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Composite Input 
Fri Jan 19 13:01:00 2001
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>> Previously on
"all my children" --
 bianca: Tell her how you feel
about having a gay daughter!
Tell her!
 Erica: I've never been
so frightened about anything
in my life.
 Ryan: I'm giving you that
wedding I promised.
 Gillian: I could get married
in las vegas in one of those
elvis places and still be
the happiest woman in the world.
 Mateo: Oh, my god.
[Captioning made possible
by abc, inc.]
 Ryan: Wait a minute, stan.
How quick a return we talking
about?
Really?
And --
how much money to get in?
10,000?
No, no, no, no.
No, money should be fine.
No problem.
Certainly after this deal cashes
in, right?
Cool, yeah. Count me in.
All right, what do you say,
meet in the valley inn bar
in an hour?
Cool.
Oh, and, stan -- remember
my fiancee?
Yeah, the waitress that
you actually hit on?
Right.
It's better we keep
her in the dark on this, ok?
Yeah, we'll make it a surprise.
Thanks.
 Leo: Gillian andrassy?
Bar wench?
Serving drinks and pushing
peanuts?
Can it be?
 Gillian: Hi, leo.
Can I get you anything
from the bar?
 Leo: You really work here?
 Gillian: Yes, today is
my first day, and I have already
made $3 in tips.
 Leo: Wow.
Down payment on that dream
house.
 Ryan: Mad money.
 Gillian: Mad money?
 Leo: Short for madcap.
Cash to be disposed
of in a frivolous fashion.
 Gillian: Oh, no, no, no, no.
I am not spending this money
on shoes and fnch powder.
I am putting this in a savings
account to confound daily
interest.
 Ryan: I think you probably
mean "compound."
 Leo: No, well, I don't know
about that.
Should check out my bank
statement.
It's pretty confounding.
 Ryan: What's up, man?
You here to see me?
 Leo: Oh, yeah, actually,
just got these faxes.
Thought you might be interested.
 Gillian: Well, gentlemen,
if you'll excuse me, i have
to get back to work.
 Leo: All right.
Gillian working as a cocktail
waitress?
Money really that tight, ryan?
 Ryan: Something that she felt
she really wanted to do.
 Leo: Really?
So i shouldn't ask for
an advance on my salary before
you file chapter 11?
 Ryan: Yeah, like you need
the money, man.
Greenlee just bought you out
of the loft.
You got all that money burning
a hole in your bank account.
 Leo: Yeah, confounding
interest daily.
 Ryan: Yeah.
Hey, how would you like to make
that money work for you?
 Leo: What do you mean?
 Ryan: I mean i just got
the inside tip on a fast track
investment.
You want in?
 Adam: Well, what's this,
lavery?
Another half day?
Why aren't you in the yacht,
trying to salvage my business?
 Ryan: I was in a meeting
with a client.
 Adam: Dupres?
This transplanted eurotrash?
 Leo: Ouch! That hurt.
 Ryan: Actually, leo is not
a client.
He is my executive assistant.
 Adam: He's your what?
 Leo: Yeah, well, I don't type
or take shorthand, but my people
skills -- spectacular.
So, come on, welcome me aboard,
boss man.
 Adam: What scam are
you trying to pull this time?
 Bianca: Mom, you're afraid
of me?
 Erica: No, of course I'm not
afraid of you.
 Bianca: But that's what
you just said.
 Erica: No, I --
I'm not afraid of you.
I'm afraid of losing you.
 Pamela: Let's go with that.
It's not easy to admit
our fears, but it's a major step
toward resolving your conflict.
 Erica: Bianca?
 Bianca: I don't know what
you want me to say, mom.
 Erica: Tell me that i'm not
losing you.
 Bianca: Mom, how could
you lose me?
I've been your daughter my whole
life.
I've loved you my whole life.
My feelings haven't changed
because I told you that I'm gay.
But yours have.
 Erica: That's not true.
 Bianca: Mom, you're angry
with me all the time.
You can't even stand to look
at me.
 Pamela: Erica, how do
you feel about what bianca just
said?
 Erica: How do i feel?
Well, when every dream you've
had for your little girl
vanishes --
it's decided.
I mean, it's done.
It's out of my hands.
I don't think that my feelings
count here.
 Bianca: Mom, they matter
to me.
 Erica: Bianca, you made
an announcement that altered
our lives.
I know that you say that
nothing has changed and that
it's not about me,
but I'm your mother
and I am affected by
your actions, your words,
the choices you make
for yourself.
And our life is not the same --
from the silence at
the breakfast table
to the awkward kisses good
night.
And every time you go
into your bedroom at night
and close the door, I can feel
that i'm losing you.
And the break between us widens
day by day, fight by fight.
I'm losing you to a world
i can't even begin to
comprehend
 bianca: Have you ever reached
for my hand across the breakfast
table?
When i kiss you good night,
you're the one who turns away.
When i close the door behind me,
I'm the one who cries myself
to sleep at night because I miss
you so much.
And I pray that you will come
into my room and that you will
hold me and that you will tell
me that everything is ok,
that you still love me the way
you used to.
 Erica: Of course I do.
Of course I still love
you the way I did.
And how could I do those things,
bianca, when you shut me out?
 Bianca: Mom, i'm still here.
I'm still here.
 Erica: But it's not the same.
We're not close.
Not the way we were.
 Bianca: Because you keep
pushing me tchange, mom.
You're pushing me right out
of your life.
 Hayley: My mother's really
losing it.
She's so sick with revenge.
Do you think she just wants
to scare us?
 Mateo: I don't know.
I don't know.
 Hayley: I know what
she wants.
It's like what she said in that
note that she left in colby's
crib.
She wants me to confess.
 Mateo: Tina -- I found her
in the living room --
 hayley: Tina was here!
 Mateo: Yeah, she's --
 hayley: Maybe she saw
somebody.
 Tina: Nada.
 Hayley: Are you all right?
What happened?
 Tina: Someone just hit me
over the head.
What's with all these candles?
Where did they come from?
 Hayley: I don't know.
I closed my eyes and i took
a nap and --
she was here, mateo.
Arlene was here in my room while
i slept.
 Tina: Creep me out.
This is just like a shrine.
It's just like a shrine
for the dead.
 Mateo: Why don't I take
you down to the hospital,
get that head checked out, huh?
 Tina: I'm not calling
the hospital.
I'm calling the police.
 Mateo: No, you don't want
to do that.
 Tina: Did you already call
the cops?
 Mateo: No.
I don't want to get them
involved yet, you know?
 Tina: Mateo, make sense.
Someone knocked me over the head
and turned this place
into a creep show!
 Hayley: Maybe she's right.
Maybe we should call derek.
 Mateo: Why don't we think
about it while we take tina
to the hospital?
 Tina: I don't need to go
to the hospital.
I'll just take some aspirin.
I'll have jake check me out when
i go to work tomorrow.
Listen, you guys, you really
need to report this.
 Hayley: I just -- I feel like
i'm in an endless dream.
I just want to wake up.
I wish somebody would just come
and wake me up.
 Tina: Listen, listen.
I know that you are sure that
arlene is behind this, but what
if you are wrong?
Hayley's got her own tv show.
What if you're being stalked
by some nut job?
 Hayley: Arlene is some
nut job.
 Mateo: Which is why i'm --
we're getting out of here.
I'm going to take you someplace
safe.
 Hayley: Where?
 Mateo: We're going to go
to your dad'S.
He just beefed up security.
 Hayley: That's not safe.
She can get to me there
if she wants to.
 Tina: Mateo, don't you think
you should at least have
the cops check this place out?
 Mateo: Tina, go back
to your room.
Go back to your condo,
lock the door, and just let me
handle this, all right?
I'm not calling the cops.
 Hayley: I'm real sorry that
you got hurt.
 Tina: It's not like it's
your fault.
 Hayley: It is my fault.
 Tina: No.
 Hayley: This whole thing is
my fault.
 Mateo: Your stuff.
Let's go.
Can you get the rest
of the candles for me?
 Tina: Yeah.
 Mateo: Take care of --
 tina: Yes, please.
I'd like to report a break-in.
 Erica: How could I push
you out of my life?
You are my life.
 Bianca: I can't be that
either, mom.
I can't be what you want me
to be.
 Erica: Can you understand
that i've had dreams
for you and plans for you ever
since I can remember?
Things for us to do together,
mother-daughter things.
 Bianca: Mom, we can still do
mother-daughter things.
We can -- we can go shopping
and riding.
We can go to movies together.
 Erica: We certainly wouldn't
be shopping for the same things.
I mean, we'll never shop
for a trousseau together.
We'll never spend a day
at lacey's together picking out
a china pattern or --
or a wedding dress.
 Bianca: Well,
what if I meet the right girl
and we fall in love
and we decide that we want
to spend the rest of our lives
together?
You can help us set up
our house.
You can help us pick out
the silver and the linen -- 
 erica: It would not be
the same thing.
 Bianca: Why not?
 Erica: Because.
 Bianca: Because why?
I think I know why.
It's the same reason that
you don't have any close
girlfriends.
 Erica: What?
What are you talking about?
 Bianca: You -- you turn
to men mainly when you need
somebody to talk to,
when you need a shoulder to cry
on.
Uncle jack and dimitri, david --
I don't think that you trust
women the same way that you do
men.
 Erica: Dr. Trent, bianca has
seen me hurt many times.
 Bianca: What does that tell
you about yourself, mom?
 Erica: That it takes a great
deal of courage to give
your heart to a man and risk
that it might be broken.
 Pamela: Is that what
you meant when you said that
you felt like this was
your fault?
 Erica: Dr. Trent,
this session is not about me
or my "problems with men."
 Pamela: On the contrary.
It's very much about you.
 Adam: I would rather gargle
glass than have you
on my payroll.
 Leo: Straight up
or on the rocks?
 Adam: You worked for me once
before, and it was a disaster.
 Leo: Yeah, well, it was
no picnic for me, either,
hurting your brother
and his wife.
Besides, i don't work for you.
I work for ryan.
 Adam: If you hired this
incompetent, he obviously has
something on you.
 Ryan: Actually, adam,
leo gets things done.
He's already got the computer
network up and running,
processing requests faster than
we can fill them.
 Adam: Well, maybe you run
the show, but I still sign
the paychecks.
 Leo: You know, I'm glad
you brought that up.
Since I've proved myself
indispensable, i think it's time
we talked salary.
I was thinking something high
five figures with full bennies,
of course -- retirement,
pension plan, you know.
 Adam: This is the reason
your business was in the tank
when i took it over.
 Ryan: Took it over?
Actually i sold it to you.
 Adam: Yes, and i assumed
a whopping debt.
 Ryan: Which we are trying
to take care of, leo and i.
You know what?
Incredibledreams.Com might be
making some profits
if you didn't micromanage every
single move that we were making,
adam.
 Adam: All right, i'll show
you how hands-off I can be.
I'll give you to the end of this
quarter to get this company
in the black.
If you don't, you're both going
to be -- you and your assistant
are going to be out
on your butts.
 Leo: Do you work on being
this nasty, or does it just come
naturally?
 Adam: You have till march 31.
That's the deadline.
Meet it, or I get a couple
of guys from silicon valley
to take over.
 Ryan: I am not losing
my company to that man.
The guy is unbelievable.
He keeps coming and saying
the same thing --
 leo: Listen, I'm not
the type -- you're preaching
to the choir.
You want me to rough him up
for you?
 Ryan: I think you should.
It'll do some good.
He's driving me nuts.
 Gillian: Oh!
You are amazing...
 ryan: What happened?
Princess, what --
 leo: Watch the glass,
watch the glass.
 Ryan: Did you slip?
 Gillian: No, no, I'm just --
I'm just clumsy, that's all.
 Leo: Maybe not.
Eenlee's got a penchant
for pushing people.
 Gillian: No, it wasn't
greenlee.
I just wasn't watching where
i was going, that's all.
 Ryan: Ok, I think -- i don't
know -- we got everything,
cleaned it up?
 Gillian: So, what did adam
want?
He seemed angry.
 Ryan: Oh, he's just doing
his megamogul thing.
Don't worry about it, princess.
People just get off on making
power plays.
 Leo: Greenlee.
 Greenlee: Leo.
 Leo: What brings you by?
 Greenlee: Ah, this is a bar
and I want a drink.
 Leo: Hmm.
 Greenlee: If i can get one.
It's so hard to get decent help
these days.
 Ryan: Greenlee, what are
you doing here?
 Leo: Greenlee's thirsty.
 Greenlee: Is that a problem?
 Ryan: Not for me.
 Greenlee: Here i am
surrounded by my two favorite
men.
I feel like scarlett
at the twelve oaks barbecue.
 Ryan: Well, maybe we'll get
lucky and somebody'll declare
war.
 Greenlee: Hmm.
I thought adam just did that.
I saw him steaming out of here,
your machiavellian mentor.
 Ryan: I always say learn
from the best.
 Greenlee: Hmm.
It's a shame that you're
learning and gillian's forced
to work as a barmaid.
 Ryan: She's a waitress.
 Greenlee: Working
on her masters in mixology.
 Leo: Greenlee, think
of something to do with this
little plastic sword
thingy-dingy, ok?
What were we talking about
before?
 Ryan: That investment
opportunity.
 Leo: Ok, well, how sure
of a thing is this?
 Ryan: I made some calls.
I checked it out.
Sure enough that i put
in $10,000 that I don't even
have.
What do you say?
You want in?
 Leo: Well, I'm a sucker
for two things -- fast women
and easy wom-- i mean easy
money.
 Ryan: All right?
 Leo: All right.
 Hayley: We're back.
 Mateo: Hey, winifred, is adam
here?
 Winifred: No, sir.
He had to run out.
He said he'd be back shortly,
though.
 Mateo: Where's liza?
 Winifred: She's down
at the gatehouse with colby.
You want me to call down there?
 Mateo: No, no, I'll wait
for adam to get back.
 Winifred: Would you like me
to get you something?
 Mateo: How about --
 winifred: Maybe some tea --
 hayley: Oh, no, it's ok,
winifred.
 Mateo: We'll call you when
we need you, ok?
We'll give you a ring.
Come on.
 Hayley: Why are you trying
to get rid of winifred?
You know she suspects something
already, what with the cake
being destroyed and the note
in colby's crib.
 Mateo: Ok.
How did that note get in that
crib?
How did someone get in the house
and destroy the cake?
You tell me that.
 Hayley: Wait a minute.
If you're suspecting a member
of the staff, you can forget it.
They're loyal to my father
to a fault.
 Mateo: You're right,
and they all hate arlene.
 Hayley: Oh, that --
you didn't tell me what happened
when you went to the bar.
Was arlene there?
 Mateo: No, she wasn't there.
She paid some clown to lure me
out of the house.
It was a setup.
 Hayley: You see?
She's finding new ways of coming
between us.
I'm telling you, i can't shake
this feeling like she's
everywhere, watching us.
Maybe we should call the police.
 Adam: Why?
What's happened now?
 Mateo: Arlene.
She struck again.
 Erica: Dr. Trent, i may have
a less-than-perfect track record
with men, but that really has
nothing to do with the situation
at hand.
 Pamela: No?
 Erica: I don't have
a problem.
I have no problem attracting
members of the opposite sex.
 Pamela: But from what
i understand, you have a hard
time keeping the relationships
together.
 Erica: Well, it is hardly
my fault if the men I choose
don't live up to
my expectations.
 Pamela: Perhaps you set
your expectations too high.
 Erica: Well, I have
no trouble living up to them.
 Bianca: But daddy couldn't,
and I can't either.
 Erica: Sweetheart --
look, you saw my marriage
to your father disintegrate,
and I think that scarred
you deeply.
And I firmly believe that that's
why now you are afraid to commit
yourself to a man --
because you are so afraid
of reliving that trauma.
 Bianca: Mom, that is so not
true!
 Erica: I think I hit a nerve,
or else you wouldn't be
so defensive.
 Bianca: I have to defend
myself, mom.
You won'T.
 Erica: Bianca, if you would
just hear me out, then maybe
you would understand.
 Pamela: Erica, listen to what
your daughter is trying to tell
you.
 Erica: I have done nothing
but.
But so far i haven't heard one
thing that makes any sense.
 Pamela: The objective
of family therapy is --
 erica: Is for the therapist
to remain objective.
Now, it is clear to me,
dr. Trent, that you are taking
my daughter's side against me.
 Pamela: I'm sorry you see it
that way.
 Erica: I'm sorry you wasted
our time.
You can send your bill
to my office.
Good evening, dr. Trent.
 Pamela: Bianca, if
you and your mother decide
to give this another chance,
give me a call.
 Pamela: Good evening,
miss kane.
 Bianca: Well, mom,
family therapy didn't work.
Now what do we do?
 Mateo: Tina was unconscious
on our living room floor,
and I walk into the bedroom,
and hayley was asleep
with candles surrounding her.
 Adam: How do you know arlene
did this?
 Hayley: The note.
Show him the note.
 Adam: "I'm as close
as your next breath.
I can get to you whenever
i want."
Well, anyone could have written
this.
 Mateo: Hayley says that's
arlene's handwriting.
 Adam: Yes, it could be.
 Mateo: It's the same
handwriting as the note we found
in the crib.
 Hayley: Yeah, I used to have
this cat named comet who got
this mouse once and was,
like, batting the mouse around.
And sometimes the mouse would
get away and the cat would let
it think it was escaping,
and then the cat would pounce
on it again.
And that's what I feel like
i am.
I feel like I'm the mouse
waiting to be pounced
on by the cat, and i just --
I can't take it anymore.
I really can't.
 Mateo: She --
hayley, I won't let arlene do
anything to you.
 Hayley: It's too late.
She's everywhere.
 Mateo: Hayley, listen.
She's not a ghost.
If it's arlene, she's real,
and she's going to trip up,
and we'll get her.
 Hayley: Then she's going
to go to the police and she's
going to tell them that I tried
to kill her, which is why I've
got to go to derek first.
I've got to go to derek first
and explain what happened.
He already knows that we had
a fight on ryan's yacht,
and I'll just tell him that it
got out of hand and she --
I'll tell him that she slipped
and fell off the boat.
 Adam: Sweetheart,
we've already ruled out
involving the police.
 Hayley: I won't involve
you or liza or mateo!
 Adam: Look, I have a better
plan.
I've hired a private
investigator who's very good
at finding missing persons.
And I've had all the locks
replaced just in case arlene
still has her set.
Here are the new ones.
 Mateo: That's a good idea.
I should get the locks changed
at the condo, huh?
 Hayley: It won't matter
because -- it won't matter.
Because if she wants to get me,
she'll find a way of getting me.
[Doorbell rings]
 adam: Sweetheart, it's all
right, it's all right.
It's the p.I. I hired.
I've got it, winifred!
 Man: Good evening,
mr. Chandler.
 Adam: Duffy, come on in.
Duffy, i'd like you to meet
my daughter hayley and
her husband, mateo santos.
Duffy oliphant is an old friend.
He's done security work for me
in the past.
He's very thorough and discreet.
 Duffy: Mr. Chandler's brought
me up to speed.
Is there anything you want
to add to miss vaughan's
profile?
 Hayley: Are you a married
man?
 Duffy: Yes, ma'am.
Very happily so.
 Hayley: Then you'd better
watch your back.
Arlene's favorite prey is
a married man.
 Adam: Sweetheart,
part of duffy's job will be
to keep an eye on you,
from a distance.
 Duffy: I promise you won't
even know that i'm around.
If you could just give me some
idea of your daily routine,
it would help me to plan
my surveillance.
 Hayley: Yeah, sure.
Mateo can fill you in
on my schedule.
If you'll excuse me, i'm really
tired.
I need to go close my eyes
for a few minutes.
 Mateo: Why don't I walk
you up.
Then i'll come back down
and talk to you guys.
 Adam: Good night, sweetheart.
Don't you worry.
I'm going to take care
of everything.
 Duffy: She seems pretty
shaken up.
 Adam: Well, she has a right
to be.
Her mother's always been
undependable, but since she rose
from the dead, i think she's
dangerous.
 Duffy: Have you got a photo
so i can make an i.D.?
 Adam: Yeah.
Mateo gave me this.
 Duffy: Good-looking broad.
 Adam: Yeah.
Yeah, part-time party girl,
part-time black widow.
She's a good-looking girl,
but she's lethal.
 Tina: Hayley and mateo are
my best friends, and i hate
going behind their backs like
this, but something here is
so not right.
 Derek: Did they give any
reason why they didn't want
the police called in?
 Tina: Well, nothing that made
a lot of sense.
I mean, mateo said that he was
going to handle it.
But check it out, derek.
The living room is trashed.
It looks like a war zone.
 Derek: Excuse me.
You said this wasn't the first
break-in.
 Tina: No.
No, there was another one.
And something really creepy
happened earlier.
Just wait here.
I'll be right back.
 Tina: It's gone.
 Derek: What's gone?
 Tina: The doll.
Hayley -- hayley's doll
from when she was little.
She found it with a rope tied
around its neck like a hangman's
noose.
Hayley totally freaked out.
I wanted to call the cops --
excuse me -- the police --
but she wouldn't let me.
 Derek: Why not?
 Tina: Hayley said that
she had it coming to her.
 Derek: She meant the doll?
 Tina: And her mother.
 Derek: Arlene.
What else did hayley say?
 Tina: Well, she's pretty sure
that arlene is the one that hung
the doll and trashed her living
room.
 Derek: Why would arlene do
that?
 Tina: I don't know.
But arlene is back with
a vengeance, and hayley is just
completely undone.
 Erica: I had hoped that
dr. Trent would have been more
helpful.
 Bianca: Mom, i'm --
I'm tired.
I don't want to fight
with you anymore.
 Erica: We don't have
to fight, bianca.
If only you'd keep an open mind.
 Bianca: Me?
Mom, i walked into an ambush
tonight.
You spring this therapist on me
without giving me any notice
or asking my permission.
It's like what you did when
i was little, remember?
You told me that we were going
to a carnival, and instead
you took me to the hospital
to take my tonsils out.
 Erica: Oh, bianca,
because I didn't want you to be
afraid.
I was trying to soften life's
rough edges for you.
 Bianca: That is not your job,
mom.
Your job is to love me
and to give me direction,
not take over my life and play
amateur therapist.
 Erica: Fine.
What we have to do is we have
to find another therapist,
one who has the proper
qualifications.
 Bianca: You mean someone who
is going to tell you exactly
what you want to hear.
Mom, save yourself the money.
Get a ventriloquist's dummy
and sit it on your knee.
 Erica: That is not funny,
bianca.
 Bianca: Do you see me
laughing?
Mom, i hate the way we act
around each other.
 Erica: So do I.
 Bianca: Did you mean what
you said, you know, about me
going back to modeling
for the enchantment campaign?
 Erica: Of course I did.
I'll tell shannon that
you changed your mind.
But, look, i want to be
perfectly straight with you.
I mean, I want you to know
exactly what you're in for.
We're going to do a lot of p.R.
And since donald steele's big
expose in the press, i mean,
obviously the press is going
to be asking you a lot
of questions about your personal
life, so --
so we'll rehearse, and then
you'll be ready with the right
answers.
 Bianca: "The right answers."
You mean that you want me to lie
about myself.
I will pass.
You tell shannon knock herself
out.
I'm going to bed.
 Erica: Oh, bianca, please.
 Please.
Oh.
 Ryan: Stan, this is
my business associate,
leo dupres.
Stan berringer.
Leo's in charge of all
the computer operations
at the company, and he would
like in on this real estate
 stan: You clear a tenfold
profit on your seed money.
How's that?
 Leo: I guess I'll be running
all the way to the bank.
Here's my 25K.
 Ryan: And here's my 10k
on top.
 Stan: And we are in business.
Give this to our investor,
we'll touch base with you boys
in a couple of days.
 Ryan: All right.
Thanks, stan.
You are a true bull artist,
mr. Dupres.
 Leo: Yeah, well, in a few
days, I'll be a true bull artist
with a big, fat wallet.
 Gillian: Hey, guys.
 Ryan: Hey.
 Gillian: Wasn't that
the gentleman that was here
earlier on?
 Ryan: Yeah, stan berringer.
He's one of our advertisers.
 Gillian: And what was
in those envelopes you gave him?
 Leo: Well, it was our cash --
analysis advertising rates
for incredibledreams.Com.
 Greenlee: Hey, you!
Waitress!
I need some service over here.
 Gillian: Is there a problem?
 Greenlee: I ordered a white
russian.
This is a rusty nail.
I demand to see the manager.
 Duffy: My first stop will be
the bar that arlene paid that
guy off to call you from.
 Mateo: That guy's name was
bud, but i doubt very seriously
that arlene's going to be back
there.
 Duffy: Well, if he's not
there, i'll check the local
dives and I'll pass that picture
around.
 Mateo: Great.
 Adam: I wa hourly updates,
news or no news.
 Duffy: Yes, sir.
Good night, mr. Santos.
 Mateo: Night.
 Adam: Duffy's a good man.
If arlene is out there,
he'll find her.
How's hayley?
 Mateo: She's a wreck.
This thing's out of control,
man.
We should call the cops.
 Adam: No!
No, you do that, and hayley will
confess to attempted murder
before they've read
her her rights.
If the cops find arlene before
we do, she'll damn hayley
to hell with her sob story.
 Mateo: Well, then let arlene
talk.
She's living proof that she's
not guilty of murder.
 Adam: Hayley will still have
to go through a trial.
 Mateo: Well, you've got
the best lawyers.
They can prove that hayley was
drugged, that she was provoked,
that she didn't know what
she was doing.
 Adam: You really want hayley
to go through the agony
of a jury trial?
 Mateo: It can't be any worse
than this waiting, watching
for arlene's next move.
I mean, she's messing
with our minds now.
She's proven that she can get
close to all of us -- even
colby.
Now, are you willing to put
your daughters at risk?
 Bianca: Mom?
 Erica: Oh, bianca, honey,
look what I found --
the photo album I've been
keeping since you were a baby.
Look, sweetheart, a picture
from your first dance recital.
Oh, you were such a graceful
ballerina.
And you remember the polka dot
dress?
Look at you in that polka dot
dress.
You loved that polka dot dress.
You slept in it.
You wouldn't let me take it off.
I think I have that polka dot
dress somewhere.
Bianca? Honey?
What's that?
 Bianca: It's my stuff.
I'm leaving.
 Erica: Leaving?
Is this a joke?
Is this another test?
 Bianca: It's the story
of your life, mom.
You just can't keep people
around.
You force them out of
your life --
your dad, my dad, uncle jack --
all the men that you say
you loved.
 Erica: I did love them.
Bianca, I loved them with all
my heart.
 Bianca: But they couldn't
love you back, mom.
You made it impossible.
You expect too much,
and you give back far too
little.
You're a failure as a woman
and as a mother.
 Erica: Bianca, no.
You don't mean that.
 Bianca: I mean every word.
I wish to god that i weren't
your daughter.
 Erica: Bianca, come back!
Please don't leave!
 Erica: No. No.
Bianca, don't leave me.
No. No.
No.
 Bianca: Shh.
My mom is asleep on the couch.
 Rain: Good thing she didn't
wake up when i tossed those
rocks at your window.
 Bianca: I'm really glad
you came by, rain.
I really needed to talk to you.
 Rain: You and your mom go
another 10 rounds?
 Bianca: She is relentless.
She is not going to be happy
until I come home with a hunk
on either arm.
 Rain: I can't help you there,
but if you're up for some
mindless fun, I'm your girl.
 Bianca: Yeah.
Let's go.
 Leo: Ryan, is there some
reason why you don't want
gillian to know about
the investment deal?
 Ryan: She's a worrier.
 Leo: Anything she should be
worried about?
For that matter, should I be
sweating bullets?
 Ryan: No.
No, no, no.
As soon as the whole deal goes
through, i'm going to tell
her about the whole thing.
 Man: Is there a problem here,
miss smythe?
 Greenlee: I hate to complain.
This is one of my favorite
haunts.
But this new waitress is doing
serious damage to your
reputation for superior service.
First I waited an eternity
for my drink.
Then she brought me the wrong
order, and her grubby
fingerprints are all over
my glass.
 Gillian: Those are
your grubby fingerprints.
 Greenlee: Do you hear the way
she speaks to me?
How could you tolerate such
insubordination?
 Man: Gillian, ms. Smythe is
a highly valued patron of this
establishment.
One more incident like this,
and you will be terminated.
I apologize, ms. Smythe.
Needless to say, your drinks are
on the house.
 Greenlee: Thank you.
At least someone around here
knows how to keep the customers
happy.
 Gillian: Are you satisfied
now?
 Greenlee: No, but I'm getting
there.
Take this drink and get me
a fresh one.
And I think I'll take
a bloody mary.
 Leo: Whoa.
[Greenlee gasps]
 greenlee: Leo!
 You stupid idiot!
 Leo: Oh, I'm sorry.
Did you want celery with that --
I'm sorry -- or a twist?
 Adam: Damn it, mateo, I would
never put colby or hayley
at risk.
I would die before i'd let any
harm come to my girls.
 Mateo: You'd better be
careful what you wish for.
Arlene's got us all marked.
 Adam: Don't let her spook
you.
If she wanted revenge,
she would have gone to the
police and had hayley thrown
in jail a long timago.
 Mateo: Well, then, what does
she want, then?
 Adam: She wants money.
She's in this game to score
herself a small fortune.
 Mateo: Well, why isn't
she here with her hands out?
She isn't here because
she doesn't want money.
She wants to settle the score
with hayley for all the times
she reached out to her
and hayley rejected her.
 Adam: She's not going to get
a chance.
My man is going to find her.
We're going to pay her off.
I'll have my private jet fly
her halfway around the world.
 Mateo: Well, he'd better find
her soon because if he doesn't,
I'm calling the cops,
and I don't give a damn what
you say.
[Doorbell rings]
 adam: Just a minute.
 Derek: Adam, we need to talk.
Ah, mateo.
Tina harding said you'd be here.
 Mateo: She called you?
 Derek: Where's hayley?
 Adam: Hayley is asleep
upstairs, and I won't have
her disturbed.
 Derek: That's fine for now.
Mateo --
why don't you tell me what's
going on between you and hayley
and arlene vaughan?
 Duffy: Folks, i'm looking
for this woman.
Have any of you see her?
 Woman: No.
 Duffy: Lien, I'm going
to be in and out.
If you see her, will you let me
know?
All right. Thank you.
Are you sure arlene hasn't been
in tonight?
 Bud: Haven't seen her.
 Duffy: Here's my card.
If she comes in, let me know.
 Bud: Yo, arlene.
You going to save me a dance?
[Music plays]
 hayley: Come on,
sweetie, put some muscle
into it.
And you know what muscle i'm
talking about.
>> Stay tuned for scenes from
the next "all my children."
>> On the next
"all my children" --
 bud: What are we hanging
around this dump for?
 Ryan: Tell me right now what
it is, what you want, and I will
give it to you.
 Gillian: You're in