Endings

TO LIV(E) concludes with cautious optimism on two fronts. In her last letter to Liv Ullmann, Rubie ends with the hope that China, Vietnam, and, by extension, Hong Kong will improve their respective situations so that all, including Rubie and Liv, will be able to meet as friends. Rubie concludes the film on a note of good humor. In fact, she signs her letter, "Love, Rubie." The last image of the film shows Tony and Teresa, saved from near suicide and break-up, alight from their taxi at the airport, baggage in hand, on their way to Australia.

CROSSINGS, on the other hand, ends on a pessimistic note. Rubie burns incense in memory of Mo-Yung on the subway platform where she was murdered. The last shot shows a graveyard in Hong Kong. Earlier, Benny and Mo-Yung had had a tryst near that graveyard, and Benny told the story of his mother being buried there after working herself to death to support the family. Rubie has promised to return Mo-Yung’s bones to Hong Kong, presumably to that same cemetery.

While TO LIV(E) ends with death averted and hope in the future, CROSSINGS concludes with the finality of death and the uncertainty of Rubie’s future. She returns to Hong Kong with Mo-Yung’s bones, but it is not certain whether or not she will return to New York, stay in Hong Kong, or go elsewhere. Since, after death, even bones continue to drift between continents, Rubie’s continued "crossings" between roles and professions, between nation-states, and between Asia and the West also seem to be one of the few certainties in a very uncertain, fictional world. That global filmmakers themselves will continue to drift and make films about this "floating world" of displacement and hybridity also seems fairly certain. To bring Chan’s pessimism back around to a more hopeful note, a quote from Bhabha’s "DissemiNation: Time, Narrative and the Margins of the Modern Nation" follows:


For it is by living on the borderline of history and language, on the limits of race and gender, that we are in a position to translate the differences between them into a kind of solidarity. (p. 170)

 

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