[CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] MATT: IS THE BABY ALL RIGHT? RACHEL: WE DON'T KNOW ANYTHING. WE ONLY KNOW THAT LILA WANTED YOU TO BE THERE. MATT: I NEVER SHOULD'VE LEFT. I SHOULD'VE STAYED RIGHT HERE WITH HER. WHERE IS MY WATCH? RACHEL: IT'S RIGHT OVER THERE. MATT: OH, THIS THING -- THIS THING IS A JOKE. I BOUGHT THIS FOR THIS EXACT REASON. THEY TOLD ME IT WAS RELIABLE. WAIT A MINUTE. WHERE'S THE -- DID YOU DO THIS? LILA: PROBLEM? WHAT KIND OF PROBLEM? WHAT KIND OF -- CASS? CASS, COME HERE. THERE'S A PROBLEM. THERE'S A PROBLEM WITH THE BABY. DOCTOR: YOUR BABY IS FINE, LILA. LILA: BUT YOU JUST TOLD ME -- DOCTOR: HE SHIFTED AROUND SINCE YOUR LAST EXAMINATION. HE'S IN BREECH POSITION NOW. CASS: WOULD THAT EXPLAIN THE LACK OF MOVEMENT? DOCTOR: NOT NECESSARILY. LILA: OK, THAT MEANS THAT HE'S UPSIDE DOWN AND THE CORD COULD WRAP AROUND HIS NECK. DOCTOR: NORMALLY, BABIES MAKE THEIR ENTRANCE HEADFIRST. BUT SOMETIMES THEY DO A 180 AND COME OUT FEET FIRST OR REAR END FIRST. CASS: DOES THAT MEAN A C-SECTION? LILA: OH. OH, NO, NOT A C-SECTION. YOU KNOW, MATT AND I, WE'VE BEEN DOING ALL THOSE BREATHING EXERCISES. WE REALLY WANTED NATURAL. DOCTOR: IT IS POSSIBLE THAT THE BABY WILL SHIFT AGAIN. BUT IF HE DOESN'T, IN YOUR CASE, THE DELIVERY WILL HAVE TO BE BY CAESARIAN. LILA: NO. NO. THIS ISN'T FAIR. CASS: YOU KNOW, AS A MEMBER OF THE SEX THAT GETS OFF EASY, I THINK THAT NATURAL CHILDBIRTH IS VASTLY OVERRATED. LILA: I DRANK ALL THAT MILK. I DON'T EVEN LIKE MILK. DOCTOR: MISS ROBERTS -- LILA: I MEAN, I DIDN'T EVEN DRINK A DROP OF ALCOHOL. I DID ALL OF MY EXERCISES. DOCTOR: IF YOU'LL JUST LET ME -- LILA: I DON'T UNDERSTAND. WHAT COULD HAPPEN TO MY BABY? YOU'VE GOT ALL THIS TECHNOLOGY. WHY DON'T YOU JUST FIND SOMETHING TO SWITCH THE BABY AROUND THE RIGHT WAY? CASS: LILA, SHUT UP! FOR ONCE IN YOUR LIFE, JUST SHUT UP AND LISTEN. PAULINA: YOU'RE NOT GOING TO TELL NICK WHAT WE FOUND OUT ABOUT REMY, ARE YOU? JOE: THAT ONLY SOUNDS LIKE A QUESTION, RIGHT? PAULINA, REMY HAS A HISTORY OF SCAMMING GUYS. YOU JUST WANT ME TO STEP BACK AND GIVE HER A CLEAR SHOT AT NICK'S BANK ACCOUNT? PAULINA: NOTHING BAD IS GOING TO HAPPEN TO NICK. I HAVE MY EYE ON REMY, AND SHE KNOWS IT. JOE: YOU CAN'T DO THAT 24 HOURS A DAY. AND FROM WHAT I SAW LAST NIGHT, NICK IS IN PRETTY DEEP. PAULINA: ALL RIGHT, JOE, FOR ME? ALL REMY NEEDS IS A BREAK. I'D SWEAR TO IT. JOE: MAN. SHE HIT PAY DIRT WHEN SHE FOUND YOU, HUH? BUT ME, PERSONALLY, I WILL NEVER TRUST THAT PARTICULAR PIECE OF WORK. PAULINA: FINE. BUT YOU'RE NOT GOING TO TELL NICK, RIGHT? JOE: NO, NO, I WON'T SAY A WORD. I TOLD YOU THAT. PAULINA: THANK YOU. JOE: FOR NOW. VICKY: I CANNOT BELIEVE SHE'S BEEN LIKE THIS FOR 24 HOURS. MARLEY: VICKY, YOU MUST -- YOU MUST BE EXHAUSTED. WHY DON'T YOU TAKE A BREAK AND I'LL JUST -- I'LL STAY HERE WITH HER. VICKY: SHE LOOKS SO YOUNG, DOESN'T SHE? SHE WAS JUST A GIRL WHEN SHE HAD US. MOM, COME ON. PLEASE TRY TO WAKE UP. PLEASE TRY. MARLEY: YOU KNOW, WE REALLY SHOULD -- WE SHOULD START TAKING SHIFTS. WHY DON'T YOU GO HOME AND YOU CAN GET A NAP AND TAKE A SHOWER, SPEND SOME TIME WITH THE BOYS, AND I'LL BE HERE WITH DONNA WHEN SHE WAKES UP. JAKE: NO. I DON'T THINK SO. MARLEY: VICKY'S TOTALLY WIPED OUT, JAKE. IT WOULD DO HER GOOD TO GET SOME REST. JAKE: WELL, THE PART I HAVE A PROBLEM WITH IS WITH YOU STAYING WITH DONNA. MARLEY: I DON'T UNDERSTAND. JAKE: I THINK YOU DO. VICKY: JAKE -- JAKE: MARLEY SAYS THAT YOUR MOTHER BACK-FLIPPED OFF THE FRONT PORCH WHEN THEY WERE ALL ALONE. MARLEY: WELL, WHAT -- WHAT ARE YOU TRYING TO SAY, I PUSHED HER OFF THE FRONT PORCH? JAKE: THAT HADN'T OCCURRED TO ME. BUT YOU DID SAY THAT YOU CAME WITH DONNA TO THE HOUSE TO STOP HER FROM DOING WHAT SHE HAD SET HER MIND ON. MARLEY: I'VE BEEN VERY WORRIED ABOUT DONNA. JAKE: DONNA'S BEEN WORRIED ABOUT YOU, AND SHE'S BOTH BEEN WORRIED ABOUT VICKY. YOU KNOW SOMETHING? I DON'T PRETEND TO UNDERSTAND ALL OF WHAT'S GOING ON HERE, BUT WHAT I DO KNOW IS THAT NOBODY UNDERSTANDS DONNA'S POINT OF VIEW. SO IN MY GUT, IT TELLS ME THAT WE SHOULDN'T LEAVE YOU ALONE WITH DONNA WHEN SHE WAKES UP. MARLEY: WELL, I'LL TRY NOT TO TAKE THAT PERSONALLY. VICKY: GUYS, COME ON. COME ON. WE'RE ALL UPSET. LET'S NOT TAKE IT OUT ON EACH OTHER. MARLEY: JAKE'S RIGHT, OK? WE DON'T REALLY KNOW WHY DONNA WAS COMING OVER TO SEE YOU. JAKE: THAT'S FUNNY, MARLEY. I THOUGHT YOU SAID YOU DID. MARLEY: WELL, MY GUESS IS THAT SHE WAS GOING TO MAKE A CONFESSION TO YOU -- A FULL CONFESSION ABOUT THE LETTER THAT SHE WROTE YOU. I BELIEVE THAT'S WHAT I SAID TO YOU BEFORE. I ALSO BELIEVE SHE WAS FINALLY GOING TO ADMIT THAT SHE'D BEEN TRYING TO BREAK BOTH OF YOU UP FOR MONTHS. AND MAYBE DOING WHAT SHE HAD TO DO WAS JUST A LITTLE BIT TOO MUCH FOR HER TO HANDLE. VICKY: MARLEY, WHAT ARE YOU SAYING, THAT SHE -- SHE FELL OFF THE PORCH ON PURPOSE? MARLEY: I KNOW NONE OF IT IS RATIONAL, ALL RIGHT? I GET THAT. BUT DONNA HAS BEEN A WRECK FOR MONTHS. THAT IS MY ENTIRE POINT. SHE'S BEEN A WRECK EVER SINCE MICHAEL DIED. THAT'S PROBABLY WHY SHE FELL. SHE JUST HAD TO TELL YOU THAT SHE TRIED TO KILL YOU AND HIT ME INSTEAD. THE WEIGHT OF EVERYTHING SHE'D DONE IS PROBABLY JUST MORE THAN SHE COULD HANDLE. BUT YOU'RE RIGHT. JAKE, ALL OF THAT IS JUST MY SPECULATION. SO WE'LL HAVE TO WAIT FOR DONNA TO WAKE UP TO FIND OUT WHY SHE WAS REALLY THERE. SO DO YOU -- YOU WANT TO GO GET SOME COFFEE? VICKY: RIGHT NOW? MARLEY: WELL, IF DONNA WOULDN'T WANT TO SEE ME WHEN SHE WAKES UP, THEN IT ONLY STANDS TO REASON THAT SHE WOULDN'T WANT TO SEE YOU, EITHER. VICKY: MARLEY -- MARLEY: WELL, THINK ABOUT IT, VICTORIA. YOU ALREADY KNOW THAT SHE TRIED TO KILL YOU. NOW SHE HAS TO ADMIT TO YOU THAT SHE WROTE SOME LETTER TO JAKE TELLING HIM HOW MUCH I LOVED HIM AND THAT I WAS TRYING TO STEAL HIM AWAY FROM YOU, AND THEN SHE SIGNED MY NAME TO IT. JAKE: GUYS, LOOK. LILA: MY BABY'S IN DANGER AND YOU'RE PICKING ON ME? CASS: OH, LILA, YOU KNOW I NEVER, EVER BUY INTO THAT HELPLESS-WOMAN ROUTINE. LILA: CASS, I'M SCARED. CASS: SCARED, SURE. HELPLESS? NEVER. YOU'RE ONE OF THE STRONGEST WOMEN I'VE EVER MET, ESPECIALLY WHEN IT COMES TO THIS BABY. IF THIS KID NEEDED YOU TO WALK OVER BURNING EMBERS, YOU'D BE ON THE PHONE HOLDING FOR THE BEST PRICE ON LIGHTER FLUID. NO, I'M NOT KIDDING, DOC. YOU MAY BE THE EXPERT ON THIS WOMAN'S ANATOMY, BUT I KNOW WHAT MAKES HER TICK. SHE'S GOT GUTS. IT'S JUST, YOU KNOW, SOMETIMES YOU GOT TO GET HER ATTENTION. LILA: CASS, SHE JUST SAID MY BABY -- CASS: HERE'S A RIDDLE FOR YOU -- WHAT DO WINSTON CHURCHILL, THE ALBERTS -- SCHWEITZER AND EINSTEIN -- AND SHARON STONE ALL HAVE IN COMMON? [IMITATES CLOCK TICKING] CASS: GIVE UP? LILA: OK, WHAT? CASS: THEY WERE ALL BREECH BABIES. LILA: SHARON STONE. OH, COME ON, YOU DON'T EVEN KNOW THAT FOR A FACT, CASS. CASS: BUT I KNOW HOW TO BUILD A CASE. THAT'S WHY I MAKE AS MUCH AS I DO PER HOUR. LILA: WHAT'S GOING TO HAPPEN TO MY BABY? DOCTOR: THERE IS THE POSSIBILITY THAT THE BABY WILL CHANGE POSITION ALL ON HIS OR HER OWN. LILA: REALLY? DOCTOR: AND IF THAT DOESN'T HAPPEN, WE'LL SCHEDULE A C-SECTION. CASS: BUT THE BABY'S OK, RIGHT? DOCTOR: RIGHT. NOW, I WANT TO SEE YOU EVERY FEW DAYS UNTIL DELIVERY JUST AS A PRECAUTION. I WON'T LET ANYTHING HAPPEN TO THIS BABY, LILA, SO STAY CALM AND DON'T PANIC. YOU THINK YOU CAN DO THAT? CASS: I'LL MAKE SURE THAT SHE DOES. THANK YOU, DOCTOR. DOCTOR: MM-HMM. LILA: OH, CASS. CASS: I'LL MAKE SURE THAT SHE DOES. THANK YOU, DOCTOR. DOCTOR: MM-HMM. LILA: OH, CASS. LILA: WILL YOU GET ME A TISSUE? THANK YOU. CASS: HERE YOU GO. LILA: I DON'T KNOW WHY I FREAKED OUT LIKE THAT, YOU KNOW. MAYBE THAT'S JUST HOW A PREGNANT WOMAN ACTS, YOU KNOW, WHEN SHE'S SCARED OUT OF HER WITS. CASS: NICE TRY. LILA: AND WHAT IS THAT CRACK SUPPOSED TO MEAN, HUH? CASS: YOU'RE GOING TO HATE HEARING THIS AND SO YOU'RE GOING TO SAY YOU HATE ME, BUT I DO KNOW YOU. YOU STARTED WAILING BECAUSE YOU FEEL GUILTY ABOUT TRYING TO ROPE MATT INTO MARRYING YOU. LILA: OH, PLEASE. THAT DOESN'T EVEN MAKE ANY SENSE. CASS: WELL, SURE IT DOES. YOU GOT SCARED THE GODS WERE PUNISHING YOU BY TAKING IT OUT ON THE BABY. LILA: I HATE YOU. I REALLY DO HATE YOU. CASS: YEAH, I HATE IT WHEN PEOPLE SEE RIGHT THROUGH ME, TOO. LILA: I REALLY, REALLY DO HATE YOU. CASS: TRANSLATION -- YOU'RE GRATEFUL I WAS HERE WITH YOU. LIKEWISE, SUGAR. MATT: GREAT. NOW I CAN'T FIND MY KEYS. SOFIA: THEY'RE IN MY PURSE, REMEMBER? MATT: RIGHT. WHATEVER. SOFIA: I TOLD YOU I WOULD HOLD THEM FOR YOU. I DON'T BELIEVE IT. YOU'RE LOOKING FOR THE BATTERY? YOU ACTUALLY THINK I'D TAKE IT? MATT: HEY, WAIT A MINUTE. YOU'RE THE ONE WHO SAID TONIGHT THAT YOU WOULD LOVE TO STEAL THAT BATTERY SO LILA COULDN'T BOTHER US. SOFIA: MATT, I WAS JOKING. MATT: HEY, YOU WERE EVEN TICKED OFF THAT I GAVE HER THE BEEPER IN THE FIRST PLACE. SOFIA: I WOULD NOT DO THAT. MATT: ALL RIGHT, LOOK, LOOK, WE CAN'T TALK ABOUT THIS NOW. I WILL CALL YOU LATER. MY MOM WILL MAKE SURE YOU GET A RIDE HOME, ALL RIGHT? ZAK: I'D IMAGINE EVERYONE'S FIGURING OUT THAT MATT'S BEEPER WAS DISABLED. MATT'S PUTTING TWO AND TWO TOGETHER AND REMEMBERING THAT CRACK SOFIA MADE ABOUT WISHING SHE COULD TAKE THE BATTERIES OUT. MAN: SO EVERYTHING IS GOING ACCORDING TO PLAN. ZAK: OH, YEAH. EVERYTHING IS JUST DANDY. JOE: HEY. WE ARE NOT GOING TO LET REMY GET BETWEEN US, ARE WE? PAULINA: THAT ONLY SOUNDS LIKE A QUESTION, RIGHT? JOE: RIGHT. WELL? PAULINA: THIS ISN'T ABOUT REMY, JOE. JOE: WHAT ELSE? PAULINA: YOU SAID YOU WERE GOING TO TRUST MY JUDGMENT. JOE: I'M DOING THAT. PAULINA: "I'M LAYING OFF REMY FOR NOW." WHAT DOES THAT MEAN, "FOR NOW"? JOE: IT MEANS UNTIL SHE SCREWS UP. PAULINA: SEE? THERE YOU GO AGAIN -- "UNTIL." NOT "IF," NOT "IN CASE." "UNTIL." YOU ARE SO SURE THAT YOU'RE RIGHT. THAT IS NOT TRUST, JOE. THAT'S WAITING TO PROVE ME WRONG. JOE: OK, SO I HAVE TO AGREE WITH YOU NOW ON EVERYTHING? TO ME THAT SOUNDS MORE LIKE SUBMISSION THAN TRUST, PAULINA. PAULINA: JOE, I CAN CLOSE MY EYES AND SEE IT, EVEN AFTER ALL THIS TIME -- FOSTER HOMES WHERE ALL THEY CARE ABOUT IS THE GOVERNMENT CHECK, NOBODY ON YOUR SIDE, EVERYBODY HAS AN ANGLE, AND YOU ARE SO ALONE. AND THE ONLY WAY TO SURVIVE IS TO HUSTLE YOUR WAY OUT, JUST LIKE I DID, JOE. JOE: REMY'S NOT IN FOSTER HOMES NOW, AND SHE'S STILL WORKING THE ANGLES. PAULINA: JOE, YOU CANNOT TRUST A PERSON IF THE PERSON HAS NEVER BEEN TRUSTED BEFORE. JOE: OK, AND WHY DO YOU HAVE TO BE THE GUINEA PIG? PAULINA: BECAUSE. AT LEAST WITH ME, REMY KNOWS SHE CAN'T DO AN END RUN. I AM ON TO HER IN MORE WAYS THAN YOU CAN THINK OF. PLEASE DON'T WORRY. PLEASE TRUST ME. PLEASE. JOE: YOU KNOW, IT WAS THE LUCKIEST DAY IN REMY'S LIFE WHEN SHE BUMPED INTO YOU. PAULINA: SEE? YOU DO HAVE SOMETHING IN COMMON. JOE: YEAH, HUH? VICKY: YOU'RE GOING TO BE ALL RIGHT. YOU FELL OFF THE PORCH. DO YOU REMEMBER THAT? I TOLD YOU TO STOP WEARING THOSE HIGH-HEELED SHOES. WHERE'S JAKE WITH THE DOCTOR? MARLEY: DONNA, YOU SCARED ALL OF US. DO YOU -- DO YOU NEED SOMETHING? IS THERE ANYTHING WE CAN GET YOU? IT'S MARLEY AND VICTORIA. DEAR, YOU CAN TALK TO US. GO AHEAD. TALK. TELL US -- I DON'T THINK SHE CAN. I DON'T THINK SHE CAN TALK. SHE'S NOT RESPONDING. SHE CAN'T SAY ANYTHING. SHE'S NOT SPEAKING. IS SHE GOING TO BE ABLE TO SPEAK? DOCTOR: IT'S REALLY TOO SOON TO KNOW. DONNA? DONNA, IF YOU CAN HEAR ME, I'D LIKE FOR YOU TO FOLLOW THIS LIGHT WITH YOUR EYES, OK? DONNA, IF YOU CAN -- THIS ISN'T WORKING OUT. LOOK, I NEED TO EXAMINE HER PRIVATELY. JAKE: ALL RIGHT, WE'LL BE OUTSIDE. MARLEY: BE RIGHT BACK. YOU UNDERSTAND? SHE'S NOT RESPONDING AT ALL. SHE'S NOT SAYING ANYTHING. VICKY: IT'S GOING TO BE OK. WE'RE GOING TO BE -- MARLEY: DONNA? VICKY: WE'RE GOING TO BE RIGHT OUTSIDE. MARLEY: DONNA? JAKE: COME ON, VICKY. MARLEY: SHE'S NOT -- SHE'S NOT SAYING ANYTHING. VICKY: IT'S OK. IT'S OK. MARLEY: I GUESS WE SHOULD BE GRATEFUL THAT SHE WOKE UP AT ALL. WE'LL JUST HAVE TO WAIT AND SEE. VICKY: SHE SQUEEZED MY HAND. MARLEY: WHAT? VICKY: SHE SQUEEZED MY HAND. JAKE: WAIT A MINUTE. YOU SURE ABOUT THAT? VICKY: YEAH, SHE SQUEEZED MY HAND. SHE WAS TRYING TO TELL ME THAT SHE KNEW WHERE SHE WAS AND WHO SHE WAS AND WHO WE WERE AND -- JAKE: YOU GOT ALL THAT FROM HER SQUEEZING YOUR HAND? VICKY: YEAH, ALL THAT. JAKE: GOOD FOR YOU. GOOD. VICKY: SHE'S GOING TO BE OK. MARLEY: WE HAVE TO HOPE THERE'S NO PERMANENT DAMAGE. CASS: NUMBER 10. LILA: OH, NO. CASS: LAST ONE. LILA: NO, I CAN'T. I'M GOING TO DROWN. CASS: COME ON. YOU KNOW IT MAKES IT EASIER TO READ THE SONOGRAM. LILA: OH. CASS: JUST ONE OF THE MANY, MANY, MANY SACRIFICES YOU'RE GOING TO HAVE TO MAKE FOR THIS KID. BOTTOMS UP, BEAUTIFUL. MAKE MY DAY. LILA: YOU ARE STRANGE, YOU KNOW THAT? CASS: YOU AIN'T SEEN NOTHING YET. SAILING, SAILING OVER THE BOUNDING MAIN MATT: I AM SO SORRY. THE BEEPER DIDN'T WORK, OF ALL THINGS. LILA: OH, MATT, THANK GOD YOU'RE HERE. MATT: YOU OK? HOW'S THE BABY? LILA: I WAS SO SCARED. MATT: WHAT HAPPENED? LILA: I -- WELL -- I NOTICED THAT THE BABY HADN'T MOVED IN A DAY OR SO, AND CASS INSISTED THAT I COME OVER HERE. AND IT TURNS OUT THAT THE BABY IS IN BREECH POSITION. MATT: WHAT -- LILA: WHICH MEANS THAT HE'S UPSIDE DOWN, AND IF HE DOESN'T TURN AROUND THEY'RE GOING TO HAVE TO CUT ME OPEN TO GET HIM OUT. MATT: OH, MY GOD. CASS: MATT, C-SECTIONS ARE FAIRLY ROUTINE THESE DAYS. LILA: I KNOW THAT, BUT I HAD MY HEART SET ON HAVING THE BABY COME LIKE WE PLANNED, YOU KNOW, WITH YOU BY MY SIDE DOING THE BREATHING EXERCISES. MATT: HEY, HEY, HEY, I AM HERE RIGHT NOW, AND I'M GOING TO BE HERE FOR A LONG TIME. I'M NOT LEAVING YOU FOR ONE SECOND. SOFIA: WELL, I CALLED A CAB, SO GOOD NIGHT. RACHEL: SOFIA, DO YOU KNOW WHAT YOU'RE GETTING INTO? SOFIA: I -- I DON'T KNOW WHAT YOU'RE TALKING ABOUT. RACHEL: LET'S SIT DOWN AND CHAT FOR A MINUTE. COME ON, YOU'RE WAITING FOR YOUR CAB. YOU HAVE TIME. SOFIA, DID MATTHEW EVER TELL YOU THAT MACKENZIE CORY WAS NOT HIS BIOLOGICAL FATHER? SOFIA: YES. RACHEL: BUT MY HUSBAND LOVED MATTHEW VERY, VERY MUCH. SOFIA: I KNOW. THAT'S WHY MATT'S DETERMINED TO BE JUST AS GOOD A FATHER FOR THIS BABY. RACHEL: YOU'RE DOING IT, TOO. SOFIA: I'M DOING WHAT? RACHEL: WE'RE ALL CALLING IT "THIS BABY." WE'VE GOT TO GET USED TO THE FACT IT'S LILA'S BABY. SOFIA: WELL, MATT HAS BEEN VERY CLEAR WITH LILA. HE'S COMMITTED TO THE BABY AND NOT TO HER. RACHEL: YOU KNOW, I LOVED MACKENZIE CORY VERY, VERY MUCH. BUT WHEN MATTHEW CAME ALONG, WE SEPARATED BECAUSE MAC COULDN'T GET USED TO THE FACT THAT MATTHEW WAS NOT HIS SON. AND SO I WENT BACK TO MATTHEW'S FATHER, AND IT WAS A VERY, VERY PAINFUL TIME FOR ALL OF US. SOFIA: WHY -- WHY ARE YOU TELLING ME THIS? RACHEL: BECAUSE I LIKE YOU AND BECAUSE YOU'VE HANDLED ALL OF THIS WITH GREAT GRACE. AND I DON'T WANT TO SEE YOU HURT. SOFIA: WELL, I'M NOT. HE -- HE HASN'T HURT ME. RACHEL: HE JUST DID. SOFIA: NO, HE -- HE DIDN'T MEAN TO. RACHEL: OF COURSE HE DIDN'T MEAN TO. BUT THAT'S WHAT I'M TALKING ABOUT. IT'S THE BABY. BABIES EXERT A PULL THAT YOU CAN'T EVEN IMAGINE UNTIL YOU HAVE YOUR OWN. AND LILA WILL USE THE BABY TO TRY AND GET CLOSE TO MATTHEW, AND THE BABY MIGHT BRING THEM TOGETHER JUST BY VIRTUE OF THE FACT THAT IT EXISTS. SOFIA: LOOK, I KNOW -- I KNOW THIS IS GOING TO WORK OUT, AND MY ONLY CONCERN RIGHT NOW IS THE BABY. RACHEL: OF COURSE IT IS. AND MATTHEW WILL LET US KNOW IF ANYTHING SERIOUS IS WRONG. SOFIA: WELL, I'LL STOP BY THE HOSPITAL. IT'S ON MY WAY HOME. RACHEL: I DON'T THINK THAT'S A GOOD IDEA. [DOORBELL RINGS] SOFIA: OH, MY CAB. I -- THANK YOU. THANK YOU FOR THE TALK AND -- RACHEL: YOU'RE WELCOME. SOFIA: FOR CARING ABOUT ME. RACHEL: I'LL SHOW YOU OUT. ZAK: HEY, SOFIA -- SOFIA: OH, I GOT TO GO. MY CAB. EXCUSE ME. ZAK: SHE ALL RIGHT? RACHEL: SHE THINKS SHE IS. MARLEY: GLAD THE TWO OF YOU COULDN'T READ MY MIND BECAUSE IT'S LIKE I HAD THIS LITTLE TAPE PLAYING IN THE BACK OF MY HEAD SAYING THAT SHE MIGHT NOT WAKE UP, SHE MIGHT NOT WAKE UP. VICKY: WAS IN THE BACK OF MY MIND, TOO. MARLEY: BUT NOW THAT SHE DID WAKE UP AND SHE HAS SEEN BOTH OF US, MAYBE YOU COULD TAKE A BREAK FOR A WHILE. VICKY: NO, THAT'S ALL RIGHT. I WANT TO WAIT AND TALK TO THE DOCTOR. I WOULD LIKE TO TALK TO THE BOYS, THOUGH. YOU KNOW WHAT? I'LL GIVE THEM A CALL. NURSE: EXCUSE ME. NO CELLULAR PHONES. VICKY: THAT'S RIGHT. NURSE: HOSPITAL RULES. VICKY: I'M SORRY, I FORGOT. NURSE: THERE'S A PAY PHONE RIGHT OVER THERE. VICKY: OH, GREAT. THANKS. I'LL BE RIGHT BACK. MARLEY: THE BOYS WILL BE -- THE BOYS WILL BE GLAD TO HEAR THAT THEIR NANA'S DOING BETTER. JAKE: MM-HMM. MARLEY: ALL RIGHT. ALL RIGHT, SO WHAT'S WRONG? AND DON'T SAY "NOTHING," BECAUSE YOU'VE BEEN LOOKING AT ME KIND OF CROSS-EYED ALL NIGHT. JAKE: OH, IS THAT HOW YOU FELT? MARLEY: YES. YES, THAT'S HOW IT FELT. AND I ALSO HEARD WHAT YOU SAID WHEN YOU WERE TALKING ABOUT DONNA'S ACCIDENT. YOU SAID, "ACCORDING TO MARLEY." JAKE: MM-HMM. MARLEY: WELL, IF I DIDN'T KNOW BETTER, GEE, I'D THINK YOU THOUGHT I WAS LYING OR SOMETHING. JAKE: WELL, SOMEBODY IS. MARLEY: WHY WOULD I LIE ABOUT DONNA'S ACCIDENT? JAKE: OH, I DON'T KNOW. DONNA WAS ON THE WAY OVER TO TELL US SOMETHING, AND NOW SHE CAN'T TALK AND YOU CAN. SEE, WHAT I'M HAVING REAL TROUBLE WITH IS YOU SAYING THAT DONNA WROTE THAT LETTER. MARLEY: SHE DID, JAKE. JAKE: SHE DID, DID SHE? YOU KNOW SOMETHING? I COULD UNDERSTAND YOU TRYING TO SELL THAT IF THERE WERE NO EYEWITNESSES, BUT I WAS THERE. I WAS AT YOUR HOUSE AFTER I GOT THAT LETTER. NOW, LET'S SAY THAT DONNA DID WRITE THAT SUCKER. SHE DIDN'T LIGHT THE CANDLES. SHE DIDN'T POUR THE WINE. SHE DIDN'T KISS ME. SO LET'S ASSUME THAT DONNA DID PUT THE PEN TO PAPER. SHE WASN'T RESPONSIBLE FOR WHAT YOU DID THAT NIGHT. MORE IMPORTANTLY, SHE WASN'T RESPONSIBLE FOR DOING WHAT I KNOW YOU WERE TRYING TO DO. VICKY: GUYS, WHAT'S GOING ON? I MEAN, I THOUGHT WE WERE IN THE MIDDLE OF A TRUCE HERE. MARLEY: ME, TOO. VICKY: RIGHT. CAN WE AT LEAST HAVE A CEASEFIRE, PLEASE, AT LEAST UNTIL WE KNOW HOW MOM IS? JAKE: THIS IS BECAUSE OF DONNA. MARLEY: WELL, JAKE SEEMS TO THINK I'M RESPONSIBLE FOR DONNA'S ACCIDENT. JAKE: NO, I'M NOT TALKING ABOUT THAT, MARLEY. I'M TALKING ABOUT THAT NIGHT -- THE NIGHT THAT I WENT TO YOUR HOUSE. MARLEY: I DIDN'T INVITE YOU OVER, JAKE. YOU CALLED AND ASKED IF YOU COULD SEE ME. JAKE: I TOLD YOU -- VICKY: WHAT? JAKE: THAT I GOT A LETTER -- YOUR LETTER -- AND YOU DID NOT ACT SURPRISED ONE BIT, MARLEY. MARLEY: WELL, I WAS SURPRISED. JAKE, I WAS COMPLETELY SURPRISED THAT YOU WANTED TO BE ALL ALONE WITH ME. JAKE: OH, IS THAT RIGHT? WELL, LET ME TELL YOU SOMETHING -- I DID THAT BECAUSE I DIDN'T WANT A BIG AUDIENCE TO TELL YOU THERE WAS NO WAY IN HELL I WAS GOING TO LEAVE VICKY FOR YOU. VICKY: NOW, WAIT A MINUTE HERE. SHE ALREADY TOLD YOU, DONNA WROTE THE LETTER AND -- JAKE: YOU BELIEVE THAT? VICKY: NO, IT'S NOT EASY TO BELIEVE, BUT IT'S NOT EASY TO BELIEVE THAT MY MOTHER WAS TRYING TO KILL ME WHEN SHE HIT MARLEY WITH THE CAR, EITHER. JAKE: ALL RIGHT, LET'S JUST SAY THAT DONNA DID WRITE THAT LETTER. I DON'T BELIEVE IT FOR A SECOND, BUT LET'S JUST GO WITH IT FOR ARGUMENT'S SAKE. WHEN I GOT TO THE HOUSE THAT NIGHT, THAT WAS YOU, MARLEY. THAT WAS YOU. DONNA HAD NOTHING TO DO WITH WHAT HAPPENED AFTER THAT. THAT WAS MARLEY. VICKY: MARLEY? MARLEY: SHE -- SHE SAID YOU WANTED ME. VICKY: WHAT? DON-- DONNA SAID THAT? WHAT? MARLEY: SHE DIDN'T TELL ME ABOUT THE LETTER. I FIGURED THAT OUT WHEN YOU CALLED. BUT SHE SAID I'D BE HEARING FROM YOU. JAKE: THAT DOESN'T EVEN MAKE SENSE. MARLEY: WELL, IT'S NOT LIKE I BELIEVED IT, JAKE. I'M NOT BLIND. ANYBODY CAN LOOK AT YOU AND SEE -- JAKE: YOU EXPECT US TO BELIEVE THAT DONNA TOLD YOU THAT I WAS GOING TO LEAVE VICKY AND YOU BOUGHT IT? THAT'S NOT TRUE, IS IT, MARLEY? THAT IS NOT TRUE! ZAK: I BROUGHT SOME PAPERS -- CONTRACTS FOR MATT TO LOOK OVER FOR C-SQUARED. I COULD'VE GIVEN THEM TO SOFIA, BUT SHE WAS IN KIND OF A HURRY. RACHEL: I DON'T THINK MATTHEW AND SOFIA ARE GOING TO BE INTERESTED IN BUSINESS TONIGHT. ZAK: REALLY? SOMETHING HAPPEN? RACHEL: LILA'S IN THE HOSPITAL. MATTHEW WENT TO BE WITH HER. ZAK: THAT EXPLAINS SOFIA'S MOOD. LILA'S IN, SHE'S OUT -- AGAIN. RACHEL: IT'S NOT MY PRACTICE TO DISCUSS MY SON'S RELATIONSHIPS WITH SOMEBODY I -- ZAK: YOU'VE JUST BEEN INTRODUCED TO ONLY ONCE OR TWICE. RACHEL: MAY I GIVE MATTHEW A MESSAGE? ZAK: THAT'S OK. I'LL CATCH HIM LATER. WE REALLY NEED SOME FACE TIME. I IMAGINE SOFIA FEELS THE SAME WAY. I'M SORRY. I'M DOING IT AGAIN. IT'S JUST THAT EVEN THOUGH WE HAVEN'T KNOWN EACH OTHER VERY LONG, IT'S BEEN INTENSE. A LOT'S HAPPENING. AND I LIKE BOTH OF THEM A LOT. RACHEL: SO DO I. ZAK: YEAH, WELL, SOFIA -- SHE'S RARE AMONG WOMEN HER AGE. SHE'S GOT DRIVE AND CLASS, BRAINS AND HEART. SHE DESERVES TO BE HAPPY. RACHEL: YEAH. THEY BOTH DO. ZAK: WELL, SHE'S THE KIND OF PERSON THAT I DON'T LIKE TO SEE GET HURT. LILA: MATT. YOU TAKE SUCH GOOD CARE OF ME. MATT: WELL, YOU DESERVE IT. LILA: THANK YOU. YOU KNOW, I'M SORRY THAT I MESSED UP YOUR EVENING WITH SOFIA. MATT: AH, DON'T WORRY ABOUT IT. LILA: NO, REALLY. I SAID I DIDN'T WANT TO BE A BURDEN TO YOU, AND -- OH, HELLO, SOFIA. MATT: HEY. SOFIA: HI. IS EVERYTHING OK? LILA: YOU GO AHEAD. MATT: YEAH. LILA: GO AHEAD. MATT: I'LL BE RIGHT BACK. SOFIA: IS -- IS EVERYTHING OK WITH THE BABY? MATT: YEAH. SOFIA, WHAT ARE YOU DOING HERE? SOFIA: I GUESS I THOUGHT YOU WANTED TO SEE ME. I CERTAINLY DIDN'T MEAN TO BE AN INTERRUPTION. MATT: WELL, THERE'S NO CAUSE FOR ALARM, SO -- SOFIA: SO WHAT WAS THE PROBLEM? MATT: SOFIA, I GOT TO GET BACK IN THERE. SOFIA: I'M CONFUSED HERE. I THOUGHT YOU SAID THE EMERGENCY WAS OVER. MATT: LISTEN TO ME, LISTEN TO ME -- LILA CAN'T BE ALONE RIGHT NOW. PLEASE, JUST PLEASE TRY AND UNDERSTAND. SOFIA: WAIT. YOU CAN'T TAKE TWO SECONDS TO TELL ME WHAT THE PROBLEM WAS? MATT: ALL RIGHT, LILA DIDN'T FEEL THE BABY MOVE ALL DAY, SO SHE GOT SCARED. SOFIA: OH, SHE GOT SCARED? WE GO THROUGH ALL THIS BECAUSE SHE GOT SCARED? MATT: HOLD ON, SOFIA. THIS IS SERIOUS. THE BABY'S IN A BREECH POSITION. LILA DID THE RIGHT THING BY COMING HERE. SOFIA: WELL, IT'S NOT LIKE SHE WAS ALONE. CASS WAS WITH HER. MATT: CASS IS T THE FATHER OF THIS CHILD. I AM. WHY IS THAT SO HARD FOR YOU TO UNDERSTAND? LOOK, LISTEN, I KNOW THAT THIS IS DIFFICULT FOR YOU -- SOFIA: FOR ME? I THOUGHT WE WERE IN THIS TOGETHER. HOW DID I END UP ALONE HERE? MATT: LOOK, SOFIA, RIGHT NOW MY FOCUS HAS TO BE ON THIS CHILD, OK? LILA'S GOING TO HAVE A SONOGRAM IN A LITTLE WHILE AND THEY MAY KEEP HER OVERNIGHT. SHE NEEDS ME RIGHT NOW. SOFIA: MATT, YOU ACCUSE ME IN FRONT OF YOUR MOTHER OF STEALING A BATTERY OUT OF YOUR BEEPER SO I COULD HAVE YOU ALL FOR MYSELF. WELL, YOU HAVE TWO WOMEN IN YOUR LIFE, PAL, AND ONE OF THEM IS A LIAR -- AND THAT'S NOT ME, THAT'S LILA. SO YOU GO RUNNING EVERY TIME SHE GETS SCARED, BUT DON'T YOU EVER, EVER ACCUSE ME LIKE THAT AGAIN. LILA: IS SOMETHING WRONG HERE, MATT? SOFIA: WELL, WHAT DO YOU THINK, LILA? MATT: SOFIA, PLEASE. LILA, YOU SHOULD BE BACK IN BED. NOW, COME ON. LILA: I'M SORRY, MATT. I'M REALLY SORRY. MATT: ALL RIGHT, ALL RIGHT, ALL RIGHT. SOFIA: DAMN IT! DAMN IT! DAMN IT. DAMN IT. PAULINA: UM, HON? JOE: HMM? PAULINA: WHY DON'T YOU POUR YOURSELF A GLASS OF WINE. I'LL FIX YOU SOMETHING TO EAT. JOE: NOW? PAULINA: WELL, YOU KNOW I ALWAYS WANT TO FEED YOU WHEN I'M CRAZY IN LOVE WITH YOU. JOE: WELL, MAKE IT FAST SO WE CAN GET THE HELL OUT OF HERE, ALL RIGHT, PLEASE? PAULINA: FINE, FINE. ALL RIGHT. I'LL BE RIGHT BACK. I'M HURRYING. JOE: ALL RIGHT, HURRY UP. REMY: HI. JOE: PAULINA'S IN THE KITCHEN. REMY: YEAH. ACTUALLY, I WAS LOOKING FOR YOU, JOE. JOE: IS THAT RIGHT? REMY: MM-HMM. IT'S ONLY OCTOBER, BUT I JUST GOT A MAJOR CHILL. JOE: SURPRISED? REMY: NO. I'M NOT DUMB. JOE: I DON'T DOUBT THAT. REMY: YOU KNOW, I KNOW WHAT YOU THINK OF ME, AND SO IT DIDN'T TAKE ME LONG TO FIGURE OUT THAT YOU'RE THE ONE WHO TOLD PAULINA WHAT I DID IN CHICAGO. YOU KNOW, FOR ONE THING, YOU'RE A COP. JOE: JUST ANOTHER PIECE OF THAT BAD LUCK YOU'RE ALWAYS TALKING ABOUT, RIGHT? REMY, I'M NOT SYMPATHETIC LIKE MY WIFE, OK? NOT WHERE YOU'RE CONCERNED. SHE SEEMS TO THINK THAT YOU'RE ABOUT TO CHANGE. REMY: OH, BUT YOU'RE NOT SOLD ON THAT IDEA. YEAH, THERE'S NO WAY I'M GOING TO CHANGE MY WICKED WAYS. JOE: GOOD. GLAD WE UNDERSTAND EACH OTHER. REMY: YOU KNOW, YOU'RE A GOOD GUY, JOE. JOE: THANKS. REMY: YOUR ONLY PROBLEM IS THAT YOU HAVE NEVER BEEN DOWN AND OUT. IT'S JUST LIKE THE SOCIAL WORKERS I USED TO GET SENT TO. THEY'D GIVE ME THIS WHOLE SPIEL ABOUT LACK OF SELF-ESTEEM AND POSITIVE ROLE MODELS -- I MEAN, LIKE THEY WERE TELLING ME SOMETHING I DIDN'T KNOW. THEY WERE TRYING TO HELP, I GUESS, BUT, SEE, IT'S JUST THAT THEY COULD JUST SHUT IT ALL OFF AT 5:00 AND GO HOME TO THEIR NICE, CLEAN, LITTLE FAMILIES. BUT PAULINA -- SHE TELLS IT LIKE IT IS. SHE KNOWS WHERE I HAVE BEEN BECAUSE SHE HAS BEEN THERE. SO WHEN SHE GIVES IT -- WHEN SHE LETS ME HAVE IT WITH BOTH BARRELS, I LISTEN. JOE: OR YOU DO A GOOD IMITATION OF LISTENING, ANYWAY. REMY: SURE, I CAN DO THAT. I CAN. BUT, SEE, PAULINA KNOWS THE DIFFERENCE. SHE KNOWS ME INSIDE AND OUT. SHE TOOK ONE LOOK AT ME AND SHE GOT THE WHOLE PICTURE. SEE, THE THING ABOUT PAULINA IS THAT ALTHOUGH SHE IS REALLY, REALLY NICE, SHE IS VERY, VERY TOUGH. JOE: WHY YOU TELLING ME ABOUT MY WIFE? REMY: OK. THIS IS IT -- AS STRAIGHT AS I HAVE EVER BEEN. OK, NO, I AM GOING TO MAKE YOU A PROMISE. AND YES, I HAVE -- I HAVE MADE LOTS OF PROMISES BEFORE AND THEY HAVE GOTTEN ME OUT OF A LOT OF REALLY BAD PLACES. BUT RIGHT NOW, THERE IS NOWHERE I WANT TO GO. FOR THE FIRST TIME IN MY LIFE, I WANT TO STAY RIGHT WHERE I AM. JOE: I'LL BET. REMY: OK. HERE IT IS. MY PROMISE TO YOU, JOE -- I WILL NOT HURT PAULINA. VICKY: IS JAKE RIGHT? ARE YOU LYING TO ME ABOUT THAT NIGHT? MARLEY: I DON'T KNOW HOW TO MAKE YOU UNDERSTAND. VICKY: UNDERSTAND WHAT, THAT YOU MADE A PLAY FOR MY HUSBAND? GO AHEAD. GIVE IT A TRY. MARLEY: HE WAS MY HUSBAND ONCE, TOO, VICTORIA. VICKY: WHAT IS NEXT HERE? YOU WANT TO BE MUD WRESTLING? I'M NOT GOING TO FIGHT YOU FOR MY HUSBAND. DO YOU GET THAT? MARLEY: I AM NOT SUGGESTING -- LOOK, THERE'S A HISTORY THERE, ALL RIGHT, BETWEEN JAKE AND ME. THAT'S ALL THAT I AM SAYING. THAT'S HOW DONNA GOT ME TO BUY INTO HER PLAN. SO DO YOU WANT TO HEAR ABOUT ALL THAT OR DO YOU NOT WANT TO HEAR ABOUT IT? VICKY: NO, GO AHEAD. MARLEY: ALL RIGHT. DONNA'S BEEN WORKING ON ME FOR MONTHS, EVER SINCE -- EVER SINCE SHE RAN OVER ME WITH HER CAR. CALL IT HER WAY TO WORK OUT HER GUILT -- WHATEVER YOU WANT TO SAY -- BUT SINCE THAT HORRIBLE NIGHT, SHE'S BEEN TELLING ME THAT THE ONLY WAY FOR ME TO GET MY LIFE BACK IS TO DO WHAT SHE SAYS. AND I KNOW IT WAS REALLY STUPID, BUT I DID ALL THOSE THINGS AND I BELIEVED EVERYTHING THAT DONNA TOLD ME. DO YOU REMEMBER -- DO YOU REMEMBER THE FIRST TIME YOU TOLD ME ABOUT THE NIGHT SHANE AND MICHAEL DIED? ABOUT HOW IT MADE YOU SICK TO LIE TO JAKE? BUT YOU DID IT ANYWAY BECAUSE DONNA TOLD YOU TO. I THINK WHAT YOU SAID, VICKY, WAS THAT DONNA SAID IF -- IF JAKE EVER FOUND OUT THAT YOU HAD BEEN TO THE CABIN TO SEE SHANE, THEN HE WOULD LEAVE YOU. DO YOU REMEMBER HOW IT FELT TO HAVE HER CONTROLLING YOU? VICKY: I'LL NEVER FORGET IT. AND I ALSO BELIEVE THAT YOU DIDN'T BUY IT. REMEMBER? YOU SAID IT WAS JUST VICKY TRYING TO WIGGLE OUT OF ANOTHER JAM. REMEMBER? MARLEY: BECAUSE I DIDN'T KNOW WHAT IT WAS LIKE. BUT I WAS WRONG, BECAUSE NOW SHE'S DONE THE SAME THING TO ME. AND I KNOW -- I KNOW IT WAS STUPID AND I KNOW -- JUST -- I COULD BE REALLY FORGIVEN FOR IT, BUT I WAS MISGUIDED AND I WAS FOOLISH AND I'M GOING TO REGRET IT FOR THE REST OF MY LIFE. I'M SO SORRY. VICKY: YOU'RE SAYING MOM WAS JUST TRYING TO HELP OUT ONE OF HER DAUGHTERS? IS THAT IT? JAKE: AT THE EXPENSE OF THE OTHER DAUGHTER. WHAT KIND OF FABLE IS THAT, HUH, MARLEY? MARLEY: I DON'T BLAME YOU FOR NOT WANTING TO BELIEVE ME, JAKE, BECAUSE I'VE JUST RUINED EVERYTHING, HAVEN'T I? AND I'VE LOST YOU, BECAUSE WHO COULD BELIEVE THAT I WOULD EVER DO ANY OF THIS? VICKY: LOOK -- SHE'S OUR MOTHER AND WE LOVE HER, BUT SHE'S DONE A LOT TO HURT BOTH OF US. WHAT IS IT? WHAT? WHAT IS IT? DOCTOR: WELL, THE NEUROLOGIST HAS ORDERED A BATTERY OF TESTS FOR THE MORNING. VICKY: OK, WHAT KIND OF TESTS? DOCTOR: WELL, YOUR MOTHER'S HAVING A PROBLEM. SHE'S NOT RESPONDING TO VERBAL COMMANDS. MARLEY: NOT RESPONDING? LIKE SHE DOESN'T UNDERSTAND THEM? DOCTOR: NO, IT'S MORE LIKE SHE'S EXPERIENCING DIMINISHED MOTOR SKILLS. HER RIGHT SIDE APPEARS TO BE PARALYZED. VICKY: MY GOD. DOCTOR: SHE'S ALSO HAVING SOME TROUBLE WITH THE LEFT, BUT IT'S NOT AS PRONOUNCED. JAKE: WAIT A MINUTE. ARE WE TALKING PERMANENTLY? DOCTOR: I CAN'T REALLY SAY YET. NOW, AN INCOMPLETE SPINAL CORD INJURY, NOW, THAT COULD ACCOUNT FOR THE PARALYSIS. ON THE OTHER HAND, THIS COULD ALL BE PART OF THE HEMATOMA. IN THAT CASE, IT'S TEMPORARY. MARLEY: HEMATOMA? DOCTOR: YES, IT'S A BLOOD CLOT IN THE HEAD. AND THAT'S WHY WE HAVE TO DO A MORE EXTENSIVE NEUROLOGICAL WORKUP TO DETERMINE HER EXACT DEFICIT. VICKY: BUT SHE'S GOING TO BE ALL RIGHT, RIGHT? DOCTOR: I CAN SEE YOU'RE UPSET, BUT IT'S TOO SOON TO SAY WHAT HER PROGNOSIS WILL BE. I MEAN, THESE SYMPTOMS MAY OR MAY NOT BE PERMANENT. BUT I CAN ASSURE YOU WE WILL BE MONITORING YOUR MOTHER'S PROGRESS VERY CLOSELY. JAKE: DOCTOR -- WHAT ABOUT DONNA'S SPEECH? DOCTOR: WELL, AT THE MOMENT, I'M AFRAID DONNA CAN'T TALK. CASS: HEY. I HAPPENED TO BE HERE. JUST THOUGHT I'D STOP BY. WHAT THE HELL HAPPENED TO YOU, KIDDO? CASS: WHAT DO YOU NEED? CAN I GET YOU SOMETHING? DONNA, WHAT IS IT? WHAT'S WRONG? MY GOD, YOU CAN'T TALK. YOU WANT SOME WATER? YOU WANT ME TO GET THE DOCTOR FOR YOU? IS THIS WHAT YOU WANT? HERE. CASS: YOU HANG IN THERE, OK? I'M GOING TO GO FIND VICKY FOR YOU. PAULINA: INSALATA CAPRESE, BIG GUY. JOE: THANK YOU. PAULINA: AND, YOU KNOW, MOST WAITRESSES DON'T EVEN COME NEAR THE PLACE WHEN THEY'RE NOT WORKING. REMY: YEAH, WELL, CARLINO'S FEELS MORE LIKE HOME THAN WORK TO ME. PAULINA: YOU NEED SOMETHING? REMY: NO. NO, NOT REALLY. YOU TWO LOOK REALLY GOOD TOGETHER. HAS ANYBODY EVER TOLD YOU THAT? WELL, YEAH. I MEAN, HE'S DARK, YOU'RE LIGHT. AND HE'S TALL, YOU'RE NOT. PAULINA: OH, BOY. THANKS. REMY: BUT YOU'RE BOTH, YOU KNOW, SHINY AND BEAUTIFUL. JOE: SHINY? REMY: YEAH. JOE: WE'RE SHINY? REMY: UH-HUH. JOE: HOW ARE WE SHINY? REMY: YOU HAVE THIS KIND OF RADIANCE. PAULINA: WE LOVE EACH OTHER. THAT'S WHAT DOES IT. JOE: YEAH. IT'S EITHER THAT OR ALL THE OLIVE OIL. PAULINA: CUTE. REMY: OK, YOU TWO WANT TO BE ALONE. I'M GOING. OK, ONE LAST THING, AND THEN I'M REALLY GONE. I WILL NOT LET YOU DOWN. PAULINA: I'M WAY AHEAD OF YOU, CARLINO. JOE: WHAT DID I SAY? PAULINA: YOU DIDN'T HAVE TO. WHAT REMY SAID WAS VERY SWEET AND VERY SINCERE. JOE: SHE SAID SHE WOULD NOT HURT YOU. PAULINA: AND SAYING THAT, THAT COULD MEAN THAT I'VE GOTTEN THROUGH TO HER AND SHE'S READY TO CHANGE. JOE: OR -- PAULINA: OR IT COULD MEAN THAT SHE IS ONE SHREWD COOKIE. LILA: OH. MATT, I CAN'T TELL YOU HOW MUCH BETTER I FEEL KNOWING THAT YOU'RE HERE. MATT: WELL, I TOLD YOU I'D BE WITH YOU EVERY STEP OF THE WAY, LILA. LILA: I CAN TELL YOU WHAT I WAS THINKING WHEN YOUR BEEPER WENT OFF AND YOU DIDN'T ANSWER. I WAS THINKING, "BOY, YOU HAVE REALLY DONE IT NOW, LILA. THERE COULD BE SOMETHING REALLY WRONG, AND THIS MAN IS SICK TO DEATH OF YOU." MATT: DON'T WORRY. I AM NOT SICK TO DEATH OF YOU. LILA: YOU'RE NOT? OH. YEAH, MAYBE JUST A LITTLE. MATT: LOOK, LILA -- LILA: THANK YOU. MATT: FROM NOW ON, YOU'RE NEVER GOING TO WONDER WHERE I AM. MAN: AND EXACTLY WHERE ARE YOU NOW? ZAK: I'M AT THE HOSPITAL CHECKING THINGS OUT. APPARENTLY MATT ACCUSED SOFIA OF REMOVING THE BATTERIES FROM HIS BEEPER, SO IT WORKED. SOON AS I HEARD THAT REMARK AT CARLINO'S, I KNEW WHAT TO DO. LILA'S IN WITH MATT. SHE'S WORKING ON HIM. MAN: AND SOFIA? ZAK: I DON'T KNOW WHERE SOFIA WENT. RIGHT. SOFIA: OH. [CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]