
"You'll still be able to raise them all eventually, won't you?"
"Probably." I stood, picking up my coffee mug. "But I wouldn't spend the check until after I've done it. I'm going to go get some sleep."
"Helicopter-you know I hate to fly."
"For this much money you'll fly."
"Great."
"Be ready to go at a moment's notice."
"Don't push it, Bert." I hesitated at the door. "Let me take Larry with me."
"Why? If John can't do it, then Larry certainly can't."
He looked thoughtful. "Why not take John? Combined, you could do it."
"Only if he'd give his power willingly to me. You think he'd do that?"
Bert shook his head.
"You going to tell him that the client didn't want him? That you offered him to the client and they asked for me by name?"
"No," Bert said.
"That's why you're doing it like this; no witnesses."
"Time is of the essence, Anita."
"Sure, Bert, but you didn't want to face Mr. John Burke with yet another client that wants me over him."
"You think he'll walk if one more client asks for me?"
"His pride's hurt," Bert said.
"And there's so much of it to hurt," I said.
Bert smiled. "You needling him doesn't help."
I shrugged. It sounded petty to say he'd started it, but he had. We'd tried dating, and John couldn't handle me being a female version of him. No; he couldn't handle me being a better version of him.
"I always behave myself, Bert."
He sighed. "If you didn't make me so much money, I wouldn't put up with your shit."
"Ditto," I said.
That about summed up our relationship. Commerce at its best. We didn't like each other, but we could do business together. Free enterprise at work.
The most beautifulcorpse I'd ever seen was sitting behind my desk. Jean-Claude's white shirt gleamed in the light from the desk lamp. A froth of lace spilled down the front, peeking from inside his black velvet jacket. I stood behind him, my back to the wall, arms crossed over my stomach, which put my right hand comfortably close to the Browning Hi-Power in its shoulder holster. I wasn't about to draw on Jean-Claude. It was the other vampire I was worried about.
The desk lamp was the only light in the room. The vampire had requested the overheads be turned out. His name was Sabin, and he stood against the far wall, huddling in the dark. He was covered head to foot in a black, hooded cape. He looked like something out of an old Vincent Price movie. I'd never seen a real vampire dress like that.
When he'd entered my office, I'd felt him like a psychic wind tripping down my spine. I'd only encountered two other people who had that taste to them. One had been the most powerful voodoo priestess I'd ever met. The second had been the second most powerful voodoo priest I'd ever met. The woman was dead. The man worked for Animators, Inc., just like I did. But Dominic Dumare wasn't here to apply for a job.
"Ms. Blake, please be seated," Dumare said. "Sabin finds it most offensive to sit when a lady is standing."
I glanced behind him at Sabin. "I'll sit down if he sits down," I said.
I didn't have to see Jean-Claude's smile to know it was there. "Oh, you are on your own withma petite. She is my human servant, so declared before the council, but she answers to no one."
"You seem proud of that," Sabin said. His voice was British and very upper crust.
"She is the Executioner and has more vampire kills than any other human. She is a necromancer of such power that you have traveled halfway around the world to consult her. She is my human servant without a mark to hold her to me. She dates me without the aid of vampire glamor. Why should I not be pleased?"
Listening to him talk you'd have thought it was all his own idea. Fact was, he'd tried his best to mark me, and I'd managed to escape. We were dating because he'd blackmailed me. Date him or he'd kill my other boyfriend. Jean-Claude had managed to make it all work to his advantage. Why was I not surprised?
"I am aware of what I have done," Jean-Claude said.
Sabin laughed, and it was chokingly bitter. "We all do strange things for love."
I would have given a lot to see Jean-Claude's face at that moment. All I could see was his long black hair spilling over his jacket, black on black. His shoulders stiffened, hands sliding across the blotter on my desk. Then he went very still. That awful waiting stillness that only the old vampires have, as if, if they held still long enough, they would simply disappear.
"Is that what has brought you here, Sabin? Love?" Jean-Claude's voice was neutral, empty.
Sabin's laughter rode the air like broken glass. It felt like the very sound of it hurt something deep inside me. I didn't like it.
"Enough games," I said, "let's get it done."
"Is she always this impatient?" Dumare asked.
"Yes," Jean-Claude said.
"He said Sabin caught some sort of disease from trying to go cold turkey."
The vampire across the room laughed again, flinging it like a weapon across the room. "Cold turkey, very good, Ms. Blake, very good."
The laughter ate over me like small cutting blades. I'd never experienced anything like that from just a voice. In a fight, it would have been distracting. Heck, it was distracting now. I felt liquid slide down my forehead. I raised my left hand to it. My fingers came away smeared with blood. I drew the Browning and stepped away from the wall. I aimed it at the black figure across the room. "He does that again, and I'll shoot him."
Dumare stayed in his chair, but he, too, was bleeding from a cut nearly identical to mine. Dumare wiped the blood away, still smiling. "The gun will not be necessary," he said.
"You have abused my hospitality," Jean-Claude said. His voice filled the room with hissing echoes.
"There is nothing I can say to apologize," Sabin said. "But I did not mean to do it. I am using so much of my power just to maintain myself that I do not have the control I once did."
He raised his hand, one thin line of blood still trailing down. "This is no accident."
"Come into the light, my friend," Dumare said. "You must let them see, or they will not understand."
"I do not want to be seen."
"You are very close to using up all my good will," Jean-Claude said.
"Mine, too," I added. I was hoping I could either shoot Sabin or put the gun down soon. Even a two-handed shooting stance is not meant to be maintained indefinitely. Your hands start to waver just a bit.
Sabin glided towards the desk. The black cloak spilled around his feet like a pool of darkness. All vampires were graceful, but this was ridiculous. I realized he wasn't walking at all. He was levitating inside that dark cloak.
Sabin stopped on the far side of the desk. He was expending power just to move, just to be here, as if like a shark, if he stopped moving he'd die.
Jean-Claude glided around me. His power danced over my body, raising the hair at the back of my neck, making my skin tight. He stopped almost within reach of the other vampire. "What has happened to you, Sabin?"
"Love, Jean-Claude, love happened to me. My beloved grew a conscience. She said it was wrong to feed upon people. We were once people, after all. For love of her, I tried to drink cold blood. I tried animal blood. But it was not enough to sustain me."
I stared into that darkness. I kept pointing the gun, but I was beginning to feel silly. Sabin didn't seem at all afraid of it, which was unnerving. Maybe he didn't care. That was also unnerving. "She talked you into going vegetarian. Great," I said. "You seem powerful enough."
I didn't scream, but I gasped and took a step back. I couldn't help myself. When I realized I'd done it, I stopped and made myself take back that step, meet his eyes. No flinching.
His hair was thick and straight and golden, falling like a shining curtain to his shoulders. But his skin . . . his skin had rotted away on half his face. It was like late-stage leprosy, but worse. The flesh was puss-filled, gangrenous, and should have stunk to high heaven. The other half of his face was still beautiful. The kind of face that medieval painters had borrowed for cherubim, a golden perfection. One crystalline blue eye rolled in its rotting socket as if in danger of spilling out onto his cheek. The other eye was secure and watched my face.
I lowered the Browning, but didn't put it up. It took more effort than was pretty to say calmly, "This happened because you stopped feeding off of humans?"
"We believe so," Dumare said.
I tore my gaze away from Sabin's ravaged face and looked back at Dominic. "You think I can help cure him of this?" I couldn't keep the disbelief out of my voice.
"I heard of your reputation in Europe."
I raised my eyebrows.
"No modesty, Ms. Blake. Among those of us who notice such things, you are gaining a certain notoriety."
"Put the gun away,ma petite. Sabin has done all the-what is your word-grandstanding he will do tonight. Haven't you Sabin?"
"I fear so, it all seems to go so badly now."
I holstered the gun and shook my head. "I honestly don't have the faintest idea how to help you."
"If you knew how, would you help me?" Sabin asked.
I looked at him and nodded. "Yes."
"Even though I am a vampire and you are a vampire executioner."
"Have you done anything in this country that you need killing for?"
Sabin laughed. The rotting skin stretched, and a ligament popped with a wet snap. I had to look away. "Not yet, Ms. Blake, not yet." His face sobered quickly; the humor abruptly faded. "You school your face to show nothing, Jean-Claude, but I read the horror in your eyes."
Sabin smiled, and I wished he hadn't. The muscles on the rotted side didn't work, and his mouth hung crooked. I glanced away, then made myself look back. If he could be trapped inside that face, I could look at it.
"Then you will help me?"
"I would aid you if I could, but it is Anita you have come to ask. She must give her own answer."
"Well, Ms. Blake?"
"I don't know how to help you," I repeated.
"The rot probably won't kill you, but it's progressive, I take it?"
"Oh, yes, it's progressive, virulently so."
"I would help you if I could, Sabin, but what can I do that Dumare can't? He's a necromancer, maybe as powerful as I am, maybe more. Why do you need me?"
"I realize, Ms. Blake, that you don't have something specifically for Sabin's problem," Dumare said. "As far as I can discover, he is the only vampire to ever suffer such a fate, but I thought if we came to another necromancer as powerful as myself-" he smiled modestly "-or nearly as powerful as myself, perhaps together we could work up a spell to help him."
He gave that wonderful Gallic shrug that meant everything and nothing. "I know little of necromancy,ma petite. You would know if such a spell were possible more than I."
"It is not only your ability as a necromancer that has brought us to you," Dumare said. "You have also acted as a focus for at least two different animators, I believe that is the American word for what you do."
I nodded. "The word's right, but where did you hear I could act as a focus?"
"Can you act as a focus?" I asked.
He tried to look humble but actually looked pleased with himself. "I must confess, yes, I can act as a focus. Think of what the two of us could accomplish together."
"We could raise a hell of a lot of zombies, but that won't cure Sabin."
"True enough." Dumare leaned forward in his chair. His lean, handsome face flushed, eager, a true convert looking for disciples.
I wasn't much of a follower.
"I would offer to teach you true necromancy, not this voodoo dabbling that you've been doing."
Jean-Claude made a soft sound halfway between a laugh and a cough.
I glared at Jean-Claude's amused face but said, "I'm doing just fine with this voodoo dabbling."
"I meant no insult, Ms. Blake. You will need a teacher of some sort soon. If not me, then you must find someone else."
"I don't know what you're talking about."
"Control, Ms. Blake. Raw power, no matter how impressive, is not the same as power used with great care and great control."
I shook my head. "I'll help you if I can, Mr. Dumare. I'll even participate in a spell if I check it out with a local witch I know first."
"Afraid that I will try and steal your power?"
I smiled. "No, short of killing me, the best you or anyone else can do is borrow."
"You aren't that much older than I am," I said. Something crossed over his face, the faintest flicker, and I knew.
"You're his human servant, aren't you?"
Dominic smiled, spreading his hands. "Oui."
I sighed. "I thought you said you weren't trying to hide anything from me."
"A human servant's job is to be the daytime eyes and ears of his master. I am of no use to my master if vampire hunters can spot me for what I am."
"I spotted you."
"But in another situation, without Sabin at my side, would you have?"
I thought about that for a moment. "Maybe." I shook my head. "I don't know."
"Thank you for your honesty, Ms. Blake."
Sabin said, "I am sure our time is up. Jean-Claude said you had a pressing engagement, Ms. Blake. Much more important than my little problem." There was a little bite to that last.
"Ma petitehas a date with her other beau."
Sabin stared at Jean-Claude. "So you are truly allowing her to date another. I thought that at least must be rumor."
"Very little of what you hear aboutma petite is rumor. Believe all you hear."
Sabin chuckled, coughing, as if struggling to keep the laughter from spilling out his ruined mouth. "If I believed everything I heard, I would have come with an army."
"You came with one servant because I allowed you only one servant," JeanClaude said.
Sabin smiled. "Too true. Come Dominic, we must not take more of Ms. Blake's so valuable time."
Dominic stood obediently, towering over us both. Sabin was around my height. Of course, I wasn't sure if his legs were still there. He might have been taller once.
"I don't like you, Sabin, but I would never willingly leave another being in the shape you're in. My plans tonight are important, but if I thought we could cure you immediately, I'd change them."
The vampire looked at me. His blue, blue eyes were like staring down into clear ocean water. There was no pull to them. Either he was behaving himself or, like most vampires, he couldn't roll me with his eyes anymore.
"Thank you, Ms. Blake. I believe you are sincere." He extended a gloved hand from the voluminous cloak.
I hesitated, then took it. His hand squished ever so slightly, and it took a lot not to jerk back. I forced myself to shake his hand, to smile, to let go, and not to rub my hand on my skirt.
Dominic shook my hand as well. His was cool and dry. "Thank you for your time, Ms. Blake. I will contact you tomorrow and we will discuss things."
"I'll be expecting your call, Mr. Dumare."
"Call me, Dominic, please."
I nodded. "Dominic. We can discuss it, but I hate to take your money when I'm not sure that I can help you."
"May I call you Anita?" he asked.
I hesitated and shrugged. "Why not."
"Don't worry about money," Sabin said, "I have plenty of that for all the good it has done me."
"How is the woman you love taking the change in your appearance?" JeanClaude asked.
Sabin looked at him. It was not a friendly look. "She finds it repulsive, as do I. She feels immense guilt. She has not left me, nor is she with me."
"You'd lived for close to seven hundred years," I said. "Why screw things up for a woman?"
Sabin turned to me, a line of ooze creeping down his face like a black tear. "Are you asking me if it was worth it, Ms. Blake?"
I swallowed and shook my head. "It's none of my business. I'm sorry I asked."
He drew the hood over his face. He turned back to me, black, a cup of shadows where his face should have been. "She was going to leave me, Ms. Blake. I thought that I would sacrifice anything to keep her by my side, in my bed. I was wrong." He turned that blackness to Jean-Claude. "We will see you tomorrow night, Jean-Claude."
"I look forward to it."
Neither vampire offered to shake hands. Sabin glided for the door, the robe trailing behind him, empty. I wondered how much of his lower body was left and decided I didn't want to know.
Dominic shook my hand again. "Thank you, Anita. You have given us hope." He held my hand and stared into my face as if he could read something there. "And do think about my offer to teach you. There are very few of us who are true necromancers."
I took back my hand. "I'll think about it. Now I really do have to go."
He smiled, held the door for Sabin, and out they went. Jean-Claude and I stood a moment in silence. I broke it first. "Can you trust them?"
Jean-Claude sat on the edge of my desk, smiling. "Of course not."
"Then why did you agree to let them come?"
"The council has declared that no master vampires in the United States may quarrel until that nasty law that is floating around Washington is dead. One undead war, and the anti-vampire lobby would push through the law and make us illegal again."
I shook my head. "I don't think Brewster's Law has a snowball's chance. Vampires are legal in the United States. Whether I agree with it or not, I don't think that's going to change."
"How can you be so sure?"
He smiled. "Perhaps. Regardless, the council has forced a truce on all of us until the law is decided one way or another."
"So you can let Sabin in your territory, because if he misbehaves, the council will hunt him down and kill him."
Jean-Claude nodded.
"But you'd still be dead," I said.
He spread his hands, graceful, empty. "Nothing's perfect."
I laughed. "I guess not."
"Now, aren't you going to be late for your date with Monsieur Zeeman?"
"Tomorrow night you will be with me,ma petite . I would be a poor . . . sport to begrudge Richard his night."
"You're usually a poor sport."
"Now,ma petite, that is hardly fair. Richard is not dead, is he?"
"Only because you know that if you kill him, I'll kill you." I held a hand up before he could say it. "I'd try to kill you, and you'd try to kill me, etc." This was an old argument.
"So, Richard lives, you date us both, and I am being patient. More patient than I have ever been with anyone."
I studied his face. He was one of those men who was beautiful rather than handsome, but the face was masculine; you wouldn't mistake him for female, even with the long hair. In fact, there was something terribly masculine about JeanClaude, no matter how much lace he wore.
He pushed away from my desk. He was suddenly standing close enough to touch. "Then go,ma petite ."
I could feel his body inches from mine like a shimmering energy. I had to swallow before I could speak. "It's my office. You have to leave."
He touched my arms lightly, a brush of fingertips. "Enjoy your evening,ma petite ." His fingers wrapped around my arms, just below the shoulders. He didn't lean over me or draw me that last inch closer. He simply held my arms, and stared down at me.
I met his dark, dark blue eyes. There had been a time not so long ago that I couldn't have met his gaze without falling into it and being lost. Now I could meet his eyes, but in some ways, I was just as lost. I raised up on tiptoe, putting my face close to his.
"I should have killed you a long time ago."
"You have had your chances,ma petite. You keep saving me."
"My mistake," I said.
"Stop that," I said.
He kissed me lightly, a brush of lips, so I couldn't feel the fangs. "You would miss me if I were gone,ma petite. Admit it."
I drew away from him. His hands slid down my arms, over my hands, until I drew my fingertips across his hands. "I've got to go."
"So you said."
"Just get out, Jean-Claude, no more games."
His face sobered instantly as if a hand had wiped it clean. "No more games,ma petite . Go to your other lover." It was his turn to raise a hand and say, "I know you are not truly lovers. I know you are resisting both of us. Brave,ma petite ." A flash of something, maybe anger, crossed his face and was gone like a ripple lost in dark water.
"Tomorrow night you will be with me and it will be Richard's turn to sit at home and wonder." He shook his head. "Even for you I would not have done what Sabin has done. Even for your love, there are things I would not do." He stared at me suddenly fierce, anger flaring through his eyes, his face. "But what I do is enough."
"And what? You would be living behind a white picket fence with two point whatever children. I think you lie to yourself more than to me, Anita."
It was always a bad sign when he used my real name. "What's that supposed to mean?"
"It means,ma petite , that you are as likely to thrive in domestic bliss as I am." With that, he glided to the door and left. He closed the door quietly but firmly behind him.
Domestic bliss? Who me? My life was a cross between a preternatural soap opera and an action adventure movie. Sort ofAs the Casket Turns meetsRambo. White picket fences didn't fit. Jean-Claude was right about that.
I had the entire weekend off. It was the first time in months. I'd been looking forward to this evening all week. But truthfully, it wasn't Jean-Claude's nearly perfect face that was haunting me. I kept flashing on Sabin's face. Eternal life, eternal pain, eternal ugliness. Nice afterlife.
Most people don't stare at the scars. They'll look, of course, then do the eye slide. You know, the quick look, then drop the gaze, then just have to have that second look. But they make it quick. The wounds aren't like freak show bad, but they are interesting. Captain Pete McKinnon, firefighter and arson investigator, sat across from me, big hands wrapped around a glass of iced tea that our secretary, Mary, had brought in for him. He was staring at my arms. Not the place most men look. But it wasn't sexual. He was staring at the scars and didn't seem a bit embarrassed about it.
My right arm had been sliced open twice by a knife. One scar was white and old. The second was still pink and new. My left arm was worse. A mound of white scar tissue sat at the bend of my arm. I'd have to lift weights for the rest of my life or the scars would stiffen and I'd lose mobility in the arm, or so my physical therapist had said. There was a cross-shaped burn mark, a little crooked now because of the ragged claw marks that a shapeshifted witch had given me. There were one or two other scars hidden under my blouse, but the arm really is the worst.
Bert, my boss, had requested that I wear my suit jacket or long-sleeved blouses in the office. He said that some clients had expressed reservations about my ah . . . occupationally acquired wounds. I hadn't worn a long-sleeved blouse since he made the request. He'd turned the air conditioner up a little colder every day. It was so cold today I had goose bumps. Everyone else was bringing sweaters to work. I was shopping for midriff tops to show off my back scars.
McKinnon had been recommended to me by Sergeant Rudolph Storr, cop and friend. They'd played football in college together, and been friends ever since. Dolph didn't use the word "friend" lightly, so I knew they were close.
"What happened to your arm?" McKinnon asked finally.
"I'm a legal vampire executioner. Sometimes they get pesky." I took a sip of coffee.
"Pesky," he said and smiled.
He sat his glass on the desk and slipped off his suit jacket. He was nearly as wide through the shoulders as I was tall. He was a few inches short of Dolph's six foot eight, but he didn't miss it by much. He was only in his forties, but his hair was completely grey with a little white starting at the temples. It didn't make him look distinguished. It made him look tired.
He had me beat on scars. Burn scars crawled up his arms from his hands to disappear under the short sleeves of his white dress shirt. The skin was mottled pinkish, white, and a strange shade of tan like the skin of some animal that should shed regularly.
"That must have hurt," I said.
"It did." He sat there meeting my eyes with a long steady look. "You saw the inside of a hospital on some of that."
"Yeah." I pushed the sleeve up on my left arm and showed the shiny place where a bullet had grazed me. His eyes widened just a bit. "Now that we've proven we're big tough he-men, can you just cut to the chase? Why are you here, Captain McKinnon?"
He smiled and draped his jacket over the back of his chair. He took the tea off my desk and sipped it. "Dolph said you wouldn't like being sized up."
"I don't like passing inspections."
"How do you know you passed?"
It was my turn to smile. "Women's intuition. Now, what do you want?"
"Do you know what the term firebug means?"
"An arsonist," I said.
He looked expectantly at me.
"A pyrokinetic, someone who can call fire psychically."
He nodded. "You ever seen a real pyro?"
"I saw films of Ophelia Ryan," I said.
"The old black-and-white ones?" he asked.
"Yeah."
"She's dead now, you know."
"No, I didn't know."
"Burned to death in her bed, spontaneous combustion. A lot of the firebugs go up that way, as if when they're old they lose control of it. You ever see one of them in person?"
"Nope."
"Where'd you see the films?"
"Two semesters of Psychic Studies. We had a lot of psychics come in and talk to us, demonstrate their abilities, but pyrokinetics is such a rare ability, I don't think the prof could find one."
He nodded and drained the rest of his tea in one long swallow. "I met Ophelia Ryan once before she died. Nice lady." He started to turn the ice-filled glass round and round in his large hands. He stared at the glass and not at me while he talked. "I met one other firebug. He was young, in his twenties. He'd started by setting empty houses on fire, like a lot of pyromaniacs. Then he did buildings with people in them, but everybody got out. Then he did a tenement, a real firetrap. He set every exit on fire. Killed over sixty people, mostly women and children."
McKinnon stared up at me. The look in his eyes was haunted. "It's still the largest body count I've ever seen at a fire. He did an office building the same w