BIOGRAPHY

In 1968, Brian May and Tim Staffell, both students at Imperial College,
decided they wanted to form a group. Brian placed an advertisement on the
college notice board for a "Ginger Baker type" drummer, and a young medical
student called Roger Taylor auditioned and got the job. They called the
group "SMILE". Smile were signed to Mercury Records in 1969, and had their
first experience of a recording studio in Trident Studios that year. Tim
Staffell was at Ealing College of Art with Freddie Bulsara, and introduced
him to the band. Freddie soon became a keen fan. Sadly, in 1970 "Smile"
decided to call it a day, as nothing seemed to be happening for them. Tim
went off and joined a band called Humpy Bong, and Freddie left his band
"Wreckage" and joined up with Brian and Roger - it had all begun.

Freddie changed his name by deed poll to Mercury, changed the band's name to
Queen, and John Deacon was asked to audition as their bass player (they had
had three temporary ones so far in their short history). In February 1971,
John Deacon was taken on as the fourth member of Queen. The band rehearsed
tirelessly and played several small gigs at Imperial College, where they
rehearsed for close friends. Then they were offered the chance to 'test' a
new recording studio called De Lane Lea. In return for trying out the new
equipment, they could also make free demo tapes. They did. No one was
interested! They had signed a recording contract and publishing and
management agreements with Trident in 1972, and during that year were paid
just £60 per week. Queen were given the 'down time'- or out of hours studio
time - at Trident Studios, where they began work on their first album.

In 1973, Trident and EMI signed a contract for a recording deal for Queen,
and July of that year saw the release of "QUEEN", their first album. The
band were offered a big break - their first major tour as support band to
Mott The Hoople. It began in Leeds in November 1973, and it was said by many
people during that tour that 'Queen were more than a support act ....'
"QUEEN II" was finally released in March 1974 - it should have been earlier,
but there was a minor printing error on the sleeve that Queen insisted on
having corrected! The band embarked on their first headlining tour of
Britain, starting in Blackpool in March 1974. In April 1974, the band
embarked on their first-ever USA tour as guests to Mott The Hoople. But in
May of that year, whilst on tour, Brian collapsed with hepatitis, and the
band had to cancel the rest of their dates.

Work on their third album began without Brian and with a lot of help from
Roy Thomas Baker. Brian finally felt well enough to go into the studios to
record his guitar parts, although he was still ill and spend much time
between takes in the studio bathroom being very sick! But eventually, the
album was finished, and "SHEER HEART ATTACK" was released in 
November 1974. It was a huge hit both sides of the Atlantic as the world came to 
realise that Queen were certainly a force to be reckoned with!

In January 1975, Queen left for the USA on their very first headlining tour.
Ticket sales were phenomenal, and demand was so high that they had to add
more shows, doing two shows in one day at some venues, both shows being sold
out. Quite a few shows on that tour had to be cancelled, as Freddie had
developed a severe throat problem, but he soldiered on and performed as many
as possible, although doctors had advised him against it. Also in January
1975, Queen engaged the services of a Music Business lawyer, Jim Beach, to
negotiate them out of their Trident agreements, as Trident were no longer
being as supportive as they should have been, and the band were unhappy with
the situation. Their first Canadian gig was in Edmonton on April 2nd, where
they were joined on stage by support act Kansas. April of '75 saw Queen set
to pay their first-ever visit to Japan.

When they arrived at the airport, there were over three thousand fans there
to greet them, as Sheer Heart Attack was Number One in Japan at the time. It
was a scene reminiscent of Beatlemania in the Sixties, and the band were
quite surprised at their 'pop star' welcome! In May 1975, Freddie was
presented with an Ivor Novello Award by the Songwriters Guild for "Killer
Queen".

Queen began work on their new album in June. Links with Trident were finally
severed - to the band's great relief - in August, and by September Queen had
signed with new management: enter John Reid. When the band decided to
release Bohemian Rhapsody in 1975, everyone told them it was far too long
and just would not be a hit at 5 minutes and 55 seconds. But Freddie gave a
copy of the single to friend and London DJ Kenny Everett, informing him that
it was for him personally, and that he must not play it on air. But of
course he did - fourteen times in two days!! From then on, every major radio
station played the song in full, and not edited versions as was first
thought. It was a colossal hit, and really established Queen as THE band of
the era. The video for the single, directed by Bruce Gowers using ideas from
the band themselves, was considered to be the one that began the whole video
craze - they just didn't know what they were starting! The single stayed at
Number One for an amazing NINE weeks!

The album was, at the time, one of the most expensive ever recorded, but
when "A NIGHT AT THE OPERA" was released in November 1975, it was a 
massive hit, and gave them their first platinum album. Freddie had designed a 
Queen logo for the "Queen" album, which was re-worked and used as the cover 
for"Night At The Opera". The now-famous 'crest' features the band's star signs
- two fairies for Virgo, a crab for Cancer and two lions for the two Leos.
The launch party for the album was held in the exclusive Opera Bar at the
London Coliseum Theatre.

In January 1976, Freddie was presented with another Ivor Novello Award, for
Bohemian Rhapsody. Also in January, the band set off on their third American
tour, which took them all over America and continued until the end of March.
They then flew direct to Japan, arriving yet again to a riotous reception.
By this time, all four Queen albums were in the UK Top Twenty, which was an
unheard-of feat. They undertook an extensive tour of Japan, and then flew on
to Austria. Their tour 'Down Under' began at the Perth Entertainment Centre.

They flew back to the UK to begin work on their next album, "A DAY AT THE
RACES", but recording was halted while the band took off on a short UK tour.
On September 18th, 1976, Queen decided they wanted to say thanks to their
dedicated fans, and so - in true extravagant style - they staged a huge free
concert in London's Hyde Park. The crowds were estimated at between 150 and
200 thousand people - the largest audience Queen had played to up to that
time, and to date still the highest-ever attendance record for a concert in
Hyde Park.

It was September, and the band were hard at work on their new album. "A DAY
AT THE RACES" was released in December 1976. The band all attended a special
horse race at Kempton Park to promote the album, and in 'A Day At The Races
Stakes', a special race sponsored by EMI, they all backed the same horse
without telling each other - and it won! Five days before its release, the
advance orders for "A Day At The Races" were in excess of half a million -
the highest orders EMI had ever received for any album.

1977 had only been around for four days before Queen jetted off to America
to rehearse for their forthcoming tour. They were on the road constantly
through January, February and most of March in the USA and Canada. Roger
decided, at the end of all that, to record a solo single, which he paid for
out of his own pocket. "I Wanna Testify" was released in August. In May of
1977, Queen flew out of Stockholm to begin an extensive European tour. Their
concert at Earls Court in London featured the famous 'Crown' lighting rig.
It was 54 feet wide, 26 feet tall and weighed in at 5,000 pounds. It cost
the band 50,000.

In October 1977, the fan club members were asked for the first time to take
part in one of the band's videos. "We Are The Champions" was filmed at the
New London Theatre. After initial filming was finished, the band remained on
stage and played an impromptu gig to say thanks to the fans who had turned
up and worked so hard. October '77 also saw the band presented with a
Britannia Award for the Top British Single: Bohemian Rhapsody, of course!

Queen released "NEWS OF THE WORLD" on October 28th, 1977. The cover
 was a drawing that Roger had discovered, by Science Fiction artist Kelly Freas.
Roger asked him if he would mind adapting his illustration for the album
cover, and Freas readily agreed.

In November they were off to the USA again for rehearsals for the
forthcoming tour. For the first time, their finances enabled them to charter
a private plane for the tour - it made life on the road that much more
comfortable. The tour began on 11th November - their second USA tour that
year. They all arrived back in the UK just in time to spend Christmas with
their families. That Christmas, "We Will Rock You" was knocked off the
French Number One slot after 12 weeks ...... by "We Are The Champions"!

In February 1978, Queen decided they should set up their own management
structure. They parted company with John Reid more amicably than their split
with Trident - this severance agreement was actually signed in the back of
Freddie's Rolls Royce during a break in filming "We Will Rock You" in the
back garden of Roger's house in Surrey! A short (by Queen standards!) tour
of Europe began in April 1978 - again in Stockholm. In July, the band
started work on their new album. They recorded it in Montreux and France -
the first time they had ever recorded outside Great Britain.

As publicity for the forthcoming single "Bicycle Race", the band hired
Wimbledon Stadium, and fifty naked girls had their own bicycle race. The
original cover of the single featured the rear view of one of those naked
girls, but due to public outcry in some countries, panties had to be drawn
on! More touring in the USA and Canada began in October. November 10th saw
the release of "JAZZ", the band's seventh album. The sleeve was packed to
contain a fold-out poster of the naked bicycle race. The Americans banned it
from the actual album sleeve, and inserted an application form instead so
that fans could send away for their poster. The launch party for "Jazz" was
held in New Orleans, and has since gone down in history!

The band hosted the party themselves in order to invite both EMI, their
American record company, and Elektra, their USA representatives. It was the
first time that both companies' executives had met, and they both ensured
that ALL of their directors attended, each to try to outnumber the other!
The party was a completely over-the-top affair, featuring mud wrestlers,
midgets, topless waitresses, and a host of other weird and wonderful
characters.

The North American tour finished in late December, and the back flew back to
the UK for Christmas, but they didn't get too much time to rest, as by
January 1979 they were off to Europe yet again. The tour kicked off in
Hamburg, and by March were ensconced in Mountain Studios in Montreux,
working on their 'live' album. The band enjoyed the peace of Montreux and
liked the studio there, so they decided to buy it (the studio, not the
town!) When Freddie was asked by resident engineer David Richards why they
had bought it and what they intended to do with it, Freddie quipped '...dump
it in the lake, dear'!!

The band flew out to Japan for yet more touring in April 1979. In June, they
approached the All England Lawn Tennis Club and asked if they could use the
Centre Court at Wimbledon (after the tournament, of course!) for a concert.
Permission was refused. The band's first live album (and their only double
album to date), "LIVE KILLERS", was released in June 1979. It was an album
released by very popular demand. Queen were approached to write the musical
score for the science fiction film "Flash Gordon". When the idea was first
discussed with producer Dino de Laurentis, he simply asked '...but who are
the queens?'!! The band agreed to work on the score, and started work during
June in Munich.

The end of 1979 found Queen embarking on 'The Crazy Tour'. It included such
illustrious venues as Tiffany's in Purley, the Lewisham Odeon, Alexandra
Palace, and finally, the Hammersmith Odeon. They were one of many bands who
performed at the venue to raise money for the starving people of Kampuchea.
During that Crazy Tour, the bands' tour manager, Gerry Stickells, collapsed
backstage and had to be rushed to hospital. Gerry had been with Queen on
every tour since 1976 (and has done very one since!)

At the start of 1980, the band were working hard on their new album, "The
Game" - it was the first album to use the electronic wizardry of
synthesisers. In June they were off to tour North America - again! Roger
also started work on his first solo album in 1980. "THE GAME" was released
in June of that year, and it went FIVE times platinum in Canada alone!
'Another One Bites The Dust' became the band's biggest-ever,
worldwide-selling single to date. It became a huge 'crossover' hit in the
USA, topping the charts in Rock, Soul and Disco. The band received a 'Dick
Clarke' award as best band; a top Billboard award for 'Top Crossover
Single'; and was nominated for various other awards including Grammys and
Canadian 'Juno' awards.

On December 8th 1980, the soundtrack album for "FLASH GORDON" was 
released. At the end of 1980, Queen had sold over 45,000,000 albums worldwide.
for the start of their first tour of South America. Queen were the first
rock band to undertake a stadium tour of South America, paving the way for
many more bands to follow. The band's equipment had to be flown in a
privately hired 'Flying Tiger' 747 cargo plane from Tokyo - the flight
between Tokyo and Buenos Aires is the longest air route between capital
cities in the world.
In February 1981, after another Far East tour, the band flew to Rio de Janeiro
Their first South American gig was Buenos Aires, on February 28th 1981. They
then filled three more Argentinean World Cup soccer stadiums, playing five
sold-out stadium gigs in just eight days. They then played two nights at the
massive Morumbi Stadium in Sao Paolo. On the first night, 131,000 people
attended, and Queen created rock & roll history as it was the largest paying
audience for a single band anywhere in the world. During those two nights at
the Morumbi Stadium, 251,000 people saw the Queen spectacle - that's a
larger audience than most bands can expect in their whole career! Every
single one of Queen's albums was in the Top Ten in Argentina during their
tour - a first for any band.

Whilst they were in Sao Paulo, the band celebrated the fact that the single,
'Love Of My Life', had been in the Sao Paulo singles chart for over 12
consecutive months. In April 1981, Roger released his first solo album,
titled "FUN IN SPACE". Queen were back in South America - it was a return
trip, being hailed as 'The Gluttons For Punishment Tour'! Unfortunately,
their last two Venezuelan gigs in Caracas had to be cancelled, as the
ex-President of the country had died. So the band moved on to play in
Mexico, in Monterrey and Puebla - just outside Mexico City. Whilst there,
the band's promoter, Jose Rota, was arrested and jailed. Jim Beach had to
pay over $25,000 bail money to release him so the tour could continue!

"Greatest Hits", "Greatest Flix" and "Greatest Pix" were released
simultaneously in October 1981. "Greatest Hits" - the album - entered the
charts as soon as it was released, and has rarely been out of the British
charts since! "Greatest Flix" - the video - was the first real collection of
promo videos released commercially by any band. "Greatest Pix" - the book -
was compiled by Jacques Lowe, who was President Kennedy's personal
biographer during his term of office. It was Jacques' personal selection of
the greatest Queen pictures of the previous decade.

The band's twelfth album, "HOT SPACE", was released on May 21st, 1982 whilst
the band was in the middle of an extensive European tour. On June 5th that
year, they played the huge open-air Milton Keynes Bowl. The whole show was
filmed by Tyne Tees Television, under the direction of Gavin Taylor, to be
shown on Channel Four's "The Tube" programme at a later date. In September
1982, the Japanese company, Mercury Records (nothing to do with Freddie!)
released an album called "Gettin' Smile". It was at first thought to be a
bootleg, but after listening to the album, Roger and Brian declared it to be
the REAL Smile, although neither of them recalled having recorded so much
with that band! In December 1982, Queen made it into the Guinness Book of
Records as Britain's highest-paid executives.

In January 1983, Freddie began work on a solo album, and Roger began work on
his second solo album. During the early part of the year, Brian had flown
out to Los Angeles and gathered together a few close friends in the Record
Plant studios there. Brian had some basic ideas to work on, but it was
generally a lengthy jam session. However, Brian had no intention of wasting
the talents of Edward Van Halen, Alan Gratzer, Phil Chen and Fred Mandel -
and so kept the tapes rolling throughout the whole session. The result was
the mini album "STAR FLEET PROJECT", which was released in October 1983.

The band went back into the studios in August 1983 to start work on their
next album. Work commenced at the Record Plant in LA - the first time the
band had recorded in America. After a number of months, recording switched
from LA to Munich - a city that the band spent so much time in during that
recording session that they almost thought of it as home!

In February 1984, the band released their thirteenth album - "THE WORKS".
"Radio Ga Ga", taken from that album, became a worldwide hit, reaching
Number One in nineteen different countries. The video for the single,
directed by David Mallett, featured fan club members again. The handclapping
chorus became a favourite with live audiences all over the world. Another
single from "The Works" was "I Want To Break Free", and that had an even
more outrageous video also featuring members of the fan club. It featured
the band dressed as the characters of a popular British television soap
opera - "Coronation Street". When asked why, Roger said he had become bored
with serious epic videos, and thought it was about time they had some fun
and proved they could still laugh at themselves. MTV in America refused to
show the video.

In June 1984, Roger released his second solo album, "STRANGE FRONTIER". 
Also in June, a company called Guild Guitars launched a special copy of Brian's
home-made Red Special guitar. It was called the BHM1, and Brian had been
closely involved in all the aspects of its production. Sadly, about a year
later, Brian and Guild had some discussions about the design of the
instrument which resulted in Guild ceasing production.

In August, Queen flew out to Belgium to start "The Works" tour in that
country. October saw them in Bophuthatswana, South Africa, and a series of
gigs at the famous Sun City Superbowl. The gigs themselves were fraught with
problems, as Freddie had serious voice complications resulting in
cancellations. But the problems were mild compared to what the band returned
to. Their visit caused much public outcry, although the band defended their
actions, saying they were a non-political band and that they had gone out to
play music for the people, and for no other reason.

Queen's first-ever full-length video was released in September 1984. "We
Will Rock You" was filmed during the band's 1981 Montreal concerts. During
September, Queen had no fewer than NINE albums in the UK Top 200.

1985 was the year of 'Rock In Rio'. It was billed as the biggest rock
festival to be held anywhere in the world, and Queen were headlining the
event. (Remember that bit about 'not being a support act for long...'?) The
whole festival was recorded for broadcast throughout South America, but
Queen were the only band able to obtain the rights to release their
performance on video. "Live in Rio" was released in May 1985.

The band performed their first-ever concert in New Zealand on April 13th,
1985 in Auckland. The band were met outside their hotel on arrival by a
group of chanting anti-apartheid demonstrators. Tony Hadley, singer with
British band 'Spandau Ballet', flew over from Australia where his band was
on tour to see the Queen show, and was honoured to be asked to join Queen on
stage for their encore.

Freddie's first solo album, "MR BAD GUY", was released on April 19th whilst
the band was on tour in Australia. The gig in Melbourne had to be played
with no lighting rig at all, as the whole computer system that controlled
the lights had broken down. After an Australian tour peppered with problems
- not least being the incessant rain - the band flew across to Japan. Their
concert at the Tokyo Olympic swimming pool was filmed by NHK to be shown on
network Japanese television.

July 13th 1985, was a day that went down in history as the Live Aid Global
Jukebox took the world by storm from London's vast Wembley Stadium and from
Philadelphia in the USA. Queen were just one of a multitude of top bands who
all performed a short, 20-minute set. The world was watching, and Queen were
unanimously voted - by press and public alike - as the band that stole the
show. That event was a turning point for Queen.

They had decided some time previously to take a break from each other, but
that day brought them together with renewed vigour and enthusiasm. 'One
Vision' was the first release to come from that new inspiration.

Queen were approached by Russell Mulcahy to record the soundtrack to his
first feature film - a fantasy tale about an immortal Scotsman - called
"Highlander". In an interview, Mulcahy stated that Queen had been the first
band he had thought of for the score.

In March 1986, John formed a new band, called The Immortals, to write and
record some of the music for a forthcoming film called Biggles. They
recorded just one track - "No Turning Back" - and the band folded. On June
2nd, Queen released their fourteenth album, the soundtrack to Highlander,
entitled "A KIND OF MAGIC". The album entered the UK chart at Number One 
and remained in the top five for thirteen consecutive weeks.

On June 7th, the Queen machine was in action again as the band embarked on
their 'Magic Tour of Europe'. The first UK gig was Newcastle's St James Park
football stadium. The band, and promoter Harvey Goldsmith, donated all the
proceeds from that concert to the International Save The Children Fund. On
July 11th, the 'Queen Tornado' - as Freddie had dubbed it - hit London and
two sold-out shows at the vast Wembley Stadium. During the set, four
enormous inflatables, modelled on the characters from the Kind of Magic
album, were released from amongst the audience into the night. The following
night's show was filmed by Tyne Tees Television, again directed by Gavin
Taylor, to be shown on TV at a later date.

When that concert was finally shown on television, it became the first-ever
simulcast between Channel Four and the Independent Radio network in Britain.
This feat has never since been repeated - possibly because, in order to
achieve this, a satellite dish had to be delivered to every single
independent radio station in the UK so that they could receive the sound by
satellite whilst receiving the pictures by the normal land lines.

On 27th July, Queen made history again (something of a habit with this
band!) when they played the beautiful Nepstadion in Budapest, Hungary. It
was the first time a major rock band had played a stadium date in the
Eastern Bloc, and it was completely sold out well in advance. The concert
was filmed by the Hungarian State Film Agency, MAFILM, in connection with
Queen Films - they had to commandeer every 35mm camera in Hungary to film
it!

On August 9th, the band flew into Knebworth Park, Hertfordshire, in a
specially repainted helicopter featuring the characters from the Kind of
Magic album cover. It was the final date on the Magic Tour, and the biggest
audience so far - estimated at well over 120,000 people. It caused one of
the biggest traffic jams in history as everyone tried to arrive in plenty of
time! Over ONE MILLION people saw Queen on that European Magic Tour - in
excess of 400,000 in the UK alone.

In November 1986, EMI Records released the entire Queen catalogue of albums
on the Compact Disc format - the first time any band's complete collection
had been made available simultaneously. In December, Queen's fifteenth album
- and their second live album - was released. Entitled "LIVE MAGIC", it
entered the British chart at Number Three. On 13th December, the band's film
'Live In Budapest' opened in Budapest at 9 a.m., and proceeded to play to
nine sold-out houses in that one day. Seven completely full screenings were
shown each day for a week.

During 1986, in the UK alone, Queen sold a staggering 1,774,991 albums. On
February 3rd, Freddie released a cover version of the great old Platters
song, The Great Pretender. In the video to accompany the song, Freddie
recreated many scenes from his own and Queen videos, and actor Peter
Starker, Roger Taylor and Freddie all donned wigs, made up their faces, and
became the female backing singers! It was an expensive video!

One of Freddie's all-time heroines was opera diva Montserrat Caballe, and in
March 1986, he met with her in her home city of Barcelona. An astonishing
partnership was forged with Montserrat agreed to record an album with
Freddie. He penned a song about Barcelona for her, and the two began to
write and record that album. Freddie and Montserrat appeared on stage
together for the first time in May 1987 at the Ibiza '92 festival, held at
the famous Ku Club on the holiday island. They performed 'Barcelona'.

In August 1987, Roger advertised for, auditioned and chose musicians to form
a new band, The Cross. He wanted a band he could write with and, more
importantly, tour with during Queen's increasingly lengthy 'quiet' periods.

The single 'Barcelona' was released in Spain in September 1987, and 10,000
copies were sold in just three hours. The Spanish Olympic Committee adopted
the song as the theme for the Olympic Games being held in the city in 1992 -
then decided against it, which caused much anger amongst the fans.

Rudi Dolezal and Hannes Rossacher are an Austrian director/producer team who
followed Queen all over Europe during the Magic Tour, filming them on stage,
back stage, resting, playing and generally 'touring'. They then searched the
archives for footage of live shows, interviews or out-takes from videos.
After that, they interviewed the band, their friends, their fans and other
'stars'. Finally, in November 1987, a trilogy of documentary-style videos
was released, called "THE MAGIC YEARS". The trilogy received numerous
awards, including the famous Silver Screen award in the USA (the biggest
film and TV festival in the world) and the IMMC award at the Montreux Golden
Rose TV festival. Also during 1987, Queen were presented with the
prestigious Ivor Novello award for their 'Outstanding Contribution to
British Music'.

In January 1988, Queen went into the studios to start work on their next
album. On January 25th, The Cross released their debut album called "SHOVE
IT". The Cross also embarked on their first European tour, playing club and
university dates throughout the UK, then clubs in Germany.

Freddie and Montserrat appeared together again on October 8th at the huge La
Nit event staged in Barcelona, which was held to celebrate the arrival of
the Olympic Flag from Seoul. Freddie and Montserrat closed the event, held
in the presence of the King and Queen of Spain, with Barcelona, The Golden
Boy and How Can I Go On - tracks taken from their forthcoming album.

"BARCELONA", the duet album from Freddie and Montserrat, was released on
October 10th, 1988. The launch party was a typically extravagant affair held
in the Crush Bar of the beautiful Covent Garden Opera House - a fitting
venue!

On December 4th, The Cross played a one-off gig at London's Hammersmith
Palais, at a party held exclusively for fan club members. Special guests on
stage were Brian and John.

Queen released their sixteenth album on May 22nd 1989, entitled "THE
MIRACLE". It entered the UK chart at Number One and went on to become a
massive worldwide success, reaching Number One in most European countries.
To promote the release, the four members of the band gathered in a Radio One
studio and allowed themselves to be interviewed by DJ Mike Reid - a scoop
for him, as the band had not given a joint interview in many years.

As it was the end of a decade, there were numerous 'Best of the Eighties'
style programmes on television, especially in the UK, and Queen were voted
the 'Best Band of the Eighties' by the viewers of Independent Television and
readers of its magazine TV Times. It was an accolade they were immensely
pleased with, and they all appeared together on the show to collect it.

In late November 1989, Queen were already back in studios working on the
next album - they had felt so inspired by the huge success of The Miracle.

On February 18th, 1990, Queen were honoured yet again when they were
recognised by the British Phonographic Industry (at last!), and presented
with an award for their 'Outstanding Contribution to British Music'. They
all collected the award, and went on to host a huge star-studded party at
London's Groucho Club.

The Cross released their second album on March 26th, called "MAD, BAD AND
DANGEROUS TO KNOW", a title taken from a quote used to describe the
eccentric Lord Byron! The Cross also undertook a short German tour.

Brian, meanwhile, wrote and produced the haunting music for a version of
Shakespeare's Macbeth, performed at London's Riverside Theatre.

In November 1990, Queen signed a major new recording deal in North America
with the Disney-financed Hollywood Records. Hollywood immediately began the
task of pushing Queen back up the popularity ladder, and plans were laid to
re-master and re-release the entire back catalogue on CD - up till then, the
collection had not been available on CD in North America.

On December 7th, The Cross played their only UK date for some time at
London's Astoria Theatre, at yet another Queen fan club party. Brian joined
them on stage for the encore.

On January 14th 1991, the band released the six-and-a-half-minute long epic
"INNUENDO" as a single. It was a massive success, giving the band their
third UK Number One single and ensuring them the Number One slot throughout
Europe. The album of the same name was released on February 4th, and crashed
straight into the UK chart at Number One, hitting the high spot again
throughout Europe - and it even charted top thirty in America.

In March 1991, The Cross went into studios to start work on their third
album, and Brian flew out to Montreux in July to continue work on his
long-awaited solo album. The Cross album was completed in July, and release
was schedule for early September for a great third album, entitled "BLUE
ROCK". Queen went into the studios in London to begin work on their next
album in late April. The album was only ever released in Germany, on
Electrola records.

On May 30th, 1991, Freddie filmed what was to become his final video for
Queen - the haunting "Days of Our Lives". A version featuring Disney
animation was made for the USA.

Brian organised the Rock section of the Seville Guitar Legends festival, and
amongst those chosen by Brian to perform their music were Nuno Bettencourt,
Steve Vai, Joe Satriani and Joe Walsh - to name but a few. The concerts were
performed live in October on the site of the Seville Expo '92 exhibition.

Greatest Hits Two was released in October 1991, a double album featuring 17
tracks. They also repeated their earlier success by releasing Greatest Flix
II and Greatest Pix II - this time compiled by Richard Gray. A special box
was also released called Box of Flix, featuring Flix One and Two plus four
bonus tracks. Needless to say, both Hits II and Flix II were Number One!

On November 23rd, Freddie announced to the world that he had AIDS. Just the
next day, his fight was over, and he died peacefully at his home surrounded
by friends and family. The world was in shock. Freddie had kept his illness
very private, and only those closest to him had been aware of just how close
to the end he really was. Fans from all over the world sent flowers and
cards, and many even travelled to London to be at Freddie's house. A quiet
family cremation service was held three days after his death, conducted in
the Zoroastrian faith that Freddie's parents followed so strictly.

In April, Brian had been commissioned by a London advertising agency to
write a piece of music for an advertising campaign for Ford cars. The
resulting track, "Driven by You", was so good (and proved so popular) that
Brian released it as his first solo single on November 25th. It made the top
ten in the UK charts.

As a tribute to Freddie, and to raise funds for the Terence Higgins Trust to
continue the fight against AIDS - as Freddie's last wishes requested -
Bohemian Rhapsody/These Are The Days of Our Lives was released as a double
A-sided single. It entered the UK chart at Number One, where it remained for
five weeks, raising over one million pounds for the AIDS charity.

In December 1991, Queen had no fewer than 10 albums in the UK top 100.

In February 1992, the annual BritAwards recognised Freddie with a special
posthumous award for 'Outstanding Contribution to British Music', and - out
of three Queen nominations - Days Of Our Lives won the Best Single of 1991
award. At that awards ceremony, Roger and Brian announced plans for a
massive open-air concert at London's Wembley Stadium to celebrate Freddie's
life and give him a send-off to remember.

The tickets went on sale the next day, with no announcement of who was going
to play apart from Brian, Roger and John, and all 72,000 tickets sold out in
just six hours.

On Easter Monday, April 20th 1992, many of the world's top stars joined
Roger, John and Brian on stage at Wembley Stadium to pay an emotional
tribute to Freddie. The stadium was packed to capacity, and it was televised
live to over one billion people.

In April 1992, Queen were awarded an Ivor Novello award for Best Single with
'Days Of Our Lives', and Brian also won an award for 'Driven By You' for
Best TV Commercial Music.

September 1992 saw the release of the long-awaited Brian May solo album,
called 'Back To The Light'. The album went into the UK charts at number 6
and achieved double gold status.

The Brian May Band was then formed. Having warmed up in Chile, Argentina and
Brazil in November 1992. The Brian May Band embarked upon a World Tour,
beginning in the USA and Europe as special guests to Guns N'Roses. They then
went on to headline their own sell-out tour of North America, Japan and
Europe, finishing in Portugal in December 1993.

In the summer of 1992 The Mercury Phoenix Trust was founded to distribute
the money raised by the Freddie Mercury Tribute Concert for AIDS awareness.
It is a registered charity.

Funds generated in the U.S.A. through Fox Television's prime time broadcast
of the concert and the re-release of Bohemian Rhapsody as a single (a sum in
excess of $1 million) were distributed to AIDS charities all over the United
States. In the UK over £1 million was donated to The Terence Higgins Trust
from the re-release of Bohemian Rhapsody. In addition another £2.2 million
has been distributed to date to over 100 different established charities and
body Positive self-help groups in the UK, the rest of Europe and Africa.

Prior to Christmas 1992, a double video of the Freddie Tribute Concert was
released, with all proceeds being donated to the Mercury Phoenix Trust.

The Freddie Mercury Album was released in November 1992 with the first
single 'In My Defence' on 30 November 1992. This single was followed by 'The
Great Pretender' in January 1993 and 'Living On My Own' in Spring 1993. This
latter single won a posthumous Ivor Novello Award as the 1993 International
Hit of the Year.

1993 saw the release of the George Michael / Lisa Stansfield / Queen mini
album 'Five Alive'. This mini album and the single 'Somebody To Love' were
released worldwide in aid of the Trust. They reached the top ten in 31
countries worldwide and the single reached number one in the UK on 22nd
April.

In February 1994 EMI released 'The Brian May Band Live At Brixton Academy'
on album and video, the first live recordings of the band.

In September 1994, Roger Taylor released his solo album 'Happiness?'. This
was preceded by the May 3rd release of a single, 'Nazis 1994', which
addresses the issue of Europe's increasing rise of Neo-Nazism. The second
single 'Foreign Sands' was released throughout Europe at the end of
September 1994. Roger Taylor's band toured the UK and Italy in November 1994
- January 1995.

After four years in the making, November 6, 1995 saw the worldwide release
of "Made In Heaven", Queen's twentieth and final album. Begun in April 1991,
the album was the last work to be recorded by the band with Freddie Mercury,
recording continuing through to the last months of Freddie's life.

The album, much of the finishing work undertaken by John, Brian and Roger
after Freddie's death, carries a dedication to the 'immortal spirit of
Freddie Mercury', in recognition of his request that the material be
completed and be heard by the public.

The finality of the album is underlined in two particular tracks, "A
Winter's Tale", the last song written by Freddie, and "Mother Love" a Brian
and Freddie song which features the last vocal track Freddie laid down.

Much of the recording on "Made In Heaven" was carried out at Queen's studio
in Montreux, Switzerland, the town where Freddie was also living at the
time. This landmark point in the history of Queen is immortalised in the
album sleeve - a landscape view across the lake which Freddie's home
overlooked.

To many, "Made In Heaven" represents not only Queen's most personal album,
but also the band's finest.

Always recognised for their innovative music videos, Queen wanted to look at
an entirely new way of presenting the tracks of the album in a visual form.
This was achieved by joining forces with the British Film Institute in a
unique venture to produce a series of short films based around each of the
album tracks using the talent of new young directors working with the BFI.
The first of these was Evolution, a film made by director Simon Pummell
inspired by "Heaven For Everyone". As well as being seen on television, the
film is expected to be seen also on cinema screens. Under the BFI project, a
further six-eight films are anticipated to be made.

The release of the album also provided a fitting occasion to reflect on the
highlights and achievements of Queen's 25 years. A week after its release,
November 13, comes the release of Ultimate Queen, a deluxe box set of 20
Queen albums presented in a wall mounted presentation case. Available as a
limited edition, Ultimate Queen contains the complete studio work of the
group with the classic live albums "Live Killers", "Live Magic" and "Live At
Wembley". Individually numbered, each case presents the album collection on
high quality litho printed picture CDs accompanied by an embossed 12-page
colour booklet.

As a companion to the box set, Queen also released the definitive video
documentary, "Champions of the World". In two hours of film and music, the
video contains a wealth of material not previously available. More than
simply re-telling the band's history, "Champions of the World" also provides
a rare insight into the lives of John, Brian, Freddie and Roger.

The release of the album is also celebrated on television with two Channel 4
specials on Queen: a new one-hour documentary, "The Queen Phenomenon", to
air on December 4 at 10pm, and "Queen At Wembley", a live recording of one
of the highlights of the group's 1986 Magic Tour, to be screened on December
6 at 11:00pm.

On November 6 Queen fans worldwide were able for the first time to
communicate with each other and connect with the band with the launch of the
Queen web site on the internet. Considered one of the most advanced sites
available, it incorporates seven locations offering audio samples, video
clips, stills artwork, communication and information centres, as well as a
shopping mall. The site address is: http://queen-fip.com

On November 8 sculptor Irena Sedlecka commenced work on the full size
version of the statue of Freddie Mercury to be unveiled in 1996.

December will see Queen back on the airwaves in a major way with a two hour
documentary radio series being produced by Unique Broadcasting for broadcast
on Radio One FM during the month.

This will be followed in January by an even more extensive radio series of
five hours to be broadcast across the Independent Radio Network.

November will also see Freddie's image on display at the Museum of the
Moving Image on London's Southbank with the installation of a holographic
movie created from his likeness; in essence, a 3-D image on film.

While "Made In Heaven" will be the last original Queen album there is no
doubt that the future will see further projects from Roger, John and Brian
which will also likely include film score work. 

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