Paw Prints

The Professional and Amateur Writers' Society
Kelli McBride, Editor    June 1998    Volume 4  Issue 6


Greetings
Kelli McBride

    June is here!  Spring is in full swing, as are my allergies!  But, even though I suffer during this season, I love it!  Everything is so tempestuous - a perfect season for writing!  I’m gathering all sorts of new ideas for stories.
    This month’s program is going to focus on journalism.  Jeff Cox, the Journalism Instructor at Seminole State, will be here to give us all sorts of great information on this field. Take good notes because we’ll be holding a writing contest next month for members based on the information Mr. Cox gives us.
    This month’s Paw Prints has articles on writing beginnings  and endings by Robin Nobles and a detailed biographical sketch for characters.
    Make sure you enter the PAWS’ writing contest and get ready for our fantastic September workshop!
    Deadline for July articles is July 4th.  Send them to kellimcb@chickasaw.com.


Market News

Romance and Beyond Magazine

    3527 Ambassador Caffery Parkway, Suite 9, Lafayette, LA USA 70503-5130. Ms. Mary Tarver (Editor).  Quarterly print consumer magazine. Romance short stories with science fiction, fantasy, or paranormal elements.
    Pays on acceptance, $5-15/story + cc. Buys one-time rights.
    Encourages new/unpublished writers. Editorial lead time: 6 mos.
    Sample copy: Send request with $4.00 ($7.00 non-US). RT: 3 mos. No email submissions, no queries, send complete mss.
    LENGTHS: Non-fiction max 1000 wds, query if longer. Fiction max 10k. Poetry max 200 wds, query if longer.
    LOOKING FOR: Articles on mixing romance with other genres and on writing for publication in general and on New Age topics fiction: short romances with sci/fi, fantasy, and paranormal elements. No pornography or gore, please. "Though the tone of our stories ranges from humorous to very dark, all stories must be romances and have happy endings. Most (or all) of the internal conflict must be caused by and resolved by the emotional/physical/spiritual relationship between a male and a female." Guidelines: Guidelines on website.
URL: http://members.aol.com/RBeyond/index9.html

Black and White Fiction Series

    Grant Creek Productions, PO Box 463, Moorooka, QLD Australia 4105. Ph: +61 7 3345 1721. Editor: Ms. Delia Martin. Bi-annual consumer magazine.
    Buys 41-50 freelance articles/yr. "Due for release in January 1999, this magazine features every genre in each issue, with no monopoly on the issues from writers (ie: one story per writer per issue)."
    Pays 1-2c/wd on publication. Copyright: "Copyright remains with the author at all times. First print rights and reprint rights remain with the publisher until the publication is released, then they revert back to the author." Simsubs and reprints ok if informed.
    Email submissions ok. LENGTHS: fiction max 5000 (strict). No feedback given on rejections. Provide SAE for surface mail submissions. URL: www.grantcreek.com/magnetic_ink/bw.html
GL: http://www.grantcreek.com/magnetic_ink/bw/guidelines.html Email: dmartin@grantcreek.com

Gothic.Net Webzine

    1368 Fulton, San Francisco, CA USA 94117. Editor: Darren Mckeeman. Monthly zine. Our intention is to publish four stories a month.
    WORD LENGTHS: Fiction: 1000-5000 words; prefer 1500-3500.
    PAYMENT:  3c/wd for original material; 1c/wd for previously  published material; preference is for original material. Payment on acceptance.
    SEEKING: "Top quality, imaginative, skillful stories of modern horror. Disturbing, thought-provoking, even humorous stories that deal with the unknown, the unknowable, the twisted, true fear, bitter truth, or that which is slightly beyond what we call reality. Stories of intelligence from writers who have evolved past outdated icons and imagery. Stories written in a variety of styles -- surreal, psychological, noir, eerie, new wave, transgressive, modern, post-modern, slipstream, traditional -- that evoke the horrific emotion. Visceral, but not gross. Warning: We may be Gothic.Net -- but we aren't particularly interested in vampires, romantic castles, rotting moss, heavy eyeliner, barbarian hordes, architecture with arches, or sunglasses after dark."
    RIGHTS: "First Universal Rights, exclusive for 90 days from first publication. Nonexclusive secondary right to archive and make available works indefinitely on the Web. Creator retains copyright."
    HOW TO SUBMIT: "Include name, snail address, phone, eddress, brief cover in MSWord or ASCII (text) to submit@gothic.net Snail mail submissions should be standard ms. format. Include SASE for response or indicate if email response is acceptable. We prefer disposable mss."  URL: http://www.gothic.net


PAWS’ 1998 OFFICERS
President
Vice-President/Program Chair
Secretary
Treasurer
Reporter/Historian
Librarian
Paw Prints Editor
OWFI Representatives
Research Historian (Honorary)
Pat Millette
Elaine Carmen Wells
Doris Novotny
Ann Huguenin
Elaine Carmen Wells
Doris Novotny
Kelli McBride
Janice Imel & Kelli McBride
Lorraine Stone


Contest News

By Line's July Deadlines:
    SHORT STORY - Deadline July 3, 1998. Fiction on any topic, up to 5,000 words. Entry fee $5. Prizes: $70, $30, $15.
    SUMMER POEM - Deadline July 15, 1998. Any style poem that captures the heat/essence of summertime. Entry fee $3. Prizes: $40, $20, $10.
    SHORT HUMOR - Deadline July 20, 1998. Nonfiction or fiction; original material only. Funny prose, anecdotes, daffynitions, satire--anything goes. Maximum 800 words. Entry fee $4. Prizes: $40, $20, $15.
    FREE VERSE - Deadline July 30, 1998. Any topic or length, unrhymed.  Entry fee $3. Prizes: $40, $20, $10.


Beginnings and Endings
Robin Nobles

    Beginnings are your first impression, or rather, expression.  We know that the first impression is often the most important one, and that after all kinds of other impressions settle, the last impression will probably resemble the first.  While it is important to be interesting in the first lines, beginnings must accomplish much more.  If you respect your reader, don't resort to tricks in the opening, for these are short-lived.  An opening of fiction must accomplish more urgent goals than "brilliant combinations."  Reserve those for the climactic action.  Introduce your characters, give us the place and time where the story occurs, and raise a question, complication or crisis, that we are to follow--something to intrigue us, so we want to keep reading.

For the rest of this article, click here.


Program Notes
Kelli McBride

    This month’s program will feature Jeff Cox, the Journalism Professor from Seminole State College.  Jeff will speak to us about writing for newspapers and other facets of that field.  Mr. Cox also teaches English Composition and has been the editor of Par Excellence for the last seven years.


Member News

    Congratulations to Patti Marshall!  She won 3rd place for  her short story, "Net of Love" in the Tellable Tale category for the Mid South Writers Conference.
    Linda Goodnight has finally received the contract from Guideposts for her inspirational article, “Jacob’s Angel.”  Unfortunately, the magazine has changed so much about the article that Linda says she wouldn’t have sold it to them if her name was to be on it.  For anyone interested in inspiration markets, you might ask Linda about her negative experience with Guideposts before you submit to it.
    Linda is also a finalist in Juvenile Novel and Contemporary Romance Novel in the Frontiers in Writing contest in Amarillo, TX.  Good luck, Linda!
    Dawn Prater and Linda Goodnight are speaking to Tulsa Night Writers on the Confession Market this month.
    Don’t forget to enter PAWS’ writing contest.


In the Beginning
Kelli McBride

    Are you sitting at the computer, frustrated because you can’t make heads or tails of your character’s actions?  Maybe you haven’t flushed out that character fully.  Here’s a great character sketch I found at WordSmith’s WebBook.  I've listed the major categories of this sketch but to see the actual questions under each category, click here to link to WordSmith's web site.

BIOGRAPHICAL SKETCH
Copyright © 1997 by Shiannee Dakota

I.    CHARACTER PROFILE
II.   CHARACTER TRAITS
III.  FAMILY/CHILDHOOD HISTORY
IV.   CURRENT HOME
V.    SIGNIFICANT FRIENDS
VI.   OCCUPATION
VII.  CLOTHING
VIII. PERSONAL DETAILS
IX.   MOTIVATION AND INTENT
X.    DOMINANT AND SECONDARY TRAITS
XI.   THE INTERVIEW
XII.  CHARACTER QUESTION
XIII. DESCRIBE CHARACTER IN ONE . . .
XIV.  DESCRIBE AREAS IN WHICH CHARACTER CONFLICTS WITH HIM/HERSELF ON
       OPINIONS, IDEAS OR GOALS


Quote of the Month
Kelli McBride

“A watched pot never boils.”  Anonymous

    As I was writing the Greetings for this month, it hit me that the year is nearly half-way over.  Yet, it seems like only yesterday when I wrote the January greetings!  Time has a funny way of tricking us.
    I remember an episode of Star Trek: The Next Generation where Data, the android who wanted to be human, was trying to grasp the idea of time as humans do.  He conducted experiments using tea kettles.  He would watch one and mark the time it started boiling.  He would then set a new kettle to boil and not look at it.  In both experiments, the times it took the kettles to boil were exactly the same.  He didn’t understand how human impatience and fear (among other emotions) can effect how we perceive time.
    As a writer, I have a very limited amount of patience when it comes to hearing from an editor.  I mail my piece, and the six months I may have to wait for a response seems an eternity.  Plus, I can’t totally get my mind off the waiting.
    However, when I’m trying to find time to write, it seems like the days just whiz by.  I look back over a week that seems to have disappeared in an eyeblink and realize that I’ve only written a couple of hours - at best!  Where did the time go?
    It didn’t go anywhere that it wasn’t supposed to.  Time is always the same, but my schedule changes; my mood changes; my health changes.  Though I blame time, I really must look to myself.
    So how do we deal with the issue of time?  I think the keys are scheduling and preparedness.

SCHEDULING:

    Buy yourself a yearly calendar that you can use dry erase markers on.  Every time you send out a piece, write that on the calendar.  Then, write the date that you should have heard back from the publisher.  If you see that it’s only been a month since you mailed out the story, then you won’t feel so antsy.
    You should also try scheduling a time of day to write.  Try getting up 30 minutes earlier or staying up 30 minutes later to write.  Look at the rhythm of your household and life:  when is it noisiest and quietest?  when do you have the most demands on your time?  when can you absolutely not write?  You might try keeping a diary for a week that records every single thing you do:  how much time you spend cleaning, sleeping, working, watching TV, working out, driving....  After a week, review the diary and look for ways to find time to write.  If you have a long drive time, invest in a micro-recorder and dictate ideas, plots, prose, poetry into it.  I have one and used it often while I was driving from Prague to OSU.

PREPAREDNESS

    How many times have you been struck by inspiration and didn’t have anything to write with?  Always be prepared to write.  Keep a small notebook and pens/pencils ready.  If you use a recorder, make sure you have extra batteries and tapes.  Be on the look out for any spare time you have to write.  You may only be able to grab 10 minutes at a time.  But if you can do that 4 times a day, that’s 40 minutes of writing time!
    If we’re serious about writing, then we must write.  And just like a watched pot never boils, a turned off computer or closed notebook never gets used.  Just staring at them won’t produce anything but eye strain.
    I’m going to go grab my 10 minutes of writing now.  Hmm, but first, I have this strange craving for a cup of tea.  Earl Grey, anyone?


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