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You are now entering the BRITPOP FILE ...

NEW CDs ON THE BLOCK ...
Scroll down for CD reviews, including Duffy, 
Shed 7, Bernard Butler, Asian Dub Foundation, 
and more ...


SPICE GIRLS LOSE THEIR FIZZ
June 1. Pepsi Cola are said to be 
reconsidering their promotional contract 
with the Spice Girls now that Geri has 
walked. The lucrative contract, worth 
a reputed several zillion dollars, was 
based on a contract signed with all five 
Spices. The company is allegedly concerned 
that Geri's absence may adversely affect 
the group's commercial appeal.

U.S. promoters and fans who have bought 
tickets for the group's upcoming U.S.
concerts are said to be unhappy with 
the prospect of four-fifths of the group 
showing up on stage. "Geri was the heart
and soul of the group," one fan complained.
"Without her it's just not the real thing."

EMI shares dropped 2% yesterday as news of
Geri's departure rocked markets worldwide. 
Aid agencies were said to be standing by, 
concerned at reports that the Girls may be 
down to their last $30 million each.

GINGER SPICE: A NATION WEEPS
May 30. Flags flew at half mast and 
muffled church bells tolled across the 
nation as news of Geri "Ginger Spice" 
Halliwell's departure from the Spice 
Girls shook Britain. 

Geri's departure ends weeks of speculation 
about the future of Britain's number one 
pop group. What caused the split is unclear, 
although persistent reports of "crap" live 
performances may have something to do with 
it. Last year, the group were booed off 
stage in Spain.

Rumours that the Girls were unhappy with 
Geri's new role as "Bossy" Spice, following 
the firing of the Girls' manager earlier 
this year, have also surfaced.

In the course of their three-year career, 
the Spice Girls have sold over 30 million 
albums worldwide and notched up six 
consecutive no.1 singles in the UK.

Scary, Sporty, Posh and Baby Spice have 
confirmed that the Spice Girls' forthcoming 
U.S. tour will go ahead, minus Geri.

ELTON LIVE IN BELFAST ...
May 27. Rock & roll's very own telly 
tubbie wowed an audience of several 
thousand at a free concert in Belfast 
today. Elton, resplendent in cream suit, 
romped through a greatest hits selection 
before leaving the stage to massive 
acclaim. Yawn ...



KEEF TAKES A TUMBLE ...
The Rolling Stones have postponed the 
first few dates of their European tour - 
due to have commenced in Berlin on 22 May 
- while Stones guitarist Keith Richards 
recovers from a recent accident. Keef 
reportedly fell off a ladder in the 
library of his Westchester, Connecticut, 
home, bruising his ego and several ribs. 
Ah well, at least it'll give him time to 
catch up on his reading ... 

BLUR TAKE A BATH ...
Blur are to play Bath Pavilions on June 25 
as a warm-up to their headlining appearance 
at the nearby Glastonbury Festival. Tickets 
are 15 pounds plus booking fee. 
Tel: 01179 299 608.

Meanwhile, Blur guitarist Graham Coxon is 
set to release a solo album,title as yet 
unknown, on his own label, Transcopic. The 
album will be released in Japan in July, 
and the following month in the UK. 

BLAIR SAYS YES TO ERECTION ... 
British prime minister Tony "Brown Sugar" 
Blair is backing plans to erect a statue 
to late Rolling Stone Brian Jones in Jones' 
home town of Cheltenham. The rocking PM, 
who used to play Stones covers in a student 
rock band, sent a message of support to 
statue HQ. "All the best", offered the PM, 
unequivocally.

Uproar over the proposed statue was sparked 
by comments from Cheltenham's mayor, Les 
"Completely Bonkers" Goodwin. "Brian Jones 
was not a popular man," fumed Goodwin. "He 
lived in a drug culture. When you remember 
what this man did in his lifetime, you have 
to think, 'Does he deserve a statue'?"

To which we ask: Does Cheltenham deserve a 
mayor like Les Goodwin? Answer: probably. 
In fact, if anyone epitomizes Cheltenham's 
antique brand of wool-dyed conservatism, 
it's our Les. No wonder Brian couldn't get 
wait to get away from the place. 

MANSUN RELEASE ...
Mansun have announced plans to release an 
EP, Legacy, on June 29. The band embark on 
an extensive UK tour in October.

ELTON GETS FRUMPY ...
Zillionaire pop legend Elton John has split 
from long-time manager John Reid after a 
series of rows about something or other. 
Elton was still in a tizzy when he arrived 
in New York recently for an invite-only 
concert, reportedly telling journalists to 
f*** off. To which we say, f*** off yourself, 
Elton, you frumpy old git ... 

MOROCCAN OASIS ...
Oasis front man Noel Gallagher is said to 
have written a batch of new songs inspired by
Moroccan music. Noel wrote the songs while 
holidaying in Morocco recently with his wife, 
Meg. Whether the songs will surface on a CD 
in the near future is unclear. Rumours that
Noel is planning to release an album of music 
by a group of Moroccan joujouka musicians 
have been firmly denied.

Noel has also recorded a track for the forth-
coming X-Files movie. Called Teotihuacan, the 
track was reportedly inspired by a visit to 
Aztec ruins at the end of the group's world 
tour in Mexico last March. Reports that Noel
ingested a large number of "mushrooms" before
visiting the site have been put down to "mere
speculation."  Noel does not believe in flying 
saucers, or "out of body" experiences, an 
unnamed Creation spokesperson insisted recently.
The spokesperson also denied persistent rumours
that Noel's new interest in "spacey" ambient
music is the result of abduction by aliens. 

ALL YOU NEED IS SHOVE...
Caught on TV trying to ram a camera into a 
reporter's face outside London's High Court 
recently: none other than Mr Peace and Love 
himself, George Harrison, former member of the 
famous "Beatles" pop group. Very transcendent, 
George, we don't think ...


SCROLL DOWN for CD and BOOK REVIEWS ...


Email your news & comments to 
rob@entertainmenttokyo.com ...

New Releases

DUFFY/ I LOVE MY FRIENDS (BMG) 
Duran Duran founder member, (Stephen) 
Duffy has been ploughing a critically 
acclaimed furrow ever since he went solo 
in the early '80s. This latest effort 
delivers some of the sharpest, most 
intelligent slices of lo-fi pop genius 
this side of Elvis Costello. No frills, 
just taut, spring-driven bass/guitar/
drums and Duffy's wry, occasionally 
sarcastic vocals snapping through one 
fabulously ironic couplet after another. 
We were so young/I didn't know what love 
was all about/When I slept with her best 
friend/Of course she threw me out (Lovers 
Beware). Brilliant, perfectly-hewn pop - 
don't miss it.

THE JESUS AND MARY CHAIN/ MUNKI (Creation)
Haven't heard this one, but here's what Mojo 
says about it: "Munki is confirmation that 
the Mary Chain are feeling again; alarmingly 
direct and simple, this stuff will crush your 
spine to powder." Mmm. Sounds good to me …

SYMPOSIUM/ ON THE OUTSIDE (Infectious)  
Plucky Brit thrash - all rumbling bass surges, 
power chord uber-riffing and vocals that sneer 
and strut magnificently. If you're looking for 
uproarious, plangent, punch-the-air indie-pop, 
Symposium will do nicely, thanks. Top trax: 
Impossible, The Answer To Why I Hate You, 
Bury You, Blue.

BERNARD BUTLER/ PEOPLE MOVE ON 
In which the former Suede lead guitarist 
proves he can finger his frets and sing at 
the same time. Problem is, Bernard's song-
writing is not quite up to speed. The guitar-
playing 
is predictably impressive - often brilliant. 
But there are too many over-arranged, 
indulgent intros and songs that sound like 
something you've heard before. That said, 
when Bernard gets around to summoning a bit 
of authentic Suede flash on Not Alone (the 
album's obvious single) the effect is 
stunning, even if the violin bit is nicked 
from an old Four Tops hit.

SHED 7/ LET IT RIDE (Polydor)
If ever a band did its growing up in public, 
it's the Sheds. Gangly, bug-eyed, struggling 
with mammoth guitar solos no one really 
wanted to hear, the early Sheds were an 
awkward mix of erectile pop hooks and 
fumbling indulgence. Not any more. These 
days, the Sheds strut convincingly like the 
pop gods they very nearly are. Cracking good 
songs. Plenty of attitude and tight trousers. 
A singer whose head appears to be twice as 
big as his body. Is this not the very essence 
of rock & roll? Of course it is. And this 
time the Sheds are going all the way ... 

EDDI READER/ ANGELS & ELECTRICITY (Warner)
Flame-haired Eddi's been around since the 
late '80s, making catchy pop records that 
were hummable enough but often a little 
thin substance-wise. This is different. 
This is 30-something pop with a gorgeously 
hypnotic, country feel to it and some 
marvelously seductive songwriting. Eddi 
croons like Patsy Cline on E, and the 
whole thing sounds like a soundtrack for 
one of those groovy low budget American 
road movies that everyone raves about but 
never gets to see. Compellingly good, in 
fact, with at least one worldwide smash-
in-waiting with the impossibly delectable 
Kiteflyer's Hill. Gorgeous, or what?


ASIAN DUB FOUNDATION/ RAFI'S REVENGE  
A gritty, vengeful, deliriously manic box 
of bass'n'drum magic with a hint of 
Eastern mysticism from one of the best 
live acts in the UK. This is the album 
you always knew they could make and 
should. And now they have. Hit me with 
that rhythm stick, lads! Now!

Books & Stuff ...

DAYS IN THE LIFE: VOICES FROM THE 
ENGLISH UNDERGROUND 1961-71/ Jonathon 
Green (Pimlico)
Interviews with the movers and shakers of 
what was, unquestionably, the greatest 
cultural revolution in modern British 
history. Green, who was himself one of 
those m & s's, has done his homework on 
this one, tracking down those involved 
and dredging acid-fried memories for the 
perfect anecdote and/or penetrating 
insight into what happened and why. 
Here, briefly, UFO, IT, Release, OZ, 
Legalise Pot Rallies and all manner of 
'60s flower power agit prop surface for 
one more day-glo trip around the mulberry 
bush. Essential reading and, dare I say 
it, like, far out, man ...

SKIFFLE: THE DEFINITIVE INSIDE STORY/ Chas 
McDevitt (Robson Books 1997, hardback)
Skiffle first hit in England in 1954 - 
around the time Elvis walked into Sun 
Studios looking to record a birthday 
song for his mom. Like Elvis would later 
do instinctively, skiffle's pioneering co-
option of hardcore blues and R&B helped 
spark a mid-'50s music revolution on the 
UK music scene. And though the music's 
folksy, acoustic sound was hardly a match 
for Elvis's full-on pelvic dynamism, the 
success of skifflers like Lonnie "Rock 
Island Line" Donegan and McDevitt himself 
with Freight Train would inspire a whole 
generation of teenagers to pick up their 
guitars and thrash, the Beatles and the 
Rolling Stones among them. Disappoint-
ingly, McDevitt opts for group-by-group 
listings and a run-down of long-forgotten 
venues rather than focusing on the 
evolution of skiffle itself. The result, 
offers plenty of facts and anecdotes, 
but precious little analysis. That said, 
this remains a valuable and often 
fascinating reference work, though 
clearly the full story of British rock 
and pop in the 1950s remains to be told.