[CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] SERGEI: I QUIT. THAT'S IT. FELICIA: WHAT ARE YOU TALKING ABOUT? SERGEI: I'M FINISHED. FELICIA: WHAT? WHAT'S HAPPENED? SERGEI: NO, THE CONDITIONS HERE ARE NOT FIT FOR A CHILD TO PLAY "CHAPSTICKS." FELICIA: "CHOPSTICKS." WHAT CONDITIONS? NOBODY WAS EVEN TALKING WHILE YOU WERE PLAYING. SERGEI: NO, I'M NOT TALKING FOR TALKING. I'M TALKING ABOUT THE TERRIBLE STENCHES IN THE AIR. IT STIFLES MY SENSES. FELICIA: SERGEI, PLEASE, OK? ETTA MAE: THAT STENCH YOU SMELL IS YOUR BREATH. FELICIA: PROBABLY. ETTA MAE: NOW, THE WONDERFUL AROMA IN HERE IS MY COFFEE. FELICIA: ABSOLUTELY. SERGEI: WELL, YOUR COFFEE IS AN ENEMY TO MY ART. ETTA MAE: WELL, NOW, BABY, YOU GOT ANOTHER ENEMY. FELICIA: NO, NO, NO -- SERGEI: WELL, YOU KNOW WHAT I SAY TO THAT? APRIL FOOLS! WHAT, YOU'RE NOT LAUGHING? THIS FUNNY, NO? FELICIA: NO. NO, I DON'T THINK THIS IS FUNNY. THIS IS NOT FUNNY. THIS IS LIKE A KID, YOU KNOW, PLAYING SOME JUVENILE PRANK. ETTA MAE: IT'S CHILDISH, AND YOU'RE SILLY AND IDIOTIC. FELICIA: YOU KNOW, YOU'RE A NICE KID. WE THINK YOU'RE A NICE KID. ETTA MAE: I DON'T KNOW. FELICIA: JUST I THINK IT'S TIME FOR YOU TO MAYBE GROW UP A LITTLE. TITO: OH, I LOVE BANKING BY PHONE. [TELEPHONE RINGS] PAULINA: CARLINO'S. TITO: YES, I'D LIKE TO PLACE AN ORDER. I WOULD LIKE ONE HUG FROM MY MOTHER, HOLD THE PEPPERONI. PAULINA: TIM, WE JUST TALKED. DID YOU FORGET SOMETHING? TITO: YEAH. I JUST -- I FORGOT TO TELL YOU HOW MUCH I MISSED YOU. PAULINA: OH. SWEETHEART, I MISS YOU SO MUCH, TOO. SO, HOW'S SCHOOL? A LOT OF WORK? TITO: OH. TONS. I MEAN, YOU WOULDN'T BELIEVE HOW MANY BOOKS I'M SUPPOSED TO READ. AND THEY'RE COSTING ME A FORTUNE. I SPENT LIKE 65 BUCKS ON ONE ART HISTORY BOOK. PAULINA: HONEY, DO YOU HAVE ENOUGH TO COVER IT? TITO: I'M A LITTLE TIGHT. LOOK, I DON'T -- I DON'T MEAN TO BUG YOU OR ANYTHING, BUT IS THAT TRANSFER GOING TO GO DOWN PRETTY SOON? PAULINA: YOU KNOW WHAT? I'LL TALK TO RACHEL TODAY AND SEE IF I CAN SPEED THINGS UP. TITO: HEY, LOOK, DON'T -- DON'T GO OUT OF YOUR WAY FOR ME OR ANYTHING. PAULINA: DON'T YOU KNOW, TIM, THERE ISN'T ANYTHING I WOULDN'T DO FOR YOU. CASS: I KEEP WAITING FOR MATT TO SHOW UP. LILA: HE'S IN NEW YORK. CASS: ARE YOU SURE? LILA: HE CALLED ME FROM THERE. CASS: I'LL JUST BET HE DID. LILA: OH. AND WHAT IS THAT SUPPOSED TO MEAN? CASS: I AM WARY OF BEING A THREESOME WITH YOUR HUSBAND. LILA: WELL, DON'T YOU WORRY ABOUT A THING. AS SOON AS HE GETS BACK FROM NEW YORK, I'M SURE HE'S GOING TO SIGN THOSE DIVORCE PAPERS. CASS: HE HAD BETTER. BUT NOW THAT HE'S GONE, I THINK WE SHOULD TAKE FULL ADVANTAGE, DON'T YOU? LILA: WELL -- CASS: COME ON. LILA: I DON'T KNOW. CASS: COME ON. GIVE ME A LITTLE SMOOCH. LILA: NO. CASS: YES, BABY. COME ON. RACHEL: HELLO, CASS. SORRY TO INTERRUPT. CASS: NO, NO PROBLEM. I'M -- NO. RACHEL: HAS ANYBODY SEEN AMANDA? JORDAN: AMALIE, IT'S TIME FOR US TO BE TOGETHER AGAIN. COME TO ME, MY DARLING. COME BACK TO ME. AMANDA: JORDAN -- MON AMOUR. AMANDA: JORDAN? JORDAN: YES. AMANDA: JORDAN. JORDAN: MY LOVE. I'M HERE. MY BEAUTIFUL AMALIE. AMANDA: HELP! JORDAN: NO, NO. DON'T BE AFRAID. DARLING, I'LL NEVER HURT YOU. SHH, SHH. LILA: NO, I'M SORRY, I HAVEN'T SEEN AMANDA ALL MORNING. RACHEL: WELL, WHERE IS SHE? SHE JUST GOT BACK FROM NEW YORK. [DOORBELL RINGS] RACHEL: OH. EXCUSE ME. HEY. PAULINA: HI. RACHEL: HI, HONEY. COME ON IN. PAULINA: I HOPE THIS ISN'T A BAD TIME. RACHEL: IT'S NEVER A BAD TIME TO SEE YOU. PAULINA: THANKS. CASS: PAULINA, HI. LILA: HI. PAULINA: HI. RACHEL: CAN I GET YOU SOMETHING, SWEETIE? PAULINA: ACTUALLY, I CAN'T STAY LONG. I JUST CAME BY TO SEE IF YOU'D GIVEN ANY THOUGHT TO THAT MATTER I ASKED YOU ABOUT. CASS: YEAH, LILA, WHY DON'T WE LET THEM HAVE SOME PRIVACY. COME ON. LILA: OH, YES. BUT, YOU KNOW, I CAN'T LEAVE BECAUSE JASMINE'S ASLEEP UPSTAIRS, AND YOU KNOW I HATE TO LEAVE HER ALONE. RACHEL: SHE'S NOT ALONE, LILA. SHE'S NOT ALONE. THERE IS CLAUDIA AND DEBRA AND 14 MILLION OTHER PEOPLE HERE. LILA: OK, OK, OK, OK. BUT IF SHE WAKES UP -- CASS: COME ON. LILA: PLEASE, THERE'S A BOTTLE IN THE FRIDGE. RACHEL: I'VE HEARD THIS BEFORE MANY TIMES. CASS: SAY GOOD NIGHT, LILA. LILA: GOOD NIGHT, LILA. CASS: EXCUSE US. RACHEL: THANK YOU. SORRY ABOUT LILA. YOU KNOW, SHE'S A LITTLE OVERWHELMED, FIRST BABY AND ALL THAT. PAULINA: I WISH I HAD BEEN THAT WAY WITH MINE. RACHEL: WHICH BRINGS US TO THE REASON YOU'RE HERE. PAULINA: YES. TIMOTHY ALREADY LEFT FOR COLLEGE. RACHEL: DID HE? PAULINA: YES, AND HE WANTED TO START THE SPRING QUARTER, AND HE NEEDS MONEY FOR SCHOOL. RACHEL: I'LL BET HE DOES. PAULINA: RIGHT. WELL, I WAS JUST THINKING SINCE YOU'RE THE TRUSTEE OF MY TRUST FUND, MAYBE YOU'D GET THE BANK TO STOP GIVING ME SUCH A RUNAROUND. RACHEL: PAULINA, I'VE GIVEN THIS A LOT OF THOUGHT. PAULINA: AND? RACHEL: I CANNOT GIVE YOU THE MONEY TO GIVE TO THIS CHILD. SERGEI: OK, I GET IT. YOU'RE NOT REALLY MAD. YOU MAKE APRIL FOOL JOKE OF YOUR OWN. ETTA MAE: I DON'T KNOW ABOUT YOU, BUT I AM REALLY ANGRY. FELICIA: YEAH, I THINK I AM, TOO. YOU KNOW, WE PUT UP WITH YOU EVERY DAY -- YOU KNOW, YOU WITH YOUR LITTLE TANTRUMS. AND WHY WOULD YOU THINK THAT THIS WOULD AMUSE US? SERGEI: BECAUSE THIS IS THE DAY FOR FOOLS! ETTA MAE: OH, YOU GOT THAT RIGHT. FELICIA: OH. SERGEI: I DON'T UNDERSTAND. I MEAN, IN ODESSA, THE APRIL FOOL DAY IS LIKE NATIONAL HOLIDAY. EVERYONE MAKE THE JOKES. FELICIA: THAT'S REALLY A LOT OF FUN. BUT, YOU KNOW, SEE, HERE IN AMERICA, YOU KNOW, APRIL FOOLS IS FOR LIKE A KID TO STICK A SIGN ON SOMEONE'S BACKSIDE THAT SAYS "KICK ME." SERGEI: "KICK ME" -- THAT'S FUNNY. FELICIA: YOU PROBABLY LIKE WHOOPEE CUSHIONS, TOO. SERGEI: OH, WHAT IS WHOOPEE CUSHION? FELICIA: NEVER MIND. SERGEI: I MEAN, I DON'T UNDERSTAND WHY THE AMERICAN ADULTS CAN'T ENJOY HOLIDAY. FELICIA: THEY DO. WE EAT TURKEY AT THANKSGIVING. WE SHOOT OFF FIREWORKS AT FOURTH OF JULY. SERGEI: AND FIREWORKS IS NOT JUVENILE? FELICIA: IT'S DIFFERENT. WE'RE CELEBRATING SOMETHING. WE'RE CELEBRATING INDEPENDENCE DAY. WHAT ARE YOU CELEBRATING ON APRIL FOOLS' DAY? SERGEI: LAUGHTER. AND WHY NOT? BECAUSE, FELICIA, LIFE CAN BE VERY CRUEL. FELICIA: YES, IT CAN. I AGREE WITH YOU. BUT I ALSO KNOW THAT YOU HAVE TO LEARN HOW TO CONTROL YOURSELF, SERGEI. WELL, I GUESS I'LL JUST -- I'LL HAVE TO TEACH YOU THAT NEXT. SERGEI: NO. IT IS I WHO WILL TEACH YOU HOW TO LET GO AND STOP LIVING LIKE A NUN. ENJOY LIFE, FELICIA GALLANT. FELICIA: A NUN? YOU THINK I'M LIVING LIKE A NUN? SERGEI: WELL, IT IS TRUE. FELICIA: YOU KNOW WHAT? YOU MAY THINK YOU KNOW FELICIA GALLANT, BUT YOU DON'T KNOW ANYTHING ABOUT FANNY GRADY. PAULINA: RACHEL, I'M THE ONE WHO PUT THE DAMN MONEY IN THE TRUST, OK? I CAN GIVE IT ALL TO TIM. RACHEL: I KNOW HOW MUCH YOU WANT TO HELP THIS YOUNG MAN. PAULINA: NO. THIS YOUNG MAN IS MY SON, AND I OWE HIM AN EDUCATION. PLEASE, PUT YOURSELF IN MY SHOES. DON'T THINK LIKE A TRUSTEE. THINK LIKE A PARENT. RACHEL: I AM THINKING LIKE A PARENT, DARLING. I'M TRYING TO THINK THE WAY YOUR FATHER WOULD HAVE. PAULINA: WELL, FROM WHAT I KNOW OF MY FATHER, HE WOULD HAVE TRIED TO HELP HIS FAMILY. RACHEL: AND THAT'S WHAT I'M TRYING TO DO, SO WE'RE GOING TO TAKE THIS VERY SLOWLY SO NO ONE GETS HURT. PAULINA: WELL, TIM'S GETTING HURT. HE CAN'T AFFORD TUITION OR TO BUY DECENT FOOD OR PAY HIS RENT OR BUY BOOKS. RACHEL: HE SEEMS LIKE A VERY RESOURCEFUL MAN TO ME. I'M SURE HE CAN FIGURE IT OUT FOR A FEW WEEKS. PAULINA: YOU DON'T LIKE HIM, DO YOU? RACHEL: I DON'T EVEN KNOW HIM, AND I DON'T THINK YOU DO, EITHER. PAULINA: NOW YOU SOUND LIKE JOE. RACHEL: WELL, IF JOE AND I ARE SAYING THE SAME THING, MAYBE YOU'D BETTER CONSIDER. PAULINA: YEAH, WELL, JOE CAN'T HELP THINKING LIKE A COP. I JUST EXPECTED MORE FROM YOU. JOE: OH, YEAH. TONI? TONI: YES? JOE: VICKY GET THROUGH BOOKING YET? TONI: NOPE. ANYTHING ELSE? JOE: YEAH. YEAH, AS A MATTER OF FACT, I WAS JUST WONDERING IF -- IF SHE HAD A CHANCE TO TALK TO A LAWYER YET. I WAS JUST WONDERING IF THE D.A. DECIDED WHAT SHE WAS GOING TO CHARGE HER WITH YET. I WAS JUST WONDERING IF THE D.A. DECIDED TO DROP THE CHARGES AGAINST MARLEY YET -- YOU KNOW, STUFF LIKE THAT. TONI: OK, OK. LOOK, NO ONE WILL BE HAPPIER WHEN YOU'RE BACK IN CHARGE THAN I WILL -- EXCEPT FOR MAYBE YOU, OF COURSE. NICK: HEY, TONI. HEY, JOE. JOE: HI, GUYS. WHAT CAN I DO FOR YOU? NICK: I JUST HEARD THE GOOD NEWS -- YOU'RE DROPPING THE CHARGES AGAINST MARLEY. JOE: YEAH, MARLEY WAS COVERING FOR VICKY. SHE JUST CAME IN AND CLEARED ALL THAT UP A LITTLE WHILE AGO. NICK: NOW VICKY'S GETTING CHARGED WITH HARRISON'S MURDER? THIS WHOLE DAMN THING STINKS. JOE: YEAH, WELL, I'M NOT CRAZY ABOUT IT MYSELF, NICK. VICKY CAME IN HERE AND SAID THAT'S WHAT HAPPENED. NICK: THE GUY WAS KIRK'S FATHER. IF SHE KILLED HIM, SHE HAD A DAMN GOOD REASON. JOE: THAT'S WHY WE HAVE INVESTIGATIONS. NICK: I'VE BEEN TALKING TO REMY ABOUT THAT NIGHT. SHE WAS WITH ME AT THE HARBOR CLUB, YOU KNOW. JOE: YES, I KNOW. REMY: NICK -- NICK: WELL, SOMETHING HAPPENED -- WAIT A SECOND. SOMETHING HAPPENED YOU SHOULD KNOW ABOUT. GO AHEAD, TELL THEM. REMY: I DON'T KNOW HOW MUCH THIS'LL HELP, REALLY. TONI: NO. IF YOU'VE GOT SOMETHING TO SAY, I'D LIKE TO HEAR IT. NICK: TELL THEM. REMY: WE WERE IN THE OFFICE, AND I STARTED LOOKING AROUND -- YOU KNOW, TOUCHING STUFF. AND THERE WAS THIS TAPED OUTLINE STILL ON THE FLOOR. AND ALL OF A SUDDEN, I -- I COULD SEE MAYOR HARRISON LYING THERE, OPENING HIS EYES. JOE: NO, THIS IS LIKE -- THAT'S FUNNY. THAT'S GOOD. THAT'S VERY FUNNY. NICK: "FUNNY"? JOE: YEAH. NICK: WHAT THE HELL ARE YOU TALKING ABOUT? JOE: THAT'S LIKE AN APRIL FOOLS JOKE? THAT'S VERY FUNNY. IT'S LIKE NEXT GRANT'S GOING TO BE ABDUCTED BY ALIENS, RIGHT? NICK: VICKY'S IN JAIL, JOE. I WOULDN'T JOKE. JOE: I DON'T KNOW ABOUT YOU, NICK. I LIVE IN THE REAL WORLD. SO DON'T WASTE MY TIME WITH THIS GARBAGE. REMY: THIS WAS REALLY DUMB. I'M SORRY. NICK: WHERE ARE YOU GOING? REMY: YOU HEARD JOE. HE'S NOT INTO THIS STUFF, AND THAT'S OK. NICK: NO, IT'S NOT -- NOT WHEN IT CAN HELP GET MY SISTER OFF THE HOOK. JOE: NICK, LOOK, I MEAN -- YOU DON'T BUY ANY OF THIS GARBAGE, DO YOU? NICK: YOU'RE DAMN RIGHT I DO. SHE'S BEEN RIGHT TOO MANY TIMES -- LIKE BEFORE WHEN LILA'S BABY GOT KIDNAPPED? YOU KNOW, COME TO THINK OF IT, YOU DIDN'T WANT TO LISTEN TO HER THEN, EITHER, DID YOU? JOE: I'M A COP, NICK. I DEAL IN REALITY. I DEAL IN FACTS. NICK: CUT ME SOME SLACK, JOE. THESE ARE MY SISTERS WE'RE TALKING ABOUT, MY ONLY BLOOD RELATIVES I HAVE IN THE WHOLE WORLD. I'D DO ANYTHING FOR THEM. JOE: OK, BUT THERE'S NOTHING YOU CAN DO. WHAT HAPPENED HAPPENED. TONI: EXCUSE ME, JOE. I THINK THIS IS MY INVESTIGATION, AND I WANT TO HEAR WHAT SHE HAS TO SAY. JOE: WHATEVER. TONI: LOOK, I GOT THIS FRIEND ON THE NYPD, A DETECTIVE, AND SHE WAS LOOKING FOR A VICTIM'S BODY FOR MONTHS. SHE GOT A TIP FROM A PSYCHIC, AND IT LED HER RIGHT TO IT. NOW, MAYBE IT WAS COINCIDENCE. JOE: MM-HMM. TONI: FINE. BUT I LIKE TO COVER MY BASES. SO, WHAT DO YOU GOT? NICK: THERE YOU GO. REMY: WE WERE IN THE OFFICE, LIKE I SAID, AND I GOT THIS FEELING, AND I COULD SEE GRANT OPENING HIS EYES AND WHISPERING SOMETHING TO SOMEONE, LIKE "HELP ME." TONI: YOU MEAN HE REGAINED CONSCIOUSNESS AFTER HE WAS HIT? REMY: YEAH, BUT THERE'S MORE BECAUSE WHEN HE SAYS IT HE'S NOT -- HE'S NOT ALONE. THERE'S DEFINITELY SOMEBODY ELSE IN THE ROOM WITH HIM. TONI: VICKY. REMY: I DON'T KNOW. NICK: WHAT IF SOMEONE ELSE KILLED HARRISON? JOE: LOOK, YOU KNOW, THE MEDICAL EXAMINER IS PERFORMING AN AUTOPSY RIGHT NOW TO DETERMINE THE CAUSE OF DEATH. I GOT A FEELING THAT THE D.A.'S GOING TO PUT A LOT MORE FAITH IN THAT. REMY: OK, YOU KNOW WHAT? I SHOULDN'T HAVE COME HERE. I'M SORRY. NICK: YOU DID THE RIGHT THING. REMY: I JUST WANT TO GO, OK? NICK: SHE CAME HERE TO HELP OUT, JOE. DID YOU HAVE TO TREAT HER LIKE SOME KIND OF A NUT? THANKS, TONI. TONI: OK. JOE: YOU'RE NOT REALLY GOING TO FOLLOW UP ON THAT? TONI: NEVER CLOSE THE DOOR ON A LEAD -- ISN'T THAT WHAT YOU TAUGHT ME? JOE: FOLLOW ANY LEAD YOU WANT. IT'S YOUR INVESTIGATION. TONI: YEAH, IT IS. HEY, YOU KNOW WHAT, JOE? OK. YOU'RE GOING THROUGH A ROUGH TIME. I GET THAT. BUT IF YOU DON'T MIND, I HAVE SOME ADVICE FOR YOU. JOE: YEAH? AND WHAT WOULD THAT BE? TONI: GET OVER YOURSELF. RACHEL: PAULINA, I HAVE TO DO WHAT I THINK IS RIGHT. PAULINA: HOW CAN IT BE RIGHT TO DEPRIVE MY SON OF THIS MONEY? RACHEL: IS HE YOUR SON? PAULINA: GREAT. NOW YOU DON'T BELIEVE ME, EITHER. RACHEL: IT'S NOT A QUESTION OF WHETHER I BELIEVE YOU. IT'S A QUESTION OF PROOF. PAULINA: WE TOOK A D.N.A. TEST. WHAT MORE PROOF DO YOU NEED? RACHEL: ANOTHER D.N.A. TEST WITH A DOCTOR THAT I CAN TRUST. PAULINA: THAT COULD TAKE WEEKS. RACHEL: WELL, THE CHILD WILL LIVE, PAULINA. SO IT TAKES A FEW WEEKS. PAULINA: I HAVE SCREWED UP HIS LIFE SO MUCH. I FINALLY HAVE A CHANCE TO MAKE IT UP TO HIM. PLEASE. PLEASE, RACHEL. IT'S MY MONEY. RACHEL: AND I'M THE TRUSTEE, AND THAT'S WHY IT WAS SET UP THIS WAY. PAULINA: SO YOU COULD KEEP ME FROM DOING WHAT I WANT? RACHEL: PAULINA, YOU TOOK A NUMBER OF D.N.A. TESTS. THAT'S HOW I COULD COMMIT TO YOU FULLY. NOW, I SEE NO REASON WHY THIS CHILD CAN'T DO THE SAME THING. PAULINA: GREAT. SO LEGALLY I AM STUCK. YOU CAN KEEP THIS MONEY FROM ME -- RACHEL: IT'S NOT A QUESTION OF LEGALLY. IT'S A QUESTION OF FAMILY. DON'T YOU SEE, HONEY? I'M DOING THIS OUT OF LOVE. PAULINA: TIM IS MY FAMILY. HE IS MY SON. AND I WANT TO HELP HIM OUT OF LOVE. RACHEL: PAULINA, YOU KNOW ME BETTER THAN THAT. YOU KNOW WHAT LENGTHS I'LL GO TO PROTECT ANY MEMBER OF THIS FAMILY. JORDAN: AMALIE, DON'T BE AFRAID. IT'S ME, JORDAN. AMALIE? AMALIE. AMALIE, COME BACK. I REMEMBER A TIME WHEN YOU WEREN'T AFRAID OF ME. I KNOW THAT TIME WILL COME AGAIN. EVERY DAY, AMALIE, YOU GROW STRONGER WITHIN AMANDA. I HAD YOU ONCE, AND I LOST YOU. AMANDA STANDS BETWEEN US. SHE DOESN'T ACCEPT ME AS YOU DID. I WILL BRING BACK THE MEMORIES. I WILL DRAW YOU OUT, AND YOU'LL BE MINE AGAIN. AND AMANDA WILL BE GONE -- FOREVER. SERGEI: FELICIA, PLEASE. FELICIA: YOU KNOW WHAT? I SHOULD REALLY TEACH YOU SOME AMERICAN WORDS. YOU EVER HEAR OF "SMUG," "SELF-SATISFIED"? SERGEI: WHAT, NOW YOU'RE ANGRY FOR SERGEI? FELICIA: WHO ARE YOU TO TELL ME HOW TO LIVE MY LIFE, HUH? SERGEI: AND WHAT IS FANNY GRAVY? FELICIA: GRADY. FANNY GRADY. IT'S ME. I RE-INVENTED MYSELF, AND I DID IT ALL BY MYSELF. THAT'S WHY I WANT TO HELP YOU BECAUSE I KNOW HOW HARD IT IS. BUT BELIEVE ME, ON MY WAY UP, IT NEVER OCCURRED TO ME TO GIVE LITTLE LIFE LESSONS TO ANYONE. SERGEI: OK, SO I DID NOT THINK. FELICIA: NO, YOU DID NOT THINK. NO. SERGEI: FELICIA, I SEE YOU. YOU LIVE ALONE. YOU HAVE ONLY THIS LITTLE DOG FOR COMPANIONSHIP. FELICIA: WHY DON'T YOU ASK ME ABOUT IT, HUH? DID YOU JUST BARGE IN AND JUST MAKE ASSUMPTIONS? IS THAT IT? SERGEI: OK, SO I AM STUPID. FELICIA: YEAH, YOU ARE STUPID. WHEN IT COMES TO ME, YOU ARE VERY STUPID. SERGEI: OK. FELICIA, MAYBE IN YOUR PAST LIFE YOU HAD ALL KINDS OF MIXTURE, LIKE MIXED SALAD OF LIFE. BUT NOW, IN PRESENT, YOU ARE PEDESTRIAN AND YOU ARE BORING. FELICIA: OH. I AM PEDESTRIAN AND BORING? REALLY? SERGEI: WELL, MAYBE UNTIL I CAME INTO YOUR LIFE. FELICIA: YOU KNOW, WHAT DO YOU THINK IT'S GOING TO TAKE, HUH, TO GET THROUGH TO YOU? SERGEI: FELICIA -- FELICIA: WHAT DO YOU THINK? SERGEI: YOU DON'T UNDERSTAND ME FOR THIS -- FELICIA: OH, WELL, HERE WE GO. SERGEI: FELICIA, YOU WOULD NOT DO SUCH A THING. I KNOW THIS. FELICIA: WELL, YOU DON'T KNOW ANYTHING ABOUT FANNY GRADY. THERE'S PROBABLY LOTS YOU DON'T KNOW -- SERGEI: FELICIA, YOU ARE BEGINNING TO SCARE ME. FELICIA: ABOUT ME. SERGEI: PLEASE -- FELICIA: YOU KNOW? SERGEI: I DON'T -- WHO'S BEING JUVENILE NOW, FELICIA GALLANT? FELICIA: OH, I'D RATHER BE JUVENILE THAN TO BE PEDESTRIAN AND BORING! ETTA MAE: HEY, HEY, HEY, HEY! WHAT'S GOING ON HERE? FELICIA: WHY DON'T YOU ASK HIM. ETTA MAE: NO, NO, NO. I AM ASKING YOU BECAUSE YOU ARE THE ONE HOLDING THIS CHOCOLATE CAKE PIE LIKE IT'S A HAND GRENADE. SERGEI: I THINK MAYBE YOU SHOULD LISTEN TO MISS ETHEL MAE AND PUT THE PIE BACK WHERE IT BELONGS. FELICIA: NO, NO, NEVER. I'M NOT GOING TO LEAVE MYSELF OPEN TO BE -- TO BE PEDESTRIAN AND DULL, AM I? NEVER! ETTA MAE: OH! FELICIA: OH! APRIL FOOLS! PAULINA: TWO BLUEBERRY PIES AND COFFEE. NICK: HEY, THIS LOOKS GREAT, BUT WE ORDERED TWO CAESAR SALADS AND ICED TEA. PAULINA: YOU DID? OH. OH, MAN, I'M SORRY. I'LL BE RIGHT BACK. REMY: PAULINA, DO YOU NEED SOME HELP? PAULINA: HONEY, THIS IS YOUR DAY OFF, AND YOU SPENT IT AT THE LUCKY LADY COVERING FOR TIM. I'VE -- TWO CAESARS COMING UP. REMY: THAT'S NOT LIKE HER. NICK: YEAH. WELL, EVERYONE'S GOT A LOT OF STUFF ON THEIR MIND THESE DAYS. REMY: RIGHT. NICK: THANKS FOR WHAT YOU DID TODAY. REMY: I DIDN'T DO ANYTHING EXCEPT MADE A FOOL OUT OF MYSELF. NICK: JOE. WELL, HE'S NOT HIMSELF, REMY. I MEAN, HARRISON SAID ALL THAT STUFF ABOUT HIM, THE D.A. TOOK HIM OFF THE CASE. BUT I THINK TONI HEARD YOU. REMY: I DID IT FOR YOU. NICK: I JUST HOPE IT HELPS VICKY. I HOPE SOMETHING DOES. REMY: IT MUST BE GREAT GOING TO THE WALL FOR YOUR FAMILY LIKE THAT. NICK: IT IS. EVEN WHEN YOU'RE FIGHTING AND HATING EACH OTHER'S GUTS, IT'S -- IT'S BETTER THAN -- THAN NOTHING, I GUESS. REMY: IS THAT WHAT YOU HAD WITH YOUR MOM -- NOTHING? NICK: WHY DO YOU ASK? REMY: IT'S JUST YOU SAID THAT SOMEDAY YOU'D TELL ME ABOUT HER. NICK: SHE WAS A LAWYER. SHE MET MY FATHER WHEN THEY WERE WORKING ON A BIG DEAL TOGETHER. THEY HAD AN AFFAIR. IT ENDED. SHE FOUND OUT SHE WAS PREGNANT, AND SHE DIDN'T TELL HIM. SHE JUST WENT AHEAD AND HAD ME. REMY: WELL, THAT SHOWS THAT SHE MUST HAVE REALLY WANTED YOU. NICK: WELL, THE IDEA OF HAVING A KID APPEALED TO HER, NOT THE REALITY. THE DAY-TO-DAY OF RAISING A KID BORED THE HELL OUT OF HER, ESPECIALLY WHEN SHE FIGURED OUT SHE WOULDN'T MAKE PARTNER AT A LAW FIRM BECAUSE OF IT. SO SHE HIRED A NANNY, AND THAT WAS THAT. WHEN THEY CAME TO ME AND TOLD ME THAT SHE COLLAPSED AND DIED OF A HEART ATTACK, I KNEW I WAS SUPPOSED TO FEEL SOMETHING, BUT I DIDN'T KNOW WHAT. THEN I MET MY FATHER AND THE REST OF MY FAMILY, AND I KNEW. REMY: HMM. I ALWAYS THOUGHT THAT HAVING A MOM WAS REALLY ALL IT TOOK. NICK: MAYBE WE HAVE MORE IN COMMON THAN WE THOUGHT. JOE: GET OVER MYSELF. WHAT IS THAT SUPPOSED TO MEAN? TONI: IT MEANS I KNOW THIS IS EATING AT YOU, BUT IT'S ALSO CLOUDING YOUR JUDGMENT. JOE: WAIT, WAIT, WAIT A SECOND. A FLAKY KID COMES IN HERE, TELLS US THAT SHE HAD A VISION THAT GRANT LOOKED AT SOMEBODY BIGGER THAN VICKY AND SAID, "HELP ME." NOW, WHAT AM I SUPPOSED TO DO -- GO OUT AND ARREST EVERYBODY OVER 5'2" IN THE CITY? TONI: SEE? THAT'S WHAT I MEAN. I'VE NEVER SEEN YOU THIS NEGATIVE. JOE: WHAT DIFFERENCE DOES IT MAKE, TONI? IT'S NOT MY CASE. TONI: IS THAT WHAT'S GOING ON? YOU'RE SULKING AROUND HERE BECAUSE YOU GOT A BACK SEAT? JOE: YOU KNOW -- OK. I'M NOT THRILLED WITH WATCHING FROM THE SIDELINES. TONI: YEAH. JOE: BUT I TRAINED YOU WELL. YOU DO THE JOB RIGHT. I GOT NOTHING TO WORRY ABOUT. TONI: WELL, THEN WHY DO YOU SEEM SO WORRIED? JOE: WHAT ARE YOU TALKING ABOUT? TONI: I MEAN I'VE NEVER SEEN YOU LIKE THIS. YOU'RE -- YOU'RE JUMPING ALL OVER ME. JOE: OH, FOR GOD'S SAKES. TONI: YOU'RE BREAKING YOUR OWN RULES LEFT AND RIGHT. JOE: COME ON, TONI. IT'S A BIG CASE, THAT'S ALL. TONI: IS THAT ALL? JOE: YEAH. TONI: BECAUSE IF THERE'S SOMETHING ELSE GOING ON, I THINK THIS IS THE TIME FOR YOU TO TELL ME. RACHEL: AMANDA, WHERE ARE YOU? RACHEL: MR. STARK. WHAT ARE YOU DOING HERE? JORDAN: WHAT AM I DOING HERE? WELL, I'VE COME TO SEE YOU, OF COURSE. RACHEL: WELL, OUR GUESTS USUALLY USE THE FRONT DOOR. JORDAN: I'M SORRY. I WAS AFRAID IF I RANG THE FRONT BELL I'D SCARE OFF THE HELP. YOU UNDERSTAND. RACHEL: NO, I DON'T UNDERSTAND. BUT THEN, I DON'T UNDERSTAND MOST OF WHAT YOU DO. I'M NOT SURE I WANT TO. JORDAN: OH, I'VE MISSED THOSE POINTED BARBS. RACHEL: FLOWERS? FOR ME? JORDAN: OF COURSE. RACHEL: EXCUSE ME IF I FIND IT HARD TO BELIEVE THAT YOU LEFT YOUR FORTRESS TO BRING ME FLOWERS. JORDAN: WELL, I TOLD YOU, I WANTED TO SEE YOU. RACHEL: WHY? JORDAN: I'VE MISSED YOU -- OUR TALKS. IT'S NOT OFTEN I FIND MY INTELLECTUAL EQUAL, PARTICULARLY IN A WOMAN. RACHEL: WELL, NOW, THAT'S A VERY SEXIST REMARK. JORDAN: IS IT? I MUST BE LAMENTABLY OLD-FASHIONED. RACHEL: AND I AM INCURABLY SUSPICIOUS. SO, SUPPOSE YOU TELL ME WHY YOU'RE HERE. CASS: DO I AMUSE YOU? SERGEI: NO, BUT SHE'S SO BEAUTIFUL WHEN SHE'S LAUGHING. I'VE NEVER SEEN YOU LIKE THIS. CASS: OH, ET TU, LILA? LILA: OH, I'M SO SORRY, HONEY. IT'S JUST -- WELL, YOU LOOK AWFUL CUTE. I CAN BARELY SEE YOUR NOSE. CASS: YEAH? LILA: YEAH. CASS: WELL, IT'S FUNNY, I CAN FIND MY FIST! FELICIA: OH, NO. ETTA MAE: WAIT, WAIT, WAIT, MIKE TYSON. THERE WILL BE NO FIGHTING HERE. CASS: PIE-THROWING IS WHERE YOU DRAW THE LINE HERE, ETTA MAE? FELICIA: IT WAS JUST A LITTLE ACCIDENT. SERGEI: I START THIS. I CAN MAKE AMENDS FOR THIS. CASS: YEAH, YOU'LL PICK UP THE CLEANING TAB FOR MY SUIT AND MY -- SERGEI: NO, I CAN CLEAN IT MYSELF. CASS: NO! NO! NO! FELICIA: NO, NO! NO! CASS: OH, GOD -- LILA: OH, OH -- ETTA MAE: THAT'S IT. GET OUT. SERGEI: YOU HEARD HER. I THINK MAYBE YOU SHOULD GO NOW. FELICIA: ETTA MAE -- ETTA MAE: I AM TALKING TO YOU. FELICIA: NO, NO. ETTA MAE, IT'S NOT REALLY HIS FAULT. IT'S ALL MY FAULT. ETTA MAE: EVER SINCE YOU WALKED INTO MY DOOR, I HAVE NOT HAD A MOMENT'S PEACE. FELICIA: I KNOW HOW UPSET YOU ARE RIGHT NOW -- ETTA MAE: I HAVE PUT UP WITH YOUR TANTRUMS, I HAVE PUT UP WITH ALL YOUR DEMANDS -- FELICIA: BUT THIS IS NOT HIS FAULT. THIS IS MY FAULT. AND, PLEASE, LET ME MAKE THIS UP TO YOU. I PROMISE I WILL. NO, YOU DON'T UNDERSTAND -- ETTA MAE: GALLANT, I THINK YOU SHOULD STAY OUT OF THIS. FELICIA: ALL THE GIRLS THAT COME TO SEE HIM -- ALL THE GIRLS THAT COME TO SEE HIM, ETTA MAE, IS GOOD FOR YOUR BUSINESS, ISN'T IT? ETTA MAE: OH, BUT THAT WOULD HAVE BEEN SO GOOD FOR ME! FELICIA: I'LL SWEETEN THE DEAL! CASS: WHAT DEAL ARE YOU TALKING ABOUT? WHAT ARE YOU TALKING ABOUT? FELICIA: I -- I HELP WITH THE COST FOR SERGEI AT THIS LITTLE GIG HERE AT THE COFFEEHOUSE. CASS: SO, IN OTHER WORDS, NO ONE IN THEIR RIGHT MIND WILL HIRE THE LUNATIC, SO YOU'RE PAYING OFF ETTA MAE? FELICIA: HE HAS TALENT. CASS: WHEN IT COMES TO WRAPPING YOU AROUND HIS LITTLE FINGER. FELICIA: OH, STOP IT. SERGEI: YOU WOULDN'T KNOW TALENT IF IT CAME OUT YOUR NOSE. LILA: ALL RIGHT, CASS -- FELICIA: NO, DON'T DO THIS -- CASS: DON'T -- LILA: I THINK WE OUGHT TO GO NOW. DON'T YOU THINK WE SHOULD GO? SERGEI: NO, I THINK MAYBE, FELICIA, WE SHOULD GO. WE SHOULD GO HOME TOGETHER. FELICIA: SERGEI -- CASS: "HOME"? WHOSE HOME? SERGEI: OUR HOME -- FELICIA AND MINE. CASS: YOU'RE COHABITATING? YOU'RE COHABITATING? SERGEI: PLEASE, DON'T -- FELICIA: I KNOW HOW TO EXPLAIN THIS. I REALLY DO. SERGEI: NO, DON'T EXPLAIN THIS TO HIM BECAUSE HE WOULD NEVER -- GENEROUS SOUL LIKE THIS TO HELP ME, AN ARTIST, NEEDY ARTIST -- CASS: YOU FELL FOR THE "NEEDY ARTIST" THING? NEEDY ARTIST -- YOU FELL FOR THAT? FELICIA: IT'S NOT EXACTLY WHAT YOU THINK. I SWEAR IT'S NOT. CASS: YOU HAVE A HEART AS BIG AS THE GREAT OUTDOORS, HONEY. IT'S WHAT I LOVE ABOUT YOU. BUT THIS BOGUS BOLSHEVIK IS PLAYING YOU FOR A SUCKER. WATCH YOURSELF, NOW. REMY: NICK, I -- I GOT TO CLEAR UP SOMETHING ABOUT MY PAST. WHEN I LIED TO YOU ABOUT TITO, I KNEW IT WAS WRONG. NICK: REMY, HE'S GONE. WE DON'T HAVE TO GO OVER THIS AGAIN. REMY: I KNOW, BUT I WANT TO BECAUSE I FEEL LIKE YOU NEVER HAD THE RIGHT IDEA ABOUT TITO AND ME. NICK: OK, GO AHEAD. REMY: TITO LIKES TO PLAY THE TOUGH GUY, YOU KNOW, BUT REALLY HE'S JUST THIS SCARED LITTLE KID. AND I FEEL LIKE -- WELL, I ALWAYS FELT LIKE I HAD TO PROTECT HIM. NICK: YOU STILL FEEL THAT WAY? REMY: NO, HE'S GOT PAULINA NOW. HE DOESN'T NEED ME ANYMORE. NICK: BUT YOU'RE STILL GOING TO MISS HIM. REMY: SURE. HE'S LIKE A BROTHER TO ME. NICK: A BROTHER. REMY, YOU CAN BE STRAIGHT WITH ME. IF IT WAS SOMETHING MORE THAN THAT, YOU CAN TELL ME. REMY: I KNOW THAT YOU ALWAYS THOUGHT THAT TITO HAD A THING FOR ME, AND MAYBE HE DID. BUT TO ME, TITO WAS THE FAMILY THAT I NEVER HAD. I MEAN, WHEN I MET HIM, SOME GUYS ON THE STREET, THEY WERE GIVING ME A REALLY HARD TIME. ONE OF THEM HAD ME PUSHED UP AGAINST A WALL. I WAS 14. BUT THEN ALL OF A SUDDEN, OUT OF NOWHERE, THERE'S TITO. I -- I DON'T KNOW WHAT WOULD HAVE HAPPENED IF HE HADN'T COME ALONG THAT DAY. NICK: OK, OK, I GOT IT. I GOT IT. IT'S JUST THAT I WANT TO BE THE PERSON WHO DOES THAT FOR YOU. REMY: I DIDN'T KNOW YOU STILL FELT THAT WAY. NICK: WHAT, ARE YOU KIDDING ME? IT'S JUST THAT WHEN TITO CAME IN THE PICTURE -- I DON'T KNOW -- I NEVER KNEW WHAT WAS GOING ON. AND HE ALWAYS FOUND A WAY TO MESS THINGS UP, AND IT NEVER SEEMED TO BOTHER YOU. REMY: I DIDN'T KNOW WHAT TO DO, YOU KNOW. BUT HE NEVER, NEVER CHANGED THE WAY I FELT ABOUT YOU. NICK: WELL, HE'S GONE NOW. AND THE WAY I SEE IT, THERE'S NO REASON WHY WE CAN'T START OFF RIGHT WHERE WE LEFT OFF BEFORE HE CAME TO TOWN. [TELEPHONE RINGS] PAULINA: REMY? REMY, SWEETHEART, IT'S TIM CALLING FROM ROCKVILLE. HE WANTS TO TALK TO YOU. TONI: LOOK, JOE, WHATEVER'S GOING ON, I CAN WORK WITH YOU. JOE: THERE'S NOTHING GOING ON, TONI. NOTHING AT ALL. TONI: WELL, GRANT WAS GOING TO GET YOU FIRED. WHAT ABOUT THE EVIDENCE HE SAID HE HAD AGAINST YOU? JOE: YOU SAW THE SAME THING I DID -- THAT ENVELOPE WAS FULL OF BLANK PAPER, NOTHING IN THERE. TONI: I GOT TO ASK YOU THIS, OK? WHAT ABOUT THE EVIDENCE THAT KEPT DISAPPEARING FROM THE STATION -- CINDY'S SHOES AND THE TAPE? I WAS THERE WHEN JOSIE SAID THAT SHE -- JOE: FORGET ABOUT WHAT JOSIE SAID. JOSIE HAS NOTHING TO DO WITH THIS. IT WAS GRANT. GRANT BOUGHT OFF JUDGE WALKER. HE MUST HAVE PAID ONE OF OUR PEOPLE, TOO. TONI: NOTHING CAN SCREW UP THIS INVESTIGATION, JOE. WORD'S OUT THAT THE COMMISSIONER'S NOT TOO HAPPY WITH THE 2-3. HE'S GOING TO MAKE SOME CHANGES. DID YOU KNOW THAT? JOE: WELL, YOU KNOW WHAT, TONI? IT'S YOUR CASE, AND I GOT FAITH YOU'RE GOING TO FIGURE IT ALL OUT. TONI: I WILL. I HAVE TO. JOE: GOOD. AND WHEN YOU DO, IT'S GOING TO BE GREAT FOR YOUR CAREER. TONI: AND WITH ANY LUCK, IT'LL HELP SAVE YOURS. SERGEI: I DON'T LIKE WHAT YOU'RE SUGGESTING, MY FRIEND. CASS: AND I DON'T LIKE THE WAY YOU'RE USING MY FRIEND, MY FRIEND. FELICIA: CASS, NO ONE IS USING ME. SERGEI: YES, FELICIA IS MY -- CASS: MEAL TICKET. MEAL TICKET. FELICIA: PATRONESS, PATRONESS. CASS: PATRONESS? FELICIA: THAT'S WHAT I AM. AND WHAT'S WRONG WITH THAT? ELEANOR OF AQUITAINE, SHE KEPT TROUBADOURS. CASS: SINCE WHEN ARE YOU INTO BALALAIKA MUSIC? FELICIA: HE IS A PIANIST AND COMPOSER. AND I AM SUPPORTING HIM JUST LIKE GUGGENHEIM SUPPORTED JACKSON POLLOCK. CASS: POLLOCK WAS A GENIUS. FELICIA: OH, CASS -- CASS: THIS GUY IS A PHONY, AND YOU'RE MAKING A FOOL OUT OF YOURSELF. FELICIA: OH, NOW, THAT COMES FROM A GUY WHO'S BEEN PANTING AFTER A WOMAN ALL YEAR WHO IS MARRIED TO ANOTHER MAN? LILA: NOW, WAIT JUST A MINUTE THERE. CASS: YOU LEAVE LILA OUT OF THIS. THIS HAS NOTHING TO DO WITH HER. FELICIA: YOU KNOW WHAT? YOU'RE ABSOLUTELY RIGHT ABOUT THAT. THIS HAS TO DO WITH A SELF-RIGHTEOUS, POMPOUS BLOWHARD WHO SHOULD BE MINDING HIS OWN BUSINESS. CASS: BLOWHARD? FELICIA: IF BOMBAST FITS -- SERGEI: WHAT IS A BOMBAT'S FIST? FELICIA: OH, SHUT UP. SERGEI: PLEASE, FELICIA, COME. WE HAVE MUCH TO TALK ABOUT ONE ANOTHER. FELICIA: YES, WE DO. SERGEI: LET'S GO. FELICIA: YES, YOU'RE ABSOLUTELY RIGHT. LILA: CASS, SIT DOWN, WILL YOU, PLEASE? CASS: YOU KNOW, IT'S REALLY IRONIC. SHE MET THE GUY IN A LIMO, AND NOW HE'S TAKING HER FOR A RIDE AGAIN. LILA: WELL, YOU KNOW, HE IS KIND OF CUTE. CASS: OH, COME ON -- CUTE? HIM? LILA: YES. CASS: COME ON. LILA: WELL, YOU KNOW, HE'S NOT AS CUTE AS YOU. ESPECIALLY WITH THIS EGG ALL OVER YOU FACE. OH, EXCUSE ME -- PIE. CASS: YOU BETTER WATCH IT. YOU KNOW, THERE'S PLENTY OF THIS PIE TO GO AROUND. LILA: OH, NO, NO, NO. CASS: OH, YEAH, YEAH. LILA: OH, NO, YOU DON'T. CASS: OH, SURE. LILA: OH, DON'T YOU COME NEAR ME WITH THAT STUFF, OR I SWEAR I WILL NEVER TOUCH YOU AGAIN AS LONG AS I LIVE. CASS: DON'T YOU MAKE THREATS YOU CAN'T KEEP. LILA: YOU KNOW WHAT? DO YOU REALIZE SOMETHING? CASS: ASIDE FROM THE FACT THAT WE'RE IN A PUBLIC PLACE, SMOOCHING, AND I'M COVERED IN PIE? LILA: YEAH, BESIDES THAT. WE'RE IN A PUBLIC PLACE TOGETHER, OUT, FOR THE FIRST TIME IN -- I DON'T KNOW -- FOREVER. CASS: IT'S BEEN A PRETTY SINGULAR EXPERIENCE. LILA: I KNOW. I KIND OF LIKE IT. CASS: OH, MY, MY, MY. DID YOU HAPPEN TO KNOW THAT CHARLIE'S AT A FRIEND'S FOR DINNER? LILA: OH, IS THAT SO? CASS: YEAH. SO, WHY DON'T YOU COME BACK TO MY PLACE, AND I'LL BET WE COULD FIND ALL KINDS OF INTERESTING WAYS TO GET ME CLEANED UP -- MAYBE EVEN IN THE SHOWER. LILA: IN THE SHOWER. CASS: THERE'S A CONCEPT, HUH? LILA: WELL, THAT DOESN'T REALLY SOUND LIKE WAITING UNTIL WE'RE MARRIED, MR. WINTHROP. CASS: MY BOMBAST IS KICKING IN. LILA: OH, IS THAT SO? CASS: WHY DON'T YOU COME HOME AND FIND OUT. [TELEPHONE RINGS] CASS: I BETTER GET THAT. CASS WINTHROP. SHE WHAT? OK. DON'T DO ANYTHING. YOU HEAR ME? DON'T DO ANYTHING. I'LL BE RIGHT THERE. JORDAN: I'M SORRY YOU QUESTION MY INTENTIONS, BUT I CAN ASSURE YOU IT'S TRUE. I CAME HERE TO SEE YOU. I WANT US TO BE FRIENDS. RACHEL: FRIENDS? YOU WANT TO BE FRIENDS WITH THE WOMAN YOU FOUND GOING THROUGH YOUR DRAWERS? JORDAN: YES. WHY NOT? YOU'RE BEAUTIFUL, INTELLIGENT. I'VE CHERISHED OUR TIME TOGETHER, AND I MISS YOU. I WAS HOPING YOU'D FEEL THE SAME WAY. RACHEL: AFRAID NOT. JORDAN: I SEE. RACHEL: YOU NEEDN'T TAKE THAT PERSONALLY. I DON'T FEEL UP TO BEING CLOSE TO ANYONE RIGHT NOW. JORDAN: WHY IS THAT? RACHEL: BECAUSE I MISS MY HUSBAND. AND BESIDES, I WOULD HAVE TO TRUST YOU IMPLICITLY. JORDAN: IS THERE ANY WAY I CAN WIN THAT TRUST? RACHEL: OH, IT WOULD TAKE A GREAT DEAL OF TIME. JORDAN: WELL, THAT DOES GO BOTH WAYS. AFTER ALL, YOU STOLE SOMETHING THAT WAS VERY PRECIOUS FROM ME. RACHEL: SOMETHING THAT YOU WENT TO A GREAT DEAL OF TROUBLE TO GET BACK. JORDAN: THAT BOOK MEANS A GREAT DEAL TO ME. RACHEL: WELL, I WOULD VERY MUCH LIKE TO KNOW WHY. JORDAN: IT'S A LONG STORY. RACHEL: I HAVE TIME. JORDAN: UNFORTUNATELY, I DON'T. PERHAPS WE CAN TALK ABOUT IT NEXT TIME WE SEE EACH OTHER. GOOD NIGHT, RACHEL. RACHEL: I LOOK FORWARD TO THAT. I'LL WALK YOU OUT. JORDAN: NO, NO. IT'S QUITE ALL RIGHT. I PREFER TO SHOW MYSELF OUT. RACHEL: AMANDA? AMANDA? AMANDA: WHERE AM I? WHAT'S GOING ON? RACHEL: WAKE UP. AMANDA: WHERE AM I? RACHEL: YOU'RE HERE ON THE TERRACE, SWEETIE. ARE YOU ALL RIGHT? AMANDA: NO. NO, I DON'T THINK I AM. LILA: OK. CASS: OK, HOW WE DOING? I GOT TO GET OVER TO THE POLICE STATION. LILA: THERE YOU GO. WHAT HAPPENED? CASS: IT'S VICKY McKINNON. LILA: WELL, WHAT DID SHE DO? CASS: SHE CLAIMS SHE KILLED GRANT. LILA: WHAT? CASS: YEAH. LILA: I THOUGHT MARLEY CONFESSED TO THAT. CASS: WELL, APPARENTLY SHE WAS COVERING FOR VICKY. LILA: WHAT DO YOU KNOW? VICKY McKINNON, A KILLER. CASS: I HOPE YOU'RE NOT ENJOYING THIS. LILA: OH, NO, NO, OF COURSE NOT. I MEAN, NOT ANYTHING LIKE THAT. CASS: BUT YOU HATE VICKY. LILA: WELL, I HATED GRANT, TOO, BUT I DON'T THINK ANYONE SHOULD KILL ANYONE, NO MATTER HOW MUCH THEY ANNOY YOU. CASS: WELL, I CAN'T TALK ABOUT IT BECAUSE SHE'S MY CLIENT NOW. SO, I GOT TO GET GOING. AM I CLEANED UP ENOUGH? LILA: YEAH. I CLEANED YOU UP PRETTY GOOD. CASS: I WAS LOOKING FORWARD TO THAT SHOWER. LILA: I CAN'T WAIT UNTIL YOUR SHOWER IS MY SHOWER. CASS: OH, I HAVE A FEELING WE'RE GOING TO BE VERY CLEAN, VERY SQUEAKY CLEAN. LILA: OH, SQUEAKY. CASS: I GOT TO GO. LILA: OK. GOOD LUCK. CASS: LOVE YOU. THANKS. SERGEI: WHAT? YOUR FRIEND -- HE LEAVE WITHOUT EVEN SAY GOOD-BYE? FELICIA: WELL, I'M SURE HE'LL BE OVER IT IN THE MORNING. SERGEI: YOU'VE BEEN THROUGH A LOT WITH THIS GUY, YES? FELICIA: OH, A LOT. A LOT, A LOT. SERGEI: AND YET, STILL, YOU DEFEND ME TO HIM. BUT THIS THING THAT HE SAYS ABOUT ME USING YOU, YOU DON'T BELIEVE THIS, DO YOU? FELICIA: OH, SERGEI, NO, NO. IT WAS MY IDEA THAT I SHOULD BE YOUR PATRON. WE'RE SORT OF LIKE BUSINESS PARTNERS. OH, AND -- AND OF COURSE FRIENDS. SERGEI: BUSINESS PARTNER? FRIEND? FELICIA, THIS IS AN ARROW IN MY HEART. THIS IS POISON IN MY SOUL. FELICIA: WHAT ARE YOU SAYING RIGHT NOW? WHAT? SERGEI: FELICIA, I CAN NO LONGER CONTROL MYSELF. TO ME, YOU ARE LIKE THE SUN, THE STARS, THE MOON, ALL WRAPPED UP TOGETHER LIKE SAUSAGE FAJITA IN ONE HEAVENLY BODY. FELICIA: LOOK, SERGEI, I -- I THINK YOU'RE SWELL, TOO. BUT IF YOUR FEELINGS HAVE REACHED SUCH POETIC PROPORTIONS, I THINK MAYBE I AM SENDING THE WRONG MESSAGE. I THINK YOU SHOULDN'T COME HOME WITH ME TONIGHT. SERGEI: NO, FELICIA, PLEASE, I MUST SAY ONE MORE THING TO YOU. APRIL FOOL. WHAT, I MAKE YOU MAD AGAIN? FELICIA: YOU MADE ME LAUGH AGAIN. SERGEI: THEN COME. WE WILL GO HOME TOGETHER. FELICIA: OH, GOING HOME TOGETHER. ETTA MAE: HEY, FRICK AND FRACK, HOW ABOUT SOME PIE? FELICIA and SERGEI: NO, THANK YOU! REMY: SO, YOU GOT RADAR OR SOMETHING? TITO: WHAT ARE YOU TALKING ABOUT? REMY: I'M WITH NICK, SO YOU CALL? TITO: OH, YEAH, YEAH. I'M FINE. THANKS FOR ASKING. REMY: I'M SORRY. HOW'S IT GOING? YOU TURN INTO A TOTAL PREPSTER YET? TITO: OH, YEAH, I MEAN, I'M WEARING, LIKE, THIS BEANIE WITH A PROPELLER ON IT. REMY: TITO, NOBODY WEARS THOSE ANYMORE. TITO: THEY DO UP HERE. SO, HOW YOU DOING, PEACHES? REMY: I'M FINE. LOOK, I GOT TO GO, BUT TAKE CARE, OK? TITO: YEAH, SURE. COULD YOU PUT MY MOM ON, PLEASE? REMY: OK. BYE. HE WANTS TO TALK TO YOU. PAULINA: HI. NICK: SO, HOW'S TITO? REMY: HE'S OK. BUT YOU'RE NOT. NICK: WHAT CAN I SAY? THAT GUY GETS TO ME. HE'S A HUNDRED MILES AWAY, AND HE STILL FINDS A WAY TO COME BETWEEN US. REMY: NICK, HE IS OUT OF MY LIFE. YOU ARE THE ONE THAT I CARE ABOUT. YOU GOT TO BELIEVE THAT. NICK: I WANT TO. REMY: WELL, THAT'S A START, THEN. YOU READY TO GO? NICK: SURE, LET'S GO. SEE YOU. REMY: BYE. TITO: SO, WHEN I CALLED EARLIER AND YOU SAID YOU WERE GOING TO, YOU KNOW, SEE IF YOU COULD GET THAT MONEY TO ME FOR MY BOOKS AND STUFF -- PAULINA: I'M WORKING ON IT. TITO: WELL, DOESN'T SOUND TOO POSITIVE. PAULINA: LOOK, TIMOTHY, IF IT WERE UP TO ME, I WOULD HAVE THE MONEY FOR YOU ALREADY. IT JUST IS GOING TO TAKE ME SOME TIME. TITO: HEY, LOOK, IT'S NO PROBLEM, OK? I'M USED TO LIVING ON PEANUT BUTTER. PAULINA: LOOK, DON'T YOU KNOW THAT I WANT THE BEST FOR YOU? WHY DO YOU THINK I WANTED YOU TO GO AWAY TO SCHOOL SO BADLY? TITO: WELL, FOR A WHILE I STARTED TO THINK MAYBE IT WAS JUST TO GET RID OF ME, YOU KNOW, SO JOE AND YOUR STEPMOTHER WOULD GET OFF YOUR BACK. PAULINA: THAT'S NOT TRUE, AND YOU KNOW THAT. TITO: I'M JUST -- I'M KIDDING. PAULINA: LOOK -- TIM, I KNOW YOU'RE NOT USED TO HAVING ANYONE TAKE CARE OF YOU, BUT I'M YOUR MOTHER, AND THAT'S MY JOB, OK? TITO: OK. PAULINA: LISTEN, I GOT TO GO. CALL ME SOON, OK? I LOVE YOU. TITO: YOU, TOO. JOE: HEY, BLUE. PAULINA: HEY. JOE: WHO WAS ON THE PHONE? PAULINA: JUST A CUSTOMER. JOE: REALLY? GIVING YOU A HARD TIME? BECAUSE SOMETHING GOT TO YOU. PAULINA: NO, I'M JUST WORRIED ABOUT VICKY BEING IN JAIL. I MEAN, KIRKLAND, STEVEN BEING WITHOUT THEIR MOM AGAIN. JOE: YEAH. THAT'S GOT TO BE IT. PAULINA: IT'S LIKE OUR WHOLE LIVES HAVE BEEN TURNED UPSIDE DOWN. I -- I WOULD GIVE ANYTHING TO HAVE OUR LIVES THE WAY THEY USED TO BE, JOE. JUST -- JOE: ME, TOO, BABY. ME, TOO. RACHEL: WHAT HAPPENED TO YOU, AND WHAT ARE YOU DOING OUT HERE? AMANDA: I DON'T REMEMBER. ALL I KNOW IS I WAS HAVING THE WORST NIGHTMARE. RACHEL: OH, THAT'S PROBABLY BECAUSE YOU JUST GOT OFF A PLANE AND YOU'RE EXHAUSTED. AMANDA: IT WAS THE STRANGEST DREAM. I KNOW THAT I WAS WITH SOMEBODY, BUT I CAN'T REMEMBER WHO OR WHERE. RACHEL: IT WAS A NIGHTMARE? AMANDA: BUT HE WAS SO REAL. RACHEL: WELL, DREAMS USUALLY ARE, SWEETIE. MY GOSH, HOW LONG HAVE YOU BEEN OUT HERE? YOU'RE FREEZING. AMANDA: I DON'T KNOW. I DON'T EVEN -- I DON'T KNOW. RACHEL: WELL, LET'S GET YOU INSIDE AND GET YOU WARMED UP. COME ON. YOU ALL RIGHT? AMANDA: ACTUALLY, I'M STARTING TO FEEL BETTER ALREADY. RACHEL: GOOD. AMANDA: I JUST WISH I COULD UNDERSTAND HOW I GOT THE -- RACHEL: WHAT? WHAT IS IT, DARLING? AMANDA: THOSE FLOWERS -- GET THEM OUT OF HERE, PLEASE. I DON'T KNOW WHAT IT IS, BUT THE SMELL OF THEM IS MAKING ME SICK. RACHEL: NO, NO, OK, I'LL PUT THEM ON THE TERRACE. RACHEL: DID YOU -- DO YOU REMEMBER SEEING ANYBODY? AMANDA: OUT THERE? I DON'T REMEMBER ANYTHING FROM OUT THERE. WHY DO YOU ASK? RACHEL: BECAUSE JORDAN STARK WAS JUST HERE, AND I WAS WONDERING IF YOU REMEMBERED SEEING HIM. AMANDA: WHAT DID HE WANT? RACHEL: I DON'T KNOW. BUT I GUESS I'M GOING TO HAVE TO FIND OUT. JORDAN: CAME SO CLOSE THIS TIME, AMALIE. CLOSER THAN WE'VE EVER COME BEFORE. NOW ALL THAT'S LEFT IS TO GET AMANDA OUT OF THE WAY. THEN WE'LL BE TOGETHER AGAIN FOR ETERNITY. [CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]