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by Allen Rolf
Drama is alive and well around the world ... and
a fun thing to write!
Of course, we are all acquainted with New York
Broadway and off-Broadway productions, several
hundred which hit the boards every year. Write a
three-act Broadway hit and you will not only
become somewhat rich but also famous. This is what
most writers envision when you mention the subject
of drama, but most of today's drama writers never
get to Broadway. The majority of American
playwrights today are simple people who live quiet
lives in villages across the land just like
everyone else. What most of us don't realize is
that most modern drama is presented in the
schools, colleges, and institutions that we
ourselves frequent.
Can I Write Drama?
Most writers, even accomplished fiction writers,
freeze when they think of writing a play. In some
ways it is easier to write a three act play than a
modern short story, and certainly much easier than
a modern novel. Play writing is just another way
to tell a story.
Our concept of drama comes from the Greek
religious festivals that were prominent throughout
the Greek City States in late 6th century BCE.
These festivals were religious rituals used to
honor the Greek god of theater Dionysis and used
choral groups and masked actors to explain the
religious stories to the populace.
Legend has it that one Thespis, an actor, hit upon
the idea of introducing speaking parts to the
masked actors (Thespians), thus creating a unique
story telling form that is the basis for all drama
in the Western world. Needless to say, the
introduction of drama was a tremendous
sophistication over the older story telling form.
(Note: for more history information:
http://www.warwick.ac.uk/didaskalia/Didintro.html
Most people, including writers, think of the
three-act Broadway play form which consists of
three parts; Act 1: Introduction and statement of
the thesis; Act 2: Introduction of Anti-Thesis
(seemingly insurmountable conflict); and Act 3:
Creation of the Synthesis (resolution of
conflict). You will find these divisions
identical to the basic rule of thirds for
witing either long or short fiction. (See "The
Rule of Thirds" - https://members.tripod.com/~flornella2/HowToWrite4.html)
As with other forms of story telling, there are
several separate sub-forms in drama. Principle
among these are one and two act plays which were
developed as shorter versions to the classic three
act play with which we are all familiar.
Again, the storyline process is identical (thesis,
antithesis, synthesis), but with more compact
construction. In today's drama market there is a
very large market for one act plays; two act plays
are not as popular.
Where Do I Learn To Write Drama?
There are several methods that can be used to
discover how to write drama. The first and least
expensive is to study scripts of plays that have
been written and successfully produced. In this
respect, there is a wealth of information on the
Internet, ranging from the ancient Classical Greek
and Roman plays all the way to plays that have
been written in our era. Here are some links where
you can actually study drama construction and get
a good idea of subject matter:
The English Drama Collection (A very complete
collection of modern modern short and
long plays, as well as Classical Greek plays) -
http://english.hss.cmu.edu/drama/
Dramatic Arts Links (All sorts of information
about theatre as well as links to many complete
plays) - http://www.zephryus.demon.co.uk/education/links/artdr.html
Religious Drama Center (A sampling of contemporary
religious plays) -
http://studentweb.cs.bham.ac.uk/~pjm/art/dramatic/
Drama Exchange (Full scripts of many plays) -
http://www.dramex.org/
A second method of learning how to write drama is
to actually join a theater group and become
immersed in actual play production. This method
provides a real feel for drama as well as develop
contacts which can be invaluable. Almost every
community has a local theater group one can join.
To get involved, check with your local school
district, college, or arts center or arts council.
Many sources are listed on the Internet. Two good
sites are:
The American Academy of Community Theater
(http://aact.org/aactlink.html) which lists
community theatre groups across the US.
Similar information can also be found at the
Sacramento Ca Area Performing Arts site
(http://www.lightsup.com/) You will also find some
excellent links to other sites here.
The third method of learning to write drama is to
take one of the many courses being offered at
local colleges and universities, or to study one
of the many books on the subject of play writing.
A trip to your local library will provide a wealth
of "how-to" information. Several good books,
available from Amazon ( http://www.amazon.com) are:
The Art & Craft of Playwriting - Jeffrey Hatcher /
Hardcover / Published 1996 $13.29
Art of Dramatic Writing - Lajos Egri / Paperback /
Published 1977 $8.76
The Art of the Playwright : Creating the Magic of
Theatre - William Packard / Paperback / Published
1997 $11.16
Characters in Action : Playwriting the Easy Way -
Marsh Cassady / Paperback / Published 1995
Our Price: $11.96
How Do I Get Published?
Getting a play published is very much like getting
a short story or novel published. Here is a list
of drama publishers that have sites on the
Internet:
http://www.stagekids.com/
Visit these sites and request a copy of their
Writer/Submission Guidelines. This information
will tell you what kind of drama the publisher is
seeking, how much they pay, and particulars on
submission. I would suggest a short query letter
before submitting your manuscript.
Other markets include your local community theatre group (many such groups hold annual contests), youth directors of local churches, local museums, as well as local business promotion groups. If you plumb these markets well, you may be surprised at the possibilities that exist. One excellent source of referral is your local State Tourism office who often will be involved in local festivals and pageants. All too often, the promoters of these
events go begging for drama material simply
because they have no access to a writer with such interests.
What Should I Expect In Pay
Writing drama, you will find, is a highly
speculative market and the range of pay for a
script will range from as little as $50 for a
one-act play to a full consultant retainer for a
play that you write and actually help produce.
Generally, commercial publishers will operate on
an advance against royalties much like many book
publishers. One of the important things about
writing drama is that if you write a hit, even a
one-act hit, you will see royalty income over a
period of many years since a play can be produced over and over again.
© 1998 Allen Rolf
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