Jack Jackson, Comanche Moon, Los Tejanos
"What Sergio Leone (Fistful of Dollars) did for the Western film, the team of Charlier and Moebius have done in the medium of comics. Blueberry is a classic, its storyline entertaining and artwork stupendous."

The West is rife with legends and tall tales of men such as Jesse James, Billy the Kid, the Dalton Brothers, Wild Bill Hitchcock, and even better known figures such as General George Armstrong Custer. But the casual researcher will be able to locate only a few, incomplete stories about the man named Blueberry. No pulps were written about him, no serials were made about his exploits and, until recently, his very existence had sunk into an obscurity that he would have most likely welcomed.

The definitive American reprints of the classic French western. This volume will contain a history of Blueberry by Jean-Michel Charlier and Jean-Marc Lofficier, reprints of Blueberry #'s (Epic) 1,2, and part of #3, and the first English language printing of "Three Black Birds", a Moebius written and illustrated Blueberry adventure. Introduction by Elmer Kelton.

From Kirkus:
Rowson's graphic novel of Laurence Sterne's famous ``cock and bull'' story (often called the first modern novel) will disappoint readers looking for a ``Classic Comics'' crib version. Which is, of course, the very strength of this wickedly inventive re-creation of Sterne's notoriously self-reflexive book. Employing a visual style that blends Hogarth with Gilbert Shelton (of Furry Freak Bros. fame), Rowson himself shows up on the page for some meta-level commentary of his own, and reimagines scenes from Sterne in the styles of Dürer, Beardsley, Grosz, and George Harriman, not to mention one from Oliver Stone's movie version. Rowson also rewrites key passages in the manner of Martin Amis, Raymond Chandler, and García Márquez (among others). Tackling such an inherently unadaptable novel, Rowson nevertheless selects many of the most memorable sections for extended visualizations: Tristram's birth and naming, Uncle Toby's famous wound and hobbyhorse, and the history of family noses. All provide occasion for Sterne's bawdy, which Rowson makes somewhat more explicit. As critical commentary and scholarly play, this rude and splendid comic book will delight true Shandeans.