Pumped-up Rock Crowd Floors Ex Organizers
by John Kendle
The Winnipeg Sun
June 24th, 1995
If you want to run a rock
show, you've got to be
prepared for a rock crowd.
That's a lesson Red River
Exhibition organizers
learned last night at
Winnipeg Stadium, where
an enthusiastic (but not
ugly) crowd of 3,800
young rock fans
completely overwhelmed
the Ex's seating and
security arrangements at
the fair's first ever paid
ticket concert.
The group experience of
rock concerts is as much
one of adrenalin as
anything else, and young,
pumped-up fans will do
anything they can to get as
close to the source of the
music as possible --
including jumping walls
and hurdling chairs.
Which is precisely what
happened last night during
Headstones' opening
gambit for The
Watchmen; which
prompted organizers to
empty the floor area of the
Stadium and re-set chairs
before The Watchmen
could start their full-length
concert.
Three songs into the
headliner's set, the same
thing happened again.
And how could it not,
given the fact the young
quartet is giving great
value for money these
days, playing evenly paced
set of old and new tunes
that displays its
ever-expanding musical
depth.
As Danny Greaves, Joey
Serlin, Sam Kohn and Ken
Tizzard collectively mature
as musicians, they're
finding legs which will
carry them far. This is a
band that -- even on its
faster songs
-- never loses its groove.
More subdued cuts, like
show opener Middle East
and All Uncovered, display
a great dynamic sensibility.
No wonder the crowd was
excited.
Headstones certainly
weren't to blame for the
audience's early antics,
despite singer Hugh
Dillon's command to the
floor-sitting crowd to "lose
the chairs" before the
show had even begun,
prompting an instant mosh
pit and setting body surfers
flying.
That was going to happen
anyway, and the band
seemed to draw energy
from the crowd as it
rushed forward. Though
seemingly uncomfortable
on the big stage, the
Toronto quartet really hit
its stride on the hard
riffing, heart-thumping
adrenalin stomps of
show-closers Unsound and
Hindsight.