[CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] LILA: OH. MATT, LISTEN, WE REALLY NEED TO TALK. MATT: LATER, OK? PLEASE. LILA: WELL, YOU'VE BEEN SAYING THAT ALL DAY, AND -- THIS IS IMPORTANT. [TELEPHONE RINGS] LILA: HELLO? CASS: HI, IT'S ME. LILA: CASS. HI. CASS: HI. LILA: OH, IT'S SO GOOD TO HEAR YOUR VOICE. I'VE BEEN THINKING ABOUT YOU ALL DAY. CASS: I'VE BEEN DYING TO TALK TO YOU, BUT I'VE BEEN STUCK HERE IN THIS DEPOSITION. SO WHAT'S GOING ON? HAVE YOU AND MATT HAD A CHANCE TO TALK THINGS OUT YET? LILA: WELL, NO. I CAN'T GET HIM TO STAND STILL LONG ENOUGH TO HAVE A CONVERSATION. CASS: WELL, I DON'T GET IT. AFTER HE TOOK THAT FALL YESTERDAY, HE SAID THAT HE FELT LIKE HIS OLD SELF AGAIN, BEFORE STARK LUMINIZED HIM. LILA: HE'S STILL SAYING HE FEELS THAT WAY, BUT WHENEVER I TRY TO TALK TO HIM ABOUT IT, HE JUST MAKES UP SOME EXCUSE. CASS: WELL, THAT'S STRANGE. I FIGURED ONCE THE SPELL BROKE THAT HE'D WANT OUT OF THE MARRIAGE AS SOON AS POSSIBLE. LILA: I KNOW. ME, TOO. CASS, I CAN'T STAND IT ANYMORE. I NEED TO SEE YOU. CASS: OK, I KNOW THE PERFECT PLACE. IT'S DOWN BY THE DOCKS, 61 AUSTIN DRIVE. LILA: WELL, THAT'S THE TACKIEST PART OF TOWN. CASS: EXACTLY. NO ONE WE KNOW WOULD BE CAUGHT DEAD IN A JOINT LIKE THE PARADISE LOUNGE. [MUSIC PLAYS] SINGER: TO THE OTHER SIDE OF TOWN OTHER SIDE OF TOWN MARGARET: YOU'VE BEEN WORKING ON THAT PAINTING FOR DAYS. DO YOU REALLY THINK IT'S WORTH IT? JORDAN: I'VE GOT TO FIND OUT WHAT'S BENEATH THE TOP. MARGARET: WELL, IF THERE IS ANYTHING BENEATH IT, DO YOU REALLY THINK THAT THERE IS -- JORDAN: THERE'S GOT TO BE! WOMAN'S VOICE: TOUT EST POSSIBLE. JORDAN: MY GOD! MARGARET: WHAT IS IT? WHAT HAPPENED? JORDAN: JUST -- JUST NOW. I SENSED HER. MARGARET: WHO? JORDAN: AMALIE, AS IF HER SPIRIT WAS FREED FROM THE PAINTING, URGING ME ON. MARGARET: ARE YOU SURE? JORDAN: I'M TELLING YOU, I HEARD HER VOICE! AS IF -- AS IF SHE WAS TELLING ME NOT TO GIVE UP AND THAT I WAS ON THE RIGHT TRACK. AMANDA: OH, NO, NO, NO. I'VE GOT TO FORGET. I'VE GOT TO FORGET HIM. [DOOR CLOSES] AMANDA: ALLI. WHAT ARE YOU DOING HERE? CAMERON: I HAD TO COME BACK JUST ONE LAST TIME TO SEE IF MAYBE YOU COULD FIND IT IN YOUR HEART TO GIVE ME -- GIVE US ONE LAST CHANCE. AMANDA: CAMERON, I'M SORRY, BUT IT'S OVER. CAMERON: IS THAT WHAT YOU WANT? TO FORGET EVERYTHING WE HAD, EVERYTHING THAT COULD BE? AMANDA: THAT'S THE WAY IT HAS TO BE. CAMERON: THAT'S NOT WHAT I ASKED YOU. I ASKED YOU WHAT YOU WANTED. AMANDA: IT DOESN'T MATTER WHAT I WANT! TOO MUCH HAS HAPPENED. THERE'S TOO MANY THINGS THAT HAVE CHANGED. CAMERON: AMANDA, LISTEN TO ME. I DID SOMETHING TERRIBLE, AND I WISH I COULD TAKE IT BACK, BUT I CAN'T. BUT I BELIEVE IN MY HEART THAT THIS LOVE THAT WE HAVE BETWEEN US, IT'S STRONGER THAN ALL OF THIS. AMANDA: IT'S NOT THAT SIMPLE. CAMERON: IT IS TO ME. THE LOVE THAT WE HAVE TOGETHER, IT CAN GET US PAST ANYTHING, EVEN THIS. I BELIEVE THAT, AND I REALLY THINK THAT YOU BELIEVE THAT, TOO. AMANDA: PLEASE. GO NOW. CAMERON: NO. NOT TILL YOU LOOK ME IN THE FACE AND YOU TELL ME IT'S OVER. AMANDA: I CAN'T DO THIS! I WON'T. CAMERON: AMANDA, LISTEN TO ME. AMANDA: I ALREADY LISTENED TO YOU, AND WHAT HAPPENED? I GOT SUCKED RIGHT IN. CAMERON: SUCKED IN? AMANDA, YOU GOT TO BELIEVE ME. EVERYTHING THAT I JUST SAID RIGHT NOW, IT WASN'T SOME KIND OF SNOW JOB. EVERY WORD OF IT WAS TRUE. IT'S JUST THAT SOMETIMES WORDS, THEY'RE NOT ENOUGH, SO I -- I KISSED YOU. BUT I THOUGHT -- IT LOOKED LIKE YOU WANTED ME TO. I'M SORRY. I WAS WRONG. AMANDA: NO, YOU WEREN'T. YOU WEREN'T WRONG. I WANTED YOU TO KISS ME. CAMERON: YOU DID? AMANDA: CAMERON, I -- I STILL LOVE YOU, AS MUCH AS YOU LOVE ME, AS MUCH AS I EVER DID. CAMERON: IF THAT'S TRUE, THEN THERE'S STILL A CHANCE FOR US. AMANDA: NO, THERE ISN'T! CAMERON: WHY NOT, IF I LOVE YOU AND YOU LOVE ME? AMANDA: BECAUSE SOMETIMES LOVE ISN'T ENOUGH. CAMERON: IT CAN BE WHEN IT'S STRONG ENOUGH. AMANDA: THAT SOUNDS REALLY GOOD, BUT IT'S NOT TRUE. LOVE ISN'T GOING TO MAKE JOSIE DISAPPEAR. IT'S NOT GOING TO CHANGE THE FACT THAT SHE IS HAVING YOUR BABY. AND MAYBE THERE'S PLENTY OF WOMEN THAT ARE OUT THERE THAT CAN HANDLE THAT SITUATION, BUT I TOLD YOU THE NIGHT THAT JASMINE WAS BORN, I AM NOT ONE OF THEM. NO MATTER HOW MUCH I WANT TO, I CAN'T GO ON ACTING AS IF NOTHING HAS HAPPENED. CAMERON: I'M NOT ASKING YOU TO. AMANDA: MAYBE -- MAYBE IF THERE WAS SOME WAY THAT I COULD LIVE WITH THE FACT THAT THERE'S ANOTHER WOMAN THAT'S HAVING YOUR CHILD, IT DOESN'T -- IT DOESN'T ADD UP TO ENOUGH BECAUSE I COULD NEVER FORGET HOW YOU LIED TO ME, OVER AND OVER AGAIN. CAMERON: AMANDA, I TOLD YOU -- AMANDA: CAMERON, LISTEN. OK, PLEASE? IF YOU LOVE ME AS MUCH AS YOU SAY YOU DO -- CAMERON: I DO. AMANDA: DON'T TALK TO ME ABOUT THE PAST, ABOUT WHAT WE HAD, ABOUT WHAT WE COULD'VE HAD. JUST LET ME FORGET, OK? JUST LET ME GO! CAMERON: COME ON, PLEASE. ALLI: NO, DON'T. CAMERON: ALLI, GET OUT OF MY WAY. ALLI: WHY? SO YOU CAN GO AFTER MY MOTHER AND MAKE HER EVEN MORE MISERABLE? NO. YOU'VE HURT HER ENOUGH. I'M NOT GOING TO LET YOU HURT HER AGAIN. SERGEI: I WANT TO ALWAYS BE WITH YOU 'CAUSE I NEED YOU RIGHT HERE BY MY SIDE FELICIA: VERY BEAUTIFUL. SERGEI: THAT LITTLE NOTHING? THAT WAS JUST HEATING UP. FELICIA: WARMING UP. SERGEI: OH. MAYBE WARMING UP FOR THE AMATEURS, BUT SERGEI RADZINSKY IS NOT SATISFIED UNTIL HE IS HOT. FELICIA: WELL, I HOPE YOU'RE PIPING HOT TONIGHT. I'VE GOT SOMEONE VERY SPECIAL GOING TO BE IN THE AUDIENCE -- JONATHAN SARNOFF KLEIN. SERGEI: WHO IS THIS? NEW BOYFRIEND? FELICIA: NO. GOD, NO. IT'S ONE OF THE TOP AGENTS IN THE MUSICAL FIELD. SERGEI: AND HE'S COMING HERE? WHY? FELICIA: WELL, I HAPPENED TO RUN INTO HIM AT A LITTLE AWARDS DINNER LAST YEAR, AND WELL, I HEARD HE WAS COMING TO CHICAGO, SO I PICKED UP THE PHONE, I CALLED HIM. I ASKED HIM TO COME AND SEE YOU. SERGEI: OH, FELICIA, HOW CAN I THANK YOU? HOW CAN I THANK YOU? FELICIA: YEAH, WELL, YOU CAN LET ME BREATHE AGAIN, PLEASE. SERGEI: OH, SERIOUSLY, YOU HAVE DONE SO MUCH FOR ME. FELICIA: WELL, NOW, THIS IS WHAT I NEED YOU TO DO FOR ME. I NEED YOU TO HAVE NOTHING GO WRONG TONIGHT, OK? CAN YOU DO THAT? SERGEI: NO, I WILL PERFORM WITHOUT FLAW. FELICIA: WELL, I'M NOT WORRIED ABOUT YOUR PERFORMING. I'M WORRIED ABOUT AFTER THE PERFORMANCE. YOU KNOW, WHEN YOU ACTUALLY MEET MR. KLEIN. SERGEI: DON'T WORRY. I WILL BE MYSELF. FELICIA: WELL, THAT IS WHAT I'M WORRIED ABOUT. YOU SEE, TOP AGENTS LIKE JONATHAN -- WELL, THEY DON'T REALLY HAVE ANY PATIENCE FOR TEMPERAMENTAL ARTISTS. YOU UNDERSTAND? SERGEI: OH, NO, FELICIA. WHAT TEMPERAMENTAL, ME? THIS NONSENSE. KLUTZ! KLUTZ! NINCOMPOOP! CAN YOU BELIEVE THE NOISE IN THIS PLACE? FELICIA: IT'S ALL RIGHT. YES, WELL, HE JUST DROPPED A FEW PLATES. SERGEI: YEAH, BUT PLATES. BEFORE IT WAS THE CASH REGISTER -- KA-CHING, KA-CHING. AND THAT MACHINE WITH THE -- WHAT CAN YOU BELIEVE MAKES SO MUCH NOISE FOR THE COFFEE? FELICIA: I THINK THAT'S FOR ESPRESSO. SERGEI: YEAH, BUT IT'S CRIME TO MAKE ARTIST WORK -- ETTA MAE: IS HE AT IT AGAIN? FELICIA: YEAH, I THINK IT'S THE NOISE THAT'S DISTRACTING HIM. ETTA MAE: BREATHING DISTRACTS HIM. FELICIA: I KNOW. ETTA MAE: I MEAN, HE HAS BEEN THROWING A TANTRUM EVERY TIME SOMEBODY SAYS "BOO." SERGEI: YOU KNOW, DON'T YOU THINK THAT I CAN CONTROL MYSELF? FELICIA: IN A WORD, NYET. SERGEI: WELL, YOU ARE WRONG AND I WILL PROVE IT. FELICIA: HOW? HOW ARE YOU GOING TO PROVE THAT? SERGEI: I'M GOING TO PLAY MY ENTIRE SET FOR YOU NOW AND YOU WILL PLEASE MAKE ALL THE NOISE THAT YOU CAN. I CAN TAKE IT. ETTA MAE: OH, THIS SOUNDS LIKE A LESSON IN FUTILITY. FELICIA: YEAH. SERGEI: WHAT DOES SHE MEAN? FELICIA: SHE MEANS YOU WON'T LAST FIVE MINUTES. SERGEI: WELL, YOU WILL PLEASE GIVE ME CHANCE TO SHOW THAT I CAN MAKE CONTROL FOR MYSELF. PLEASE, GO AHEAD, MAKE THE NOISE. MAKE THE COUGHING, THE WHISTLING, THE GRIND OF THE TEETH. YOU WILL SEE THAT SERGEI RADZINSKY CAN TAKE IT. FELICIA: WHAT DO YOU THINK? SHOULD WE DO THIS? ETTA MAE: WHY NOT? FELICIA: ALL RIGHT. ETTA MAE: YEAH. FELICIA: YOU'RE ON, BUT UNDERSTAND, WE ARE GOING TO BE A VERY TOUGH AUDIENCE. ETTA MAE: THAT'S RIGHT. SERGEI: THE TOUGHER, THE BETTER. FELICIA: GOOD. SERGEI: YOU WILL SEE NO MATTER WHAT YOU DO, I WILL BE THE PICTURE OF SERENITY. ETTA MAE: REALLY? SERGEI: I BEGIN. FELICIA: DID I TELL YOU THE JOKE ABOUT THE DUCK? ETTA MAE: THE DUCK? FELICIA: YEAH, THE PURPLE DUCK WITH NO FEATHERS AND IT FLOPPED AROUND. YOU REMEMBER THAT PURPLE DUCK. ETTA MAE: YEAH! FELICIA: OH! YOU KNOW THAT JOKE! ETTA MAE: I KNOW. AND HE DIDN'T WADDLE? FELICIA: NO. HE HOPPED, LIKE A BUNNY RABBIT. WELL, RUSSKIE, HOW YOU DOING? THINK HE CAN HEAR US? ETTA MAE: I DON'T THINK SO! FELICIA: I DON'T THINK HE CAN HEAR US. HE'S KIND OF CUTE. WHAT DO YOU THINK? OH. OH, LOOK. ETTA MAE: HI! SERGEI: 'CAUSE I NEED YOU RIGHT HERE BY MY SIDE ETTA MAE: ABOUT THIS DUCK -- FELICIA: WELL, I'M INTERESTED THAT YOU KNOW THIS. BARTENDER: THE LAST TIME WE TALKED, YOU WEREN'T SURE HOW LONG YOU WERE GOING TO STICK AROUND BAY CITY. MADE ANY DECISIONS? FRANKIE: WELL, ACTUALLY, I'M LOOKING FOR A PLACE TO RENT. BARTENDER: THAT SOUNDS SERIOUS AND PERMANENT. FRANKIE: COULD BE. SAVE MY SEAT. CASS: HEY. BARTENDER: WHAT'LL YOU HAVE? CASS: SCOTCH AND SODA. NO -- TWO CHAMPAGNE COCKTAILS. BARTENDER: I HATE TO BREAK IT TO YOU, PAL, BUT YOU'RE ALONE. CASS: YOU'RE WRONG, PAL. I HAPPEN TO BE WITH THE SEXIEST WOMAN IN TOWN. BARTENDER: I DON'T SEE HER. OH. NOW, I DO. CASS: SEE WHAT I MEAN? LILA: I LIKE THE WAY YOU SAY HELLO. CASS: SIT DOWN. I WAS STARTING TO WORRY THAT YOU COULDN'T FIND THE PLACE. LILA: I KNOW. IT IS A LITTLE OUT OF THE WAY, BUT I'D GO TO THE ENDS OF THE EARTH TO BE WITH YOU, COUNSELOR. CASS: I COULD BARELY SLEEP LAST NIGHT. I JUST WANTED YOU WITH ME SO BADLY. LILA: OH, CASS. I DREAMT ABOUT YOU. CASS: YEAH? YOU WANT TO TELL ME ABOUT IT? LILA: NOT IN PUBLIC. CASS: WE MUST'VE HAD THE SAME DREAM. LILA: OH, JUST TO BE CLOSE TO YOU AGAIN. CASS: YOU KNOW WHAT? LILA: WHAT? CASS: I WANT TO BE CLOSER TO YOU, TOO, BUT SOMEWHERE A LITTLE MORE ROMANTIC. THIS PLACE IS LIKE A NUCLEAR DUMP. LILA: YOU KNOW WHAT? CASS: WHAT? LILA: I DON'T CARE BECAUSE ALL THOSE PEOPLE THAT ARE TRYING TO KEEP US APART, THEY'RE NOT HERE. IT'S JUST YOU AND ME AND US BEING HAPPY. LILA: OH, CASS, I DON'T WANT THIS TO END, YOU KNOW. I DON'T WANT TO GO BACK TO THAT HOUSE AND JUST LIVE UNTIL THE NEXT MOMENT I GET TO BE WITH YOU. CASS: NOW AREN'T YOU SORRY THAT YOU WORKED SO HARD TO GET INTO THAT HOUSE? LILA: OH, DON'T YOU DARE SPOIL THIS MOMENT WITH "I TOLD YOU SO'S." CASS: I KNOW HOW YOU CAN GET OUT OF THAT HOUSE. LILA: I KNOW -- YOU WANT ME TO CONFRONT MATT. CASS: YES, BUT NOT ALONE. WE'LL DO IT TOGETHER. WE'LL LAY IT ON THE LINE. WE'LL TELL HIM THAT IT'S -- IT'S CRAZY FOR HIM TO HOLD ON TO A WIFE WHO'S IN LOVE WITH ANOTHER MAN. LILA: WE ALREADY DID THAT, CASS. CASS: YES, BUT IT'S DIFFERENT NOW. IF THAT BUMP ON THE HEAD DID REALLY DELUMINIZE MATT, THEN WE HAVE A GOOD CHANCE OF GETTING THROUGH TO HIM THIS TIME. HE'S ALWAYS BEEN A DECENT GUY. LILA: YOU'RE RIGHT. CASS: YEAH. I'LL GET THE CHECK AND THEN WE'LL GO OVER TOGETHER AND WE'LL TALK TO HIM RIGHT NOW. LILA: I HAVE TO DO THAT ALONE. CASS: YOU DON'T HAVE TO DO THIS BY YOURSELF. LILA: YES, I DO. AS YOU POINTED OUT, I'M THE ONE THAT GOT MYSELF IN THIS MESS BY SCHEMING AND CONNIVING TO GET MATTHEW MARRY TO ME, SO I GOT TO OWN UP TO WHAT I DID. I CAN'T HIDE BEHIND YOU OR ANYBODY ELSE, CASS. CASS: IF YOU NEED ME -- LILA: I'LL CALL. WISH ME LUCK. CASS: LUCK. I'LL BE WAITING FOR YOU RIGHT HERE. YOU SURE YOU WANT TO DO THIS? BARTENDER: YOU GOING TO MEET THE LANDLORD? FRANKIE: YEAH. THANKS FOR THE TIP. CASS: FRANKIE? FRANKIE? CAMERON: ALLI, I KNOW WHAT YOU THINK OF ME. AND IN A WAY, I DON'T BLAME YOU. BUT YOU GOT TO BELIEVE ME -- I LOVE YOUR MOM. AND AS FOR HATING YOU, I DON'T. ALLI: WHY NOT? CAMERON: BECAUSE YOU'RE SO MUCH LIKE HER. DON'T WORRY, I'M NOT GOING TO HURT HER OR YOU. I WON'T LET MYSELF. I'M NOT EVEN GOING TO GIVE MYSELF THE CHANCE. ALLI: WHAT IS THAT SUPPOSED TO MEAN? CAMERON: DO ME A FAVOR -- TAKE CARE OF YOUR MOM FOR ME. JORDAN: AMANDA? AMANDA: DAVID? JORDAN: I -- I HOPE I'M NOT DISTURBING YOU. AMANDA: NO. NO. NOBODY KNOWS I'M HERE. HOW DID YOU FIND ME? JORDAN: I'M NOT SURE. I WAS TOLD YOU WERE ON THE GROUNDS SOMEPLACE, AND I STARTED LOOKING AROUND AND SOMETHING DREW ME HERE. I DON'T KNOW WHAT. AMANDA: IF YOU CAME TO TALK ABOUT "BRAVA," THIS REALLY ISN'T A VERY GOOD TIME. JORDAN: NO. ACTUALLY, I CAME TO SEE HOW YOU WERE DOING. AMANDA: I'M FINE. JORDAN: YEAH. BUT HERE YOU ARE, ALL ALONE, IN A VERY REMOTE PART OF THE GARDEN. AMANDA: OH. OH, I COME HERE ALL THE TIME. ACTUALLY, I'M THE ONLY THAT COMES HERE. JORDAN: WHY? AMANDA: OH, I DON'T KNOW. THIS IS -- IT'S KIND OF A SPECIAL PLACE FOR ME EVER SINCE I WAS A LITTLE GIRL. JORDAN: AS A CHILD, YOU CHOSE THIS AS YOUR -- YOUR SPECIAL PLACE? AMANDA: IT KIND OF CHOSE ME. JORDAN: I'M NOT -- NOT SURE I FOLLOW YOU. AMANDA: YOU SEE THIS WALL? IT LOOKS LIKE JUST AN ORDINARY WALL WITH VINES AND IVY, RIGHT? JORDAN: GARDEN VARIETY WALL, SO TO SPEAK. AMANDA: WELL, THERE'S A HIDDEN DOOR IN THERE AND IT LEADS TO A SECRET PLACE. JORDAN: Why secret? AMANDA: I DON'T KNOW. THE DOOR'S BEEN LOCKED AND I'VE NEVER SEEN WHAT WAS ON THE OTHER SIDE. JORDAN: THERE MUST BE A KEY SOMEWHERE. AMANDA: I DON'T KNOW. I HAVEN'T FOUND IT YET. I'M NOT SUPPOSED TO. JORDAN: I'M AFRAID I DON'T UNDERSTAND. AMANDA: WHEN I WAS A KID, I CAME RUNNING OUT HERE AND I WAS UPSET ABOUT SOMETHING. ANYWAY, I -- I FOUND THIS DOOR AND I JUST THOUGHT IT WAS SO COOL AND SO MYSTERIOUS THAT -- OF COURSE, I FORGOT ABOUT WHATEVER IT WAS UPSETTING ME AND I JUST SO WANTED TO KNOW WHAT WAS ON THE OTHER SIDE OF THIS DOOR. BUT MY NANNY SAID NO. SHE SAID THAT I HAD TO WAIT UNTIL I WAS OLDER, UNTIL THE TIME WAS RIGHT. JORDAN: WHAT DO YOU SUPPOSE SHE MEANT BY THAT? AMANDA: I HAVE NO IDEA. I HAVE NO IDEA. BUT -- YOU KNOW WHAT IT'S LIKE TO SAY THAT TO A KID. OF COURSE, WHATEVER YOU CAN'T HAVE, YOU WANT ALL THE MORE. JORDAN: YEAH. WELL, WE NEVER OUTGROW THAT, DO WE? AMANDA: NO. NO, I GUESS NOT. SO, ANYWAY, I TRIED SNEAKING IN AND IT WAS ALWAYS LOCKED, SO I FINALLY JUST GAVE UP TRYING. JORDAN: YOU GAVE UP TRYING? AMANDA: I STILL CAME HERE -- YOU KNOW, WHENEVER I'M UPSET. I JUST KIND OF FIGURED THAT MY NANNY WAS RIGHT, THAT -- THAT THEY'LL HAPPEN WHEN IT'S MEANT TO HAPPEN, WHEN EVERYTHING IN MY LIFE IS RIGHT. JORDAN: AMANDA, WHAT'S -- AMANDA: NOTHING'S GOING TO BE RIGHT IN MY LIFE EVER, NOT NOW. JORDAN: DID YOU SEE CAMERON AGAIN? AMANDA: YES. HE CAME BY AND HE WANTED ANOTHER CHANCE. JORDAN: WHAT'D YOU SAY? AMANDA: NO, THERE'S NO HOPE. JORDAN: DID YOU MEAN THAT? AMANDA: YES, I MEANT IT. I JUST NEVER THOUGHT IT WOULD FEEL LIKE THIS, LIKE PART OF ME IS DYING. JORDAN: AMANDA, I KNOW IT'S HARD TO BELIEVE RIGHT NOW, BUT YOU'RE GOING TO GET OVER THIS. YOU'RE GOING TO FALL IN LOVE AGAIN. AND WHEN YOU DO, IT'LL BE WITH A MAN WHO WON'T BREAK YOUR HEART THE WAY CAMERON DID, A MAN WHO WILL LOVE YOU THE WAY YOU DESERVE TO BE LOVED. AMANDA: NO, NO, I AM NOT GOING TO GO THROUGH THIS AGAIN. I JUST WANT SOMEBODY THAT I CAN TRUST. I WANT -- I WANT SOMEBODY TO BE MY FRIEND. JORDAN: I'M YOUR FRIEND, AMANDA. IF YOU CAN TRUST ANYONE, IT'S ME. MATT: THAT PROVES IT. I WAS HYPNOTIZED BY STARK. THAT'S -- THAT'S WHY I MARRIED LILA. AND THAT TOUCH ON THE SHOULDER, THAT -- THAT REINFORCED IT. THAT'S -- THAT MADE ME WANT HER EVEN MORE, AND THEN WHEN I FELL AND HIT MY HEAD, THAT BROKE THE SUGGESTION. NOW I'M FREE. I'M FREE! DADDY'S FREE. OH, YEAH! OH! OH, I SAW A SMILE. WELL, WE HAVE SOMETHING TO SMILE ABOUT, DON'T WE? OH, MY LITTLE GIRL. I LOVE YOU. WHOO-HOO! LILA: HEY. MATT: WHAT? LILA: WHAT IS IT WE'RE CELEBRATING, HUH? MATT: UH -- MY RETURN, I GUESS. LILA: HOW DO YOU MEAN? MATT: I KNOW EVERYTHING, LILA -- HOW STARK HYPNOTIZED ME, MADE ME MARRY YOU, STAY MARRIED TO YOU. LILA: YOU BELIEVE IT NOW? MATT: YEAH. WHEN I HIT MY HEAD, THAT -- THAT ENDED IT. I'M FREE. LILA: OH. WELL, WHAT HAPPENED? I MEAN, WHY? WHY DO YOU BELIEVE IT NOW? MATT: WELL, I WAS READING SOME OF THOSE HYPNOSIS BOOK, BUT IT'S -- IT'S THE WAY I FEEL. I MEAN, I HAVEN'T -- I HAVEN'T FELT THIS GOOD AND THIS CLEARHEADED IN A LONG, LONG TIME. LILA: OH. MATTHEW, THAT'S WONDERFUL. MATT: I'M MY OWN MAN. I CAN MAKE MY OWN DECISIONS, RIGHT? LILA: WELL -- WELL, IF THAT'S TRUE -- MATT: YEAH. LILA: WELL, THEN THERE'S SOMETHING THAT I NEED YOU TO DO FOR ME, SOMETHING THAT I KNOW THE OLD MATT CORY WOULD HAVE DONE WITHOUT HESITATION. MATT: WHAT? ANYTHING. NAME IT. LILA: WELL, I MEAN, NOW THAT YOU HAVE YOUR FREEDOM, I WANT YOU TO GIVE ME MINE. I WANT YOU TO END THIS MARRIAGE. JORDAN: AMANDA, I HOPE YOU DON'T THINK I'M OVERSTEPPING MY BOUNDS WHEN I SAY -- AMANDA: WHAT? JORDAN: IF YOU THINK IT'S GOING TO BE EASY GETTING OVER CAMERON, YOU'RE WRONG. AMANDA: I KNOW THAT. IF YOU HAD TO -- TO GET OVER SOMEBODY, WHAT DID YOU DO? JORDAN: I'D LET MYSELF GO. I THINK -- I THINK YOU NEED TO LET YOURSELF GO. PUT YOURSELF IN A GOOD PLACE -- SOMEWHERE PEACEFUL, BEYOND PAIN. AMANDA: BEYOND PAIN? JORDAN: TOUT EST POSSIBLE. CAMERON: AMANDA -- AMANDA: WHAT ARE YOU DOING HERE? WE SAID EVERYTHING WE HAD TO SAY. CAMERON: MAYBE YOU DID, BUT YOU RAN OUT BEFORE I WAS DONE. THERE'S SOMETHING I NEED TO SAY TO YOU, ALONE. AMANDA: DAVID IS MY FRIEND. ANYTHING THAT YOU WANT TO SAY TO ME YOU CAN SAY IN FRONT OF HIM. CAMERON: OK. IF THAT'S THE WAY YOU WANT IT. AMANDA: IT IS. CAMERON: FINE. I'VE BEEN THINKING ABOUT WHAT YOU SAID BEFORE. AND IT MADE ME REALIZE THAT IF I HANG AROUND HERE, I'M ONLY GOING TO END UP HURTING YOU AGAIN. SO I'M GOING TO MAKE SURE THAT THAT DOESN'T HAPPEN. AMANDA: WHAT ARE YOU TALKING ABOUT? WHAT ARE YOU GOING TO DO? CAMERON: SOMETHING I'VE BEEN THINKING ABOUT SINCE YOU SAID IT WAS OVER. I'LL BE LEAVING TOWN FOR GOOD. LILA: MATT, YOU KNOW THAT I'M IN LOVE WITH CASS. MATT: LILA -- LILA: LOOK, YOU KNOW I DIDN'T PLAN IT THIS WAY. I MEAN, WHO WOULD PLAN TO FALL IN LOVE WITH CASS WINTHROP? MATT: I DON'T KNOW. LILA: BUT I DID. AND I AM. AND I HAVE TO BE WITH THE MAN I LOVE. AND LISTEN -- NOW THAT THIS SPELL THAT JORDAN STARK HAD OVER YOU IS GONE AND YOU'RE BACK TO YOUR OLD SELF, I KNOW THAT YOU'LL DO THE RIGHT THING AND LET ME GO. BECAUSE THE MATT CORY THAT I USED TO KNOW, THE WONDERFUL FRIEND, THE WONDERFUL MAN, THAT'S WHAT HE WOULD DO. MATT: LISTEN, I -- I KNOW WHAT YOU'RE SAYING. LILA: DO YOU, MATT? MATT: YEAH, I UNDERSTAND WHAT YOU WANT. BUT WHAT YOU'RE ASKING ME TO DO -- LILA: IS THE RIGHT THING FOR BOTH OF US. MATT: IT DOESN'T FEEL RIGHT. WE BROUGHT JASMINE INTO THIS WORLD. I MEAN, IN THAT ELEVATOR, HER LITTLE LIFE IN OUR HANDS. I MEAN -- THE FEELING I HAD WHEN I FIRST SAW HER, WHEN I FIRST HELD HER, I'VE NEVER FELT LIKE THAT BEFORE IN MY LIFE. LILA: I KNOW. I KNOW. I FELT IT, TOO. MATT: WHEN SHE WAS TAKEN AWAY FROM US, THE ONLY REASON WHY WE GOT THROUGH THAT WAS BECAUSE WE WERE TOGETHER. LILA: WE HAVE TO HAVE MORE THAN JUST HARD TIMES. MATT: WELL, WE'VE HAD GOOD TIMES. BATHING HER TOGETHER AND TAKING TURNS WALKING HER AT NIGHT, WATCHING HER SMILE FOR THE FIRST TIME. YOU KNOW, WE -- WE MAY HAVE NOT STARTED OUT AS A NORMAL FAMILY, BUT I THINK WE BECAME ONE. YOU'RE JUST TALKING ABOUT ENDING IT. LILA: IT'S THE RIGHT THING TO DO. MATT: YOU KEEP SAYING THAT. IT DOESN'T FEEL -- NO, WAIT. THE ONLY THING I CAN THINK ABOUT IS HOW HARD IT'S GOING TO BE. I GUESS IT DIDN'T HIT ME UNTIL RIGHT NOW. YOU KNOW, HOW MUCH IT ALL MEANS TO ME, EVERYTHING THAT WE HAVE. I'M NOT JUST TALKING ABOUT JASMINE -- ALL OF US. I CARE ABOUT YOU, TOO, LILA. AMANDA: YOU'RE LEAVING BAY CITY? CAMERON: YEAH. I THINK IT'S BEST FOR EVERYONE, ESPECIALLY YOU. COULD YOU GIVE US A MINUTE? JORDAN: I'M SORRY, BUT THAT'S UP TO AMANDA. AMANDA: NO, DAVID, IT'S OK. YOU CAN STAY. JORDAN: YOU SURE? AMANDA: CAMERON HAS SAID WHAT HE NEEDED TO SAY. AND NOW WHAT I NEED TO SAY IS GOOD-BYE. CAMERON: AMANDA -- AMANDA: I CAN'T BELIEVE I JUST DID THAT. I CAN'T BELIEVE I JUST SENT HIM AWAY LIKE THAT. HOW CAN I BE SO COLD? JORDAN: AMANDA, YOU HAD NO CHOICE. IF YOU HAD LET YOUR GUARD DOWN, IT MIGHT HAVE GIVEN HIM FALSE HOPE AND HE MIGHT HAVE FOUND AN EXCUSE TO STAY IN TOWN. AND AFTER THE WAY YOU TALKED TO HIM, HE'LL GO. AND HE WAS RIGHT -- IT'S THE BEST THING. AMANDA: THEN WHY DOES IT HURT SO MUCH? JORDAN: AMANDA, I KNOW HOW MUCH IT HURTS, BUT YOU DON'T HAVE TO GO THROUGH THIS ALONE. PLEASE, LET ME HELP YOU. AMANDA: DAVID, YOU'RE SWEET. BUT THERE ISN'T ANYTHING IN THE WORLD THAT CAN MAKE THIS GO AWAY. JORDAN: YOU TALKED ABOUT THE SECRET DOOR. TRY IMAGINING WHAT'S BEHIND IT. AMANDA: WHAT'S THE POINT? HE'S GONE. I CAN'T RUN AWAY FROM THAT. JORDAN: I'M NOT SUGGESTING YOU RUN AWAY, JUST THAT YOU USE THE POWER OF YOUR IMAGINATION -- AMANDA: NO. NO, I'M TIRED OF FANTASIES. I'M TIRED OF STUPID DREAMS THAT DON'T COME TRUE. I WANT SOMETHING THAT I CAN TOUCH. I WANT SOMETHING REAL, NOT -- NOT -- TOUT EST POSSIBLE. JORDAN: WHAT WAS THAT? WHAT DID YOU SAY? AMANDA: WHAT, DID I SAY SOMETHING? JORDAN: YES. YOU SAID, "TOUT EST POSSIBLE." EVERYTHING IS POSSIBLE. AMANDA: WHY WOULD I SAY THAT? JORDAN: MAYBE IF YOU GO BACK TO WHERE YOU WERE IN YOUR MIND WHEN YOU SAID IT, IT'LL COME BACK TO YOU. AMANDA: WHAT DOES IT MATTER? NOTHING MATTERS ANYMORE. JORDAN: BUT IF I CAN HELP -- AMANDA: DAVID, I REALIZE YOU'RE TRYING TO BE A FRIEND, AND I APPRECIATE THAT, BUT IF YOU REALLY WANT TO BE A FRIEND TO ME, CAN'T YOU JUST LEAVE ME ALONE RIGHT NOW? JORDAN: ARE YOU SURE? AMANDA: YEAH. JORDAN: ALL RIGHT. THEN I'LL -- I'LL GO. BUT IF YOU NEED ME, ANYTIME, EVER, PLEASE -- PLEASE CALL ME. SERGEI: THANK YOU. THANK YOU VERY MUCH. THANK YOU. THANK YOU VERY MUCH. FELICIA: DIDN'T I TELL YOU HE WAS WONDERFUL? MAN: HE'S ALL THAT YOU PROMISED AND MORE. MR. RADZINSKY? SERGEI: MR. KLEIN, IT IS GREAT HONOR TO MEET YOU, SIR. FELICIA SPEAKS OF GREAT PRAISE WITH YOU. MR. KLEIN: SHE SPEAKS OF GREAT PRAISE WITH YOU, TOO, AND WITH GOOD REASON. YOU'RE QUITE A MUSICIAN. SERGEI: MR. KLEIN, THIS IS LIKE GOLD COMING FROM A MAN OF YOUR STATUE. FELICIA: UH, STATURE. WE'RE STILL WORKING ON THE ENGLISH PART. MR. KLEIN: I'M SIGNING HIM TO PLAY THE PIANO, NOT SPEAK ENGLISH. SERGEI: WHAT DO I HEAR? YOU ARE GOING TO MAKE CONTRACT FOR ME? MR. KLEIN: I'D BE A FOOL NOT TO. I WAS VERY IMPRESSED WITH YOUR TECHNIQUE. I ESPECIALLY ENJOYED THE WAY YOU INCORPORATED THE INFLUENCES OF OTHER SLAVIC MASTERS. SERGEI: WAIT -- SERGEI RADZINSKY IMITATE NO ONE. FELICIA: OH, NO, NO. NO, NO. SERGEI, HE'S PAYING YOU A COMPLIMENT. MR. KLEIN: DEFINITELY. YOU MUST ADMIT YOUR STYLE IS REMINISCENT OF YOUR FELLOW ODESSAN, SHOSTAKEPEL. SERGEI: SHOSTAKEPEL IS NO ODESSAN. MR. KLEIN: [RUSSIAN ACCENT] WELL, HE IS RUSSIAN. SERGEI: WELL, PERHAPS, BUT HE IS NO MUSICIAN. FELICIA: HOW ABOUT SOME MORE COFFEE? LET ME GET YOU SOME. MR. KLEIN: [NORMAL VOICE] SHOSTAKEPEL CERTAINLY IS A MUSICIAN, AND A VERY GOOD ONE. SERGEI: WHAT, PERHAPS YOU THINK HE IS MUSICIAN. I THINK HE IS FRAUD. HE KEEPS TEMPO LIKE CHICKEN. FELICIA: SERGEI -- SERGEI: HE POUNDS THE PIANO LIKE APE. YOU WOULD BE BETTER OFF TO SPIT ON ME THAN TO COMPARE ME TO THAT SWINE. MR. KLEIN: SIR, I'LL HAVE YOU KNOW THAT YAKOV SHOSTAKEPEL IS ONE OF MY FAVORITE ARTISTS. FELICIA: OH, IS HE? SERGEI: WELL, YOU KNOW WHAT? I AM VERY SAD FOR YOU. MR. KLEIN: AND AS A MATTER OF FACT, A DISTANT COUSIN. SERGEI: WELL, YOU KNOW WHAT? I HOPE HE'S VERY DISTANT. FELICIA: OH, HE'S A RELATIVE. MR. KLEIN: AND I HOPE FOR YOUR SAKE YOU FIND YOURSELF ANOTHER AGENT. FELICIA: JONATHAN, PLEASE DON'T -- [DOOR SLAMS] FELICIA: GO. WELL, YOU DO KNOW WHAT YOU JUST DID. SERGEI: I AM SORRY, FELICIA, BUT I CANNOT STAND IN SILENCE WHILE AN IGNORAMUS WITH AN EAR OF TIN INSULTS ME. OOH, I HAVE BLOWN IT. FELICIA: YOU HAVE BLOWN IT. SERGEI: I'M SO SORRY, AFTER I MAKE PROMISE FOR YOU. IDIOT. FELICIA: OH, IT'S ALL RIGHT. IT'S -- IT'S NOT REALLY THE END OF THE WORLD. SERGEI: NO, IT IS WORSE THAN END OF WORLD. AFTER YOU CLIMB LIMB FOR ME, I LET YOU DOWN. I LET MYSELF DOWN. FELICIA: NO, NO, IT'S ALL RIGHT. SERGEI: YOU WERE RIGHT FOR ME. I AM A MANIAC, A TYRANT. FELICIA: YOU'RE AN ARTIST. YOU'RE PASSIONATE AND EMOTIONAL AND -- AND CRAZY. IT'S YOUR NATURE. YOU CAN'T CHANGE YOUR NATURE. SERGEI: BUT I COULD TRY. THE NEXT TIME YOU BRING AGENT, I WILL BE SILENT LIKE MONK. I WILL BE PEACEFUL LIKE DOVE. I WILL PLAY THE HARP. FELICIA: THERE WON'T BE A NEXT TIME, I PROMISE YOU. SERGEI: WHY? FELICIA: BECAUSE, I MEAN, WHAT IS THE POINT? I MEAN, THIS TIME IT WAS SHOPAKOPAKIS. NEXT TIME IT'LL BE SOMETHING ELSE, I'M SURE OF IT. SERGEI: PLEASE, FELICIA, DON'T GIVE UP FOR ME. NO. I CANNOT ASK ANYTHING MORE FROM YOU BECAUSE YOU ALREADY GIVE ME THE WORLD. AND I AM SO GRATEFUL. FELICIA: SERGEI, WAIT. SERGEI: OH, PLEASE, I CAN -- FELICIA: NO, NO. "FELICIA"? WHAT -- WHAT IS THIS? SERGEI: THIS WAS MY NEWEST COMPOSITION, BUT YOU WERE NOT SUPPOSED TO SEE IT UNTIL I'M FINISHED, AND I DON'T KNOW WHEN THIS WILL BE. FELICIA: WHY -- ARE YOU NOW ANGRY AT ME? SERGEI: NO. IT'S JUST THAT LATELY I HAVE DIFFICULTY WITH THE COMPOSITION BECAUSE IT HAS TO BE POWERFUL, STRONG, FULL OF THE FIRE, YET, AT THE SAME TIME, DELICATE AND BEAUTIFUL, FULL OF EVERY FEMININE SENSITIVITY. OTHERWISE, IT COULD NEVER, EVER CAPTURE YOUR GREATNESS. FELICIA: OK. OK, OK. I -- I THINK I PROBABLY KNOW ANOTHER MUSICAL AGENT. I'LL CALL IN THE MORNING. SERGEI: FELICIA, PLEASE -- I CANNOT LET YOU DO THIS. FELICIA: I WANT TO DO THIS. SERGEI: FELICIA, I AM SO GRATEFUL FOR YOU. YOU WILL SEE, I WILL WORK SO HARD ON COMPOSITION. I WILL WORK HARD ON THE TEMPER. I WILL MAKE YOU PROUD. YOU WILL NOT REGRET THIS. FELICIA: OH, GOD, I KNOW. DON'T SAY IT. SOMEHOW, SOMEWAY, I'M REALLY GOING TO REGRET THIS. OH, SHUT UP. CASS: EXCUSE ME, I WAS HERE EARLIER -- BARTENDER: MR. CHAMPAGNE COCKTAIL, I REMEMBER. CASS: YEAH, WELL, DO YOU REMEMBER THE WOMAN WHO LEFT JUST BEFORE ME? SHORT AUBURN HAIR, REAL PRETTY FACE, I SORT OF RAN OUT AFTER HER? BARTENDER: I DON'T KNOW WHO YOU MEAN. CASS: OH, COME ON. SHE SAID GOOD-BYE TO YOU. YOU MUST KNOW WHO SHE IS OR -- BARTENDER: I'M TELLING YOU, I DON'T KNOW THE LADY. CASS: HEY, I'M A LAWYER. I KNOW WHEN SOMEBODY'S LYING. LOOK, I DON'T WANT TO HURT HER. I JUST HAVE TO KNOW WHO SHE IS. WHAT ARE YOU -- NO, NO. HEY. HEY! HEY! COME HERE. NO, NO, NO, YOU'RE NOT GETTING AWAY THIS TIME. NOT UNTIL I FIND OUT WHO YOU ARE AND WHY YOU'VE BEEN FOLLOWING ME AROUND. FRANKIE: FOLLOWING YOU? I DON'T KNOW WHAT YOU'RE TALKING ABOUT. CASS: OH, MY GOD. IT'S REALLY YOU. FRANKIE. MATT: YOU'RE RIGHT. YOU'RE RIGHT. YOU KNOW, IF I -- IF I REALLY CARE ABOUT YOU, I'LL LET YOU HAVE YOUR HAPPINESS AND LET YOU BE WITH CASS. LILA: MATT, DO YOU REALLY MEAN IT? MATT: YEAH. YEAH, I'LL -- AN ANNULMENT, DIVORCE, WHATEVER YOU WANT, WHATEVER MAKES YOU HAPPY. LILA: OH, GOD. YOU DON'T KNOW HOW MUCH THIS MEANS TO ME. MATT: THERE'S ONE CONDITION, THOUGH. I MEAN, JORDAN STARK'S STILL OUT THERE. HE'S KIDNAPPED JASMINE ONCE. I DON'T WANT HIM DOING IT AGAIN. LILA: OH, OF COURSE NOT. I MEAN, WE HAVE TO DO WHAT'S BEST FOR JASMINE, OF COURSE. MATT: SO YOU'LL KEEP LIVING IN THIS HOUSE, WHERE I KNOW JASMINE'S SAFE. JUST AT LEAST UNTIL WE FIGURE OUT HOW TO HANDLE STARK. LILA: OF COURSE. YEAH. AND AS LONG AS I CAN SEE CASS WHENEVER I WANT TO. MATT: SURE. I'M NOT GOING TO STAND IN YOUR WAY. CASS: YOU'RE FRANKIE. FRANKIE: WHY ARE YOU CALLING ME THAT? WHO ARE YOU TALKING TO? CASS: I'M CALLING YOU THAT BECAUSE THAT'S YOUR NAME. YOU'RE FRANKIE. FRANKIE: YOU'VE GOT ME MIXED UP WITH SOMEBODY ELSE. CASS: BUT THAT'S IMPOSSIBLE -- FRANKIE: I HAVE NEVER MET YOU BEFORE IN MY LIFE. AND AFTER THIS CHARMING INTRODUCTION, I HOPE WE NEVER MEET AGAIN. CASS: I'M -- I'M SORRY. I'M SORRY, I WAS WRONG. I -- YOU'RE NOT THE WOMAN I THOUGHT YOU WERE. I'M SORRY. JUST WAIT. WAIT. FRANKIE: DON'T START UP AGAIN. CASS: NO, NO, NO, NO. I -- I KNOW YOU'RE NOT FRANKIE, BUT THERE'S A REASON WHY YOU'RE HERE. FRANKIE: YEAH, TO GET A DRINK. NOW, WILL YOU LET ME GO IN? CASS: NOT UNTIL YOU TELL ME WHO YOU ARE AND WHAT YOU'RE REALLY UP TO. FRANKIE: I DON'T KNOW WHAT YOU'RE TALKING ABOUT. CASS: DON'T YOU? WHO SENT YOU HERE? JORDAN STARK. JORDAN: I WAS THIS CLOSE TO REACHING AMALIE. MARGARET: HOW? JORDAN: I FOUND AMANDA ON THE GROUNDS OF HER FAMILY'S ESTATE. SHE WAS VERY UPSET ABOUT CAMERON SINCLAIR, BUT SHE REACHED OUT TO ME. AND I MANAGED TO CALM HER DOWN. I PUT HER IN A RELAXED STATE, AND THEN -- WHEN SHE TOUCHED A GARDEN DOOR, IT HAD THE MOST AMAZING EFFECT ON HER. SHE SPOKE FRENCH -- MARGARET: WAIT, DID YOU SAY A GARDEN DOOR? JORDAN: YES, AN IVY-COVERED DOOR. MARGARET: THAT'S INCREDIBLE. JORDAN: WHY? MARGARET: WELL, I HOPE YOU DON'T MIND, BUT WHILE YOU WERE GONE, I TOOK THE LIBERTY OF WORKING ON THE PAINTING, AND -- TELL ME IF THIS LOOKS FAMILIAR. [CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]