[CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] VICKY: LET WHAT GO ON FOR SO LONG? JAKE: YEAH, MARLEY -- VICKY: MARLEY -- JAKE: WHAT ARE YOU TALKING ABOUT? MARLEY: THERE ARE SO MANY THINGS I HAVE TO TELL BOTH OF YOU, BUT BEFORE I DO, I JUST WANT TO SAY ONE THING -- REMEMBER THAT WE'RE STILL A FAMILY. VICKY: MARLEY, LISTEN. MARLEY: NO MATTER WHAT HAPPENS, AND -- VICKY: LISTEN. MARLEY: OUR MOTHER IS MISSING. VICKY: WE FOUND HER. WE FOUND HER. MARLEY: YOU -- YOU FOUND HER? WHERE -- WHERE WAS SHE? VICKY: WE FOUND HER AT YOUR HOUSE, IN HER BED, FAST ASLEEP. MARLEY: HOW -- HOW COULD THAT BE? TYRONE SAID HE BROUGHT HER HERE. JAKE: YEAH, WELL, TYRONE SAID THAT DONNA HAD WRITTEN HIM A NOTE, PRACTICALLY BEGGING HIM TO BRING HER HERE SO THAT SHE COULD SEE VICKY. VICKY: JAKE -- JAKE: BUT BEFORE SHE COULD COME TO SEE VICKY OR ANYBODY ELSE FOR THAT MATTER, SHE DISAPPEARS. I MEAN, DON'T YOU THINK THAT'S CONVENIENT, MARLEY? MARLEY: ALL RIGHT, JAKE, WHAT ARE YOU ACCUSING ME OF? JAKE: WHAT DO YOU WANT ME TO DO, HIT YOU OVER THE HEAD WITH IT? VICKY: JAKE, PLEASE, GIVE HER A CHANCE TO EXPLAIN. JAKE: I'M TRYING TO LET HER EXPLAIN. WHAT -- LOOK AT ME. LOOK AT ME. WHAT DID DONNA KNOW? I MEAN, WHY DIDN'T YOU WANT TO BRING HER? WHY DID YOU NOT WANT TO BRING HER HERE? WHAT WERE YOU AFRAID SHE WAS GOING TO LET OUT? MARLEY: JAKE, I SWEAR I DIDN'T EVEN KNOW THAT SHE WAS HERE. JAKE: OH, COME ON, MARLEY. VICKY: STOP. STOP! YOU'RE SAYING YOU HAD ABSOLUTELY NOTHING TO DO WITH WHAT HAPPENED. MARLEY: NO. WHOEVER MADE DONNA DISAPPEAR OR BROUGHT HER HOME OR WHATEVER IT WAS THAT THEY DID, IT WASN'T ME. JAKE: ALL I KNOW IS WHAT TYRONE SAID. JOE: WELL, WHY DON'T WE LISTEN TO WHAT TYRONE HAS TO SAY HIMSELF. [CROWD GASPS] CASS: TRULY IS SPECTACULAR. FELICIA: YOU KNOW, I'VE ALWAYS SAID I WAS GOOD WITH WORDS, BUT THERE ARE NO WORDS TO DESCRIBE THAT. PAULINA: OH! OH! AMANDA: ISN'T IT JUST THE MOST BEAUTIFUL THING YOU'VE EVER SEEN? CAMERON: NO, NOT THE MOST BEAUTIFUL. NICK: REMY, THAT'S INCREDIBLE. REMY: YEAH, IT'S COOL. NICK: WHAT'S WRONG? REMY: NOTHING. NOTHING. NICK: HEY, A METEOR SHOWER'S THE KIND OF THING YOU WOULD USUALLY GO FOR, BUT YOU'RE NOT EVEN WATCHING IT. REMY: I KNOW. NICK: YOU STILL HAVE THAT BAD FEELING, DON'T YOU? REMY: I DON'T KNOW! NICK: IS THIS THE WAY YOU FELT BEFORE THE CEILING CAVED IN AT CARLINO'S? REMY: I DON'T KNOW, NICK. IT'S JUST A FEELING LIKE SOMETHING OR SOMEBODY IS WATCHING US, AND WHOEVER OR WHATEVER IT IS, IT'S NOT GOOD. MAN: WHO IS THAT GIRL? ZAK: REMY WOODS. WHY? MAN: I WANT YOU TO FIND OUT EVERYTHING YOU CAN ABOUT HER. ZAK: DON'T WE HAVE OTHER THINGS TO DEAL WITH RIGHT NOW? MAN: DID YOU SPEAK WITH MATTHEW CORY BEFORE HE LEFT? ZAK: I DID. MAN: AND? ZAK: NOT TO WORRY. MATT AND LILA ARE RIGHT WHERE WE WANT THEM. LILA: THIS IS NOT HAPPENING. OH! THIS CAN'T BE HAPPENING! MATT: ALL RIGHT, LILA. JUST TRY TO CALM DOWN. LILA: CALM DOWN? I'M IN LABOR IN AN ELEVATOR, AND YOU WANT ME TO CALM DOWN? MATT: HOW DO YOU KNOW THIS IS LABOR? THIS COULD BE FALSE LABOR. LILA: THIS IS NOT FALSE LABOR, MATT! THIS IS THE REAL THING. OH, GOD. MATT: ALL RIGHT, ALL RIGHT. LILA: I'M GOING TO HAVE MY BABY IN AN ELEVATOR, IN A DARK ELEVATOR. MATT: OK, OK. OK, TAKE IT -- LILA: MATT -- MATT: DO YOUR BREATHING. DO YOUR BREATHING. [LILA BREATHES] MATT: ALL RIGHT. IS THE CONTRACTION EASING? LILA: YES. MATT: WELL, GOOD. LILA: THANK GOD. MATT: ALL RIGHT, GOOD. LILA: OH, THANK GOD. MATT: NOW, LISTEN TO ME. I PROMISE YOU I'M GOING TO GET US OUT OF HERE, ALL RIGHT? LILA: OK. ALL RIGHT. MATT: LIGHTS. LILA: OH, THANK GOD. MATT: ALL RIGHT, THAT'S A GOOD SIGN. NOW WE CAN LOOK FOR THE PHONE. LILA: RIGHT. RIGHT. EVERY ELEVATOR HAS AN EMERGENCY PHONE, RIGHT? MATT: EXCEPT THIS ONE. LILA: WHAT? OH, GOD. OH, OK. MATT: FOR SOME REASON, IT DOESN'T HAVE IT. LILA: ALL RIGHT, TRY THE ALARM, MATT. JUST TRY THE ALARM. MATT: I AM. IT'S NOT WORKING. IT MUST HAVE SHORTED OUT WHEN THE ELEVATOR BROKE DOWN. LILA: I CANNOT HAVE MY BABY IN THIS ELEVATOR. DON'T YOU UNDERSTAND? MATT: LILA -- LILA: I CANNOT DO THIS! MATT: YOU WON'T. LILA: HOW DO YOU KNOW THAT? MATT: HEY, LISTEN TO ME. LILA: WHAT? MATT: DO YOU REMEMBER IN LAMAZE CLASS? LILA: YEAH. MATT: HUH? YOU REMEMBER THEY SAID THAT THE LABOR DOESN'T START UNTIL THE WATER BREAKS. LILA: OK. MATT: AND THAT HASN'T HAPPENED YET, RIGHT? LILA: NO. MATT: OK, SO WE STILL HAVE SOME TIME. LILA: RIGHT. MATT: I'M GOING TO SEE IF I CAN PRY THESE ELEVATOR DOORS OPEN, ALL RIGHT? LILA: MATTHEW? MATT: YEAH? [MATT GROANS] LILA: MY WATER BROKE. MATT: ARE YOU SURE? LILA: THIS BABY IS GOING TO BE BORN, MATT, AND IT'S GOING TO BE BORN NOW! LILA: OH! MATT: ALL RIGHT, LILA. ALL RIGHT, HOLD ON. WE'RE NOT GOING TO HAVE THE BABY HERE, OK? WE STILL HAVE TIME, ALL RIGHT? LILA: YOU HAVE THESE PAINS I'M HAVING AND YOU TELL ME WE STILL HAVE TIME. MATT: LILA, I WANT YOU TO LISTEN TO ME. LISTEN TO ME. LILA: MATT, THERE'S NO DOCTOR, THERE'S NO MEDICINE HERE. WHAT IF SOMETHING GOES WRONG? I COULD LOSE THIS BABY. MATT: LOOK, THAT'S NOT GOING TO HAPPEN, OK? ALL RIGHT? WE'RE GOING TO HAVE THIS BABY IN A HOSPITAL, AND HE'S GOING TO BE HEALTHY AND STRONG AND PERFECT. LILA: OK. MATT: OK? LILA: RIGHT. RIGHT. MATT: GOOD. I'M GOING TO SEE IF I CAN PUSH MYSELF THROUGH THAT HOLE. JUST DO YOUR BREATHING. LILA: OH. OH. MATT: IT'S STUCK. LILA: OH, GOD. WE'RE TRAPPED IN HERE. I KNEW WE WERE TRAPPED IN HERE! MATT: ALL RIGHT. WAIT, WAIT, WAIT. LILA, JUST DO YOUR BREATHING. MAYBE I CAN LOOSEN THIS PIECE. LILA: MATT, PLEASE BE CAREFUL. PLEASE. MATT: I'M FINE. LILA: OH! MATT! OH. OH. OH, MATT. OH, GOD, PLEASE WAKE UP. MATT, PLEASE, ANSWER ME. I CAN'T DO THIS ALONE. SOMEBODY -- MATT! MATT, WAKE UP! VICKY: TELL US WHAT YOU KNOW, TYRONE. JAKE: TYRONE, WHAT HAPPENED? TYRONE: I DON'T KNOW. I -- I WISH I COULD TELL YOU, BUT THE TRUTH IS I DON'T REMEMBER. VICKY: WHAT DO YOU MEAN, YOU DON'T REMEMBER? YOU MEAN WHEN DONNA LEFT OR WHERE SHE WENT? WHAT -- WHAT DO YOU MEAN? TYRONE: I'M SORRY, VICKY, BUT AT THIS POINT I -- I DON'T KNOW -- I DON'T REMEMBER PICKING UP DONNA. I DON'T EVEN REMEMBER BRINGING HER HERE. JAKE: NO. NO, TYRONE -- WHAT ARE YOU TALKING ABOUT, YOU DON'T REMEMBER? A COUPLE OF MINUTES AGO, YOU TOLD US THE WHOLE STORY. VICKY: YOU SAID THAT MOM WROTE A NOTE BEGGING YOU TO BRING HER HERE TO SEE ME. TYRONE: YES, I DO -- I KNOW WHAT I SAID. BUT WHEN JOE STARTED ASKING ME DETAILS, I COULDN'T COME UP WITH THEM. VICKY: I'M SORRY, THIS DOESN'T MAKE ANY SENSE. YOU REMEMBERED EVERYTHING. JOE: HE THOUGHT HE DID. JAKE: HOW DO YOU THINK YOU REMEMBER SOMETHING? COME ON, JOE! JOE: BECAUSE SOMETIMES, JAKE, WHEN WITNESSES ARE QUESTIONED, THEY START TO HAVE DOUBTS. SO I ASKED TYRONE TO TAKE A MINUTE AND COLLECT HIS THOUGHTS, GO OVER THE FACTS. HE CAME BACK AND SAID THAT HE WASN'T SO SURE ABOUT HIS STORY. VICKY: OH, I SEE. THIS IS SOME LAWYER THING. NOW YOU'RE THINKING YOU HAVE TO CHANGE YOUR STORY? JAKE: LISTEN, TYRONE, WE'RE NOT GOING TO ACCUSE YOU OF ANYTHING. TYRONE: NO, NO, NO. IT HAS NOTHING TO DO WITH THAT. IT'S JUST WHEN JOE STARTED ASKING DETAILS, I JUST -- I DON'T KNOW -- I WENT BLANK. I MEAN, I DON'T REMEMBER PICKING UP DONNA. I DON'T REMEMBER HER ASKING ME TO BRING HER HERE. THE ONLY THING I REMEMBER IS GETTING DRESSED FOR THIS PARTY AND THEN SHOWING UP HERE. THAT'S ALL. JAKE: OK. WHAT ABOUT -- WHAT ABOUT THE WHEELCHAIR? TYRONE: I DON'T REMEMBER. VICKY: WHAT ABOUT FELICIA, HOW SHE HAD MOM'S COSTUME ON? WHAT -- TYRONE: I DON'T KNOW. SHE MIGHT HAVE BEEN, BUT YOU'RE GOING TO HAVE TO ASK HER. JOE: I DID. I ASKED FELICIA. SHE SAID SHE SPILLED SOMETHING ON HER COSTUME. MS. ALLEN HERE TOOK HER ASIDE AND GAVE HER A NEW ONE. MARGARET: YEAH. YOU KNOW, THERE WERE A FEW NO-SHOWS TONIGHT, SO WE HAD EXTRA COSTUMES ON HAND. AND WHEN SHE SOILED HER DRESS, I FIGURED IT WAS THE LEAST I COULD DO. VICKY: ALL RIGHT, FINE. WELL, THAT EXPLAINS HOW FELICIA GOT THE COSTUME. IT DOESN'T EXPLAIN WHY IT LOOKS EXACTLY LIKE MY MOTHER'S OR ANYTHING ELSE THAT'S HAPPENING HERE. TYRONE: VICKY, VICKY, I KNOW THIS IS FRUSTRATING, BUT LISTEN. I'M TELLING YOU EVERYTHING I KNOW. YOU GOT TO BELIEVE ME. VICKY: I MEAN, I DO BELIEVE YOU, TYRONE. IT'S JUST THIS WHOLE THING DOESN'T ADD UP. JAKE: I KNOW. THIS IS WEIRD. MARGARET: WELL, LISTEN, I'M SORRY. I WISH I COULD HELP MORE, BUT MY JOB IS TO KEEP THIS PARTY RUNNING SMOOTHLY. JOE: GO AHEAD. GO AHEAD. WE'LL LET YOU KNOW IF WE NEED YOU, OK? MARGARET: THANK YOU. EXCUSE ME. MARGARET: IT'S DONE. MONTGOMERY'S ONBOARD. MAN: EXCELLENT. NOW LET'S SEE HOW THE REST OF OUR SHOW UNFOLDS. VICKY: THERE'S DEFINITELY SOMETHING GOING ON HERE. I JUST WISH I KNEW WHAT IT WAS. JOE: FELICIA WAS RIGHT IN THE MIDDLE OF THIS WHOLE THING. SO LET ME GO TALK TO HER, SEE WHAT ELSE SHE KNOWS, ALL RIGHT? VICKY: I'M JUST GOING TO GO CRAZY UNTIL I FIGURE THIS THING OUT. MARLEY: THEN WHY DON'T YOU JUST STOP TRYING? VICKY: WHAT ARE YOU TALKING ABOUT? DON'T YOU WANT TO KNOW WHAT'S HAPPENING HERE TONIGHT? MARLEY: ALL I CARE ABOUT IS MOM AND THAT SHE'S ALL RIGHT. YOU KNOW, THE REST IS WEIRD. WHY DON'T WE JUST LET IT GO? JAKE: NO. NO, WE DON'T LET IT GO. AS A MATTER OF FACT, WE DON'T GO DO ANYTHING UNTIL I GET SOME ANSWERS. VICKY: COME ON, SWEETIE. JAKE: FIND OUT WHAT FELICIA HAS TO SAY HERSELF. MARLEY: MAYBE I SHOULD GO FIND -- TYRONE: WAIT A MINUTE. MARLEY: WHAT? PLEASE. DON'T, PLEASE. TYRONE: I RECOGNIZE THAT VOICE. MARNIE. MARLEY: PLEASE -- TYRONE: NO, NO! MY MIND MIGHT BE FOGGY ABOUT A FEW THINGS TONIGHT, BUT I REMEMBER EVERYTHING ABOUT YOU. I REMEMBER HOW WE FIRST MET. I REMEMBER HOW DEPRESSED YOU WERE. I REMEMBER YOU SAID YOU WERE IN LOVE WITH SOME GUY WHO WAS IN LOVE WITH ANOTHER WOMAN. MARLEY: TYRONE, PLEASE -- TYRONE: AND IT WAS JAKE, WASN'T IT? YOUR NAME IS MARLEY. YOU WERE TALKING ABOUT JAKE AND VICKY. NICK: MAYBE IT WOULD BE BETTER IF WE JUST BLEW THIS OFF, WENT SOMEPLACE ELSE. REMY: NO. I'M COOL. I'M WITH YOU, OK? PAULINA: YOU DON'T LOOK SO COOL TO ME. NOW, WHAT'S GOING ON? AND DON'T TELL ME NOTHING BECAUSE I COULD SEE THAT EXPRESSION FROM ACROSS THIS ROOFTOP. REMY: PAULINA, I HAVE A CREEPY FEELING THAT SOMETHING REALLY BAD IS GOING TO HAPPEN TONIGHT. JOE: HEY, HAVE YOU GUYS SEEN FELICIA? PAULINA: NO, NO, NOT IN THE LAST FEW MINUTES, NO. REMY: MAYBE IF WE GO INSIDE I'LL FEEL BETTER. IT'S KIND OF CHILLY OUT HERE. NICK: OK. WE'LL SEE YOU GUYS. JOE: WHAT'S UP WITH HER? PAULINA: SHE HAS ONE OF HER FEELINGS THAT SOMETHING BAD IS GOING TO HAPPEN TONIGHT. JOE: YOU KNOW, SOMETIMES I GET A HEADACHE BEFORE IT RAINS. IT DOESN'T MEAN I HAVE E.S.P. PAULINA: JOE, I THINK SHE'S GOT SOMETHING. JOE: SHE'S GOT SOMETHING, ALL RIGHT. SHE'S GOT A WAY OF GETTING EVERYBODY TO FOCUS ON HER, ESPECIALLY YOU. PAULINA: YOU ARE NEVER GOING TO TRUST HER. JOE: AND YOU ARE NEVER GOING TO QUESTION ANYTHING SHE DOES. PAULINA: BUT I CAN HANDLE MYSELF. JOE: YOU THINK YOU CAN, YOU KNOW. BUT, PAULINA, THE ONLY PERSON WHO CAN REALLY HANDLE A CON IS ANOTHER CON. ZAK: A BIT OF THE BUBBLY FOR A LADY WHO'S LOVELY. SOFIA: WELL, IT'S A GOOD THING YOU'RE A PRODUCER AND NOT A LYRICIST. ZAK: I THOUGHT IT WAS KIND OF CUTE. I HAVEN'T SEEN YOUR ROOMMATE IN A WHILE. HAVE YOU? SOFIA: HAVEN'T BEEN LOOKING. ZAK: HOW LONG HAVE YOU KNOWN HER,0 ANYWAY? SOFIA: A FEW MONTHS. ZAK: WHERE'S SHE FROM? SOFIA: CHICAGO. SO, WAIT A MINUTE. WHY ALL THE REMY QUESTIONS? SHE'S TAKEN. ZAK: JUST TRYING TO MAKE CONVERSATION. SOFIA: WELL, I'M NOT IN A SOCIAL MOOD. ZAK: I NOTICED. DID IT BUG YOU THAT MATT TOOK LILA HOME? SOFIA: WELL, I'VE DECIDED NOT TO LET IT. MATT AND I PROMISED EACH OTHER THAT TONIGHT WAS OUR NIGHT -- LILA OR NO LILA. IT'S GOING TO BE A NIGHT THAT I'LL NEVER FORGET. I'LL REMEMBER IT FOREVER. ZAK: YES, YOU'LL DEFINITELY REMEMBER THIS NIGHT. FELICIA: WELL. WHERE IS DENISE? CASS: I THINK SHE'S POWDERING HER NOSE. FELICIA: WELL, THIS EVENING CERTAINLY ISN'T TURNING OUT THE WAY I EXPECTED IT TO. CASS: YOU'RE THE CENTER OF ATTENTION. THAT SHOULD THRILL YOU. FELICIA: NO, IT DOESN'T THRILL ME. I DON'T LIKE BEING THE CENTER OF A CONTROVERSY, ESPECIALLY SUCH A BIZARRE INCIDENT LIKE THIS. CASS: HMM. THE CASE OF THE MISSING DONNA. FELICIA: I HAVE NOT SEEN DONNA. CASS: ARE YOU ABSOLUTELY, POSITIVELY SURE? FELICIA: I AM POSITIVE. AND I DON'T KNOW WHY TYRONE HAS SUCH A DIFFERENT STORY. IF IT WERE ANYONE ELSE, I WOULD SAY HE WAS LYING. CASS: TYRONE DOESN'T LIE. FELICIA: I KNOW. CASS: AND TRUST ME, I'VE TRIED TO GET HIM TO DO IT ONCE OR TWICE. FELICIA: WELL, THEN, THERE HAS TO BE SOME OTHER REALLY GOOD EXPLANATION. THIS KIND OF STUFF ONLY HAPPENS IN THE MOVIES, AND B MOVIES AT THAT. CASS: TELL IT TO OUR HOST, IF YOU CAN FIND HIM. FELICIA: MR. STARK -- YOU KNOW, WHOEVER HE IS -- COULD REALLY TAKE A FEW LESSONS IN HOW TO ENTERTAIN. CASS: YOU GO, GIRL. FIND THAT LUMINATE. READ HIM A CHAPTER FROM THE GALLANT BOOK OF ENTERTAINING. FELICIA: OOH. YEAH. I SHOULD, SHOULDN'T I? ALL RIGHT. WELL, YOU'LL EXCUSE ME, PLEASE. CASS: WHY, CERTAINLY. FELICIA: I AM GOING TO FIND THE MAN BEHIND THE CURTAIN, WHATEVER THAT MEANS. DENISE: THERE YOU ARE. I WAS WONDERING WHAT HAPPENED TO YOU. CASS: DENISE. I'M SORRY. I GOT SIDETRACKED. DENISE: YOU KNOW, MR. WINTHROP, YOU'RE HARD TO FIGURE OUT. CASS: ME? I'M AN OPEN BOOK. DENISE: WHEN YOUR PREGNANT FRIEND WAS AROUND -- LOLA? CASS: LILA. DENISE: RIGHT. IT SEEMED LIKE WE HIT IT OFF. BUT SINCE SHE'S LEFT, YOU'VE HARDLY EVEN LOOKED AT ME. CASS: IT HAS NOTHING TO DO WITH LOLA -- LILA. DENISE: THEN IT HAS TO DO WITH ME? CASS: NO, NO, NO. NO, IT WAS -- THE METEOR SHOWER, YOU KNOW. YEAH, THAT'S WHAT IT WAS. IT WAS THE METEOR SHOWER, AND THAT MUST HAVE REALLY INTERESTED YOU, CONSIDERING YOUR WORK WITH THE SPACE PROGRAM. DENISE: ACTUALLY, I'M ONLY INTERESTED IN ONE THING RIGHT NOW. CASS: OH, YEAH. WHAT'S THAT? DENISE: THIS. LILA: PLEASE. OH, PLEASE, WAKE UP. [MATT COUGHS] LILA: OH, THANK GOD. MATT: I'M FINE. LILA: OH, OH. MATT: I GOT THE WIND KNOCKED OUT OF ME. LILA: OH. MATT: OH. LILA: OH, THANK GOD. I THOUGHT THIS BABY WAS GOING TO BE BORN AN ORPHAN. MATT: NO, I'M OK. LILA: OH. MATT: LISTEN, LILA, I WANT TO GET US OUT OF HERE SOON. LILA: "SOON" MAY NOT BE GOOD ENOUGH, MATT. THE CONTRACTIONS ARE COMING CLOSER TOGETHER. AND THEY'RE STRONGER. MATT: HOW FAR APART ARE THEY? LILA: WELL, THEY'RE -- MATT: WHAT? LILA: OH! MATT: ALL RIGHT, LILA. JUST HANG ON. LILA: OW! MATT: JUST HANG ON. LILA: GOD! OH! [MATT KNOCKS ON DOORS] MATT: DAMN IT! [LILA SCREAMS] MATT: ANYBODY HEAR US? TONI: WELL, IT'S JUST THAT WE WERE SO CLOSE, AND THEN HE BLEW ME OFF. CHRIS: [FALSETTO VOICE] WELL, I'M SURE HE HAD A VERY GOOD REASON. TONI: HE ALWAYS HAS A REASON -- A REASON WHY HE WALKS AWAY WITH NO EXPLANATION, A REASON WHY HE JUMPS OVER EVERYTHING I SAY. I'M TIRED OF HIM. CHRIS: OH, NO, HONEY. DON'T SAY THAT. TONI: NO, I AM. I'M TIRED OF HIM. AND THE THING IS I REALLY THOUGHT HE WAS THE ONE. CHRIS: REALLY? TONI: HE WAS SO MUCH MORE THAN JUST A BOYFRIEND, YOU KNOW. SO MUCH MORE THAN JUST A LOVER. HE WAS LIKE A SOUL MATE. HE HELPED ME THROUGH ONE OF THE HARDEST TIMES OF MY LIFE. AND THEN, A FEW WEEKS AGO, HE JUST CHANGED. CHRIS: IS THAT SO? TONI: YEAH. HE WAS THE KIND OF GUY WHO DIDN'T MIND IF A WOMAN JUST WANTED TO TALK ABOUT HER FEELINGS. HE WAS LIKE -- HE WAS LIKE, "LET'S JUST SKIP ALL THE GAMES, ALL THE B.S. YOU'RE THE ONLY THING THAT MATTERS TO ME IN THE WHOLE WORLD. AND I'D LAY DOWN AND DIE BEFORE I PUT ANYONE AHEAD OF YOU, OR US." CHRIS: WELL, I'M WILLING TO BET THAT HE STILL FEELS THAT WAY. TONI: NO, HE DOESN'T. AND IF HE DOES, HE'S TOO MACHO TO SAY IT. CHRIS: OH, NO. NO, DON'T THINK LIKE THAT. I -- I -- I BET YOU'LL BE SURPRISED. TONI: WELL, I'M NOT HOLDING MY BREATH. THANK YOU FOR LISTENING TO ME. I'M BABBLING ON. I'M SORRY. YOU'RE WONDERFUL TO LISTEN TO ME, LOVE LADY. CHRIS: ARE YOU A FAN? TONI: WELL, TO BE PERFECTLY FRANK, I -- I WASN'T. BUT I AM NOW. CHRIS: SO SWEET. [DOOR OPENS] TONI: OH, MAMA. ETTA MAE: HEY. TONI: HAVE YOU MET THE LOVE LADY? ETTA MAE: NO. WHERE IS SHE? TONI: RIGHT HERE. ETTA MAE: OH, NO, NO, NO, I HAVEN'T. I -- WELL -- CHRIS: IT'S MY PLEASURE. ETTA MAE: YES. IT'S VERY NICE TO MEET YOU. CHRIS: WELL, LADIES, I HAVE TO RUN. TONI: OH. WELL, IT WAS WONDERFUL TALKING WITH YOU, AND I HOPE I SEE YOU AGAIN. CHRIS: OH, I'M SURE YOU WILL. TONI: OK. CHRIS: [NORMAL VOICE] OH. LILA: SOMEBODY, HELP! I'M HAVING A BABY IN HERE! MATT: HEY, HEY, HEY, HEY. LISTEN, IT'S PROBABLY NO USE. WE'RE BETWEEN FLOORS. AND BETWEEN THE MUSIC AND THE CROWDS, NOBODY CAN HEAR US. LILA: I KNEW WE WERE TRAPPED. I KNEW IT. MATT: HEY, HEY, HEY, YOU CAN'T THINK LIKE THAT. ALL RIGHT? LILA: EVERY TIME WE HAVE A CONTRACTION, MATT, IT GETS HARDER TO BE OPTIMISTIC. MATT: IT'S ALL RIGHT. IT'S ALL RIGHT. LOOK, SOMEBODY'S GOING TO NEED THIS ELEVATOR SOONER OR LATER. AND WHEN THEY DO, THEY'RE GOING TO FIND OUT IT'S STUCK. FELICIA: EXCUSE ME. WAITER: WOULD YOU LIKE A STUFFED SHRIMP? FELICIA: WELL, NORMALLY, YOU COULD OFFER ME ALMOST ANYTHING. BUT RIGHT NOW I'M TRYING TO FIND MR. STARK. YOU WOULDN'T HAPPEN TO KNOW WHERE HIS OFFICE IS? WAITER: I'M SORRY. I'M JUST HIRED FOR TONIGHT. FELICIA: OH, SUCH A PITY. WELL, I'LL JUST HAVE TO FIND HIM MYSELF, WON'T I? THANK YOU SO MUCH. LILA: OH. MATT: OH, WOW. LILA: OH. DOES THAT MEAN THE ELEVATOR'S WORKING AGAIN? MATT: YEAH, BUT WE'RE STILL NOT MOVING. YOU WANT TO GET UP? LILA: YEAH. MATT: OK. ALL RIGHT, ALL RIGHT. LILA: NO, WE'RE NOT MOVING. MATT: ALL RIGHT, ALL RIGHT. LILA: OH. MATT: Ok, Ok. LILA: OH. MATT: ALL RIGHT. I THINK THIS MEANS SOMEONE'S SOON GOING TO FIND OUT THAT WE'RE IN HERE. Ok. All right. LILA: OH! MATT: IT'S ALMOST OVER, LILA. IT'S ALMOST OVER. LILA: I CAN'T! I CAN'T DO THIS. MATT: YES, YOU CAN. LILA: OH! MATT: YES, YOU CAN. LILA: OH! I CAN'T, I CAN'T! I CAN'T TAKE THIS. MATT: DO YOUR BREATHING. DO YOUR BREATHING. DO YOUR BREATHING. LILA: I CAN'T BREATHE. I HATE THE BREATHING. MATT: YOU HAVE TO BREATHE, LILA. YOU HAVE -- LILA: OH, OH! WHAT I NEED IS A BED AND A HOSPITAL AND SOME SHEETS. OH! MATT: I WISH THERE WAS AN EMERGENCY PHONE. LILA: OH. MATT: THAT'S WHY I GAVE YOU THAT CELL TO BEGIN WITH, SO YOU'D HAVE IT FOR EMERGENCIES JUST LIKE THIS. YOU SHOULD HAVE NEVER STOPPED CARRYING IT. LILA: I DIDN'T. MATT: WHAT? LILA: OH. OH! MATT: WHY DIDN'T YOU SAY SOMETHING BEFORE? LILA: OH. I'M IN MAJOR PAIN HERE. MATT: YOU GOT A WHOLE MAKEUP COUNTER HERE. LILA: OH. OH. PLEASE. CALL MY DOCTOR. TELL HIM I WANT DRUGS. MATT: I'M CALLING 911, LILA. MATT: I'M CALLING 911, LILA. [LILA GROANS] MATT: DAMN. WE'RE OUT OF RANGE. LILA: OH. HOW CAN 911 BE OUT OF RANGE? MATT: WHEN YOU'RE BETWEEN FLOORS, LILA, EVERYTHING'S OUT OF RANGE. LILA: CALL CASS. CALL CASS. OH, GOD. TRY HIM. MATT: YOU THINK HE BROUGHT HIS CELL PHONE? LILA: ARE YOU KIDDING? WE'RE TALKING ABOUT CASS HERE. YOU THINK HE WOULDN'T KEEP TRACK OF SOME FOOL THAT DOESN'T KEEP TRACK OF HIS BILLABLE HOURS? MATT: OK, ALL RIGHT. LILA -- WHAT'S HIS NUMBER, LILA? WHAT'S HIS NUMBER? DENISE: WHAT DO YOU SAY WE FIND A PLACE TO BE ALONE? CASS: I SAY GOOD IDEA. [TELEPHONE RINGS] MATT: IT'S RINGING. IT'S RINGING, LILA. LILA: OH. OH. OH, ANSWER IT, CASS. PLEASE ANSWER. [RING] DENISE: YOU'RE NOT GOING TO ANSWER IT? CASS: IT'S PROBABLY JUST BUSINESS. DENISE: BUSINESS CAN WAIT. I CAN'T. [TELEPHONE SHUTS OFF] MATT: DAMN IT. LILA: OH, WHAT HAPPENED? MATT: THE LINE WENT DEAD. LILA: OH. TRY AGAIN. MATT: NO, I CAN'T. THE POWER'S GONE. LILA: GOD! OH, GOD, THIS CAN'T BE HAPPENING! MATT: LILA, EVERYTHING IS GOING TO BE OK. I'M GOING TO GET US OUT OF HERE. LILA: NO, IT'S NOT. MY BABY'S GOING TO BE BORN IN AN ELEVATOR. I'M GOING TO HAVE TO NAME HIM OTIS! OH! MATT: IT'S ALL RIGHT, LILA. WE STILL GOT SOME TIME. LILA: OH. OH. OH, GOD! MATT: OK, OK. LILA: I DON'T THINK OUR BABY THINKS SO. MATT: OK, ALL RIGHT. LILA: HERE WE GO AGAIN. MATT: ALL RIGHT. YOU DO YOUR BREATHING. DO YOUR BREATHING. [LILA SCREAMS] MATT: IS IT OVER? LILA: OH. MATT: ALL RIGHT? YOU OK? LILA: HOW'S IT GOING TO BE OK UNTIL I KNOW MY BABY IS OK? MATT: HEY, FIRST OF ALL, IT'S OUR BABY, AND I'M GOING TO MAKE SURE IT'S OK. NOW, YOU JUST TRY AND RELAX UNTIL THE NEXT ONE COMES, OK? LILA: OH. OH. MATT: CAN ANYBODY HEAR US? CASS: WHOA! WHOA! DENISE: I TOLD YOU IT WAS NICE AND DESERTED. CASS: OH. SOMEBODY COULD WALK IN. DENISE: I DOUBT WE'LL NOTICE. CASS: MMM. MATT: HELP! DENISE: WHAT'S WRONG? CASS: OH, I WAS JUST WONDERING -- WHAT SUDDENLY MADE YOU SO INTERESTED? DENISE: THERE'S NOTHING AS SEXY TO ME AS A MAN THAT'S IN LOVE WITH ANOTHER WOMAN. CASS: OH, I'M NOT IN -- DENISE: NOTHING. MATT: [MUFFLED VOICE] CAN ANYBODY HEAR US? CASS: DID YOU HEAR THAT? DENISE: NO, AND NEITHER DID YOU. MATT: HELP! DENISE: WHAT NOW? CASS: IT'S COMING FROM OVER HERE. MATT: CAN ANYBODY HEAR US? CASS: DON'T YOU HEAR THAT? DENISE: I DO. WAT DID THEY SAY? CASS: I DON'T KNOW, BUT IT'S COMING FROM UP ABOVE. MATT: HELP! CASS: MATT CORY? MATT: I'M STUCK IN THE ELEVATOR! WE'RE STUCK IN BETWEEN FLOORS! CASS: I'LL GET YOU HELP! MATT: HURRY! LILA'S WITH ME. SHE'S IN LABOR! CASS: OH, MY GOD. STAY PUT! HANG ON! I'LL GET SOME HELP! AND DON'T PANIC! JUST LEAVE THAT TO ME. OH, DENISE. I'M SORRY. BYE. FELICIA: I DON'T UNDERSTAND WHAT'S GOING ON HERE. I'VE JUST SPENT ALL THIS TIME TRYING TO GET AN ELEVATOR TO WORK SO I COULD GO FIND STARK. AND NOW YOU'RE TELLING ME, ALL OF A SUDDEN, TYRONE DOESN'T REMEMBER ANYTHING? JOE: YEAH, THAT'S WHAT HE SAYS. FELICIA: I DON'T BELIEVE IT. JOE: IT MAKES NO SENSE TO ME, EITHER. LISTEN, I'M GOING TO CALL YOU IF I FIND OUT ANYTHING, OK? FELICIA: WELL, WAIT, WAIT. NO. DON'T YOU THINK WE OUGHT TO GO AND TRY TO FIND STARK? JOE: WHAT IS THIS "WE"? FELICIA: WELL, I'M AN IMPORTANT PART OF THIS CASE. JOE: FELICIA, AS FAR AS I KNOW, THERE IS NO CASE. FELICIA: JOE! JOE: WHAT? FELICIA: I THINK THERE IS. JOSIE: HI. OH. JOE: JOS, HEY. GARY: SORRY WE'RE LATE, GUYS. DID WE MISS ANYTHING? PAULINA: YOU DON'T EVEN WANT TO KNOW. RACHEL: YOU TWO LOOK LIKE YOU RAN THE MARATHON. JOSIE: WE HAD TO TAKE THE STAIRS. THE ELEVATOR'S OUT. FELICIA: OH, YOU SEE. I TOLD YOU. JOE: I KNOW. YOU SAID THAT. CASS: JOE! PAULINA: JOSIE -- JOE: YEAH? CASS: THANK GOODNESS YOU'RE STILL HERE. JOE: WHY? WHAT'S THE MATTER? CASS: IT'S LILA AND MATT. RACHEL: ARE THEY ALL RIGHT? CASS: THEY'RE STUCK IN THE ELEVATOR. RACHEL: OH, MY GOD. CASS: AND THEY'RE ABOUT TO BE VISITED BY A THIRD PARTY. RACHEL: HUH? [GASPS] JOE: SHE'S GOING TO HAVE THE BABY? CASS: YES, YES. COME ON. LET'S GO FIND THEM, GET THEM OUT OF THERE. RACHEL: OH, LILA. FELICIA: GIVE IT TO ME. RACHEL: SHE NEVER DOES ANYTHING RIGHT. FELICIA: LET'S GO, LET'S GO. GARY: I'M GOING TO HELP HER OUT. JOSIE: OH, ME, TOO. GARY: NO, NO, NO. YOU'RE NOT GOING TO BE ANY HELP TO US IN THAT COSTUME, OK? SO I'LL KEEP YOU IN TOUCH. PAULINA: I NEVER THOUGHT I'D HEAR MYSELF SAY THIS, BUT POOR LILA. I CAN'T IMAGINE ANYBODY HAVING A MORE COMPLICATED PREGNANCY. JOSIE: YEAH. I CAN'T IMAGINE, EITHER. AMANDA: DO YOU KNOW WHAT I'D LIKE? CAMERON: I THINK YOU ALREADY TOLD ME. AMANDA: NO, NO. LET'S -- ASIDE FROM THAT. I WOULD LIKE SOME MORE CHAMPAGNE. CAMERON: OH, WITH PLEASURE. AMANDA: THANKS. CAMERON: I WAS WONDERING WHY YOU GUYS WERE RUNNING SO LATE. ARE YOU OK? JOSIE: I ALMOST HAD A CLOSE CALL WITH GARY. I CAN'T KEEP LYING LIKE THIS TO HIM. CAMERON: HOW'S THE MORNING SICKNESS? JOSIE: OH. IMAGINE BEING HUNG OVER, JET LAG, AND CAR SICK ALL AT THE SAME TIME. CAMERON: I WISH I COULD HELP. JOSIE: YEAH, WELL, WE PROBABLY SHOULDN'T BE SEEN TALKING TOGETHER. AMANDA MIGHT SEE US. CAMERON: IN AN HOUR I'LL MEET YOU BY THE RAILING? JOSIE: MAKE SURE NOBODY SEES YOU. CAMERON: I TRAINED AT QUANTICO. REMEMBER? JOSIE: HMM. GARY: IT'S ALL SHOT. THE WIRING'S ALL SHOT. JOE: YEAH, WE'RE GOING TO HAVE TO GET AN ELECTRICIAN FOR THIS. WE CAN'T DO THIS. CASS: LET'S BLAST THE DOORS OPEN, FOR GOD'S SAKE. JOE: CASS, WE'RE DOING EVERYTHING WE CAN RIGHT NOW, OK? RACHEL: SHE'S HAVING A BABY. COME ON. PAULINA: I JUST SPOKE TO MAINTENANCE. RACHEL: ARE THEY SENDING SOMEBODY OVER? PAULINA: THEY SAID IT WOULD TAKE A WHILE AT THIS HOUR. CASS: WE DON'T HAVE A WHILE. THE BABY HAS HIS OWN AGENDA. RACHEL: MATTHEW DOESN'T KNOW ANYTHING ABOUT DELIVERING A BABY, NOT IN AN ELEVATOR. CASS: OH, IT CAN BE DONE. I MEAN, CHARLIE WAS BORN IN AN ELEVATOR, AND I WAS -- FELICIA: NO, CASS, PLEASE. CASS: WHAT IF I SHINNY DOWN THE -- FELICIA: NO. CASS: THE SHAFT SOMEHOW? I MEAN, I'VE BEEN IN THIS SITUATION BEFORE. JOE: CASS, THIS IS A 30-STORY DROP WE'RE TALKING ABOUT. ONE WRONG SHINNY AND YOU'RE NO GOOD TO ANYBODY. FELICIA: PLEASE -- PLEASE DON'T DO THIS, OK? PLEASE. CASS: SHH. 30 STORIES, HUH? OH, GOD, I'LL DO IT. FELICIA: NO. SOFIA: ONCE THE BABY'S BORN, I'LL MARRY HIM. ZAK: SOFIA, I WOULDN'T COUNT ON THAT. SOFIA: WHY DO YOU KEEP SAYING THAT, LIKE YOU KNOW SOMETHING I DON'T? MARLEY: I NEVER MEANT TO LIE TO YOU ABOUT MY NAME. IT'S JUST THAT WHEN YOU MET ME, I WAS IN SUCH BAD SHAPE I JUST DIDN'T WANT YOU TO KNOW THE TRUTH, SO I MADE UP SOME THINGS. TYRONE: OH, SO, WHAT ARE YOU TELLING ME? YOU MADE THOSE THINGS UP ABOUT LOVING ANOTHER MAN, A MAN WHO'S IN LOVE WITH ANOTHER WOMAN? MARLEY: IT'S NOT THE WAY YOU THINK. TYRONE: OH, COME ON. HOW GULLIBLE DO YOU THINK I AM? YOU MEANT EVERY WORD. YOU WERE TALKING ABOUT YOUR OWN SISTER'S HUSBAND. MARLEY: I KNOW -- TYRONE: THAT'S WHY YOU DIDN'T WANT ME TO KNOW WHO YOU REALLY WERE BECAUSE YOU WERE AFRAID I'D GIVE YOU AWAY. MARLEY: I KNOW IT SEEMS THAT WAY TO YOU, BUT IT'S -- TYRONE: COME ON! STOP TALKING TRASH AND START TELLING ME THE TRUTH, MARLEY! MARLEY: PLEASE, DON'T -- TYRONE: NOW, WHAT ARE YOU REALLY UP TO? MARLEY: DON'T TALK TO ME LIKE THAT. TYRONE: YEAH, WELL, I DON'T LIKE BEING USED. MARLEY: I WAS NEVER TRYING TO USE YOU. TYRONE, YOU ARE MY FRIEND. IF IT HADN'T BEEN FOR YOU, I'D PROBAB-- PROBABLY WOULDN'T EVEN BE ALIVE RIGHT NOW, SO PLEASE, PLEASE DON'T TURN ON ME. TYRONE: WHY DON'T YOU TRY TELLING THE TRUTH? NOW, WHAT, ARE YOU IN TROUBLE OR SOMETHING? MARLEY: YES. TYRONE: YEAH, WELL, WHAT KIND OF TROUBLE? MARLEY: LEGAL. LEGAL -- LEGAL TROUBLE, SOMETHING I CAN'T HANDLE BY MYSELF, AND I'VE HEARD YOU'RE A VERY GOOD ATTORNEY. WILL YOU HELP ME? TYRONE: WELL, IF I CAN. MARLEY: THIS -- THIS STUPID EVENING BAG. I CAN'T EVEN FIT A WALLET -- HERE, HERE. TYRONE: WAIT. WHAT IS THIS? A RETAINER? MARLEY: YES. YES, IT'S A RETAINER, SO NOW YOU'RE MY ATTORNEY, RIGHT, OFFICIALLY. TYRONE: YEAH. ALL RIGHT, NOW, TELL ME -- WHAT KIND OF TROUBLE ARE YOU IN? MARLEY: WELL, THERE'S NOT MUCH TO TELL, NOT YET. TYRONE: WAIT A MINUTE, WAIT A MINUTE. YOU JUST SAID THAT YOU WERE IN TROUBLE. MARLEY: WELL, I'M NOT. I MEAN, I WILL -- I MIGHT BE IN TROUBLE, OK? AND WHEN I AM, THEN YOU'LL BE ON MY SIDE. BUT IN THE MEANTIME, YOU'RE MY LAWYER SO YOU CAN'T TELL ANYBODY ANYTHING I'VE EVER TOLD YOU. CAN YOU? TYRONE: YOU'RE NOT IN ANY TROUBLE. YOU JUST WANT TO KEEP ME QUIET FROM TELLING JAKE AND VICKY. MARLEY: NO. I WAS NOT TRYING TO TRICK YOU OR ANYTHING LIKE THAT. TYRONE: OH, COME ON! LIKE HELL YOU WEREN'T! MARLEY: NO, I JUST -- I JUST FEEL AWFUL ABOUT THE WAY THAT I FELT. TYRONE: OH, SO, YOU'RE TELLING ME YOU DON'T FEEL THAT WAY ANYMORE? MARLEY: NO. I LOVE VICTORIA, AND I WANT HER AND JAKE TO BE VERY HAPPY. TYRONE: REALLY? MARLEY: I'M OVER JAKE. I'M OVER HIM, AND I'VE TOLD THEM THAT. I SWEAR TO YOU, TYRONE, I'VE CHANGED. YOU HAVE TO BELIEVE ME. TYRONE: I'M SORRY, MARLEY. I DON'T. MARLEY: NO! WHERE ARE YOU GOING? TYRONE: I'M GOING TO FIND JAKE AND VICKY. I'M GOING TO TELL THEM EVERYTHING. MARLEY: ALL RIGHT, ALL RIGHT. IT'S TRUE. I'M IN LOVE WITH JAKE, BUT I HATE MYSELF FOR IT. OK? I'M -- I'M IN THERAPY. I'M TRYING TO GET HELP, BUT IT'S LIKE -- IT'S LIKE THIS OBSESSION. AND IF JAKE AND VICKY EVER FOUND OUT, I JUST WOULDN'T WANT TO GO ON LIVING, AND I'M -- I WOULD END UP DOWN AT THE PIER AGAIN OR SOMETHING, AND MAYBE THIS TIME THERE WOULDN'T BE ANYONE THERE TO STOP ME. YOU WOULDN'T WANT THAT, WOULD YOU? TYRONE: NO, OF COURSE NOT. MARLEY: THEN PLEASE DON'T. DON'T TELL JAKE AND VICKY. AND I'M NOT ASKING YOU AS MY LAWYER. I'M ASKING YOU AS MY FRIEND. AND I KNOW YOU'VE BEEN MY FRIEND BECAUSE, IF YOU WEREN'T, YOU COULD NEVER HAVE BEEN SO KIND TO ME. PLEASE BE KIND TO ME AGAIN. I'M BEGGING YOU, TYRONE. PLEASE. JAKE: TYRONE, MARLEY. IT'S GOOD TO SEE YOU ALL HAVE MET OFFICIALLY. TYRONE: YES. VICKY: TYRONE, WE'D LIKE TO SPEAK TO YOU. MARLEY: DO -- DO YOU -- DO YOU NEED ME TO GO? I CAN GO. JAKE: NO, I THINK YOU SHOU STAY. I DEFINITELY WANT YOU HERE WHEN WE DO THIS. SO, TYRONE, LITTLE LADY SAYS THAT YOU ALL MET FIRST TIME WHEN SHE WAS JUMPING OFF A PIER AND YOU STOPPED HER. VICKY: SHE SAID THAT SHE TOLD YOU HER NAME WAS MARLEY BUT YOU HEARD HER WRONG AND THOUGHT SHE SAID MARNIE. JAKE: AND SHE DIDN'T WANT TO CORRECT YOU BECAUSE SHE THOUGHT YOU KNEW WHAT SHE WAS ABOUT TO DO. TYRONE: YEAH. I FOUND OUT MARLEY'S REAL NAME TONIGHT. VICKY: TYRONE, YOU DON'T THINK THAT THERE WAS ANYTHING ELSE GOING ON, THAT MAYBE THERE WAS SOME OTHER REASON THAT MARLEY WANTED YOU TO THINK SHE WAS SOMEONE ELSE? TYRONE: YEAH. THERE COULD BE ANOTHER REASON. JAKE: WHAT REASON? TYRONE: WELL, IT WAS AFTER HER ACCIDENT. SHE WAS COPING WITH HER NEW FACE, THE SCARS. AND I WAS A STRANGER. SO SHE SAW ME AS A CHANCE FOR A FRESH START. JAKE: ALL RIGHT. WHAT ABOUT AFTER THAT? WHAT ABOUT AFTER THAT WHEN SHE KNEW WHO YOU WERE? TYRONE: YEAH, BUT BY THEN, IT WAS TOO LATE BECAUSE SHE WAS TOO EMBARRASSED TO TELL THE TRUTH. JAKE: ARE YOU SURE THAT'S ALL IT WAS? TYRONE: YEAH. AS FAR AS I KNOW. VICKY: THANKS FOR YOUR HELP, TYRONE. AND I'M SORRY IF WE MADE YOU FEEL UNCOMFORTABLE. MARLEY: I'M -- I'M SORRY FOR THE WAY I'VE ACTED AND THE THINGS I'VE DONE THAT MIGHT HAVE MADE YOU FEEL LIKE YOU HAD TO ASK. JAKE: WELL, WHY DON'T WE GO, VICKY? I THINK YOU'VE BEEN THROUGH ENOUGH FOR ONE NIGHT. VICKY: WELL, YEAH. I GUESS I'D BE LYING IF I SAID I WASN'T PRETTY ANXIOUS TO GET BACK TO MY OWN BED AND JUST -- JUST FORGET THIS NIGHT EVER HAPPENED. JAKE: OH, I DON'T THINK YOU'RE GOING TO FORGET TONIGHT HAPPENED. I DON'T THINK YOU'RE GOING TO FORGET IT FOR A LONG, LONG TIME. GOOD NIGHT. VICKY: GOOD NIGHT. TYRONE: GOOD NIGHT. MARLEY: I -- I DON'T KNOW HOW TO THANK YOU. TYRONE: YEAH, WELL, DON'T THANK ME JUST YET, MARLEY. BECAUSE IF I FIND OUT YOU'VE DONE ANYTHING -- AND I MEAN ANYTHING TO HURT JAKE OR VICKY, THEN BELIEVE ME -- MARLEY: NO, I SWEAR I WON'T. I SWEAR IT TO YOU, TYRONE. YOU BELIEVE ME, DON'T YOU? TYRONE: AFTER TONIGHT, I DON'T KNOW WHAT TO BELIEVE. ALL I KNOW IS EITHER I IMAGINED BRINGING DONNA HERE TONIGHT OR SOMEHOW SHE SWITCHED PLACES WITH FELICIA, AND I DON'T KNOW WHICH ONE IT IS. MARLEY: WELL, IF YOU DON'T KNOW, THEN WHO DOES? MAN: YOU'LL FIND OUT SOON ENOUGH, MARLEY. AND WHEN YOU DO, YOU'LL KNOW THAT I DID IT ALL TO HELP YOU. NOW YOU OWE ME. AND WHEN THE TIME IS RIGHT, I WILL COLLECT. JOE: ALL RIGHT. THAT FEEL SECURE? CASS: DOES THE ROPE? YES. DO I? THAT'S ANOTHER STORY. JOE: COME ON. GARY: HERE, YOU'LL NEED THESE. CASS: ARE THERE TRANQUILIZERS IN HERE? JOE: COME ON, CASS. LILA CAN'T HAVE TRANQUILIZERS. CASS: I MEANT FOR ME. JOE: LOOK, YOU'RE GOING TO BE FINE, OK? NOW, LISTEN UP. WE'RE GOING TO LOWER YOU DOWN TO THE TOP OF THE CAR, OK? THEN YOU GOT TO GO IN AND HELP MATT AND LILA. CASS: JOE, IT'LL BE ALL RIGHT. JOE: YEAH. CASS: I SUPPOSE IT WOULD LOOK REALLY BAD IF I BACKED OUT NOW. FELICIA: YOU -- YOU DID THIS FOR CHARLIE. AS MUCH AS I HATE TO SAY THIS, YOU CAN DO THIS. CASS: I LOVE YOU. FELICIA: BE CAREFUL. CASS: THANKS. OK. JOE: OK? CASS: LET ME GET STARTED, AND YOU CAN HAND THIS DOWN, ALL RIGHT? JOE: OVER THE TOP. CASS: ALL RIGHT, I'M READY TO GO. LET HER RIP. JOE: ALL RIGHT? GARY: GOOD LUCK. CASS: OR IS THAT AN UNFORTUNATE TURN OF PHRASE? FELICIA: GOOD LUCK. JOE: DON'T USE THAT ONE. CASS: OK, GIVE ME A LITTLE MORE LEAD. GARY: WATCH IT, JOE. JOE: I GOT HIM, I GOT HIM. READY? OK. SOFIA: IS IT TRUE MATT'S TRAPPED IN THE ELEVATOR? RACHEL: YES, HE IS. SOFIA: WELL, IS HE ALL RIGHT? RACHEL: YES, MATTHEW'S ALL RIGHT. SOFIA: WHAT'S HAPPENED? YOU GUYS LOOK VERY WORRIED. WHAT'S HAPPENING? PAULINA: IT'S LILA AND THE BABY. SOFIA: THE BABY? RACHEL: LILA'S IN THERE, AND SHE'S GONE INTO LABOR. PAULINA: SHE'S JUST LUCKY MATT'S WITH HER. SOFIA: YEAH. LUCKY. OH. MAN: BYE. [LAUGHTER] CHRIS: ETTA MAE? HAVE YOU SEEN -- [APPLAUSE] TONI: PLEASE, THERE'S NOTHING TO SEE HERE. EVERYTHING'S GOING TO BE FINE. ENJOY THE PARTY. YOU HAVE A BEAUTIFUL DRESS. OK. CHRIS: HEY, LADY T. TONI: HI. CHRIS: CAN WE TALK? TONI: I'M SORRY, HONEY, I'M BUSY. MAYBE ANOTHER TIME, HUH? CHRIS: COME ON, TONI. IT'LL ONLY TAKE A COUPLE SECONDS. PLEASE? TONI: SO, WHAT'S YOUR EXCUSE GOING TO BE THIS TIME? YOU WERE BUSY. IT WAS JAKE. IT WAS PAPERWORK. CHRIS: I WAS TRYING -- YOU KNOW WHAT? LET'S JUST QUIT THE GAMES, AND THE TRUTH OF THE MATTER IS YOU ARE THE MOST IMPORTANT THING TO ME IN THE ENTIRE WORLD. AND I WOULD RATHER LAY DOWN AND DIE THAN DO ANYTHING TO HURT YOU. I MESSED UP, AND I'M SORRY. AND I WAS HOPING MAYBE WE COULD JUST FORGET ABOUT TONIGHT AND, I DON'T KNOW, START OVER? CHRIS: WHAT WAS THAT FOR? TONI: YOU DIDN'T THINK I'D RECOGNIZE MY OWN WORDS? WHAT, WERE YOU EAVESDROPPING ON MY CONVERSATION WITH THE LOVE LADY? CHRIS: NO, TONI, IT WASN'T EVEN LIKE THAT. I WAS SERIOUSLY TRYING -- TONI: OK, HOLD ON. STOP. STOP! STOP. TAKE SOME ADVICE FROM THIS LOVE LADY. TRY TO BE A LITTLE MORE SINCERE NEXT TIME. AND, OH, PLEASE, STAY OUT OF THE LADIES ROOM. IT'S REALLY NOT BECOMING FOR A MAN LIKE YOU. JOSIE: EMPTY. THANK GOD. AMANDA: I NEED TO ASK YOU A QUESTION. JOSIE: NOW? AMANDA: WHAT WERE YOU AND CAMERON TALKING ABOUT BEFORE? JOSIE: HE SAID HELLO, I SAID HELLO BACK. THAT'S ALL, OK? NOTHING TO WORRY ABOUT. YOU CAN GO. AMANDA: I WAS WATCHING YOUR FACE AND HIS. IT WAS A LOT MORE THAN "HELLO." JOSIE: RIGHT. HE ALSO ASKED ME HOW I WAS. OK, AMANDA? PLEASE. YOU CAN GO NOW. AMANDA: WHY ARE YOU TRYING SO HARD TO GET RID OF ME? WHAT ARE YOU HIDING NOW, JOSIE? MATT: WHAT CAN I DO, LILA? WHAT CAN I DO TO MAKE THIS EASIER FOR YOU? LILA: OH, JUST TELL ME IT'S GOING TO BE OK, THAT NOTHING BAD IS GOING TO HAPPEN TO -- MATT: OK. OK. [CRASHING NOISE] [LILA SCREAMS] LILA: OH, WE'RE GOING TO FALL! MATT: NO, NO, NO, NO. [LILA SCREAMS] MATT: NO, SOMEONE JUST LANDED ON THE ROOF. THEY SENT SOMEONE TO GET US. HELLO, IS ANYONE UP THERE? CASS: YEAH, IT'S ME. LILA: OH, CASS. CASS: HANG ON, HONEY. LILA: OH, CASS. CASS: HANG ON. I'M GOING TO TRY AND GET IN THERE. I JUST GOT TO GET THIS PIECE OF CEILING OFF. MATT: I ALREADY TRIED IT. IT'S -- LILA: CASS! PLEASE HURRY, CASS! CASS: I'M TRYING, HONEY. [CASS GROANS] MATT: YOU WON'T BE ABLE TO FIT THROUGH THERE, CASS. CASS: NO. THAT'S THE BEST I CAN DO. HERE. HERE'S SOME SUPPLIES. MATT: OK. CASS: GOT IT, MATT? MATT: OK, ALL RIGHT. I GOT IT. CASS: HOW YOU DOING, SUGAR? LILA: I'M JUST PEACHY. I'M ABOUT TO HAVE MY BABY IN A STINKING ELEVATOR. HOW DO YOU THINK I AM? CASS: IT CAN BE DONE. LILA: OH, NO. NO. THAT'S EASY FOR YOU TO SAY BECAUSE YOU HAVEN'T DONE IT. CASS: AS A MATTER OF FACT, I HAVE. CHARLIE WAS BORN IN AN ELEVATOR. MATT: OK. CASS: SHE CAME OUT JUST FINE. SO DID HER MOTHER. MATT: ALL RIGHT. LILA: ARE YOU JUST SAYING THAT TO MAKE ME FEEL BETTER? CASS: NO, NO, NO, IT'S TRUE. LILA, LOOK AT ME. MATT: OK. CASS: I'M GOING TO GET YOU THROUGH THIS, JUST LIKE I DID WITH FRANKIE. MATT: ALL RIGHT. LILA: OH, NO! CASS and MATT: OK. MATT: ALL RIGHT. IT'S ALL RIGHT, LILA. LILA: NO! CASS: OK, BREATHE THROUGH IT. DO YOUR BREATHING. LILA: OH, NO! CASS: JUST VISUALIZE, HONEY. PICTURE YOURSELF IN A WARM, COZY PLACE. LILA: YOU'VE GOT TO BE KIDDING! CASS: YOU CAN DO IT, LILA! [LILA CRIES] CASS: THINK OF THE LAST TIME YOU WERE REALLY, TRULY HAPPY. MATT: BREATHE, BREATHE. CASS: DO I HAVE TO DRAW YOU A MAP? I LOVE EVERY PREGNANT INCH OF YOU. LILA: OH, MY GOD. I DON'T THINK YOU'RE KIDDING. CASS: DOES THIS FEEL LIKE I'M KIDDING? LILA: THAT ISN'T HELPING! CASS: OK, WE'LL TRY SOMETHING ELSE. MATT: OK. YOU'RE ALL RIGHT. LILA: NO, OH. FORGET IT. I GOT TO PUSH. MATT. I'VE GOT TO PUSH. THE BABY'S GOING TO COME. MATT: OH, GOD. CASS: EASY, LILA. LILA: OH. CASS: OK. THAT'S A GIRL. LILA: OH! MATT: MY BABY'S COMING INTO THIS WORLD. [CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]