1986
Ideology and the Image, by Bill Nichols, Philosophy of Social Science 16:3 (September), 399-404.
1987
Tracking the Signifier, theoretical essays, film, linguistics, literature, by Colin MacCabe, Journal of Aesthetics and Art Criticism 46:2 (Winter), 314-16.
1990
The Future of an Illusion, by Constance Penley, The Journal of Aesthetics and Art Criticism 48:1 (Winter), 103.
1992
Dancing in the Dark, by Schultze, Anker et al., Journal of Aesthetics and Art Criticism 50 (Winter) 80-1.
1980
"Making Sense of 1900", Theory in History (Spring), 103-118.
1981
"Inference to the Best Explanation and Descartes' Conception of Matter", Nature and System 3 (June), 81-89.
"Recycling Ideology: The Second Coming of Michael Vronsky", Telos 47 (Spring), 204-8.
"The Shining" (with L. Jeffress), Film Quarterly 34 (Spring), 45-51.
1984
"Blade Runner: A Diagnostic Critique" (with Douglas Kellner and Michael Ryan), Jump Cut
"Max Weber on Science and Values", Filosofia Oggi 3 (July-Septmeber), 383-92.
1985
"Marxist Film Theory", Socialist Review (March-April), 127-39.
1987
"The Attitudes of Theory: Reflections on After the New Criticism", Journal of Aesthetics and Art Criticism 45:3 (Spring), 233-6.
"The Incredible Shrinking: Mystifying the Woman Spectator", Persistence of Vision 5 (Spring), 62-67.
1988
"Neither Hollywood Nor Godard: The Strange Case of Stranger Than Paradise", Persistence of Vision 6 (Summer), 20-25.
1990
"A Note on Feminist Theories of Respresentation: Questions Concerning the Autonomy of Art", Journal of Aesthetics and Art Criticism 48:4 (Fall), 361-4.
1991
"Movie Colorization and the Expression of Mood", Journal of Aesthetics and Art Criticism 49:4 (Fall), 363-4. Reprinted in Neill and Ridley (eds.) Arguing About Art (MacGraw Hill, 1994), 48-52.
1993
"The Logic of Hume's Conversion Theory", Journal of Aesthetics and Art Criticism 51:4 (Fall), 625-6.
1994
"Pornography and Persuasion", Philosophy and Literature 18:1 (April), 118-23.
1996
"Apt Feelings, or Why 'Women's Films' Aren't Trivial", in Bordell & Carroll (eds.) Post-Theory: Reconstructing Film Theory (U of Wisconsin Press, 1996), 219-29.
1997
"Personal Agency Theories of Expressiveness and the Movies", in Ricard Allen & Murray Smith (eds.) Film Theory and Philosophy (Oxford UP), 329-342.
"Pianists in the Movies", Philosophy and Literature 21:2 (October).
"Robert Solomon's Sexual Paradigms: Twenty Years After", in Alan Soble and Barbara Kirshner (eds.) Sex, Love, and Friendship (Value Inquiry Book Series, Rodopi, 1997), 33-6.
On-line paper: "Art and Morality in the 18th Century" From CLA ALUM, the Magazine of the College of Liberal Arts Alumni Association at Oregon State University, May 1995, 3-4.
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