
PLEASE NOTICE, this is not just a list of
words...if you want to be PREPARED, you need to look pay attention!
ACTOR'S HOMEWORK

It's the research you do, the practice you put in, the
books you read, the movies you see before the interviews and the auditions,
before the agents and the casting directors, before you ever utter a word of dialogue or
hit your mark. When you do your actor's homework, acting looks so easy that anyone could
do it. IT'S NOT. IT'S HARD WORK, and the home work never
stops!
ACTION:

This is a word that is heard. When you hear the
director or the assistant director say this word, it is your cue to start talking or
smiling, or crying or whatever the director has told you to do. Listen! Hopefully, it's your cue to start acting!
Sometimes, before you hear "ACTION", you'll hear
"BACKGROUND ACTION", which means the people (mostly extras--sometimes lucky
bystanders) in the background will start their 'actions'--walking, talking, drinking their
diet Coke, moving past the camera--just like it sounds. Make sure you know which one is
which and which one you do your thing on, or they'll find someone else who pays attention!

ACTOR'S EQUITY ASSOCIATION:

sometimes called EQUITY or Actor's Equity, AEA is the union
for stage/theatre actors. Becoming a member of this union requires that you participate in
stage productions--so many hours as an actor at a theatre associated with Equity. Beyond
this, as a beginner, you really don't need to know too many details, except that actors
who have an Equity card (members of the union) have paid their dues in every sense
of the word. They have spent time backstage, onstage, taking classes, rehearsing, and learning by listening and asking
questions. Make friends, ask questions. If
they remember how hard it was for them, they just might give you some tips. These
are the pros--learn from them!
fyi, approximately 10% of the members of the acting
unions make 90% of the money...the majority of members still struggle from job to job to
make a decent living as an actor.
AFTRA 

also known as the AMERICAN FEDERATION OF
TELEVISION AND RADIO ARTISTS also
referred to with the SCREEN ACTORS GUILD or
SAG/AFTRA . These are the only unions for radio, television, and film actors and
performers. Anything on videotape or on radio is AFTRA, anything on film is SAG. And then
there are the exceptions to every rule. As a beginning actor, you shouldn't have
to worry about these unions until you have some experience under your belt. As you get
jobs and meet other actors, you'll learn more than you need to know about this--but you do
have to ASK!

AGENT

A necessary and very important player on the stage of show business.
Just like Real Estate Agents & Life Insurance Agents, Talent Agents are selling
something--you and your talent. They try and 'sell' their talent for the best jobs at the
highest prices. Good agents are 1/4 barracuda, 1/4 pussy cat, 1/4 genius, 1/4 magician,
and 1/4 con artist. No, it doesn't ad up, it doesn't have to! Good agents work hard for
their percentage but, in the end, they can only get you the audition. From there , IT'S UP TO YOU!
If you haven't been there
yet, be afraid
AUDITION:

A necessary part of finding the right actor for the job. Sometimes put
on video tape, actors are asked to read from a script or act out or react to
something. Other times, it's more of an INTERVIEW!
Enjoy the audition for the experience. They are not only looking for the right TALENT,
they're looking for somebody they will ENJOY WORKING WITH! Don't panic and remember to listen
to the other guy! (Even if it's the casting assistant who has
no talent for reading out loud!)

BACK TO ONE:

This is what you will hear on the set when they want to do it again.
This phrase means you go back to the position you were in before you heard the word
"Action." This phrase can get old...but don't despair--if you're hearing it, it
means you're working! Enjoy it...and keep listening
and learning!
Everyone goes 'back to one'. This means the camera will be reset to the
original position. If the shot was someone getting a pie in the face, that lucky actor
will be cleaned up, blown dry, and put back like they were before the pie was thrown. This
sometimes takes time--as does most everything on a set. Don't worry, they're going as fast
as they can...just relax and enjoy the
experience.
BACKGROUND:

Action that happens in the background--extras are sometimes called 'background extras'
because they are guess where? In the
BACKGROUND, being a part of the scene, smiling, nodding, moving their mouths...but
usually, NOT TALKING (unless they tell you to) while the 'real actors' do their job.

BILLING:

- 1 Where your name falls on the list of names (credits/opening credits/closing credits) that come
up at the beginning or end of a picture, or
- 2 the extremely short list of names on a marquee in front of a Broadway
Theatre, or
- 3 the really long list of names printed inside the playbill or program of
a theatrical presentation.
Your agent should negotiate this. If you didn't know what it is, you
probably don't need to worry about it for a while.

BLUE SCREEN:

As an actor, perhaps one of your biggest challenges will be
acting against a 'blue screen'. Sometimes, it's actually green and sometimes, the entire
studio is painted blue or green (including the floor!). It's how you fight the aliens,
talk to the dinosaur, or fly with Superman. If you're lucky enough to do this, you'll have
to 'pretend' there's something there. You may pretend you've just heard a nuclear
explosion going off, a giant ant is chasing you, or the underwater city is leaking. Good
luck. Enjoy it. Acting is becoming more and more a big blue screen process--they fix it
later in the computer. Just be glad they still need actors for part of this
process. They're working on that, too! ACTOR BEWARE! Don't give them any reason to replace you with a computer generated character!
CALL BACK:

Congratulations, you did something they liked or you
have a 'look' that they like.You are 'called back' to read or to audition one more
time--sometimes more than once! It means you're still in the running. Remember, you
still don't have the job. They haven't seen exactly what they want. LISTEN and try to give them something
different...go out on a limb...take a chance! Above all, enjoy the call back...learn from it and persist!

CALL TIME:

Double congratulations, you've got the job!
Your call time is the time given you by your agent (or sometimes by the casting director,
assistant director, or somebody else whose name you won't know). This is the time for you
to show up on the set. If you can't be on time, be early! Don't ever, ever, ever show
up late--you may not work again for a very long time!
If the unthinkable happens and you do get stuck in a terrible traffic
pile up or if all four of your tires are flat, CALL YOUR AGENT as soon as you can! Most production companies will understand if you let
them know as soon as you can. Remember, you're only one of an army of people hired for
this particular shoot. If you can't get your agent, call the contact
number for the production company. Don't leave home without it!
