[CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] VICKY: HEY, COME ON. TRY TO HAVE A LITTLE UNDERSTANDING FOR WHAT MARLEY'S GOING THROUGH, OK? STEVEN: SO YOU ADMIT SHE'S WEIRD. VICKY: HEY, I DON'T ADMIT TO ANYTHING. I ADMIT TO NOTHING! [TELEPHONE RINGS] VICKY: HELLO? MARLEY, CALM DOWN. WHAT IS IT? WHAT'S WRONG? MARLEY: NOTHING'S WRONG. IT'S JUST -- I NEED TO TALK TO JAKE. IS HE THERE? VICKY: NO. ISN'T HE AT YOUR HOUSE? MARLEY: HE WAS, BUT HE LEFT. HE SAID HE'D BE BACK IN ABOUT AN HOUR. VICKY: YOU KNOW, HE PROBABLY JUST STOPPED AT THE NEWSROOM OR SOMETHING. HE'LL BE THERE. MARLEY: I HAVE TO GO. DONNA SPILLED HER TEA AGAIN. VICKY: WELL, IS SHE ALL RIGHT? MARLEY: YEAH. YOU KNOW, SHE JUST KEEPS TRYING TO USE THAT HAND. I'LL CALL YOU. I'M SO -- SO GLAD YOU'RE BACK. I JUST -- I WAS VERY WORRIED ABOUT YOU. I KNOW RIDING HELPS YOU -- HELPS YOU SETTLE DOWN. I JUST -- IT WAS MY FAULT. I SHOULD NEVER HAVE SAID ANYTHING ABOUT VICTORIA. JAKE: JUST ANSWER ME ONE QUESTION, OK? THAT NIGHT -- AFTER THE RAPE, WHEN VICKY CAME TO SEE ME, DID YOU ASK HER NOT TO? DID YOU TELL HER THAT YOU WANTED HER TO STAY WITH YOU INSTEAD? DID SHE HAVE ANY IDEA -- ANY IDEA -- THAT YOU DIDN'T WANT HER TO LEAVE? YOU GOT TO ANSWER THIS BECAUSE IT'S VERY IMPORTANT TO ME. CASS: HEY, CAN'T YOU DRIVE ANY FASTER? GOD, I GOT TO GET TO RACHEL'S. FELICIA: WELL, I KNOW. THAT'S YOUR CUTE LITTLE WAY OF SAYING, "THANK YOU, FELICIA, FOR PICKING ME UP AT THE AIRPORT." CASS: GREAT. SHE EXPECTS ME TO BE POLITE AT A TIME LIKE THIS. FELICIA: WELL, ONE DOES HOPE, YOU KNOW WHAT I MEAN? ALL RIGHT, TELL ME WHAT REALLY HAPPENED. YOU WENT TO NEW YORK, AND YOU KEPT PASSING OUT. HONEY, YOUR MESSAGE DIDN'T MAKE A HELL OF A LOT OF SENSE, YOU KNOW. CASS: WHERE DID YOU CHANGE COSTUMES AT THAT PARTY? FELICIA: MY GOD, YOU'RE RIGHT. I WILL NEVER EAT GUACAMOLE AGAIN, I PROMISE. CASS: WHO SUGGESTED THE CHANGE? FELICIA: WHAT DIFFERENCE DOES THAT MAKE? CASS: DON'T YOU GET IT? FELICIA: NO. CASS: YOU LO TIME AT THAT PARTY. FELICIA: I HAVEN'T BLACKED OUT IN YEARS, AND YOU KNOW THAT, CASS. CASS: I LOST TIME IN NEW YORK CITY. EVERYTHING ABOUT THESE LUMINA TYPES STINKS HIGHER THAN LAST YEAR'S SUSHI, AND NOW LILA IS HEARING HER BABY CRY. FELICIA: LISTEN TO ME -- IT'S NOT LILA THAT I'M WORRIED ABOUT RIGHT NOW. I THINK YOU NEED TO CALM DOWN A LITTLE BIT. CASS: I DON'T -- I'M NOT GOING TO CALM DOWN. AND I'M NOT GOING TO GIVE UP UNTIL LILA HAS HER BABY BACK IN HER ARMS WHERE SHE BELONGS. HEY, STEP ON IT! PAULINA: I THINK THEY HAD A REAL GOOD TIME AT VICKY'S HALLOWEEN PARTY. MAYBE A LITTLE TOO MUCH CANDY. [ELIZABETH CRIES] RACHEL: AND A LITTLE OVERTIRED. HERE, CAN YOU TAKE -- AMANDA: FINE. PAULINA: I CAN HELP YOU OUT. AMANDA: YOU SURE? PAULINA: GOT HIM. COME ON. COME ON. RACHEL: EVERYBODY CRY. MATTHEW. HEY, HEY. NOT YOU, TOO? MATT: I CAN'T DEAL WITH THIS. RACHEL: YES, YOU CAN, AND YOU WILL. JUST HANG ON A LITTLE WHILE LONGER. MATT: BUT WHO WOULD DO THAT? HUH? WHO WOULD TAKE A NEW BABY AWAY FROM ITS MOTHER? LILA: TAKE ME TO LUMINA. MAYBE THEY CAN HELP ME FIND MY BABY. ZAK: I'LL DO WHATEVER I CAN TO HELP YOU, LILA. LET'S GO. LILA: OK. OK. NO. NO, NO, NO. WAIT, CASS -- CASS SAID HE WAS ON HIS WAY OVER HERE. I SHOULD WAIT. CASS THINKS LUMINA IS BEHIND THIS. I SHOULD WAIT. I SHOULD TELL MATT WHAT CASS SAID. ZAK: YOU HEARD YOUR BABY CRY, DIDN'T YOU? LILA: I THINK I DID. I MEAN, I COULD SWEAR THAT I DID. ZAK: THEN IT DOESN'T MATTER WHAT CASS SAYS. WHAT MATTERS IS THAT YOU NEED TO BE AROUND PEOPLE WHO CAN BELIEVE YOU, NOT SOME CYNIC WHO CAN'T BELIEVE. LILA: WHAT IF SHE'S CRYING FOR ME NOW? ZAK: THEN LET HER TELL YOU WHERE SHE IS -- JUST LIKE YOU TOLD HER HOW TO MOVE FROM THE BREECH POSITION. LILA: YOU THINK I SHOULD GO TO LUMINA. YOU THINK I SHOULD GO, DON'T YOU? ZAK: IT'S YOUR DECISION. BUT, YES, I DO. [KNOCK ON DOOR] MATT: LILA, YOU IN THERE? CAN I TALK TO YOU? MATT: LILA, OPEN UP. ZAK: MATT'S IN PAIN, TOO. BUT BE CAREFUL. ONLY YOU CAN HEAR JASMINE. DON'T LET HIM GET IN THE WAY. LILA: MATT LOVES THIS BABY, TOO. ZAK: I KNOW. JUST TRY TO FIND OUT IF HE BELIEVES YOU. [KNOCK ON DOOR] MATT: LILA, ARE YOU ALL RIGHT? LILA: OH, MATT. MATT: HEY. LILA: HEY. WHAT ARE YOU -- WHAT ARE YOU DOING UP HERE? YOU CAN'T TAKE CARE OF ME AND GO LOOK FOR THE BABY, CAN YOU? MATT: NO, NO, NO. BUT, LISTEN -- WHY DON'T YOU COME DOWNSTAIRS FOR A LITTLE WHILE, HUH? PAULINA AND AMANDA ARE HERE. SO IS DANTE AND THE TWINS. LILA: NO. I DON'T -- I DON'T WANT TO SEE ANYBODY ELSE'S BABIES RIGHT NOW. MATT: HEY, THIS ISN'T GOOD FOR YOU, EITHER, BEING UP HERE ALL ALONE. LILA: MATT, I HEARD JASMINE CRY. I DID. YOU BELIEVE ME, DON'T YOU? MATT: I THINK YOU NEED TO GET SOMETHING TO EAT, AND I THINK YOU SHOULD BE AROUND PEOPLE. LILA: YES. YOU'RE RIGHT. LET ME JUST SEE IF I CAN TAKE A NAP FIRST, OK? AND THEN I'LL COME DOWN. MATT: ALL RIGHT, IF YOU THINK YOU CAN. LILA: YEAH. MATT: OK. LILA: YEAH, I THINK I CAN. MATT -- YOU WOULD DO ANYTHING TO GET OUR BABY BACK, WOULDN'T YOU? MATT: YOU KNOW I WOULD. LILA: GOOD. GOOD. MATT: GET SOME REST, OK? LILA: SO WILL I. SO WILL I. MATT: LILA, I'LL BE DOWNSTAIRS. LILA: I'M OK. MATT: I WON'T LEAVE YOU. ZAK: YOU'RE DOING THE RIGHT THING. RACHEL: LILA NEEDS REST MORE THAN ANYTHING. MATT: MAYBE I SHOULD GO UP THERE AND SIT WITH HER. RACHEL: HONEY, LET HER SLEEP. PAULINA: YOU SURE CLAUDIA DOESN'T MIND WATCHING DANTE, TOO? AMANDA: ARE YOU KIDDING? HALLOWEEN IS HER FAVORITE HOLIDAY. PAULINA: OH. AMANDA: SHE'S A GLUTTON FOR PUNISHMENT, ANYWAY. SHE ACTUALLY IS PLANNING ON TEACHING THEM HOW TO DO CARMEL APPLES. PAULINA: OH, NO, NO. AMANDA: YES. HOW'S LILA? HOW'S LILA? MATT: RESTING, FINALLY. PAULINA: LISTEN, I JUST TALKED TO JOE, AND HE SAID THE WHOLE PRECINCT'S WORKING DOUBLE SHIFTS ON THEIR OWN TIME LOOKING FOR JASMINE. MATT: I KNOW. I SAW HIM TODAY. THANK HIM FOR ME. PAULINA: I WILL. LISTEN, WHY DON'T YOU HAVE SOMETHING TO EAT. YOU MUST BE STARVING. MATT: MAYBE I SHOULD BRING SOME OF THIS STUFF UP TO LILA. RACHEL: NO, HONEY. JUST LET HER ALONE. MATT: SHE IS ALONE. SHE'S UP THERE ALONE. AND I GOT YOU GUYS. LILA, THAT'S HOW SHE WANTS TO DEAL WITH THIS -- COMPLETELY ON HER OWN. RACHEL: SHE'S A LOT TOUGHER THAN I EVER THOUGHT SHE WOULD BE. MATT: IN THE ELEVATOR, YOU KNOW WHAT SHE SAID TO ME? JUST WHEN I THOUGHT I WAS GOING TO LOSE HER, SHE SAID THAT JASMINE WAS THE ONLY PERSON EVER TO LOVE HER BACK. PAULINA: I CAN UNDERSTAND THAT. RACHEL: WELL, YOU DON'T HAVE TO ANYMORE. MATT: SO TONIGHT, WHEN I SAW THOSE KIDS IN THOSE COSTUMES, I GOT IT. THOSE KIDS WILL ALWAYS BE WANTED, ALWAYS BE LOVED, LIKE I WAS. RACHEL: LIKE YOU ARE. MATT: YEAH, BUT LILA DIDN'T HAVE THAT. THAT IS WHY SHE WILL DO ANYTHING SHE HAS TO TO GIVE HER BABY A REAL FAMILY. I THOUGHT SHE WAS AFTER THE MONEY AND THE NAME. BUT NOW I UNDERSTAND. I WOULD GIVE ANYTHING, I WOULD PAY ANY PRICE TO HAVE JASMINE RUNNING AROUND HERE WITH A LITTLE PUMPKIN, DRESSED UP LIKE A GHOST. AMANDA: YOU'RE GOING TO GET HER BACK, MATT. SHE'S GOING TO BE HERE. SHE'S GOING TO BE RIGHT IN THIS ROOM WITH ALL OF US. PAULINA: AND WE'LL LOVE HER. WE ALREADY DO, MATT. RACHEL: BECAUSE SHE'S ALREADY OUR FAMILY. MATT: YOU KNOW, LILA SAYS SHE HEARS JASMINE CRYING. RACHEL: WELL, THAT'S NORMAL. THAT'S JUST STRESS. MATT: NO, YOU DON'T UNDERSTAND, MOM. SHE SAYS SHE HEARS HER CRYING. AMANDA: WHEN ALLI WAS KIDNAPPED, I COULD HAVE SWORN THAT I HEARD HER, TOO. SHE WAS TELLING ME TO FIND HER AND THAT SHE WAS SCARED. RACHEL: THAT GOT YOU THROUGH, RIGHT? AMANDA: THAT'S ONE OF THE REASONS I SURVIVED THE CAVE-IN. RACHEL: WELL, THAT'S WHAT LILA'S DOING. SHE'S JUST TRYING TO GET THROUGH. MATT: YOU DON'T THINK THAT THAT REALLY COULD BE? I MEAN, OUR REAL BABY REALLY CRYING? [TELEPHONE RINGS] RACHEL: HELLO. OH, HI, CASS. LISTEN, WE'RE TRYING TO KEEP THIS LINE OPEN. CASS, I -- MATT: GIVE IT TO ME. RACHEL: I CAN'T LET YOU TALK TO LILA. SHE'S ASLEEP. MATT: GIVE ME THE PHONE. RACHEL: I DON'T CARE WHAT'S GOING ON IN NEW YORK. I CAN'T LET YOU TALK TO LILA. MATT: HEY, CASS. HEY! LEAVE LILA ALONE. YOU'VE UPSET HER ENOUGH. FELICIA: NO. NO. CASS: FELICIA, COME ON. FELICIA: GIVE THIS TO ME. GIVE IT TO ME. UNTIL YOU MAKE SENSE, GIVE IT TO ME. CASS: I'M THE ONLY ONE WHO MAKES SENSE. FELICIA: ALL RIGHT, NOW, LET'S TALK ABOUT THIS, ALL RIGHT? NO ONE DENIES THAT WHAT LILA HAS GONE THROUGH IS ABSOLUTELY HORRIBLE. BUT, HONEY, YOU'RE TRYING TO MAKE CONNECTIONS BETWEEN RANDOM EVENTS. CASS: "RANDOM EVENTS"? FELICIA: YES. YOU'RE TRYING TO MAKE SOMETHING OUT OF NOTHING BECAUSE YOU WANT TO STAY CLOSE TO LILA. HONEY, WHY DON'T YOU JOIN ONE OF THOSE VOLUNTEER GROUPS. YOU COULD HELP FIND THIS BABY. CASS: YOU CALL ALL THIS NOTHING? DON'T YOU SEE A PATTERN? FELICIA: NO. CASS: YOU PULL SOME LITTLE MAGICAL SWITCHING TRICK WITH DONNA. FELICIA: I DID NOT. I CHANGED CLOTHES. DONNA WASN'T EVEN AT THE PARTY. I KEEP TELLING YOU THAT. CASS: IF TYRONE MONTGOMERY SAYS THAT HE BROUGHT DONNA TO THAT PARTY -- FELICIA: TYRONE DOESN'T EVEN REMEMBER WHAT HE DID. HE SAID THAT. CASS: AND THAT MEANS NOTHING TO YOU? A BABY DISAPPEARS IN AN ELEVATOR, AND THAT'S NOTHING? I DEMAND TO SEE JORDAN STARK AND GET THE RUNAROUND, AND THEN LATER HIS LIMO DRIVER SAYS STARK WANTS TO SEE ME AND I END UP PASSED OUT IN A NEW YORK CITY HOTEL ROOM WITH A MODERN-DAY MARIA OUSPENSKAYA -- FELICIA: MARIA WHO? CASS: OUSPENSKAYA. AND YOU CALL ALL OF THAT NOTHING? FELICIA: LOOK, IT'S JUST NOTHING THAT LILA NEEDS TO HEAR AS LONG AS THAT BABY IS STILL MISSING. I DON'T KNOW -- THAT THING ABOUT THE HOTEL -- THAT DOES SOUND A LITTLE LOOPY, DOESN'T IT? CASS: YEAH. LUMINA'S TRYING TO KEEP ME AWAY FROM LILA. FELICIA: YOU THINK THIS IS SOME SORT OF PLOT? CASS: IT COULD BE, YES. FELICIA: YOU DON'T THINK MATTHEW'S IN ON IT OR EVEN RACHEL? CASS: I DON'T KNOW. BUT I'VE GOT TO GET TO LILA. FELICIA: DRIVER? LISTEN, WHY DON'T YOU TAKE US BACK TO MY PLACE. CASS: FELICIA. FELICIA: I'M GOING TO GET YOU SOMETHING TO EAT. YOU'RE GOING TO EAT SOMETHING. YOU'RE GOING TO FEEL BETTER. CASS: DRIVER, TAKE ME TO THE CORY MANSION. LILA NEEDS ME. FELICIA: YOU SAID THAT MATTHEW WOULD NOT LET YOU TALK TO LILA, RIGHT? I HEARD YOU SAY THAT. CASS: I'M GOING TO SEE LILA. NOBODY'S GOING TO STOP ME. NOT EVEN YOU. JAKE: ANSWER ME, MARLEY. WHOSE IDEA WAS IT FOR VICKY TO SHOW UP IN THE COURTROOM? MARLEY: WHAT DIFFERENCE DOES THAT MAKE NOW? JAKE: YOU KNOW SOMETHING? WHY DON'T YOU JUST TELL ME. MARLEY: IT WAS A VERY TERRIBLE TIME FOR ME. IT WAS A TERRIBLE TIME FOR EVERYBODY. CAN WE JUST LET IT GO? JAKE: YOU MUST HAVE SOME IDEA BECAUSE YOU'RE STILL UPSET ABOUT IT. DID VICKY KNOW THAT YOU DIDN'T WANT HER TO LEAVE? SHE HAVE ANY IDEA THAT YOU DID NOT WANT HER TO GO? MARLEY: WE DIDN'T REALLY TALK ABOUT IT, ALL RIGHT? THAT'S WHAT I REMEMBER. SHE JUST -- SHE JUST LEFT. MARLEY: I THINK I'M GIVING YOU THE WRONG IMPRESSION. IT'S NOT LIKE SHE JUST WALKED OUT. JAKE: THEN WHY DON'T YOU TELL ME WHAT BOTHERED YOU SO MUCH THAT YOU'RE STILL THINKING ABOUT IT TO THIS DAY. MARLEY: IT'S NOT HER FAULT. I MEAN, SHE COULDN'T HAVE KNOWN HOW IT FELT -- THAT SHE WAS SO MAD AT YOU, THAT SHE WAS SO FURIOUS AT YOU -- JAKE: WHAT THE -- WHAT ARE YOU TELLING -- THAT SHE JUST LEFT YOU? MARLEY: PLEASE. PLEASE, JAKE. I WAS VERY LOST. I WAS VERY -- I WAS VERY CONFUSED. SOMEBODY HAD TO ACT. SOMEBODY HAD TO TAKE OVER. AND VICKY GOT ME THROUGH THAT TIME. IT'S JUST -- JAKE: WHAT? SHE DIDN'T LISTEN TO YOU? WHAT? MARLEY: IT'S ALL VERY BLACK AND WHITE FOR VICTORIA, AND IT SHOULD HAVE BEEN BLACK AND WHITE FOR ME. IT'S JUST NOBODY WILL EVER UNDERSTAND EXACTLY WHAT HAPPENED BETWEEN US. I'M NOT SURE I GOT A CHANCE TO ABSORB WHAT HAPPENED. JAKE: BECAUSE VICKY JUST TOOK OVER. MARLEY: AND THAT'S WHY WE LOVE HER. EVERYTHING IS DIFFERENT NOW -- EVERYTHING. I'M A STRANGER. I'M A STRANGER EVEN INSIDE MY OWN HEART. AND I'VE DONE THINGS -- I MEAN, IT'S LIKE A NEW PERSON HAS TAKEN OVER. IT'S JUST THAT BACK THEN -- JAKE: BACK THEN WHAT, MARLEY? MARLEY: BACK THEN, I DIDN'T WANT ANYONE TO KNOW. I'M NOT CONDONING WHAT YOU DID, BUT I -- I KNEW -- I KNEW THAT YOU WOULD NEVER DO IT AGAIN. JAKE: BUT I DID IT ONCE. AND IT'S A CRIME, SO I HAD TO PAY. MARLEY: YES. YES, BUT HOW AND ON WHOSE TIMETABLE? JAKE: YOU KNOW SOMETHING, MARLEY? I'M SURE THAT VICKY WAS TRYING TO HELP YOU AND THAT SHE THOUGHT THAT YOU COULDN'T DEAL WITH IT. NOW, MAYBE THAT WAS WRONG. BUT I DO KNOW ONE THING -- BACK THEN, AS YOU SAY, VICKY WOULD HAVE DONE ANYTHING FOR YOU. MARLEY: I KNOW THAT. I DO. I KNOW THAT. IT'S JUST -- JAKE: JUST WHAT? MARLEY: I'M NOT GOING TO SAY ANYTHING ELSE BECAUSE I'M GOING TO SAY SOMETHING THAT I'M GOING TO REGRET. JAKE: WHAT IS IT? MARLEY: NO. I -- I CAN'T. I'VE NEVER UNDERSTOOD YOU AND VICTORIA, NOT REALLY. JAKE: JUST -- MARLEY: I JUST -- JAKE: JUST SAY IT! MARLEY: WHY WAS SHE ABLE TO MARRY THE MAN THAT SHE WAS SO DETERMINED TO DESTROY? VICKY: ALL RIGHT, ALL RIGHT, ALL RIGHT. WHO WANTS CANDY? SWEETIE, GOT -- HOLD -- OOH, THEY'RE VICIOUS. VICIOUS. MAKE SURE EVERYBODY GETS IT. HOLD ON. EASY. EASY. MAKE SURE EVERYBODY GETS AS MUCH CANDY -- ETTA MAE: OH, THOSE KIDS ARE GOING TO BE FLYING TR2L CHRISTMAS. VICKY: YEAH, WELL, IT'S ALL RIGHT. THEIR MOMS ARE COMING TO PICK THEM UP IN A FEW MINUTES. ETTA MAE: HEY, THEN IT'S SOMEBODY ELSE'S PROBLEM, RIGHT? VICKY: YOU GOT THAT RIGHT. CANDY CORN? ETTA MAE: WHY NOT. SO, WHAT'S WRONG, VICKY? VICKY: NOTHING. ACTUALLY, I WANTED TO THANK YOU FOR COMING OVER AND HELPING ME HOST THIS SHINDIG. ETTA MAE: DON'T MENTION IT. TOO BAD JAKE COULDN'T BE HERE. VICKY: YEAH. SOMETHING CAME UP AT THE LAST MINUTE. ETTA MAE: HMM. MUST HAVE BEEN REALLY IMPORTANT FOR HIM TO MISS ALL THIS FUN. VICKY: DO I DARE ASK WHY? ETTA MAE: NO, NO, NO. NO, YOU DON'T. VICKY: ACTUALLY, I WONDER WHAT WOULD HAPPEN, YOU KNOW -- ETTA MAE: OH, YOU WANT TO TRY IT? YOU CLEAN UP THE MESS, AND I'LL CALL THE FIRE DEPARTMENT. VICKY: IT'S FUNNY -- HALLOWEEN'S OVER, AND MARLEY'S STILL WEARING A MASK. ETTA MAE: AH! I THOUGHT IT HAD SOMETHING TO DO WITH MARLEY. VICKY: WHAT DID? ETTA MAE: THAT LOOK ON YOUR FACE WHENEVER YOU THOUGHT SOMEBODY WASN'T LOOKING. VICKY: SHE'S IN A LOT OF PAIN, YOU KNOW, AND I JUST MISSED EVERY SIGN, EVERY CLUE. ETTA MAE: NOW, YOU KNOW THAT IS NOT TRUE. I MEAN, YOU HAVE DONE EVERYTHING UNDER THE SUN FOR MARLEY. AND THE MORE YOU DO -- VICKY: I KNOW. THE MORE I DO, THE MORE SHE NEEDS IT. ETTA MAE: WELL, THAT'S ONE WAY OF PUTTING IT. VICKY: LOOK, I'M NOT SAYING I FEEL GUILTY ABOUT IT. I JUST -- I JUST FEEL LIKE SOMETHING'S CHANGED. ETTA MAE: HONEY, SOMETHING HAS CHANGED. VICKY: NO, I MEAN SOMETHING REALLY BASIC. LIKE, YOU KNOW, A SHIFT IN THE EARTH OR THE SKY IS NOT WHERE IT USED TO BE. IT'S JUST EVER SINCE THE FIRE AND ALL MARLEY'S SCARRING, SHE'S JUST -- SHE'S CHANGED. ETTA MAE: HONEY, NOBODY COULD GO THROUGH WHAT SHE HAS WITHOUT CHANGING. VICKY: SHE WAS THE ONE PERSON I COULD ALWAYS DEPEND ON. I COULD ALWAYS TRUST HER, YOU KNOW? IT WAS LIKE MARLEY WAS MY COMPASS AND IF I KNEW WHERE SHE WAS I COULD ALWAYS FIGURE OUT WHERE I WAS. AND NOW I JUST FEEL LIKE SHE'S A STRANGER. YOU KNOW, I DON'T BELIEVE A WORD SHE SAYS. I JUST -- I CAN'T UNDERSTAND HER. AND I USED TO KNOW HER INSIDE OUT. ETTA MAE: BABY, NOBODY EVER KNOWS ANYONE INSIDE OUT. VICKY: YEAH, BUT WE DID. WE REALLY DID. I MEAN, WE LOOKED EXACTLY THE SAME. WE COULD SWITCH PLACES ANYTIME WE WANTED TO. IT WAS LIKE I WAS HER AND SHE WAS ME.@ GUESS THAT'S NOT GOING TO HAPPEN EVER AGAIN. ETTA MAE: IT SOUNDS LIKE YOU MISS IT. VICKY: MAYBE. I DON'T KNOW. I DON'T KNOW. I JUST -- I GUESS I'VE JUST NEVER FELT SO QUITE ON MY OWN. ETTA MAE: COME HERE. LET ME SHOW YOU SOMETHING. LOOK AT YOUR FAMILY. THINK ABOUT JAKE AND THE BOYS. YOU HAVE A LOT. VICKY: I KNOW. I KNOW I DO. I JUST -- I FEEL LIKE I'VE LOST SOMETHING, YOU KNOW, LIKE -- LIKE A PART OF ME IS GONE. AMANDA: MATT, IF YOU'RE NOT GOING TO EAT, MAYBE YOU WANT TO SLEEP FOR A LITTLE WHILE. MATT: COME ON, AMANDA, COULD YOU SLEEP WHEN ALLI WAS MISSING? RACHEL: THEN EAT. MATT: MAYBE I SHOULD SEE IF LILA'S SLEEPING. I'LL GO CHECK ON HER. RACHEL: NO, HONEY, JUST STAY HERE WITH US. MATT: YOU KNOW, THE FIRST 48 HOURS ARE THE MOST IMPORTANT IN A BABY'S LIFE. DID YOU KNOW THAT? RACHEL: YES. MATT: IF THEY DON'T SHARE THAT BONDING EXPERIENCE, THEY NEVER GET OVER IT. RACHEL: MAYBE IT WASN'T SUCH A GOOD IDEA THAT YOU READ ALL THOSE BABY BOOKS. MATT: THE FIRST FACE THAT A BABY SHOULD SEE IS ITS MOTHER'S. IF THEY DON'T SEE THAT IN THE FIRST DAY OR SO -- PAULINA: DON'T THINK LIKE THAT, OK? IT DOESN'T HELP. LOOK, DON'T MAKE YOURSELF CRAZY. THAT'S ALL I'M TRYING TO SAY. MATT: HOW COULD I TURN MY BACK ON MY OWN KID, EVEN FOR A SECOND? HOW COULD I LET SOMEBODY TAKE HER AWAY? WHAT KIND OF FATHER DOES THAT MAKE ME? I'LL NEVER FORGIVE MYSELF FOR LEAVING HER IN THAT ELEVATOR. LILA: I SHOULD GO TO HIM. ZAK: WHAT YOU'RE ABOUT TO DO IS GOING TO HELP MATT MORE THAN ANYTHING IN THE WORLD. LILA: ALL RIGHT, LET'S GO. MARLEY: COME ON. COME ON, DONNA, WHY WON'T YOU TAKE ANYTHING FROM ME? COME ON. YOU KNOW, IT'S NOT VALERIAN ROOT. AT LEAST I DON'T THINK SO. I HAVE SOME GOOD NEWS. YOU WANT TO HEAR IT? COME ON. I'M MAKING PROGRESS WITH JAKE. HE'S GOING TO SEE THAT WHAT WE HAD NEVER DIED. HE'S REALIZING, JUST LIKE I REALIZED, THAT VICTORIA TRIED TO KILL EVERYTHING THAT WAS BETWEEN THE TWO OF US. SHE DID. DONNA -- DONNA, PLEASE DON'T BE LIKE THAT. ALL RIGHT, NO ONE -- NO ONE LOVES VICTORIA THE WAY THAT I DO. IT'S JUST THAT I UNDERSTAND HER. EVERYTHING SHE DOES EVENTUALLY SERVES HERSELF. JAKE DOESN'T KNOW THAT YET, BUT AS SOON AS HE KNOWS IT, HE'S GOING TO COME BACK TO ME. AND I DIDN'T EVEN HAVE TO LIE TO GET HIM -- NOT LIKE VICTORIA LIES OR LIKE YOU LIE. YOU -- YOU AND VICTORIA ARE REALLY VERY MUCH ALIKE. YOU WILL DO ANYTHING TO GET EXACTLY WHAT YOU WANT. YOU WILL LIE TO ANY PERSON. YOU'LL MANIPULATE EVERY SITUATION, EVEN NOW. I GUESS YOU JUST -- YOU JUST CAN'T HELP YOURSELF. IT'S FUNNY, TOO, BECAUSE YOU DIDN'T EVEN RAISE VICTORIA. YOU RAISED ME. I MEAN, IF YOU COUNT PRETENDING TO BE MY BIG SISTER, AND I GUESS THAT SORT OF DOES COUNT. IT KIND OF PUTS A NEW WRINKLE ON THE NURTURE-NATURE DEBATE, DOESN'T IT? DON'T. DON'T LOOK AT ME LIKE THAT. HERE. HERE, DO YOU WANT -- DO YOU WANT SOMETHING? DO YOU WANT SOME MORE TEA? COME ON. COME ON, JUST HAVE SOME TEA. DONNA. OK. ALL RIGHT. YOU KNOW, ALL THIS TIME, I THOUGHT VICTORIA WAS TRYING TO HELP ME. I THOUGHT THAT'S WHY SHE SHOWED UP THAT DAY IN THE COURTROOM. BUT SHE WASN'T. VICTORIA WAS NEVER REALLY TRYING TO HELP ME. SHE JUST WANTED TO KEEP ME AWAY FROM THE TIME THAT I WAS REALLY HAPPY, THAT PERFECT TIME HERE IN THIS HOUSE WHEN I LOVED JAKE, HE LOVED ME. THAT'S WHY SHE TOOK MY PLACE. SHE JUST WANTED TO KEEP ME AWAY FROM JAKE. I CAN SEE IT ALL SO CLEARLY NOW. [MUSIC PLAYS] VICKY: WHOA! KIRKLAND: JAKE! STEVEN: YOU ALMOST MISSED THE PARTY. KIRKLAND: WANT TO PLAY SMASHING PUMPKINS? JAKE: MAYBE LATER, OK? KIRKLAND: COME ON, NOW. STEVEN: BUT IT'S FUN. JAKE: MAYBE LATER. VICKY: LET'S GIVE HIM A LITTLE ROOM, GUYS, HUH? MAYBE WE CAN TAKE THIS ALL OUTSIDE. ETTA MAE: YES, WITH COATS. COME ON, GUYS, LET'S GO ON OUTSIDE. VICKY: WHERE ARE YOU GOING? MARLEY MUST HAVE TALKED YOUR EAR OFF, HUH? JAKE: YEAH. VICKY: WELL, DON'T WORRY ABOUT A THING. I SAVED YOU A CARMEL APPLE. IT'S IN THE KITCHEN. I'LL GO GET IT. JAKE: LISTEN, VIC, WE NEED TO TALK. VICKY: RIGHT IN THE MIDDLE OF SMASHING PUMPKINS? COULD WE WAIT UNTIL THEIR PARENTS COME TO PICK THEM UP? JAKE: IT'S ABOUT MARLEY, AND IT'S SERIOUS. VICKY: OK, WHAT IS IT? JAKE: GOT SOME SERIOUS PROBLEMS, AND SOME HAVE TO DO WITH YOU. VICKY: JAKE. [POUNDING ON DOOR] MATT: OK! OK! TELL ME YOU FOUND MY KID! CASS: WHERE'S LILA? MATT: NO WAY, CASS. FELICIA: I'M SORRY, MATTHEW. I TRIED TO STOP HIM. CASS: SHE UPSTAIRS? MATT: LEAVE HER ALONE. MOM! SHE'S TRYING TO SLEEP. CASS: DIDN'T SHE TELL YOU WHAT HAPPENED TO ME IN NEW YORK? FELICIA: HE GOT MUGGED AND KNOCKED OUT IN NEW YORK. COME ON, LET'S GO, PLEASE. CASS: RACHEL, I HAVE TO SEE LILA. THE LUMINA PEOPLE ARE AFTER HER. RACHEL: LILA IS ASLEEP. YOU CAN'T DISTURB HER NOW. FELICIA: YOU CAN'T HELP ANYBODY -- RACHEL and PAULINA: CASS! MATT: HOLD ON, CASS. LILA IS NOT YOUR PROBLEM ANYMORE. CASS: GO AHEAD, MATT, GIVE ME A REASON. RACHEL: CASS, FOR GOODNESS' SAKE. CASS! MATT: HEY, CASS! CASS: LILA! LILA: YOU JUST WALKED RIGHT PAST THE GUARD. ZAK: I TOLD YOU, I'VE BEEN HERE BEFORE. LILA: YOU REALLY THINK THIS COULD HELP ME FIND MY BABY? ZAK: WELL, THAT'S UP TO YOU, LILA. WHY DON'T YOU SIT DOWN AND RELAX. LILA: I CAN'T RELAX, ZAK, WHEN I KNOW MY BABY'S CRYING FOR ME. ZAK: TRY. ZAK: FOCUS ON YOUR BABY. LISTEN TO WHAT SHE'S TRYING TO TELL YOU. LILA: I CAN'T, ZAK. I CAN'T. ZAK: I'LL GO FIND SOMEONE TO HELP YOU OUT. LILA: NO. WHERE DO YOU THINK YOU'RE GOING? ZAK: I WON'T BE LONG. THIS MIGHT BE YOUR LAST CHANCE. LILA: OH. MAMA'S TRYING, JASMINE. MAMA'S TRYING HARD AS SHE KNOWS HOW. OH, BABY. JASMINE. OH, JASMINE. WHERE ARE YOU, BABY? WHERE ARE YOU? JASMINE. JASMINE. MAMA MISSES YOU. LILA: JASMINE, PLEASE HELP MAMA FIND YOU. OH, PLEASE. JASMINE, PLEASE. OH, JASMINE. MAN: DON'T OPEN YOUR EYES, LILA. LILA: WHO ARE YOU? MAN: I'M HERE TO HELP. LILA: WHERE'S MY BABY? MAN: LOOK INSIDE YOURSELF. LET GO OF THE WORLD AROUND YOU. LISTEN FOR YOUR BABY. LILA: SHE'S TOO FAR AWAY. I CAN'T. I CAN'T. SHE'S -- I WONDER IF SHE'S TRYING TO FIND ME. MAN: AND SHE WILL. ALL YOU HAVE TO DO IS LET GO AND BELIEVE. [MUSIC PLAYS] MAN: DISTANCE DOESN'T MATTER NOW. THERE ARE NO WALLS, NO OBSTACLES. LOOK INTO JASMINE'S EYES. FEEL HER IN YOUR ARMS. LET GO OF EVERYTHING ELSE. LET YOUR BABY COME HOME. SEE JASMINE. HEAR JASMINE. LILA: SEE JASMINE. HEAR JASMINE. SEE JASMINE. HEAR J-- SEE -- JASMINE. MAN: IT'S TIME. YOU MUST NEVER TELL ANYONE WHAT IS ABOUT TO HAPPEN. YOU MUST KEEP IT OUR SECRET. CASS: LILA? LILA, YOU HAVE TO LISTEN TO ME. MATT: WHY CAN'T YOU JUST LEAVE HER ALONE? SHE IS -- CASS: OH, YOU LET HER GO? HOW COULD -- YOU IDIOT! HOW COULD YOU -- HOW COULD YOU LEAVE HER ALONE LIKE THIS? I MEAN, DON'T YOU KNOW SHE'S SCARED TO DEATH OF BEING ALONE? HOW COULD YOU JUST LEAVE HER UP HERE? RACHEL: STOP DUMPING ON MY SON. MATT: I KNEW IT. I KNEW IT. I KNEW I SHOULDN'T HAVE LEFT HER. THERE'S NOT EVEN A NOTE OR ANYTHING. CASS: OH, GOD. RACHEL: THE LAST TIME SHE DID THIS -- CASS: SHE WENT TO LUMINA. THEY'VE GOT HER. MATT: WHAT ARE YOU TALKING ABOUT? CASS: WHEN I CALLED BEFORE, WERE YOU IN THE ROOM WITH HER? MATT: NO, I DIDN'T EVEN KNOW YOU CALLED. CASS: SOMEONE WAS IN THE ROOM WITH HER, SOMEONE WHO DIDN'T WANT ME TO TALK TO HER. RACHEL: HOW DO YOU KNOW THAT? CASS: I JUST KNOW. MATT: WHY WOULD SOMEBODY WANT TO TAKE LILA FROM HERE? CASS: WHY WOULD SOMEBODY THROW A COSTUME PARTY AND STEAL A BABY? RACHEL: I AGREE WITH YOU. BUT WE HAVE NO EVIDENCE AGAINST THE LUMINA FOUNDATION. CASS: YOU FIND THE EVIDENCE. I'LL FIND LILA. MARLEY: YEAH, YEAH, I HAVE CABLE. UH-HUH. SO, YES, YOU CAN WATCH WHATEVER YOU WANT. OK. GREAT. THANK YOU. OH, DONNA -- LET'S GET READY TO RUMBLE! THAT WONDERFUL NURSE IS COMING OVER -- YOU KNOW, THE ONE WHO LIKES CHAMPIONSHIP WRESTLING. BY THE TIME YOU TWO ARE UP AND YOU'RE ON YOUR FEET, YOU'RE GOING TO BE A REGULAR TAG TEAM. IT'S A JOKE. HA, HA. OK, NEVER MIND. YOU CAN MAKE HER WATCH "MASTERPIECE THEATER" OR LAWRENCE WELK RERUNS, SOMETHING LIKE THAT. DONNA, DON'T FEEL BAD FOR ME, ALL RIGHT? I'M FINALLY STARTING TO FIGURE OUT MY LIFE. I'M FINALLY GETTING CONTROL OVER IT. AND YOU KNOW WHAT? I LIKE IT -- A LOT. YOU KNOW. YOU REMEMBER HOW IT FEELS. REMEMBER WHEN YOU AND VICTORIA -- REMEMBER WHEN YOU USED TO RUN MY LIFE? DON'T STARE AT ME LIKE THAT, ALL RIGHT? I DIDN'T LIE TO JAKE TODAY, NOT LIKE VICTORIA HAS BEEN LYING TO HIM ALL THESE YEARS. I DID NOT ASK HER TO GO OVER THERE TO SEE HIM. SHE THOUGHT OF THAT ALL ON HER OWN. THAT'S WHY I HAVE TO GO OVER AND TALK TO JAKE RIGHT NOW, SO THAT VICTORIA DOESN'T TWIST THE TRUTH ALL UP AGAIN. BUT I'M NOT WORRIED. I'M NOT WORRIED BECAUSE JAKE, HE'S FINALLY STARTING TO SEE THE LIGHT. VICKY: JAKE? WHAT -- WHAT DID MARLEY SAY TO YOU? WHY ARE YOU SO UPSET? JAKE: BECAUSE I BELIEVED -- I HAVE TOLD MYSELF OVER AND OVER THAT WHAT I DID TO MARLEY, THAT IT -- THAT SHE DID GET OVER IT AND THAT IT DIDN'T COMPLETELY RUIN HER LIFE. VICKY: DID SHE SAY THAT IT -- DID SHE SAY THAT YOU DID? JAKE: NO, SHE SAID WE DID. VICKY: JAKE, I -- JAKE: I DON'T THINK I'M THE ONE THAT NEEDS SYMPATHY RIGHT NOW. VICKY: SO SHE BLAMES US? JAKE: SHE DOESN'T BLAME ANYONE. VICKY: WELL, WHAT DID I DO? I MEAN -- JAKE: YOU PUSHED HER TO REACT TO ME WITH WHAT I DID THE WAY THAT YOU WOULD HAVE INSTEAD OF ALLOWING HER TO GO THROUGH IT FOR HERSELF. VICKY: THAT IS A CROCK. JAKE: OH, THAT'S YOUR REACTION? "THAT'S A CROCK." THAT'S GOOD, VIC. VICKY: THAT IS THE BIGGEST CROCK I HAVE EVER HEARD. YOU KNOW SOMETHING? I KNEW SHE WAS WORKING TOWARD SOMETHING LIKE THIS WHEN I TALKED TO HER THIS MORNING. AND I JUST THOUGHT, "OK, NO PROBLEM. JUST LET HER GET IT OUT. IT'S OK. LET IT OUT FOR MARLEY'S SAKE." SHE IS DROWNING! THAT'S WHY I TOLD YOU WHAT SHE SAID. BUT I WILL BE DAMNED IF I'M GOING TO LET HER TAKE ME DOWN WITH HER. JAKE: YOU DON'T THINK THERE'S ANYTHING TO ANYTHING THAT SHE SAID? VICKY: NO. NO, SHE WAS HAVING A HARD TIME. BUT NO ONE WAS TELLING HER HOW TO FEEL. JAKE: WHY DOES SHE FEEL LIKE YOU'RE THE ONE THAT -- VICKY: BECAUSE SHE KNOWS HOW GUILTY YOU ARE. JAKE: FOR A GOOD REASON! VICKY: RIGHT. RIGHT. IT'S JUST, JAKE, SOMETIMES THAT GUILT, IT JUST MAKES YOU NOT SEE OTHER THINGS THAT SHE'S DOING. JAKE: I'M THE ONE THAT'S BEEN ON HER CASE. VICKY: YEAH, I KNOW THAT. UNTIL SHE BROUGHT THIS UP AGAIN. JAKE: WHAT ARE YOU SAYING? WHAT -- VICKY: ALL RIGHT, HOW ABOUT THIS -- LET'S SAY -- LET'S SAY SHE REALLY WAS DROWNING, WE WERE TRYING TO SAVE HER. YOU KNOW, I WOULD HAVE NO TROUBLE JUST HITTING HER OVER THE HEAD, DRAGGING HER TO SHORE SO THAT I COULD SAVE HER LIFE! JAKE: ALL RIGHT, THE POINT OF THAT METAPHOR WOULD BE? VICKY: THE POINT IS THAT THE SAME WOULD HAVE BEEN TRUE FOR YOU, EXCEPT WHEN SHE PULLS THIS CARD OUT. IT -- I WANT TO KNOW WHY SHE BROUGHT THIS UP AGAIN. JAKE: "CARD"? VIC, SHE SAYS SHE FEELS LIKE SHE'S OUT OF CONTROL. VICKY: MAYBE SHE ISN'T. MAYBE SHE PLANNED THIS WHOLE THING. AND IF THAT'S TRUE, THEN SHE NEEDS OUR HELP DESPERATELY. ETTA MAE: BYE. STEVEN: BYE, TIM. CHILDREN: BYE! ETTA MAE: BYE, EVERYONE. IT WAS GOOD SEEING YOU. AND THANKS, MRS. JACKSON. YES, THEY HAD A GREAT TIME. BYE. KIRKLAND: BYE. STEVEN: NOW, WHAT ARE WE GOING TO DO FOR NEXT YEAR? ETTA MAE: NEXT YEAR WE'LL STILL BE CLEANING UP THIS YEAR. MARLEY: OOH, LOOK AT THOSE COSTUMES. THAT'S A GREAT COSTUME. STEVEN: THEY'RE ALL MESSED UP NOW. MARLEY: NO, IT DOESN'T LOOK MESSED UP AT ALL TO ME. DID YOU HAVE A REALLY GOOD TIME, KIRKLAND? KIRKLAND: YEAH. MARLEY: YEAH. STEVEN: WHY DON'T WE GO CLEAN UP. ETTA MAE: LISTEN, GUYS, DON'T YOU EAT ANY MORE CANDY. YOU'RE SUGARED TO THE CEILING AS IT IS. MARLEY: OK. I GUESS IT WOULD BE MORE FUN TO GO CLEAN UP THAN TO TALK TO AUNT MARLEY. ETTA MAE: AUNT MARLEY, HUH? LAST TIME I MET YOU, YOU WERE MARNIE. MARNIE STONE, WASN'T THAT IT? MARLEY: I EXPLAINED ALL THAT TO TYRONE AND TO JAKE AND VICKY. ARE THEY HERE? ETTA MAE: LISTEN, THIS ISN'T A GOOD TIME. MARLEY: WHY? IS THERE SOME SORT OF PROBLEM? ETTA MAE: I'LL HAVE VICKY CALL YOU. MARLEY: LOOK, IF THEY'RE UPSET, IT MIGHT BE SOMETHING I DID, SO I COULD COME IN -- ETTA MAE: LISTEN -- THE KIDS NEED SOME SUPERVISION, SO I'M GOING TO GO BACK INSIDE. MARLEY: LOOK, IS THERE SOMETHING I CAN DO TO HELP, MAYBE -- ETTA MAE: LISTEN -- I WILL TELL VICKY THAT YOU STOPPED BY, AND I'LL HAVE HER CALL YOU. SO BE SAFE GOING HOME. CASS: I'M TELLING YOU, THOSE LUMINOIDS HAVE TO KEEP ME AWAY FROM LILA SO THEY CAN MOVE IN ON HER. DON'T YOU GET IT? SHE'S THE MARK. I'M THE GUY WHO TELLS THE TRUTH. FELICIA: MOST OF THE TIME HE DOES. CASS: HONEY, I KNOW A CON WHEN I SEE ONE. ISOLATE THE MARK, KEEP HER AWAY FROM WHOEVER SEES THE TRUTH. CON ARTIST 101. PAULINA: CASS, DID YOU KNOW THAT THE LUMINA FOUNDATION HAS OFFERED A $100,000 REWARD FOR ANYONE WHO CAN GUARANTEE JASMINE'S SAFE RETURN? CASS: SINCE WHEN? MATT: SINCE TODAY. CASS: THAT'S ALL PART OF THE SETUP. DON'T YOU GET IT? THOSE PEOPLE WILL DO ANYTHING TO MAKE THEMSELVES LOOK LIKE THE GOOD GUY AND KEEP ME AWAY FROM LILA -- EVEN DRAG ME OFF TO NEW YORK AND KNOCK ME OUT. I'LL BET THEY DELIBERATELY HELD OFF MAKING THAT OFFER UNTIL THEY KNEW I WAS OUT OF THE WAY. RACHEL: I AGREE WITH YOU ABOUT LUMINA, BUT THEY'RE COOPERATING WITH THE POLICE RIGHT NOW. CASS: AND JASMINE IS STILL MISSING. RACHEL: YES, I KNOW THAT. CASS: NOBODY HAS EVER SEEN JORDAN STARK, BUT I KNOW HE'S BEHIND THIS, AND I BET HIS PEOPLE HAVE LILA. MATT: WELL, THEN LET'S GO GET HER. PAULINA, TELL JOE TO MEET US AT LUMINA. CASS: NOW YOU'RE TALKING. MAN: LOOK AT THE TREES, LILA. REMEMBER THE TREES? REMEMBER THE TREES? REMEMBER THE TREES, LILA. REMEMBER THE TREES. [WIND WAILS] [OWL HOOTS] LILA: JASMINE! JASMINE? JASMINE! [BRANCH CRACKLES] LILA: JASMINE! LILA: OH! OH. OH, GOD. OH. WHERE IS HE? ZAK: WHO, LILA? LILA: THAT MAN THAT PUT HIS HAND ON MY SHOULDER. ZAK: MR. STARK? HE HAD TO LEAVE. BUT DID HE HELP YOU? DID YOU HEAR JASMINE? LILA: YES. I SAW HER. SHE WAS -- SHE WAS ON TOP OF A TREE. SHE WAS IN A CRADLE. ZAK: DO YOU KNOW WHERE THAT TREE IS? LILA: YES, I THINK I DO. I THINK -- THE CRADLE FELL OUT OF THE TREE. OH, MY GOD, WHAT IF I CAN'T GET TO HER IN TIME? JASMINE! VICKY: OK. AHEM. SO WHY DON'T WE -- WHY DON'T WE JUST GET INTO SOME SPECIFICS HERE. I MEAN, YOU KNOW, WHAT IS IT THAT I DID? WHAT DID I DO THAT HURT MARLEY SO VERY MUCH? JAKE: WELL, FOR STARTERS, SHE SAYS THAT AFTER THE RAPE, INSTEAD OF STAYING WITH HER AND TAKING CARE OF HER, YOU LEFT HER AND YOU WENT AFTER ME. VICKY: HELLO. THE PROBLEM WITH THAT WOULD BE WHAT? JAKE: AND THERE YOU GO. THAT'S EXACTLY WHAT SHE SAID. YOU CAN'T EVEN SEE HER POINT, VICKY. CASS: HEY, HEY, HEY. I'M A LAWYER. BELIEVE ME WHEN I TELL YOU YOU CAN'T AFFORD THIS. GUARD: NOBODY GETS IN HERE. MATT: LILA ROBERTS WAS HERE. SHE WAS HERE. GUARD: LOOK, I'M TRYING TO TELL YOU, THE BUILDING'S CLOSED. NOBODY'S BEEN IN THIS ROOM ALL NIGHT. LILA: THIS IS IT, ZAK. THIS IS IT. TREES JUST LIKE IN MY DREAM. THIS IS IT. OH, GOD. OH, NO. THE TREES, THEY ALL LOOK ALIKE TO ME. MAYBE THAT'S RIGHT. MAYBE I'M JUST TIRED. MAYBE I'M JUST HALLUCINATING. ZAK: DO YOU WANT TO GO HOME? LILA: NO. OH -- OH, GOD, I'M JUST A LITTLE BIT LIGHTHEADED BECAUSE -- I CAN'T REMEMBER THE LAST TIME I ATE. ZAK: CAN'T YOU BELIEVE JUST A LITTLE WHILE LONGER? FOR JASMINE'S SAKE? LILA: BELIEVE WHAT, ZAK? WHAT? THAT I SAW MY BABY IN A TREETOP? THIS IS RIDICULOUS. I'M NOT GOING TO FIND MY BABY WANDERING AROUND IN THE WOODS LIKE THIS. I SHOULD BE HELPING THE POLICE. ZAK: LILA, BE STILL. [CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE] i??ρρ