Ok I aint gonna even lie this album was tight ass fuck.But at first when you listen to the album, you only like a couple of songs,then when you stop listening the album, a beat from one of the songs you herd off the album just all of a sudden starts running through your head, then it makes you want to listen again to the album.Then when you listen to it again then BOOM the beats get so tight, You'll play it all day.But maybe im wrong at first when you listen you may like the album all of a sudden,but i know for sure this is one tight album.
The album has 17 tight tracks, the more notible ones are, Killers,a track, with a tight errie beat,Do Some Things is a tight song too when u got the honey over at the crib,Blind Fate is another tight track with Young Bleed and others, this album is a little different from other C-Loc albums topic wise but beat wise the album beats is so tight, Happy is a fire ass producer,but subject wise he talking about issues in life such as the song Ya Girl,where he is speaking on the topic when your nigga's woman wanna fuck you.Its like that on most of the tracks on the album but that doesnt mean it doesn't jam, he has a few get buck and kill a nigga tracks on this one. But to summ this up i would Highly Recommend this one,for any fan of tru gangsta rap.
Review 2
Personnel: C-Loc, Concentration Camp, Young Bleed, Lay Low, Boo, Growl Nitty (rap vocals).
Producers include: Nathan "Happy" Perez, Sean Griffin, C-Loc, Jamie, Steve Below.
From the label that brought you Concentration Camp comes C-Loc, who aligns himself closely not only with the Camp, but Young Bleed, Master P and the other No Limit soldiers. C-Loc pulls no punches as he examines the harsh realities of ghetto life; violence, crime and social unrest. The opening track, "Killers," lays out C-Loc's worldview, observing that violence occurs in every walk of life and comes from every direction, as it follows a killer on his path from crime to prison to trial. C-Loc's rapping style is simple, straight-ahead and unadorned, as are the sonic backdrops he uses to underscore his ominous portrait of modern urban life.
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