[The column below was written for the GOFAR section of the great comics fanzine called "It's a Fanzine."]
In this installment of the Grumpy Old Fans Appreciation
Room (GOFAR), I’ll point out some of the comics of the
past 12 months that I think will appeal to long-time
comics readers. Admittedly, this list only scratches
the surface, and there are plenty of worthwhile comics
being done not mentioned below. What are some of your
favorite new comics? Here are some of my choices...
INDIES FOR OLDIES
Mike Allred’s MADMAN is a zany series about a freakish
superhero, drawn in a classic style reminiscent of
Kirby and Toth, and which may appeal to fans of such
Silver-Age chracters as Metamorpho and The Doom Patrol.
During 1999, Dark Horse published 5 new issues of
Madman (#12-16). The best of these was #16, a holiday
issue that is sectioned into parts (like early 1960s
Marvel comics), with Part One showing Madman going out
for Halloween, Part Two concerning Thanksgiving, and
Part Three during Christmas, where Madman must help
Santa return to the North Pole. This issue also
introduces a new hero, Mister Gum, who is reminiscent
of Plastic Man. To me, #16 manages to recall many
different ”ages”: the cartoonish Santa is like
something out of a Golden-Age Captain Marvel comic; the
freaks, beatniks, monsters, and robots recall the
Silver-Age; and something this hip, and on such
high-quality paper with fine coloring, could only be
achieved in the modern era. Mike Allred’s new
mini-series, THE ATOMICS, began in 2000, published by
AAA Pop Comics -- a name suggestive of Marvel’s
short-lived ”Pop Art Productions.” This series is done
in an early Silver-Age Marvel style (although far less
wordy) and concerns a group of beatniks suffering from
an alien skin disease who are transformed into oddball
superheroes. Both MADMAN #16 and THE ATOMICS are full
color comics for $2.95 each.
For those adventure fans who are sick of superheroes,
and who prefer old EC and DC science-fiction titles, I
recommend Paul Chadwick’s THE WORLD BELOW. The first
series was published last year by Dark Horse in color
and ran 4 issues. It was re-launched this year in B&W
format as THE WORLD BELOW: DEEPER AND STRANGER. I
recommend #2 of the new B&W series for those old-time
science-fiction readers wanting to try an issue. The
series concerns a group of people who are sent to
explore an unknown world beneath the surface of our
world, filled with bizarre and menacing monsters. In
the recent #2, the team encounters squid-like creatures
that attach themselves to human heads to control their
minds. In the text piece, Chadwick credits Basil
Wolverton’s ”Brain Bats of Venus” as an influence. He
also writes a few pages examining the work of another
of his influences, underground cartoonist George
Metzger.
Dark Horse’s Tarzan line has started up again. Last
year saw the publication of Mike Grell’s Tarzan: The
Savage Heart mini-series, but more satisfying in my
opinion was Dark Horse Presents #143 (May 1999, $2.95),
a B&W comic consisting of 3 Tarzan stories by Tom
Yeates.
Old-time fanzine superhero The Eye was revived last
summer for his own one-shot (Hamster Press, $2.95) by
Bill Schelly and Bill Black. Other indie comics such as
Colonia by Jeff Nicholson, Fantagraphics’ all-ages
Measles anthology, and Claypool’s Soulsearchers (drawn
by Dave Cockrum and Jim Mooney) may also appeal to
old-time fans, depending on their particular taste.
MAINSTREAM RETRO
Jack Kirby’s influence continues in many modern comics.
SUPERBOY, for example, has listed Jack in the credits
every issue for the past 2 years, in acknowledgement of
the characters and concepts used in the comic (the
Guardian, Project Cadmus, etc.). The modern Superboy
encountered the pre-Crisis version, and the original
Krypto, during the ”Hypertime” storyline last year.
(“Hypertime” is friendlier to an old fan’s memories
than previous continuity explanations such as ”those
old stories never happened.” With Hypertime, all the
old comics stories DID happen in some reality. See The
Kingdom #2 and Superboy #60-64 for details.)
Captain America #24 (Dec. 1999) features a
self-contained DeFalco/Frenz tale in the tradition of
Stan and Jack. The Incredible Hulk Vs. Superman by
Roger Stern, Steve Rude, and Al Milgrom, depicts the
two heroes in classic Kirbyish style -- although it’s a
bit costly at $5.95. More affordable ($2.50) is
Avengers #1 1/2 by Stern and Bruce Timm. The issue
takes place between Avengers Vol.1 #1 & 2, and the
design imitates the old comics of that time, even
including ads for non-existent comics like Sgt. Fury #1
1/2 (with a fake cover drawn by Dick Ayers). Timm’s art
is sometimes cartoonier than Kirby, but the comic is
sure to please fans of early Silver-Age Marvel. While
I found the Avengers & FF DOMINATION FACTOR mini-series
ultimately to be a disappoinmtent, there were some nice
nostalgic moments when the heroes travel into the past.
FF: Domination Factor #2.3 is my favorite of that mini,
since a Kirbyesque style is used nearly throughout the
issue.
Although John Byrne has often been the target of fan
griping, I find that I’m enjoying his current series
X-MEN: THE HIDDEN YEARS which takes place during the
period in the early 1970s when the series was a reprint
comic, before Giant-Size X-Men #1. Byrne is inked by
Tom Palmer here and the result -- as well as the locale
of the Savage Land in the storyline -- is reminiscent
of Neal Adams’ celebrated X-Men run.
Current issues of AVENGERS by Busiek and Perez are
usually pretty good, although sometimes I wonder if
they ought to be better than they are. I have no such
reservations about the recent ”Ultron Unlimited”
storyline (#19-22). The weariness of the Avengers at
the end of #21, having to fight an army of Ultrons, was
palpable, like we had gone through the fight with them.
Another stand-out among the recent issues was #25,
which features Hercules back in his classic outfit
(after some annoying trendier looks in recent years).
These are the heroes we remember, not changed into
strangers in an attempt to follow the latest fad. As
the members stare out at the reader on the cover of
#25, we can see that these are heroes with a history,
the ones we grew up reading, and I thank Busiek and
Perez for returning them to their former glory. (Cap in
particular looks great. Perez is probably the best
Captain America artist who has never drawn an issue of
Cap’s own series.)
It’s great to see Alan Moore more prolific and visible
than ever with his America’s Best Comics (ABC) line.
My favorites of the ABC line are TOM STRONG and the
anthology series, TOMORROW STORIES. Tom Strong is like
a cross between Doc Savage and Superman, presumably an
attempt to get back to the original, pure concept of
what a superhero (or, ”science hero”) was. Tomorrow
Stories usually features four self-contained stories
per issue, featuring such characters as Greyshirt (a
cross between an old pulp hero and Will Eisner’s
Spirit), First American (a cross between Fighting
American and early MAD), Cobweb (a kinky Golden-Age
style heroine), and Jack B. Quick, boy genius (which is
like a cross between old DC science-fiction and
Superboy’s Smallville) -- a wonderful mix of the
strange and absurd!
REPRINTS EVERY MONTH
Affordable and attractive reprints of old comics are
released every month. DC is reprinting certain historic
issues all this year, a few each month, as MILLENNIUM
EDITIONS, usually for around $2.50 or $2.95 each. DC
has also reprinted old 80-Page Giants, most for $4.95
each. These comics are ones I feel that shops should
always keep in stock, since the issues have proven
their long-term importance and the originals are
usually beyond the budget of most readers. Last year,
DC completed its reprinting of the 1950s MAD comic-size
series in inexpensive color magazine format. (Both the
reprinting of the whole series and the recent
Millennium Edition of MAD #1 had newstand distribution,
potentially exposing these classics to a larger, more
appreciative audience than those who frequent comics
shops.)
Marvel has followed suit with their own monthly
reprints: two MARVEL SELECTS series which reprint early
1970s Spider-Man and FF comics. More interestingly,
Marvel is scheduled to begin releasing 100-page issues
of certain Marvel comics which will feature a new
22-page lead story, with the remainder consisting of
reprints, for only $2.99. The first of these ”100-page
monsters” will be Avengers #27 in February, followed by
Thunderbolts #39 in April. Other recent affordable
Marvel reprints include three Golden-Age one-shots, a
western one-shot (GUNSLINGERS), a Hulk vs. Thing
collection, and reprint comics concerning Ultron and
Magneto; most of these comics are more than
double-sized and priced at around $3.99.
One of the most exciting reprint projects of the past
few years has been Gemstone’s EC reprints, which are in
full color for only $2.50 per issue. As soon as the
more familiar EC runs were reprinted, Gemstone turned
to the less familiar ones, and finally to the truly
obscure. I find these more obscure titles fascinating,
and Gemstone has now reprinted the complete runs of
Panic, Piracy, Valor, Impact, Aces High, M.D.,
Psychoanalysis, and Extra! What’s next? It looks like
the pre-New Trend era is next, with reprints of the
1948 series War Against Crime and Crime Patrol
beginning in February. If you enjoy old non-superhero
comics, these great reprints are not to be missed.
CLASSIC CREATORS
Roy Thomas and John Buscema reunited for the 3-issue
CONAN: DEATH COVERED IN GOLD. Buscema, who both
penciled and inked the mini-series, appeared more at
home here than in last year’s Amazing Spider-Man
Annual, which he also drew. Joe Kubert inked a
half-dozen pages of son Andy’s pencils in Captain
America #16 & 28.
Upcoming comics featuring work by old favorites include
Legends of the DC Universe #28 & 29 (in March and
April), featuring a Green Lantern/Atom story penciled
by the late Gil Kane; and Amazing Spider-Man #18 in
April, which is scheduled to have John Romita Sr.
inking John Byrne’s pencils. The upcoming Orion series
by Walt Simonson will have a short backup drawn by
Frank Miller in its 3rd issue and one by Dave Gibbons
in its 4th. The team of Dave Michelinie and Bob Layton
are scheduled to reunite for an Iron Man mini-series
scheduled for July. And who knows what other surprises
might pop up. It pays to look through the Previews
catalog each month and advance-order your comics, so
you won’t miss out.