[CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] VICKY: PLEASE. NOW, WHEN I WENT UPSTAIRS, I WANTED YOU TO GET RID OF THAT. I DIDN'T WANT YOU TO PUT IT IN SOME BOWL AND SERVE IT TO OUR POOR, UNSUSPECTING GUESTS. JAKE: WHAT ARE YOU TALKING ABOUT? PAULINA LOVES MY SHRIMP FRA DIAVOLO. VICKY: DO YOU HATE ME? IS THAT IT? JAKE: HO-HO-HO-HO. YOU'RE JEALOUS. YOU'RE JEALOUS. SHE'S JEALOUS. VICKY: OF WHAT? JAKE: OF THE FACT THAT I CAN COOK AND YOU CAN'T. VICKY: NO, I DON'T WANT TO END THE EVENING HAVING MY STOMACH PUMPED. JAKE: THE SHRIMP IS NOT BAD. VICKY: SHRIMP THAT MAKES YOU BARF IS, BY DEFINITION, BAD. JAKE: VICKY, IF THE SHRIMP WAS BAD, THE SHRIMP WOULD SMELL. TAKE A WHIFF OF THAT. DOES THAT SMELL? MATT: ALL RIGHT, ALL RIGHT. JUST -- YOU WANT TO TELL ME WHAT'S GOING ON HERE? LILA: MAKE LOVE TO ME, MATTHEW, RIGHT HERE AND RIGHT NOW. MATT: YOU SURE ABOUT THAT? LILA: YES. I KNOW WHAT I WANT, AND I WANT YOU. I WANT YOU. DON'T LET ME GO. DON'T EVER LET ME GO. ANNE: IT WAS NO MISTAKE. SOMETHING HAPPENED BETWEEN US THE OTHER NIGHT. YOU KISSED ME. YOU WANTED TO KISS ME AS MUCH AS I WANTED YOU TO. AND IT MEANT SOMETHING, CASS, TO BOTH OF US. ADMIT IT. YOU BELONG WITH ME. WE BELONG TOGETHER. CASS: THIS -- NONE OF THIS MAKES ANY SENSE AT ALL. ANNE: IT MAKES ALL THE SENSE IN THE WORLD. THIS IS RIGHT. IT FEELS RIGHT. AND IT'S EXACTLY THE SORT OF IMPROBABLE THING THAT FRANKIE WOULD HAVE BELIEVED IN, ISN'T IT? MAYBE -- MAYBE FRANKIE'S THE ONE WHO'S BRINGING US TOGETHER. CASS: SHE WAS A REMARKABLE, UNIQUE WOMAN. ANNE: WHO BELIEVED IN MIRACLES. SHE KNEW THAT THERE ARE SOME THINGS IN THE UNIVERSE THAT JUST CAN'T BE EXPLAINED. MAYBE WE'RE ONE OF THOSE MIRACLES, CASS. CARL: DO YOU KNOW ME? RACHEL: OH, MY GOD. CARL: PLEASE. PLEASE, DO YOU KNOW ME? RACHEL: CARL. ARE YOU -- ARE YOU REAL? YOU'VE COME BACK. YOU'VE COME BACK TO ME. RACHEL: YOU'RE HERE. YOU'RE REALLY -- YOU'RE REALLY HERE. PLEASE, PLEASE DON'T LET ME GO SO THAT I KNOW I'M NOT DREAMING. PLEASE. CARL: THEN YOU DO KNOW ME? RACHEL: YES. CARL: YOU DO KNOW ME. RACHEL: YES. CARL: FOR THE PAST YEAR, I'VE BEEN SEEING YOUR FACE. AND I'VE BEEN HERE BEFORE. I'VE BEEN IN THAT HOUSE. MY MEMORIES ARE COMING BACK TO ME IN FLASHES, BUT -- PLEASE, I NEED -- I NEED YOU TO HELP ME. RACHEL: I THOUGHT YOU WERE DEAD. CARL: DEAD. YES. YES, I WAS DEAD. AND I'M COMING BACK TO LIFE NOW FOR THE VERY FIRST TIME. MY PAST HAS BEEN A BLANK, A JUMBLE OF FEELINGS AND IMPRESSIONS. BUT THROUGHOUT IT ALL, THE CONSTANT IMAGE HAS BEEN YOUR FACE. RACHEL: WHERE -- WHERE HAVE YOU BEEN? CARL: I'VE COME FROM A CLINIC. RACHEL: WHAT? CARL: THEY OPERATED ON ME. I'VE BEEN IN RECOVERY. BUT I CAN'T REMEMBER MY PAST. RACHEL: BUT YOU -- YOU REMEMBERED ME? CARL: YES. OH, YES, I DO. CARL: TELL ME WHO YOU ARE. HOW DO I KNOW YOU? TELL ME WHO I AM. RACHEL: I'M RACHEL CORY HUTCHINS, YOUR WIFE. AND YOU'RE CARL HUTCHINS, MY HUSBAND. CARL: RACHEL, I BELIEVE I LOVE YOU. RACHEL: AND I LOVE YOU. WHY DIDN'T YOU CALL ME? WHY DIDN'T YOU SEND WORD TO ME? CARL: I COULDN'T. RACHEL: DO YOU KNOW THE AGONY I'VE BEEN IN? CARL: I'VE BEEN IN AGONY, TOO. YOU'RE TREMBLING. YOU'RE TREMBLING. LET ME -- LET ME HELP YOU. RACHEL: IT DOESN'T MATTER. IT DOESN'T MATTER. YOU'RE HERE. YOU'VE COME BACK TO ME. AND YOU'RE ALIVE. CARL: YES. YES, I AM. RACHEL: I PRAYED FOR THIS. I PRAYED, AND MY PRAYERS HAVE BEEN ANSWERED. LILA: WHAT? WHAT? WHAT'S WRONG? MATT: YOU SURE YOU WANT THIS? LILA: MATTHEW. I MEAN, WHAT WOMAN WOULDN'T WANT TO BE HERE WITH YOU, HUH? I MEAN, YOU'RE STRONG AND YOU'RE SEXY AND YOUR LIFE IS FULL OF WOMEN -- YOUR MOTHER AND ME AND JASMINE -- AND YOU'RE A HERO TO EVERY ONE OF US. YOU KNOW? I MEAN, EVEN AFTER I LIED AND TRICKED YOU INTO HAVING OUR BABY, YOU STILL STOOD BY ME. I MEAN, THERE'S A SENSE OF HONOR ABOUT YOU, MATT. AND THEN THERE'S THOSE EYES AND THOSE LIPS AND -- I DON'T KNOW WHAT I WAS THINKING. I DON'T KNOW WHY I WASN'T PAYING ATTENTION TO WHAT I COULD'VE HAD ALL ALONG. MATT -- MATT: LILA, I -- LILA: SHH, SHH, SHH. I'M NOT GOING TO PUSH YOU AWAY AGAIN. NEVER AGAIN. CASS: YOU'RE RIGHT. FRANKIE NEVER COULD RESIST A MIRACLE. OR MAYBE IT WAS THE OTHER WAY AROUND. BUT MORE TO THE POINT -- HOW DO YOU KNOW SO MUCH ABOUT HER? ANNE: FROM CHARLIE. OK, SO WE TALK ABOUT FRANKIE SOMETIMES. I LOOK LIKE THE WOMAN WHO MEANT THE WORLD TO THE GREATEST KID I'VE EVER MET AND TO THE MAN THAT I'VE GROWN TO RESPECT AND ADMIRE. IT'S ONLY NATURAL THAT -- CASS: NONE OF THIS IS NATURAL. NONE OF IT. ANNE: WELL, BEFORE I SET FOOT IN THIS TOWN, I WOULD HAVE AGREED WITH YOU 100%. THE ONLY HIGHER AUTHORITY I EVER BELIEVED IN WAS THE JUDGE I WAS ARGUING IN FRONT OF. BUT FRANKIE WOULD HAVE SEEN THAT THIS IS MORE THAN JUST A COINCIDENCE. WE WERE MEANT TO HAPPEN. YOU FEEL IT, TOO. YOU KNOW -- CASS: ALL I KNOW IS YOU WALKED INTO MY LIFE AND YOU THREW EVERYTHING OFF COURSE. THAT'S ALL I KNOW. ANNE: AND MAYBE EVERYTHING FELL RIGHT INTO PLACE. DON'T YOU EVER WONDER WHY IT IS THAT I WOUND UP HERE IN BAY CITY, OF ALL PLACES? FRANKIE'S OLD STOMPING GROUNDS? IT'S BECAUSE OF FRANKIE, BECAUSE LOVE IS STRONGER THAN DEATH. SHE IS BRINGING US TOGETHER -- YOU AND ME AND CHARLIE -- BECAUSE WE WERE MEANT TO BE. YOU FEEL IT, TOO, CASS. YOU CAN'T DENY IT ANYMORE. CASS: NO. I CAN'T. ANNE: EVERYTHING IS GOING TO BE DIFFERENT NOW, CASS. I PROMISE YOU, IT'S GOING TO BE SO MUCH BETTER. JAKE: HEY, YOU ALL RIGHT? VICKY: FINE. [KNOCK ON DOOR] JAKE: NO, DON'T WORRY. I'LL GET THAT. PAULINA: UM -- HEY, JAKE. JOE: THIS IS FOR DINNER. JAKE: OH, THAT WAS TONIGHT? JOE: YEAH, I FIGURED IT WOULD KILL THE TASTE OF YOUR -- COMPLEMENT THE TASTE OF YOUR FAMOUS SHRIMP. JAKE: HE'S A FUNNY GUY. FUNNY GUY. I HATE TO DISAPPOINT YOU, BUT THE SHRIMP IS HISTORY. JOE: NO. REALLY? ARE YOU SERIOUS? YOU'RE NOT JUST SAYING THIS TO MAKE ME FEEL GOOD, RIGHT? JAKE: WHAT A GUY. PAULINA: WHY DO MEN HAVE TO STAND AND TALK IN THE DOORWAY? COULD WE CONTINUE -- JAKE: OH, YES. PAULINA: INSIDE LIKE NORMAL HUMAN BEINGS? I'M DYING TO TALK TO VICKY. I'VE BEEN WANTING TO TELL HER ALL ABOUT REMY AND -- CARL: WHY -- WHY IS THIS ROOM IMPORTANT TO ME? THE TIDE. THE TIDE AND YOU. RACHEL: OUR BABIES WERE BORN IN THIS HOUSE. CARL: BABIES? YOU GAVE BIRTH TO THE BABIES RIGHT HERE IN THIS ROOM. RACHEL: YES. DO YOU REMEMBER THE TWINS, THEIR NAMES? CORY AND ELIZABETH. CARL: CORY AND ELIZABETH. OH. OH, BRAVE NEW WORLD THAT HATH SUCH CREATURES IN IT. RACHEL: YOU SAID YOU WERE IN A CLINIC AND THAT YOU HAD AN OPERATION. CAN YOU TELL ME ABOUT IT? CARL: OH, I'LL TELL YOU EVERYTHING THAT I KNOW. I WAS OPERATED ON FOR A TUMOR HERE IN MY BRAIN. THEY SAID IT WAS A MIRACLE THAT I SURVIVED AT ALL. TO THEM I WAS A GREAT SUCCESS, WITH OR WITHOUT A MEMORY. YES, I -- I WALKED AND TALKED, THANKS TO A FEW MONTHS OF PHYSIOTHERAPY. AND THE PROGNOSIS COULD NOT BE BETTER. BUT THEY DON'T KNOW HOW TO GIVE YOU BACK YOUR MEMORY. YOU SEE, I LIVE IN A FRAGMENTED WORLD, IF YOU CAN CALL THAT LIVING. RACHEL: YES, IT'S LIVING. YOU'RE ALIVE AND YOU'VE COME BACK TO ME, AND THAT'S AN AWFUL LOT TO BE GRATEFUL FOR. CARL: YES, IT IS. RACHEL: WE'RE TOGETHER, DARLING. EVERYTHING WILL BE EASIER NOW. NOW, TELL ME -- TELL ME WHAT ELSE YOU REMEMBER. CARL: I REMEMBER -- I REMEMBER RYAN. WHY'D I SAY RYAN? I REMEMBER TRACKS, TRAIN TRACKS. I REMEMBER WALKING WITH YOU AT NIGHT ALONG THE RIVER. IT WAS COLD. IT WAS COLD, AND THE LIGHTS OF THE CITY WERE DANCING IN YOUR EYES. SEE, I CAN ALMOST GRASP IT, AND THEN IT TURNS INTO AN ILLUSION. RACHEL: NO. IT'S REAL. AND YOU'RE REAL. YOU'RE REAL. LILA: WHAT? WHAT IS IT? WHAT'S WRONG? MATT: I'M SORRY. LILA: SHH. COME ON, DON'T STOP NOW. COME ON, MATT. COME HERE. JUST KISS ME. MATT: LILA. LILA: WHAT? MATT: I KEEP FEELING LIKE I HAVE TO DO THE THINKING FOR BOTH OF US. LILA: DON'T THINK. COME ON, DON'T THINK. JUST KISS ME. MATT: NO. I CAN'T BELIEVE I'M DOING THIS. LILA: THEN DON'T. WHAT IS IT? I MEAN, DIDN'T YOU HEAR ALL THE THINGS I SAID BEFORE TO YOU? MATT: YEAH, EVERY WORD. LILA: WELL, I MEANT IT. MATT: I KNOW YOU DID. THAT'S PART OF THE REASON -- PLEASE. WOULD YOU MIND? LILA: YOU'RE ASKING ME TO COVER UP? WHAT DID I DO? WHAT DID I DO, MATT? MATT: IT'S NOTHING YOU DID OR SAID. LILA: THEN WHY ARE YOU PUSHING ME AWAY? MATT: LILA, WE DON'T BELONG TOGETHER. LILA: YES, MATTHEW, DON'T YOU SEE? THAT'S WHAT I'M REALIZING. WE DO. MATT: DO YOU KNOW HOW LONG THAT I'VE WAITED TO HEAR YOU SAY THAT TO ME? BUT COME ON. IT'S NOT GOING TO WORK. WE BOTH KNOW IT. LILA: YES. YES, IT IS. OK, ALL THE THINGS I SAID BEFORE -- I MEANT THEM. WHAT MORE DO YOU WANT FROM ME? MATT: LOVE, LILA. YOU NEVER SAID YOU LOVE ME. YOU LOVE CASS, AND THAT'S WHO YOU SHOULD BE WITH. CASS: THIS DOESN'T MAKE ANY SENSE AT ALL. IT JUST DOESN'T MAKE ANY SENSE. ANNE: IT MAKES PERFECT SENSE. YOU SAID IT YOURSELF -- FRANKIE KNEW MORE ABOUT THE UNIVERSE AND ITS INNER WORKINGS THAN OTHER PEOPLE. SHE SAW STRAIGHT INTO THE HEART OF THE MATTER, FELT THINGS MORE KEENLY. CASS: THAT'S WHY THOSE WIND CHIMES REALLY THREW ME THE OTHER NIGHT. WHEN SHE WOULD HEAR WIND CHIMES, IT WAS AS IF SHE WERE HEARING THE MUSIC OF THE UNIVERSE, THE SOUND OF FATE. ANNE: THAT'S WHAT THIS IS -- DESTINY AT WORK. I DON'T MEAN TO RUSH US INTO ANYTHING. I'M NOT SAYING THAT WE SHOULD RUSH OUT AND, YOU KNOW, PICK OUT A CHINA PATTERN TOMORROW. IT'S -- IT'S JUST THAT THIS FEELS SO RIGHT, CASS. WE WERE MEANT TO BE TOGETHER. YOU LOOK BEAT. CASS: WELL, IT BEEN QUITE A COLE OF DAYS. ANNE: I KNOW THIS ISN'T EASY. BUT GIVE IT TIME. I'LL TELL YOU WHAT -- WHY DON'T I GO POWDER MY NOSE, AND THEN WE'LL GO BACK TO YOUR PLACE. THIS IS SCARY. CASS: YES. ANNE: BUT WE WL BE HAPPY. WE WILL. IT'S OUR DESTINY. CASS: "DESTINY." K.C.: EXCUSE ME, MR. WINTHROP. YOU ARE A VERY DIFFICULT MAN TO TRACK DOWN, NOT TO MENTION -- CASS: DO I KNOW YOU? OH, YEAH. OH, YEAH, YEAH, YEAH. YOU'RE THAT REPORTER FROM THE "HERALD" WHO DID THE "DEAD RINGER" ARTICLE ON MY LATE WIFE AND MY ASSISTANT. K.C.: YES, BUT -- CASS: INVADED MY PRIVACY, UPSET MY FAMILY, HAD MY LITTLE GIRL DEFENDING ME IN A SCHOOL YARD SQUABBLE. SHE ENDED UP IN THE HOSPITAL, BY THE WAY -- K.C.: OH, MY -- IS SHE OK? CASS: OH, SHE'S FINE. THANKS FOR ASKING. K.C.: I AM SO SORRY. I KNOW WHAT I DID WAS WRONG. CASS: SORRY? YOU DON'T ACTUALLY THINK THAT SORRY QUITE MAKES IT, DO YOU, HONEY? K.C.: LOOK, IF I WOULD HAVE KNOWN WHAT WOULD HAPPEN -- CASS: THIS IS REAL LIFE, LITTLE GIRL. THESE ARE REAL PEOPLE'S LIVES YOU'RE DEALING WITH, AND THERE ARE CONSEQUENCES. K.C.: BELIEVE ME, I KNOW. I AM AS MUCH OF A VICTIM IN THIS AS YOU ARE. CASS: WHAT ARE YOU TALKING ABOUT? K.C.: ANNIE. SHE CAME TO ME WITH THE STORY IN THE FIRST PLACE, I SWEAR TO YOU. CASS: WHY THE HELL WOULD SHE DO ANYTHING LIKE THAT? K.C.: WELL, I THINK IT MAY HAVE HAD SOMETHING TO DO WITH THIS. CASS: WHAT IS IT, A MUG SHOT? K.C.: IT'S A MUG SHOT OF FAX NEWMAN, THE MAN WHO MURDERED YOUR WIFE. CASS: GET THAT AWAY FROM ME. WHAT THE HELL ARE YOU TRYING TO DO, HUH? YOU WANT A REACTION? I SWEAR, IF YOU WEREN'T ETTA MAE'S DAUGHTER -- K.C.: MR. WINTHROP, JUST LOOK AT THE PICTURE, WILL YOU? THIS WAS TAKEN BEFORE NEWMAN WENT ON HIS RAMPAGE THROUGH BAY CITY. IT WAS WHILE THE COPS WERE WALKING THE PERP FOR THE PRESS. NOW, LOOK AT THE WOMAN TRYING TO SHIELD HIM FROM THE CAMERAS -- CASS: FRANKIE? K.C.: NO. IT WAS HIS LAWYER. THE LAWYER THAT GOT HIM OFF ON A TECHNICALITY SO THAT HE COULD COME TO BAY CITY AND START HIS KILLING RAMPAGE ALL OVER AGAIN. CASS: SO -- K.C.: THE LAWYER WAS ANNE O'DONNELL. SINGER: WHEN I'M WITH YOU YOU TAKE ME AWAY TO ANOTHER WORLD >> CELEBRATING 35 YEARS OF TELEVISION EXCELLENCE. CASS: SO ANNE O'DONNELL WAS THE DEFENSE ATTORNEY FOR THE MAN WHO WENT ON TO MURDER MY WIFE? K.C.: I AM SO SORRY. I JUST FIGURED YOU NEEDED TO KNOW. ANNE: ALL DONE. YOU READY TO GO? MAYBE WE CAN GET CHARLIE SOME TAKEOUT. CHARLIE: NO, NOT YET. WHY DON'T YOU SIT DOWN FOR A MINUTE. ANNE: YOU STILL THINKING ABOUT US? CASS: OH, YES. YES, ABOUT WHAT YOU JUST SAID -- YOU KNOW, OUR WHOLE RELATIONSHIP SEEMS SO "DESTINED" -- IS THAT THE WORD YOU USED? ANNE: MM-HMM. CASS: WELL, I WAS THINKING THAT MAYBE "PLANNED" HITS CLOSER TO THE MARK. ANNE: YOU LOST ME. CASS: MAYBE THIS WILL REFRESH YOUR MEMORY. CASS: WHY? HUH? HOW COULD YOU DO THIS TO ME AND CHARLIE? THAT SWEET LITTLE GIRL IS CRAZY ABOUT YOU. YOU LIED TO HER. YOU LIED TO ALL OF US. ANNE: I CAN EXPLAIN EVERYTHING. CASS: THE HELL YOU CAN! ANNE: YOU'RE RIGHT. YOU'RE RIGHT. BUT YOU NEED TO KNOW THAT I NEVER MEANT TO HURT ANYONE. CASS: NOT HURT ANYONE? HONEY, YOU WENT ABOVE AND BEYOND. YOU TURNED OUR WORLD UPSIDE DOWN. EVERYTHING YOU'VE DONE, EVERYTHING YOU'VE SAID HAS BEEN A CALCULATED LIE. YOU JUST SAT HERE AND TRIED TO CONVINCE ME THAT FRANKIE, THE WOMAN I LOVED MORE THAN LIFE ITSELF, WAS TRYING TO SHOW US A SIGN, TRYING TO BRING US TOGETHER. WELL, I WAS CONFUSED, HONEY, BUT I SEE IT ALL NOW. IT'S CRYSTAL CLEAR TO ME NOW. YOU DEFENDED THE MAN WHO WENT ON TO MURDER THE BEST THING THAT EVER HAPPENED TO ME. ANNE: I NEVER MEANT FOR ANY OF THIS TO HAPPEN. I WAS ONLY TRYING TO HELP. CASS: HELP? HOW? ANNE: I WAS DOING MY JOB. I DEFENDED HIM BECAUSE IT WAS MY JOB. I SPENT DAYS, WEEKS WITH THAT MAN, FORMULATING HIS DEFENSE. I WAS DIFFERENT BACK THEN. ALL I CARED ABOUT WAS WINNING. HE WAS WATCHING ME. PEOPLE SAID THAT HE WAS OBSESSING ABOUT ME, AND I IGNORED IT. HE WAS JUST ANOTHER CASE FOR ME TO WIN. CASS: SO YOU DEFENDED HIM SUCCESSFULLY AND FORGOT ALL ABOUT HIM? ANNE: UNTIL A FEW MONTHS LATER WHEN A CLERK IN MY OFFICE TOLD ME THAT NEWMAN HAD STARTED KILLING AGAIN. SHE DROPPED A NEWSPAPER ON MY DESK, AND WHEN I FINALLY GOT AROUND TO READING IT, I READ ABOUT FRANKIE AND ALL THE OTHER VICTIMS AND THE LIVES THAT HE HAD DESTROYED, AND I REALIZED WHAT I HAD ALLOWED TO OCCUR. AND -- AND MY LIFE CHANGED. I DIDN'T WANT TO BE A PART OF A SYSTEM THAT I COULD WORK SO EASILY, SO I QUIT. ALL I EVER WANTED TO DO WAS GOOD, AND I COULD NEVER DO ANY GOOD. I WAS SO GOOD AT MY JOB, AND I COULDN'T DO ANY GOOD. BUT FRANKIE -- GOOD IS ALL SHE EVER DID. THIS KIND, GENTLE WOMAN WITH A HEART OF GOLD, WHO HAD A FAMILY WHO LOVED HER AND NEEDED HER -- SHE WAS GONE. AND ALL I EVER WANTED TO DO WAS MAKE IT UP TO HER. AND TO YOU. CASS: BY TAKING HER PLACE? BY TRYING TO BE FRANKIE? LET ME GIVE YOU LESSON NUMBER ONE ABOUT MARY FRANCES FRAME. NEVER IN A MILLION YEARS WOULD SHE PLAY GOD WITH OTHER PEOPLE'S LIVES. LILA: I'VE DONE IT AGAIN, HAVEN'T I? I'VE HURT YOU. I DID IT AGAIN. MATT: LISTEN, I'M DISAPPOINTED, BUT I'M NOT HURT. LILA: ARE YOU SURE? MATT: I KNOW YOU DON'T WANT TO HURT ME. I KNOW YOU WANT JASMINE AND ME TO BE HAPPY. LILA: I DO, MATTHEW. I DO, MORE THAN ANYTHING. MATT: I KNOW, I KNOW, I KNOW. I JUST -- I JUST THINK WE SHOULDN'T SETTLE FOR ANYTHING LESS THAN EVERYTHING. WE'RE TALKING ABOUT LOVE HERE, RIGHT? LILA: WHO IN THEIR RIGHT MIND WOULD CHOOSE CASS WINTHROP OVER YOU? MATT: I DON'T KNOW. YOU KNOW, I'M NOT QUESTIONING YOUR JUDGMENT. IT'S LOVE. LOVE DOES CRAZY THINGS TO YOU AND MAKES YOU DO CRAZY THINGS. THAT'S WHY IT'S LOVE. LILA: MAYBE YOU'RE RIGHT. MATT: LISTEN, EVERYONE -- EVERYONE WANTS WHAT YOU AND CASS HAVE -- THE SPARKS, THE ROMANCE, EVEN THE STUPID FIGHTS. YOU TWO -- YOU TWO BELONG TOGETHER. YOU KNOW, SOMEONE ONCE TOLD ME THAT YOU GET THE LOVE YOU DESERVE WHEN YOU'RE READY. I THINK YOU'RE READY. AND AFTER ALL THOSE NICE THINGS YOU SAID ABOUT ME, I THINK THAT -- I THINK I DESERVE THAT, TOO. LILA: YOU ARE SOME PACKAGE, MR. CORY, YOU KNOW THAT? YOU ARE SOME PACKAGE. MATT: YEAH, WELL, I'LL ALWAYS BE YOUR FRIEND, MRS. CORY. LILA: AM I -- AM I CRAZY FOR WANTING HIM? AM I? MATT: YOUR SECRET'S SAFE WITH ME. NOW, COME ON, GET DRESSED. WITH OUR LUCK, HE'LL BURST THROUGH THE DOOR ANY MINUTE. WHAT? LILA: JUST MY LUCK. MATT: WHAT? LILA: YOU KNOW, IT'S JUST MY LUCK. MATT: WHAT IS IT? IT'S OK. WHAT'S WRONG? LILA: HE'S GONE, MATTHEW. MATT: NO. LILA: HE'S GONE. I LOST HIM. LOST -- I'VE LOST EVERYTHING. CARL: WHO WERE THOSE PEOPLE WHO WERE HERE EARLIER? FOR SOME REASON, I DIDN'T WANT THEM TO SEE ME. RACHEL: THAT WAS THE WEDDING FOR MY DAUGHTER, AMANDA. CARL: AMANDA? Amanda. RACHEL: AND HER HUSBAND, CAMERON, AND OUR GRANDDAUGHTER, ALLI, AND MY SON, MATTHEW -- CARL: MATT. MATT. MATTHEW. GO ON, SAY MORE. SAY NAMES, PLACES, ANYTHING. RACHEL: BAY CITY. CORY PUBLISHING. FELICIA. VICKY AND JAKE. GRANT. LORETTA. MAC? CARL: MACKENZIE -- MACKENZIE CORY. YOU WERE MARRIED TO HIM. RACHEL: YES, I WAS. CARL: IT'S ALL A JUMBLE OF IMPRESSIONS AND FEELINGS. COME ON, KEEP GOING. RACHEL: DO YOU REMEMBER WHERE WE LIVE? CARL: I REMEMBER A STUDIO. YOU'RE AN ARTIST. YOU SCULPT AND YOU PAINT. AND YOU'RE GOOD. I'M RIGHT, AREN'T I? RACHEL: YES. YOU'RE MY BEST FAN. CARL: MAY I TOUCH YOU? RACHEL: YES. PAULINA: SOME FRESH AIR, A COOL BREEZE. HOW YOU FEELING? VICKY: WRUNG OUT. PAULINA: MM-HMM. VICKY: NAUSEATED. SOMETHING. PAULINA: FORGETFUL? VICKY: WHAT DID I FORGET? PAULINA: SEE? YOU ALREADY FORGOT WHAT YOU FORGOT. VICKY: RIGHT. PAULINA: SO, WHEN ARE YOU DUE? VICKY: LOOK, I HAVEN'T BEEN TO THE DOCTOR. I HAVEN'T TAKEN ONE OF THOSE TESTS. I -- PAULINA: MM-HMM, MM-HMM. VICKY: BUT HOW DOES A PISCES BABY SOUND? PAULINA: WITH YOURS AND JAKE'S D.N.A.? FASTEN YOUR SEAT BELTS. JAKE AND VICKY HAVING A BABY. OH, MY GOD, I CAN'T WAIT TO MEET THIS KID! VICKY: MY FEELING IS SHE'S EITHER GOING TO BE PRESIDENT OR ON THE 10 MOST WANTED LIST. PAULINA: "SHE," HUH? WELL, WHATEVER PATH SHE CHOOSES, SHE WILL DEFINITELY BE UNFORGETTABLE. WITH YOU AS HER MOTHER, JAKE AS HER FATHER. OH, MY GOD, JAKE McKINNON A FATHER. OH, MY GOD, THIS IS SO EXCITING! VICKY: WE'RE HAVING A BABY. PAULINA: OH. I HOPE IT'S A LITTLE GIRL, TOO. TAKE IT FROM ME, THEY'RE LOTS EASIER. VICKY: NO, NO, NO. WAIT, WAIT. JAKE -- YOU CAN'T SAY ANYTHING TO HIM, ALL RIGHT? YOU HAVE TO PROMISE ME YOU WON'T SAY -- PAULINA: SAY ANYTHING ABOUT WHAT? COME HERE, YOU. JOE, WE'RE LEAVING. COME ON. JOE: LEAVING? PAULINA: YES. JOE: WHAT DO YOU MEAN, WE'RE LEAVING? PAULINA: YES, I -- JOE: WHERE WE GOING? PAULINA: YOU'RE TAKING ME OUT TO DINNER. JOE: WHAT ARE YOU TALKING ABOUT? THE PIZZA JUST GOT HERE. VICKY: WHOA, WHOA, WHOA. HOLD ON, HOLD ON, HOLD ON. THAT DOES NOT -- THAT DOES NOT LOOK LIKE PEPPERONI AND PEPPERS. JAKE: NO, HONEY, IT'S NOT. THEY MADE A MISTAKE. WE'LL JUST PULL THE ANCHOVIES OFF, OK? PAULINA: COME ON, CARLINO. JOE: WHAT? WHAT'D I DO? PAULINA: CALL ME TOMORROW. I WANT TO HEAR ALL THE DETAILS, OK? VICKY: HMM. PAULINA: GOOD NIGHT. THANKS FOR EVERYTHING. COME ON. JOE: PAULINA, BUT YOU JUST -- GIVE ME THAT. PAULINA: COME ON! JOE: GIVE ME THAT. PAULINA: JOE, LET'S GO. LET'S GO, LET'S GO, LET'S GO. JOE: WHERE ARE WE GOING AND WHAT IS THE RUSH? PAULINA: I WANT YOU ALL TO MYSELF, OK? VICKY: THANKS. SORRY. BYE. JAKE: OK. I KNOW I DID SOMETHING. I'VE KNOWN YOU LONG ENOUGH TO KNOW THAT. LISTEN, I WILL GET ON MY HANDS AND KNEES AND I WILL APOLOGIZE UNTIL I AM BLUE IN THE FACE, BUT YOU GOT TO AT LEAST TELL ME WHAT I DID WRONG BECAUSE THIS IS KILLING ME, HONEY. VICKY: YOU DID SOMETHING VERY, VERY RIGHT. ANNE: I DON'T BLAME YOU FOR HATING ME. CASS: I DON'T HATE YOU, ANNE. I THINK I UNDERSTAND. ONE OF THE MANY LESSONS THAT I LEARNED WITH FRANKIE WAS THAT IF YOU FORCE SOMETHING, IF YOU TRY TO CHANGE ITS DESTINY SOMEHOW FOR YOUR OWN PERSONAL GAIN, YOU DESTROY IT. PEOPLE GET HURT -- LIKE CHARLIE, LIKE LILA, ME. WE DIDN'T NEED FIXING. WE DIDN'T NEED YOUR KIND OF HELP. THE FACT IS WE WERE AT A POINT WHERE WE WERE PRETTY DAMN WELL HAPPY. AND NOW -- ANNE: I'M SO SORRY. CAN YOU EVER FORGIVE ME? CASS: DEAR GOD, CAN YOU EVER FORGIVE YOURSELF, ANNE? NO, I DON'T HATE YOU. I JUST FEEL SAD. I JUST FEEL REAL SAD. I HAVE TO GO. ANNE: TO LILA? CASS: WHAT FOR? SHE DOESN'T WANT TO SEE ME ANYMORE. IT'S OVER. LILA: IT'S OVER. IT'S OVER. I'VE LOST EVERYTHING. I'VE LOST CASS AND I'VE LOST YOU AND I'VE LOST THE CHANCE THAT I HAD WITH YOUR FAMILY AND -- MATT: LILA, YOU HAVEN'T LOST EVERYTHING. LILA: YES, I HAVE. MATT: NO, YOU HAVEN'T. LILA: DON'T SAY THAT. DON'T JUST -- DON'T TRY TO BE NICE TO ME, MATTHEW. MATT: LISTEN, YOU'RE ALWAYS GOING TO BE PART OF THE CORY FAMILY, OK? LILA: YEAH, RIGHT. RIGHT. OF COURSE. RIGHT, BECAUSE OF JASMINE. THAT'S RIGHT. MATT: NO. BECAUSE OF YOU. BECAUSE OF YOU AND EVERYTHING WE'VE BEEN THROUGH. LILA: YOU'RE SWEET TO SAY THAT TO ME, MATT. REALLY YOU ARE, BUT -- MATT: BUT -- LILA: I'M ALONE. YOU KNOW, IT'S NOT YOUR FAULT OR ANYTHING. IT ISN'T. BUT THERE IT IS, I'M ALONE. MATT: WHAT ARE YOU TALK-- YOU ARE NOT ALONE, LILA. LILA: YOU KNOW, MAYBE I'LL EVEN LIKE BEING ALONE. YOU KNOW, I'LL GET USED TO IT SOMEDAY. YOU KNOW, I WILL. I'LL GET USED TO IT. BUT I WAS CLOSE, YOU KNOW? I WAS THIS CLOSE. MATT: OK. ALL RIGHT. CALL HIM. LILA: I CAN'T. HE'S WITH ANNE. MATT: HE DOESN'T WANT TO BE WITH HER. LILA: EVEN IF HE DOESN'T, IT'S OVER. IT REALLY IS OVER. MATT: THERE YOU GO. YOU SLEEP. I'M GOING TO CRASH IN JASMINE'S ROOM TONIGHT. THIS IS NOT LIKE YOU, GIVING UP SO EASY. WELL, MAYBE EVEN LILA NEEDS A GUARDIAN ANGEL EVERY NOW AND THEN. [WIND CHIMES RING] FRANKIE: CASS? CASS: NO. NO, THIS ISN'T HAPPENING. FRANKIE: OH, HONEY, WAKE UP. CASS: I AM NOT DREAMING ABOUT THE WOMAN WHO WRECKED MY LIFE. NO. FRANKIE: YOU'RE RIGHT, YOU'RE NOT. IT'S ME. YOU KNOW, IF YOU CAN'T TELL THE DIFFERENCE BETWEEN YOUR FAVORITE WIFE AND THE LADY LAWYER, THEN YOU REALLY ARE IN FAR WORSE SHAPE THAN I THOUGHT. CASS: FRANKIE. OH, MY GOD. FRANKIE: HI, BABY. CASS: HEY, BABY. FRANKIE: YOU MISS ME? CASS: OH, LIKE YOU WOULDN'T BELIEVE. FRANKIE: NOW, YOU CAN PINCH YOURSELF BECAUSE THIS ISN'T A DREAM. BUT I NEED YOU TO HEAR ME BECAUSE THIS IS IMPORTANT. YOU ARE A FOOL IF YOU GIVE UP ON LILA NOW. CASS: BUT ANNE MADE ME START THINKING ABOUT YOU ALL OVER AGAIN. FRANKIE: YOU COULDN'T SEE ANNE FOR WHAT SHE IS, AND LILA COULD. THAT'S ALL. YEAH, LILA SAW. FOR AS BIZARRE AS SHE CAN BE SOMETIMES, I HAVE TO HAND IT TO HER. SHE KNOWS THE DIFFERENCE BETWEEN WHAT'S GLITTERY AND WHAT'S REAL. AND SHE'S THE REAL THING, HONEY. SHE'S GENUINE. SHE LOVES YOU. AND YOU ARE A COMPLETE AND UTTER FOOL IF YOU GIVE UP ON HER NOW. CASS: SHE'S NOT GOING TO WANT TO SEE ME AGAIN AFTER WHAT I SAID. FRANKIE: OH, GIVE ME A BREAK. YOU TWO ADORE EACH OTHER. AND SINCE WHEN DO YOU TAKE NO FOR AN ANSWER? YOU TWO LOVE EACH OTHER. AND LOVE -- REAL LOVE -- IT'S RARE AND IT'S PRECIOUS AND YOU WALK THROUGH FIRE IF YOU HAVE TO TO KEEP IT. I WANT CHARLIE TO KNOW WHAT'S IMPORTANT TO HER PARENTS. AND THAT'S NOT PRIDE. IT'S NOT MONEY. IT'S WHAT YOU AND LILA HAVE, WHAT WE HAD. YOU KNOW THIS, BABY. CASS: BUT WHEN I SAW ANNE, I THOUGHT IT WAS YOU. FRANKIE: HONEY, ANNE LOOKS LIKE ME, BUT SHE IS NOT ME. ALTHOUGH I DO LIKE HER HAIRCUT. CASS: I MISS YOU SO MUCH. FRANKIE: OH, BABY, I KNOW IT. HOW I KNOW IT. BUT I NEED YOU TO HEAR THIS, OK, BECAUSE THIS IS IMPORTANT. LOVING LILA, LOVING LIFE -- IT DOESN'T MEAN THAT YOU'VE FORGOTTEN ME. I KNOW THAT YOU'LL ALWAYS LOVE ME. AND YOU HAVE TO KNOW THAT I WILL ALWAYS LOVE YOU. AND YOU'LL LOVE LILA AND YOUR LIFE TOGETHER. AND IT'S GOING TO BE SO MUCH FUN TO WATCH. JAKE: YOU MEAN THAT YOU'VE BEEN -- YOU'VE BEEN SICK AND TIRED AND CRANKY LATELY BECAUSE OF A -- VICKY: BABY. A BABY. OUR BABY. JAKE: THESE TWO KIDS FROM LASSITER WHO HAD NOTHING BUT EACH OTHER -- VICKY: ARE GOING TO FINALLY HAVE IT ALL BECAUSE -- BECAUSE WE'RE HAVING A BABY TOGETHER. LIVE HAPPILY EVER AFTER AND -- ARE YOU HAPPY? JAKE: I AM SO FAR PAST HAPPY. I MEAN, I -- I -- I'M GOING TO -- I'M GOING TO BE SOMEBODY'S FATHER. VICKY: YEAH. YEAH. YEAH, YOU'D BETTER GET READY, DADDY. JAKE: "DADDY." VICKY: BECAUSE IT'S JUST GETTING BETTER FROM HERE. BETTER AND BETTER. JAKE: I LOVE YOU. VICKY: I LOVE YOU. I LOVE YOU. >> TOMORROW ON "ANOTHER WORLD" -- ANNE: HE DOESN'T WANT ME AROUND, SO I'M NOT GOING TO BE. CHARLIE: IF YOU'RE LEAVING, THEN I'M GOING WITH YOU. CASS: CHARLIE'S MISSING. [CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.]