[CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] LILA: HAVE WE MET? YOU LOOK VERY FAMILIAR. ANNE: THAT KIND OF FACE. I'M ANNE O'DONNELL. I'M DOING SOME PARALEGAL WORK FOR CASS. LILA: OH. OH. HE NEVER MENTIONED IT. ANNE: I JUST STARTED. LILA: WELL, I'M LILA. I'M HIS FIANCEE. NICE TO MEET YOU. ANNE: NICE TO MEET YOU. WELL, MISS -- LILA: MRS. CORY. DON'T WORRY ABOUT THAT. JUST CALL ME LILA. ANNE: OK. IS THERE SOMETHING I CAN DO FOR YOU? LILA: NO. I WAS JUST REALLY HOPING THAT CASS WAS BACK FROM CHICAGO BY NOW. ANNE: OH, HIS DEPOSITIONS RAN LATE. HE'S NOT GOING TO MAKE IT. I'M SURE HE'LL CALL. LILA: YEAH, YEAH, I'M SURE HE WILL. THANKS. THANKS A LOT. ANNE: WHAT ARE YOU DOING? LILA: OH, I'M JUST GOING TO LOOK THROUGH THE MAIL FOR A MINUTE HERE. ANNE: THAT'S CONFIDENTIAL. IT CONCERNS CLIENTS. LILA: I KNOW. I'M A CLIENT. ANNE: EXCUSE ME? LILA: CASS IS HANDLING MY DIVORCE. THE 10-DAY WAITING PERIOD IS UP, AND HE SAID THAT THE DIVORCE DECREE SHOULD BE HERE. HE SAID IT WOULD BE IN A TAN ENVELOPE WITH A STATE SEAL. HAVE YOU SEEN IT, BY ANY CHANCE? ANNE: NO. NOTHING LIKE THAT HAS SHOWN UP. TONI: WE'VE GOT A LOT OF MOTIVE EVIDENCE HERE. BODY IF YOU KNEW YOU WERE GOING TO GET THE MONEY, CINDY? TONI: I THINK THERE WAS SOMETHING IN THAT BOX, SOMETHING SHE DIDN'T WANT US TO SEE. CINDY: I ALWAYS WANTED A SECOND HONEYMOON. JOSIE: I SAW A TWITCH. TONI: YEAH. JOSIE: DID YOU SEE A TWITCH? TONI: DEFINITELY SOMETHING IN THAT BOX. CINDY: YOU KNOW, YOU TWO NEED TO TAKE THIS ACT OUT OF TOWN FOR TRYOUTS. IT'S A LITTLE CLUNKY. TONI: WHY DON'T WE LOOK THROUGH THAT BOX AGAIN. CINDY: FINE, BE MY GUEST. THERE'S NOTHING IN IT BUT MY PROPERTY, WHICH HAD BETTER ALL BE THERE WHEN I GET OUT OF HERE! JOSIE: WAIT A MINUTE. TONI, DID YOU HAVE THE SPECTOGRAPHER LOOK AT THAT BOX? TONI: NO. NO. YOU'RE A GENIUS. CINDY: IN AN EMPTY ROOM, MAYBE. TONI: WHY DON'T YOU GO GET THE BOX, AND WE'LL TAKE IT DOWN TO FORENSICS. JOSIE: I WILL. TONI: SPECTOGRAPHY IS AN AMAZING THING. DID YOU KNOW YOU COULD COLLECT PARTICLES FROM ONE PIECE OF PAPER EVEN IF THAT PIECE OF PAPER IS GONE? YOU CAN FIND OUT HOW OLD IT IS, WHERE IT'S FROM. YOU CAN GET AN IMPRESSION FROM ONE PIECE OF PAPER IF IT WAS PACKED TIGHTLY AGAINST ANOTHER. CINDY: THERE WAS NOTHING IN THE BOX. TONI: WELL, GOOD. THEN YOU HAVE NOTHING TO WORRY ABOUT. WHY ARE YOU SWEATING? JOSIE: IT'S GONE. IT'S GONE. THE STRONGBOX IS GONE. [TELEPHONE RINGS] [RING] JOE: CARLINO. MAN: YOU READY TO MEET? JOE: YEAH. IT'S BEEN A QUICK 48 HOURS. WHAT HAPPENED TO YOUR VOICE DISTORTER? MR. FREEMAN: BRING THE 30,000 IN SMALL BILLS. JOE: 30? MR. FREEMAN: OH, YEAH. DIDN'T I MENTION? THE PRICE WENT UP. JOE: YOU'RE PUSHING IT. MR. FREEMAN: OH. COME ON, JOE. LET'S -- LET'S WEIGH IT OUT. YOUR WIFE GOES TO JAIL FOR SELLING A BABY ON THE BLACK MARKET AND THE COPS START WONDERING JUST HOW FAR YOU WENT TO KEEP GRANT HARRISON QUIET ABOUT IT, OR I GET A LITTLE CASH. DO THE MATH, JOE. ARE YOU STILL THERE? JOE: I'M HERE. MR. FREEMAN: I'LL BE AT PIER 14 IN HALF AN HOUR. WHERE ARE YOU GOING TO BE? LILA: I KNOW THAT THAT DIVORCE DECREE HAS GOT TO BE HERE SOMEWHERE. IF YOU COULD JUST LOOK THROUGH ALL THE MAIL, PLEASE. IT'S JUST SO IMPORTANT THAT I FIND IT RIGHT NOW. ANNE: OH, SURE. ARE YOU HAVING TROUBLE WITH YOUR HUSBAND? LILA: OH. NO. NO, NOT A BIT. ANNE: YOU'RE LUCKY. IN THIS LINE OF WORK, YOU SEE SOME PRETTY NASTY BUSINESS IN DIVORCE. LILA: WELL, MATTHEW IS A WONDERFUL MAN AND A REALLY, REALLY TERRIFIC FATHER. ANNE: OH, WELL, I'M SORRY. I -- I MEAN THAT THERE ARE KIDS INVOLVED. I KNOW THAT MAKES IT HARDER. LILA: OH, NOT FOR US. I MEAN, WE BOTH WANT WHAT'S GOOD FOR OUR LITTLE GIRL. SO WE JUST KEEP THAT IN MIND, THAT'S ALL. ANNE: YOU ARE LUCKY. LILA: YEAH. ANNE: I -- I STILL DON'T SEE IT. LILA: NO, NEITHER DO I. ALL RIGHT. LOOK, IF CASS CALLS LATER, WOULD YOU PLEASE TELL HIM TO CALL ME AT -- [TELEPHONE RINGS] LILA: HANG ON. HELLO. CASS: LILA? LILA: OH. CASS. GOD, IT IS SO GOOD TO HEAR YOUR VOICE. YOU HAVE NO IDEA. WELL, YOU -- YOU REALLY CUT OUT OF TOWN ON ME. CASS: DUTY CALLED AND ALL THAT. LILA: UH-HUH. UH -- ANNE: OH. I'M SORRY. NO. OF COURSE. LILA: THANK YOU. CASS: LILA, DON'T GIVE ME THE SILENT TREATMENT, PLEASE. LILA: OH, I'M SORRY. I DIDN'T MEAN TO. HEY, WHAT HAPPENED? I MEAN, YOU KNOW, YOU JUST -- YOU JUST LEFT, AND YOU DIDN'T TALK TO ME ABOUT IT. YOU JUST LEFT ME A MESSAGE ON THE MACHINE? CASS: I GUESS I DIDN'T KNOW WHAT TO SAY IF I TALKED TO YOU. LILA: WHY? ARE YOU MAD AT ME? CASS: AM I MAD AT YOU? YOU PACKED ME OFF TO DEAL WITH A CLIENT, AND THEN YOU GO TO THE HARBOR CLUB WITH MATTHEW? LILA: YOU SAW US THERE? WELL, WHY DIDN'T YOU JUST COME OVER AND SAY SOMETHING? CASS: OH, YOU WERE TOO BUSY SWING DANCING. I DIDN'T WANT TO INTERRUPT YOUR FUN. LILA: OH. CASS, NOW, HE WAS JUST FILLING IN FOR YOU BECAUSE YOU HAD TO WORK. CASS: I NOTICED HOW HE FILLED IN. LILA: NOW, YOU ARE BEING SILLY. YOU KNOW THAT? CASS: "SILLY"? I'M BEING SILLY? DO YOU THINK THAT HE WON'T TRY ANYTHING TO CHANGE YOUR MIND ABOUT THE DIVORCE? LILA: WELL, HE CAN'T DO THAT, AND HE KNOWS IT. AS A MATTER OF FACT, I'M HERE IN YOUR OFFICE TRYING TO FIND THESE DIVORCE PAPERS. CASS: YOU'RE AT MY OFFICE? LILA: WELL, YEAH. WHY? DO YOU MIND? CASS: NO. THE LETTER HASN'T ARRIVED YET? IT SHOULD BE THERE BY NOW. LILA: NO. AND I THINK I LOOKED EVERYWHERE. CASS: TAKE A LOOK AT THE TABLE BEHIND MY DESK. LILA: THE TABLE BEHIND YOUR DESK. HOLD ON. WAIT A MINUTE. OH, CASS, I THINK THIS IS IT. I DO. I THINK I FOUND IT. WAIT A MINUTE. WAIT A MINUTE. JUST A MINUTE. OH, GOD, THIS IS IT. OH, CASS, I HAVE IT. I HAVE THIS -- I HAVE THE DIVORCE IN MY HOT LITTLE HANDS. OH. WILL YOU STOP YOUR POUTING AND COME ON HOME SO WE CAN GET MARRIED? JOSIE: WHAT DO YOU THINK? TONI: SHE'S SCARED BUT NOT OF WHAT WE THOUGHT. THERE WAS SOMETHING IN THAT BOX SHE DIDN'T WANT US TO SEE. JOSIE: YOU WENT THROUGH IT, THOUGH, DIDN'T YOU? TONI: YEAH, I DID AN INVENTORY AS SOON AS IT CAME IN. JOSIE: WHATEVER IT WAS, MY GUESS IS IT WAS GONE BEFORE YOU ARRESTED HER. TONI: OH. IT'S TOO BAD WE CAN'T RUN A SPECTOGRAPHY. WHERE DID YOU GET THAT FROM? JOSIE: I DON'T KNOW. IT SOUNDED GOOD. DID IT WORK? TONI: OH, YEAH. TOO BAD THERE'S NO SUCH THING. JOSIE: YEAH. MAYBE WE DON'T NEED IT. I MEAN, ONE THING THAT DID GET HER RATTLED WAS FREEMAN. TONI: FOR A WOMAN WHO THREW HER OWN FRIEND TO THE WOLVES, SHE SURE WAS PROTECTIVE OF HIM, HUH? JOSIE: HMM. TONI: YOU THINK HE KNOWS WHAT WAS IN THAT BOX? JOSIE: WELL, HE WAS WORKING FOR GRANT THE LAST FEW DAYS, SO -- TONI: DO YOU THINK HE WAS BLACKMAILING HER? JOSIE: HE HAD ACCESS TO ALL GRANT'S INFORMATION, SO MAYBE -- JOE: YOU KNOW, I'M -- I'M WORKING ON IT, MAN, BUT -- YOU GOT TO BELIEVE ME ON THAT. BUT I'M NOT MADE OF DOUGH HERE. I'M JUST A COP. TONI: WHAT IS IT? JOSIE: NOTHING. TONI: THAT DIDN'T LOOK LIKE NOTHING. JOSIE, WHATEVER IT IS, YOU NEED TO TELL ME. PAULINA: JOE, WHERE DID THAT BOX COME FROM? WHO'S GOING TO ASK ABOUT IT AND WHY? JOE! JOE: I HAVE TO GO. PAULINA: NO. WHERE ARE YOU GOING, JOE? JOE: I WON'T BE LONG. PAULINA: JOE! TALK TO ME! JOE: PAULINA -- WHAT DID YOU TOUCH, PAULINA? PAULINA: WHAT? JOE: DID YOU TOUCH THE INSIDE? PAULINA: I -- JOE: WHAT DID YOU TOUCH IN HERE? PAULINA: JOE, YOU'RE SCARING ME. JOE: NOTHING TO BE SCARED ABOUT, BABY. PAULINA: NO, YOU'RE JUST WIPING PRINTS LIKE A MADMAN! EVERYTHING'S JUST GREAT! WHY WON'T YOU TELL ME WHERE YOU'RE GOING, JOE? JOE: LOOK, IT'S JUST BETTER IF YOU DON'T KNOW, OK? IT'S BETTER IF YOU DON'T KNOW. PLEASE, PLEASE, BABY, NO MORE QUESTIONS. ALL RIGHT? JOE: NOW, I HAVE TO LEAVE. I WON'T BE TOO LONG. PAULINA: YOU'RE NOT GOING ANYWHERE UNTIL YOU TELL ME WHAT YOU'RE DOING! LILA: HURRY HOME, WILL YOU? CASS: WHY, IS SOMETHING WRONG? LILA: NO. I MEAN, EVERYTHING IS FINE. I JUST -- I JUST MISS YOU, THAT'S ALL. AND I WISH YOU WERE HERE RIGHT THIS MINUTE. CASS: TOMORROW, FIRST FLIGHT OUT. I'LL COME STRAIGHT TO THE HOUSE. LILA: I'LL BE WAITING. I LOVE YOU. CASS: ME LOVE YOU, TOO. LILA: BYE. HALLELUJAH. OH, THANK YOU, GOD. FREE AT LAST. ANNE: OH! YOU FOUND WHAT YOU WANTED AFTER ALL. LILA: OH. YES. IT WAS ON THE TABLE OVER THERE THE WHOLE TIME. ANNE: OH, I'M SORRY. I MUST HAVE MISSED IT. LILA: OH, WELL, THAT'S OK. I'VE GOT IT NOW. ANNE: CONGRATULATIONS, LILA. NORMALLY IT'S SAD TO SEE A MARRIAGE BREAK UP, BUT THIS LOOKS LIKE IT'S A HAPPY ENDING FOR YOU. LILA: YEAH. IT IS. FOR ME AND CASS. BYE-BYE. ANNE: BYE. JOSIE: THAT'S ALL I HEARD. BUT I DIDN'T HEAR THE OTHER SIDE OF THE CONVERSATION. IT COULD HAVE BEEN ANYTHING. TONI: WITH EVERYTHING STRANGE THAT'S GONE ON WITH JOE, YOU REALLY THINK THAT? JOSIE: TONI, YOU'RE NOT THINKING -- TONI: WHAT? JOSIE: JOE DID NOT KILL GRANT. NO MATTER WHAT ELSE, HE COULDN'T -- NOT JOE. TONI: BUT YOU GOT TO THINK IT, RIGHT? I MEAN, AFTER EVERYTHING JOE'S HELD BACK, MAKES YOU WONDER. JOSIE: NO! NO! I WON'T GO THAT FAR. TONI: I SAW JOE GOING THROUGH GRANT'S JACKET AFTER HE WAS HIT ON THE HEAD. AND IT WAS JOE THAT TOLD ME GRANT WAS DEAD WHEN HE WASN'T YET. JOSIE: WHAT ARE YOU THINKING? TONI: YOU'RE NOT GOING TO WANT TO HEAR THIS, BUT THE CASE AGAINST CINDY'S NOT STACKING UP THE WAY I'D LIKE. AND SHE'S RIGHT -- SHE WAS IN THE CELL WHEN THE STRONGBOX WENT MISSING AND -- JOE WAS WITH ME EARLIER WHEN I QUESTIONED HER. EVERYWHERE I TURN IN THIS CASE, THERE'S JOE. JOSIE: I DON'T CARE. I DON'T CARE. JOE DID NOT COMMIT A CRIME, AND HE DID NOT -- HE DID NOT COVER ANYTHING UP! TONI: FINE. YOU THINK WE'RE WRONG? THEN SHOW ME THE HOLES. PLEASE. BECAUSE I DON'T LIKE IT ANY MORE THAN YOU DO. WHY DON'T WE JUST DROP IT. JOSIE: WE CAN'T. JOE WAS HERE WHEN THE STRONGBOX DISAPPEARED. TONI: ANYTHING ELSE YOU'D LIKE TO SHARE, JOSIE? I'M GOING TO JOE'S. I'M GOING TO TRY TO TALK TO HIM AGAIN, AND I HOPE HE'S GOING TO GIVE ME THE TRUTH. JOSIE: I JUST HOPE THE TRUTH IS WHAT WE WANT TO HEAR. JOE: PAULINA, LET ME OUT. PAULINA: NO. NO, JOE. NOT UNTIL YOU TELL ME WHAT'S GOING ON. JOE: IT'S NOTHING. PAULINA: PLEASE DON'T SAY THAT. DON'T YOU THINK I KNOW BETTER? JOE, I WAKE UP BESIDE YOU EVERY MORNING. BEFORE YOU MOVE, BEFORE YOU BREATHE, BEFORE YOU SAY A WORD, I KNOW. OK? I KNOW WHAT YOU'RE THINKING. I KNOW HOW YOU'RE FEELING, HOW WELL YOU SLEPT. I KNOW WHAT KIND OF DAY IT'S GOT TO HAVE BEEN. SO DON'T TELL ME THAT IT'S NOTHING, JOE. YOU'VE BEEN IN A STATE SINCE YOU GOT UP THIS MORNING. PLEASE TELL ME WHAT'S GOING ON. PLEASE LET ME HELP YOU. JOE: I CAN'T. PAULINA: OH, MY GOD, JOE. WE'RE BACK IN THAT MOTEL ROOM AGAIN WHERE I'M ON ONE SIDE OF THE DOOR AND YOU'RE ON THE OTHER. I THOUGHT WE BOTH DECIDED THAT WE WOULD NEVER GET TO THAT PLACE AGAIN, AND I THOUGHT YOU PROMISED ME THAT YOU WOULD TELL ME THE TRUTH! I THOUGHT YOU PROMISED ME THAT YOU WOULDN'T KEEP THINGS FROM ME! JOE: YEAH, AND YOU KNOW WHAT? YOU MADE THE SAME PROMISES TO ME THAT DAY. DIDN'T YOU? WE BOTH KNOW YOU HAVEN'T KEPT THOSE. PAULINA: WHAT DO YOU MEAN? JOE: SINCE GRANT'S MURDER AND EVERYTHING THAT'S HAPPENED SINCE THEN. PAULINA: JOE, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. JOE: I THINK YOU DO. LOOK, WHEN I GET BACK -- I HAVE TO DO THIS. WHEN I GET BACK, WE WILL TALK ABOUT IT. WE WILL TALK ABOUT ALL OF IT. BUT RIGHT NOW THERE'S SOMETHING I REALLY NEED TO DO, PAULINA. PAULINA: JOE, WHATEVER YOU'RE GOING TO DO, YOU'RE GOING TO REGRET IT. I CAN FEEL IT. JOE: YEAH, I KNOW. MAYBE I WILL. BUT I HAVE TO DO THIS. OTHERWISE, THIS WHOLE FAMILY IS WIPED OUT AND EVERYTHING WE'VE DONE TO PROTECT IT, ALL THE BLOOD THAT'S ON OUR HANDS, IT'S ALL FOR NOTHING. PAULINA: BLOOD ON OUR HANDS? WHAT DO YOU THINK I'VE DONE? WHAT HAVE YOU DONE? LILA: HEY. MATT: HEY. HI. LILA: IS JASMINE ASLEEP? MATT: OH, YEAH. YEAH, SHE'S OUT. LILA: OH. OK, GOOD. WELL, I'LL GIVE HER A GOOD NIGHT KISS. MATT: HEY, LILA, I -- LISTEN, I'M SORRY ABOUT BEFORE. I -- I -- YOU KNOW, IT WON'T HAPPEN AGAIN. LILA: WELL, I KNOW. IT WON'T HAPPEN AGAIN BECAUSE -- IT'S OFFICIAL. MATT: IS THAT THE -- LILA: OUR DIVORCE. MATT: YEAH, THAT'S IT. THAT'S IT. WE'RE DIVORCED. LILA: YEAH. MATT: SO, YOU MUST BE HAPPY. LILA: YEAH. MATT: WHY AREN'T YOU OUT WITH CASS CELEBRATING? LILA: OH, HE -- HE'S IN CHICAGO. MATT: OH, HE IS? LILA: YEAH. MATT: UH-HUH. YOU DIDN'T TELL ME. LILA: WELL, I DIDN'T KNOW. I MEAN, HE GOT CALLED AWAY ON BUSINESS, AND HE LEFT ME A MESSAGE. BUT, YOU KNOW, WE'LL CELEBRATE WHEN HE GETS BACK. MATT: WELL, YOU HAVE TO DO SOMETHING ABOUT THAT. I MEAN, THIS DOESN'T HAPPEN EVERY DAY. LILA: WELL -- MATT: I'LL TAKE YOU OUT. LILA: THAT'S A GOOD THING. OH, NO. MATT: YEAH. LILA: OH, MATTHEW, NO. MATT: LILA -- LILA: I MEAN, THAT'S A LITTLE TOO WEIRD, EVEN FOR ME. MATT: LILA, COME ON. WE DIDN'T CELEBRATE OUR MARRIAGE. AT LEAST WE CAN CELEBRATE OUR DIVORCE. NOTHING ABOUT US HAS BEEN NORMAL. WHY START NOW? LILA: OH. WELL, THAT'S FOR SURE, ISN'T IT? MATT: RIGHT? I KNOW YOU'D RATHER BE WITH CASS, BUT I'M HERE. YOU HAVE TO EAT. YOU'RE HUNGRY, RIGHT? LILA: YES, I'M HUNGRY. MATT: OK. LILA: I HAVE TO EAT. MATT: WELL, GOOD. I'M NOT TAKING NO FOR AN ANSWER. PAULINA: OH, SWEETIE, I KNOW YOU WANT YOUR DADDY TO READ YOU A STORY, BUT HE'LL KISS YOU WHEN HE GETS HOME, OK? [KNOCK ON DOOR] PAULINA: OK. THERE YOU GO. JOE, DID YOU FORGET YOUR KEY? I'M SO GLAD YOU CAME -- TONI: HEY. PAULINA: TONI, HI. I -- TONI: I'M HERE TO SEE JOE. PAULINA: OH, HE'S -- HE'S OUT. TONI: DO YOU KNOW WHERE HE IS? IT'S IMPORTANT. JOE: COME ON, CHUMP. I'M READY. PAULINA: I'M SORRY. I JUST DON'T KNOW. TONI: HE LEFT THE HOUSE WITHOUT TELLING YOU WHERE HE'D BE? REALLY? PAULINA: YES, REALLY. I'M SORRY. IT'S JUST, YOU KNOW, BEEN REALLY A ROUGH WEEK. AND DANTE'S HAD A COLD, AND I HAVEN'T HAD MUCH SLEEP. I'M SORRY. TONI: HAS JOE BEEN UP NIGHTS, TOO, PAULINA? PAULINA: WHAT? TONI: WELL, I KNOW HE'S BEEN STRESSED LATELY, AND YOU SEEM STRESSED. I THOUGHT MAYBE IT WAS BECAUSE OF THE -- PAULINA: JOE HAS BEEN SUSPENDED. IT'S REALLY HARD FOR A MAN LIKE HIM TO TAKE SOMETHING LIKE THAT. EXCUSE ME. I HAVE TO GET MY SON TO SLEEP. TONI: WHAT HAVE YOU GOTTEN YOURSELF INTO, JOE? JOE: I TOLD YOU I'D COME ALONE. MR. FREEMAN: I'M SURE YOU'RE A MAN OF YOUR WORD, JOE, BUT I STILL HAD TO CHECK IT OUT. DID YOU BRING THE MONEY? JOE: RIGHT HERE. SO, IT'S YOU. MR. FREEMAN: YOU DON'T SEEM SURPRISED. WHERE DID YOU GET THAT? JOE: WHERE DO YOU THINK I GOT IT? LOOK, I TOLD YOU, I'M NOT A RICH MAN. YOU WANTED SMALL, UNMARKED BILLS. YOU GOT THEM. WHAT DIFFERENCE DOES IT MAKE WHERE IT CAME FROM? MR. FREEMAN: NONE, I GUESS. SO, ANY OTHER PAPERS IN HERE -- JOE: NOTHING WORTH BLACKMAILING ANYONE OVER, IF THAT'S WHAT YOU'RE ASKING. THAT WAS WHAT YOU WERE DOING, RIGHT? HELPING GRANT COME UP WITH BLACKMAIL? MR. FREEMAN: YOU'RE LOSING YOUR SENSE OF HUMOR, JOE. IT'S NOT SO BAD THIS WAY. EVERYBODY WINS. JOE. JOE: YOU KNOW, YOU'RE RIGHT. I GOT TO REMEMBER TO LAUGH AT LEAST ONCE A DAY, RIGHT? MR. FREEMAN: JOE, COME ON, MAN. WHAT ARE YOU DOING? JOE: WATCHING YOU SWEAT -- A LOT, BY THE WAY. YOU GOT TO STOP SPENDING SO MUCH TIME AT THE GYM, PUNK. MORE PIZZA, LESS POWER RACK. HEY, YOU KNOW WHAT? YOU'RE RIGHT. THAT WAS GOOD. I AM FEELING BETTER. MR. FREEMAN: JOE -- JOE: YOU FIGURE IT OUT YET? HUH? THAT BOX? IT'S GOT YOUR PRINTS ALL OVER IT. SEE, THE COPS FIND THAT, AND THEN YOU GO DOWN FOR STEALING EVIDENCE. YOU WERE AT THE SQUAD ROOM TODAY. IT'LL WORK. MR. FREEMAN: YOU KNEW IT WAS ME? JOE: I KNEW. MR. FREEMAN: LOOK, THERE'S NO NEED FOR YOU TO -- JOE: THE HELL THERE ISN'T. YOU THINK I'u EVER DEALT WITH SOMEBODY LIKE YOU? YOU SHAKE ME DOWN ONCE, THEN THE NEXT TIME YOU NEED MONEY YOU'LL BE BACK. NO. NO, I TOLD YOU WE'D BE DONE AFTER TONIGHT, AND I JUST MADE SURE OF IT. MR. FREEMAN: YOU ARE NOT TAKING THAT TO THE COPS. JOE: WELL, SEE, NOW, THAT DEPENDS ON YOU. BECAUSE YOU'VE GOT TWO CHOICES. ONE, YOU CAN LEAVE TOWN AND NEVER -- AND I MEAN NEVER COME BACK. TWO, I KILL YOU. YOU GOT 10 SECONDS. LILA: GOSH. MATT: I'M TELLING YOU, THAT TOY IS GOING TO BE THE DOWNFALL OF WESTERN CIVILIZATION. LILA: NO, IT'S NOT. MATT: YES. LILA: IT'S CUTE. I MEAN, IT'S NOT THAT BAD. MATT: YOU DIDN'T SEE JASMINE. SHE WAS TRYING TO MAKE THAT NOISE, THAT SOUND. CAN YOU IMAGINE IF THAT'S HER FIRST SOUND? CAN YOU? LILA: OUR BABY GIRL IS GOING TO START TALKING LIKE EVERY OTHER BABY GIRL HAS. SHE'S GOING TO REWARD HER MOTHER FOR NINE MONTHS OF CARRYING AND GIVING BIRTH TO HER WITH HER FIRST WORDS, WHICH WILL BE "DA-DA." YOU WATCH. MATT: LIFE IS CRUEL. LILA: MM-HMM. MATT: SHE LOVES HER DADDY. LILA: THAT SHE DOES. MATT: I JUST HOPE I'M THERE TO HEAR IT. LILA: YOU KNOW WHAT? IT'S -- IT'S A LITTLE LATE. I THINK I'M JUST GOING TO TURN IN. MATT: WAIT A MINUTE. YOU'RE NOT TIRED YET, ARE YOU? LILA: YES, ACTUALLY, I AM. MATT: COME ON. WHAT, ARE YOU BECOMING AN OLD MOTHER ON ME? LILA: I GUESS I AM. MATT: WAIT, LILA, I HAVE A -- A LITTLE PRESENT FOR YOU. LILA: OH, MATT. MATT: YEAH, JUST CONSIDER IT A DIVORCE PRESENT. LILA: OH, COME ON, YOU DON'T HAVE TO -- [MUSIC PLAYS] LILA: YOU! MATT: YEAH, ME. LILA: DO YOU KNOW HOW HARD IT IS TO FIND THAT ALBUM? DO YOU KNOW? MATT: YES, I DO KNOW. LILA: OH, MY GOD! MATT: AND EXPENSIVE. HELLO. LILA: COME ON. MATT: OH, YEAH. LILA: OH, MY GOSH. DID I EVER TELL YOU THAT I WAS THERE? MATT: YOU WERE THERE? LILA: I WAS THERE. MATT: YOU WERE A TEENAGER. HOW COULD YOU BE THERE? LILA: OH, HONEY, I WAS 22 FROM THE TIME I WAS 13. I HAD I.D. OH, I WANTED TO GO TO THIS CONCERT SO BAD. AND MY UNCLE DARRYL, HE SAID NO, BUT -- MATT: UNCLE DARRYL? LILA: OH, HONEY, I HAD A LOT OF UNCLES BACK THEN. MATT: OH. LILA: BUT ANYWAY, I WAITED UNTIL THE COAST WAS CLEAR, AND THEN I JUST GOT MYSELF ALL READY. MATT: GOT YOURSELF READY? WHAT, IN TEENAGE TIME, THAT IS HOW LONG, TWO HOURS? LILA: OH, JUST ABOUT, YEAH. MATT: AND WHAT'D YOU WEAR? LILA: OH, GOSH. OH, YEAH, I REMEMBER. I WORE THESE SKIN-TIGHT JEANS AND THIS PINK -- HOT PINK SPANDEX TOP WITH A DIAMOND SHAPE IN THE BACK. MATT: OH, THAT'S GOOD. AND YOUR HAIR, IT MUST HAVE BEEN HUGE, RIGHT? LILA: OH, HUGE. MATT: 1980s, AFTER ALL. LILA: BIG OLD 1980s SOUTHERN HAIR. THAT'S RIGHT. MATT: AND YOU HAD STRAWBERRY LIP GLOSS ON, I BET. LILA: NO, HONEY, THAT WAS WILD CHERRY. MATT: OH. VERY STICKY, YEAH. LILA: YEAH, I THOUGHT I LOOKED PRETTY CUTE. MATT: OH, I'M SURE YOU WERE VERY CUTE. LILA: OH, YEAH, I LOOKED PRETTY GOOD. MATT: AND A LITTLE DANGEROUS, TOO, I BET. LILA: ONLY TO MYSELF. MATT: WELL, IF YOU WERE THERE, THEN YOU KNOW WHAT HAPPENS NEXT. LILA: NO. MATT: OH, YES. I MEAN, IT'S A TRADITION DOWN IN NEW ORLEANS. YOU CAN'T LEAVE WITHOUT -- [MUSIC STOPS] MATT: HEARING THIS. MAN: FROM THE PAGES OF THE NEVILLE BROTHERS' SONGBOOK, WE GOING TO FIX YOU UP. MY BROTHER, MR. AARON NEVILLE. [MUSIC PLAYS] LILA: OH, GOSH. SINGER: IF YOU WANT SOMETHING TO PLAY WITH GO AND FIND YOURSELF A TOY MATT: WHY DON'T YOU TELL ME WHAT HAPPENED THAT NIGHT. PLEASE, TELL ME. SINGER: BABY, MY TIME IS TOO EXPENSIVE LILA: WELL, LIKE I SAID, I WAS A DANGER ONLY TO MYSELF. I HAD THAT I.D., AND I GOT IN A CLUB, AND A FEW OF MY UNCLES WERE IN THERE -- SOME OF THE ONES THAT USED TO LOOK AT ME A LITTLE TOO HARD. AND THEY HAD ME UP AGAINST THE BAR. OH, NO, NO. NO, DON'T WORRY. IT'S -- IT'S A HAPPY ENDING. ANYWAY, I DIDN'T THINK I WAS GOING TO GET OUT OF THERE. AND THEN THIS GUY, HE -- HE ASKED ME TO DANCE, AND HE TOOK ME OUT TO THE DANCE FLOOR AND GOT ME AWAY FROM THEM. HE JUST -- HE WAS A PERFECT GENTLEMAN. TREATED ME LIKE A PRINCESS, YOU KNOW. HE JUST GENTLY -- LIKE IF ANYONE WAS ROUGH WITH ME OR ANYTHING WAS ROUGH, I WOULD BREAK. AND THEN AT THE END OF THE DANCE, HE KISSED MY HAND, AND THAT WAS IT. NO TROUBLE AT ALL. AND I KNEW THEN THAT I COULD SOMEDAY HAVE WHAT I REALLY WANTED, THAT SOMEDAY I'D BE SAFE. THEN I ADDED THE "RICH" AND "IN LOVE" PART ALONG THE WAY, WHICH OF COURSE I NEVER GOT. BUT YOU CAN'T BLAME A GIRL FOR TRYING. MATT: WELL, YOU'RE THERE NOW. YOU'RE SAFE. AND AS LONG AS I'M ALIVE AND I HAVE A FEW BUCKS TO MY NAME, I'LL ALWAYS TAKE CARE OF YOU. YOU COULD HAVE LOVE, TOO, RIGHT NOW. I KNOW IT'S NOT GOING TO HAPPEN. WE'RE DIVORCED. I JUST WISH THAT I HAD BEEN THAT GUY THAT NIGHT DANCING WITH YOU. DID YOU EVER WONDER HOW -- HOW IT COULD BE? HOW GOOD IT COULD BE? SINGER: OH, MY DARLING OH, MY DARLING THERE IS NOTHING I CAN DO ABOUT IT HEY, HEY HEY, HEY SINGERS: TELL IT LIKE IT IS SINGER: I DON'T WANT TO LEAVE I DON'T WANT TO DON'T WANT TO LEAVE YOU, CHILD OH, BELIEVE ME OH, BELIEVE ME WOMAN, I GOT TO GO NOW GO NOW GO NOW JOSIE: I THOUGHT WE SENT YOU BACK TO HOLDING. OFFICER: SHE SAID SHE WANTED TO MAKE A STATEMENT -- TO YOU ONLY. JOSIE: TELL HER THAT I DON'T WANT TO HEAR ANY MORE COMPLAINTS ABOUT THE DECOR OF HER CELL. CINDY: I WANT TO TALK ABOUT A DEAL. JOSIE: IT'S ALL RIGHT. I'LL TAKE THIS. JOSIE: THIS IS DET. SINCLAIR. I'M HERE WITH MS. CYNTHIA HARRISON. CINDY: COME ON. JOSIE: I WANT THIS TO GO ON RECORD. CINDY: NO, YOU DON'T. NO, YOU DON'T. JOSIE: THIS IS GOING TO COURT. YOU SAID YOU WANTED TO MAKE A DEAL. CINDY: WELL, NOT THAT KIND OF DEAL. WHAT ARE YOU, CRAZY? I'M OFFERING YOU A DEAL. JOSIE: WHAT? CINDY: HOW MUCH WILL IT TAKE TO MAKE THIS CASE AGAINST ME DISAPPEAR? JOSIE: WHAT MAKES YOU THINK I WOULD EVEN CONSIDER? CINDY: PREVIOUS EXPERIENCE WITH YOU AND THE EVIDENCE ROOM. LOOK, I AM A VERY RICH WIDOW. AND, WELL, YOU EARNED ALL OF THE PROBLEMS THAT YOU HAD WITH GARY. I FEEL BAD ABOUT THE BABY. AND I THOUGHT MAYBE YOU COULD USE SOME TIME OFF TO RECUPERATE. I'LL MAKE SURE THAT YOU CAN AFFORD IT. JOSIE: I AM PUTTING YOU IN THE SMALLEST, DARKEST CELL -- CINDY: SIT DOWN. SIT DOWN. NOW, YOU WANT TO FRY ME FOR THIS MURDER, RIGHT? WHAT DO YOU THINK MY DEFENSE IS GOING TO BE? TAKE A GUESS. JOSIE: BAD DYE JOB SENT YOU OVER THE EDGE? CINDY: MY DEFENSE ATTORNEY IS GOING TO COME UP WITH ALL OF THE REASONS WHY YOU WOULD FRAME ME. JOSIE: YOU'RE A WITCH. CINDY: THINK ABOUT IT. WORKS LIKE A CHARM. I MEAN, I WAS HORRIBLE TO YOU -- THREATENING TO TELL GARY ABOUT YOU AND HIS BROTHER, ALL OF THE HOOPS I MADE YOU JUMP THROUGH. I CAN HARDLY BELIEVE I DID THAT. BUT I DID. NOW, THE JURY WILL UNDERSTAND WHY YOU RAILROADED ME -- GET BACK AT ME. BUT THEY ALSO WILL ACQUIT ME. JOSIE: YOU THINK SO? CINDY: IT'LL ALL COME OUT -- ALL OF THE MISSING EVIDENCE THAT YOU STOLE FOR ME, HOW YOU'RE AFRAID IT'LL COME BACK TO HAUNT YOU, EVERYONE WHO COVERED FOR YOU. I MEAN, JOE CARLINO. JOSIE: WHAT ABOUT JOE? CINDY: OH. I LOVE HITTING THOSE NERVES. YES, WHAT ABOUT JOE? JOE'S BEEN SUSPENDED. WHY? WHY DON'T WE FIND OUT IN COURT. WHY DON'T WE FIND OUT WHAT KIND OF DIRT GRANT HAD ON THE CARLINOS. YOU KNOW, BY THE TIME MY DEFENSE RESTS, EVERY HUNGRY NEWSPAPER REPORTER IN TOWN IS GOING TO BE SCRATCHING AROUND. HE WON'T HAVE ANY SECRETS LEFT. NEITHER WILL YOU. JOSIE: SCORCHED EARTH, HUH? CINDY: OH, YOU BETCHA. SO, PLEASE, FIND THE PERSON WHO REALLY KILLED MY HUSBAND AND MAKE THIS ALL GO AWAY. BUT IF YOU PERSIST IN TRYING TO FRAME ME FOR THIS, IF YOU SEND ME TO TRIAL, I'M NOT GOING DOWN ALONE. I WILL TAKE EVERY SINGLE LAST ONE OF YOU WITH ME. MR. FREEMAN: JOE, IT IS WAY TOO LATE TO GROW A SENSE OF HUMOR LIKE THIS. JOE: NO, I DON'T KNOW. THEY SAY LAUGHTER'S THE BEST MEDICINE. MR. FREEMAN: I DON'T FEEL SO GOOD. JOE: WELL, I GUESS IF I HAD A LOADED POLICE SPECIAL AIMED AT MY GUT, I WOULDN'T FEEL SO GOOD, EITHER. MR. FREEMAN: YOU'RE A GOOD COP, STRAIGHT ARROW. YOU DON'T WANT TO DO THIS. YOU COULDN'T. JOE: WHERE HAVE I HEARD THAT BEFORE? OH, THAT'S RIGHT -- GRANT HARRISON. HE USED TO SAY THAT ABOUT ME ALL THE TIME. MR. FREEMAN: HOLY -- IT WAS YOU, WASN'T IT? YOU KILLED GRANT. JOE: DO YOU THINK I WOULD STAND BY AND LET HIM HURT MY FAMILY AGAIN? FREEMAN, I DON'T WANT TO DO THIS, BUT IF YOU FORCE ME TO, I WILL. MR. FREEMAN: NO. NO. PLEASE! DON'T SHOOT. I'M BEGGING YOU. I'LL GO. I SWEAR. DON'T KILL ME! JOE: GET OUT OF HERE. DON'T YOU EVER COME NEAR ME OR MY FAMILY AGAIN. YOU GOT THAT? SINGER: I LOVE YOU LILA: NO, NO. MATT: I'M SORRY. I'M SORRY. LILA: MATT -- MATT: NO, I DIDN'T MEAN FOR THAT TO HAPPEN. IT WON'T HAPPEN AGAIN. LILA: NO, IT'S NOT -- IT'S NOT EVER GOING TO HAPPEN AGAIN BECAUSE YOU AND I ARE NEVER, NEVER GOING TO BE ALONE TOGETHER LIKE THIS EVER AGAIN! MATT: LILA, I DIDN'T MEAN FOR THAT TO HAPPEN! LILA: YOU KNOW, THAT WAS REAL GOOD, HONEY. THAT WAS A REAL GOOD SETUP. MATT: WHAT ARE YOU TALKING ABOUT? IT WAS NOT A SETUP. I WANTED YOU TO HAVE A GOOD TIME. IT JUST HAPPENED. I'M SORRY. LILA: NO, YOU LISTEN TO ME, OK, AND YOU LISTEN TO ME GOOD. I LOVE CASS. AND NOTHING AND NOBODY IS EVER GOING TO COME BETWEEN US. ANNE: MAYBE FATE HAD A REASON FOR KEEPING ME IN BAY CITY. CASS WAS SO HAPPY WITH YOU, FRANKIE. HE COULD BE THAT HAPPY AGAIN. PAULINA: OH, YOU'RE STILL HERE. AHEM. DO YOU WANT TO LEAVE JOE A MESSAGE? TONI: MAYBE YOU CAN HELP ME. DO YOU KNOW WHAT THIS IS? PAULINA: IT'S A KEY. TONI: I FOUND IT ON YOUR FLOOR. PAULINA: YEAH, WELL, DANTE STRIKES AGAIN. MY GOD, HE'S INTO EVERYTHING NOW. JUST A COUPLE DAYS AGO, I CAUGHT HIM WITH JOE'S KEYS IN THE ELECTRIC SOCKET. HE WAS TRYING TO PLAY CAR. I ALMOST HAD A HEART ATTACK. TONI: DO YOU HAVE ANY IDEA WHAT THIS OPENS? PAULINA: NO. TONI: WELL, I FOUND IT ON THE FLOOR. IT MUST BE YOURS, RIGHT? PAULINA: I GUESS. WHAT'S SO IMPORTANT ABOUT A KEY? COME ON. TONI: I'M JUST GOING TO KEEP IT AND WAIT TO SEE IF IT'S JOE'S, OK? PAULINA: YOU KNOW, MAYBE IT'S BETTER TO JUST LEAVE IT HERE. TONI, COME ON, GIVE ME THE KEY, AND I'LL HAVE JOE CALL YOU WHEN HE GETS HOME. TONI: PAULINA, I'M YOUR FRIEND, AND I'M JOE'S FRIEND. YOU WANT TO TELL ME WHAT'S GOING ON HERE? PAULINA: "WHAT'S GOING ON"? COME ON, JOE WAS SUSPENDED, TONI. TONI: YEAH, BUT IT'S BEFORE THAT. FOR ABOUT A WEEK, HE HASN'T BEEN HIMSELF. COME ON. LET ME HELP YOU. PLEASE. PAULINA: IT'S REALLY NOTHING TO WORRY -- TONI: STOP. PAULINA, LISTEN -- I KNOW SOMETHING'S WRONG WITH JOE. I CAN SEE IT, AND I'M NOT THE ONLY ONE. I'M WORRIED ABOUT HIM. AND WHATEVER IT IS, YOU STAYING QUIET IS NOT GOING TO MAKE IT ANY BETTER, SO WHY DON'T YOU JUST -- WHY DON'T YOU JUST TELL ME NOW SO I CAN HELP BEFORE THINGS GET OUT OF CONTROL, OK? JOE: COME ON, JUST BREATHE! BREATHE, DAMN IT! COME ON, MAN. AH, HELL. AH, HELL, YOU'RE DEAD. MAN: STONE DEAD, AND YOU KILLED HIM. [CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.]