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Tadah!!! Here they are!!!
These table was kindly supplied, courtesy of Frans Diepeveen.
Neither Frans nor I want to be responsible for their correctness.......
So use these codes at your own risk!!!
MK 1: 1958-1960
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Speedwell Blue | BU.1 | 3131 | Blue | Black | 1958 Only |
Pale Primrose Yellow | YL.12 | 3297 | Black | Black | 1958 Only |
Dark Green | GN.12 | 0152/5107 | Green | Black | 1958 Only |
Cherry Red | RD.4 | 3102 | Red | Black | 1958 Only |
Old English White | WT.3 | 2379/2122 | Red | Black | |
Old English White | WT.3 | 2379/2122 | Black | Black | 1959 On |
Leaf Green | GN.14 | 3242 | Green | Black | 1959 On |
Iris Blue | BU.12 | 3243 | Blue | Black | 1959 On |
Nevada Beige | BG.4 | 3305 | Red | Black | 1959 On |
MK II: 1961-1962
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Signal Red | RD.2 | 3742 | Black | Black | 1961 |
Speedwell Blue | BU.1 | 3131 | Blue | Blue | 1961 |
Old English White | WT.3 | 2379/2122 | Black | Grey | |
Old English White | WT.3 | 2379/2122 | Red | Grey | 1961 |
Highway Yellow | YL.9 | 3480 | Black | Black | |
Deep Pink | RD.18 | 3481 | Black | Black | |
Black | BK.1 | 122 | Cherry Red | Grey | late 1961 |
Signal Red | RD.2 | 3742 | Red | Black | 1962 |
Old English White | WT.3 | 2379/2122 | Red | Grey | 1962 |
Black | BK.1 | 122 | Red | Grey | 1962 |
Iris Blue | BU.12 | 3243 | Blue | Blue | 1962 |
MK II: 1963-1964
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Signal Red | RD.2 | 3742 | Red | Red | |
Signal Red | RD.2 | 3742 | Black | Red | |
Iris Blue | BU.12 | 3243 | Blue | Dark Blue | |
Old English White | WT.3 | 2379/2122 | Hazelnut | Hazelnut | |
Old English White | WT.3 | 2379/2122 | Black | Black | |
Old English White | WT.3 | 2379/2122 | Red | Grey | |
Fiesta Yellow | YL.11 | 3484 | Black | Black | |
Dove Grey | GY.26 | 3346 | Red | Grey | |
Black | BK.1 | 122 | Red | Black | |
Black | BK.1 | 122 | Hazelnut | Hazelnut | |
British Racing Green | GN.29 | 8120 | Black | Black |
MK III: 03/1964-10/1966
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Tartan Red | RD.9 | 3770 | Red | Red | |
Tartan Red | RD.9 | 3770 | Black | Red | |
Riviera Blue | BU.44 | 4022 | Light Blue | Light Blue | |
British Racing Green | GN.29 | 8120 | Black | Black | |
Old English White | WT.3 | 2379/2122 | Black | Black | |
Old English White | WT.3 | 2379/2122 | Red | Grey | |
Dove Grey | GY.26 | 3346 | Red | Grey | |
Black | BK.1 | 122 | Red | Black | |
Fiesta Yellow | YL.11 | 3484 | Black | Black | 1964-1965 |
Palle Primrose Yellow | YL.11 | 3297 | Black | Black | 1966 |
MK IV: 10/1966-1968
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Tartan Red | RD.9 | 3770 | Red | Black | |
Basilica Blue | BU.11 | 3169 | Black | Black | |
British Racing Green | GN.29 | 8120 | Black | Black | |
Old English White | WT.3 | 2379/2122 | Black | Black | |
Old English White | WT.3 | 2379/2122 | Red | Black | |
Black | BK.1 | 122 | Red | Black | |
Black | BK.1 | 122 | Black | Black | |
Pale Primrose Yellow | YL.12 | 3297 | Black | Black |
MK IV: 1969
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Snowberry White | WT.4 | 3012 | Black | Black | |
British Racing Green | GN.29 | 8120 | Black | Black | |
Tartan Red | RD.9 | 3770 | Black | Black | |
Mineral Blue | BU.9 | 3130 | Black | Black | |
Black | BK.1 | 122 | Black | Black | |
Pale Primrose Yellow | YL.12 | 3297 | Black | Black |
MK IV: 1970
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Glacier White | BLVC.58 | 4309 | Black | Black | |
Blue Royale | BU.38 | 5186 | Black | Black | |
Flame Red | RD.14 | 3000 | Black | Black | |
Pale Primrose Yellow | YL.12 | 3297 | Black | Black | |
Bronze Yellow | BLVC.15 | 9785 | Black | Black | |
British Racing Green | GN.29 | 8120 | Black | Black | |
Black | BK.1 | 122 | Black | Black |
MK IV: 1971
Exterior Color | BMC Code | ICI Code | Interior | Hood | Remarks |
Glacier White | BLVC.59 | 4309 | Black | Black | |
Bronze Yellow | BLVC.15 | 9785 | Black | Black | |
Flame Red | RD.14 | 3000 | Black | Black | |
Midnight Blue | BLVC.12 | 7963 | Black | Black | |
Blaze (orange) | BLVC.16 | 7864 | Black | Black | |
Bedouin (biege) | BLVC.4 | 7855 | Black | Black | |
Teal Blue | BLVC.18 | 7918 | Black | Black | |
Racing Green | BLVC.25 | 7985 | Black | Black |
Color | BMC | ICI |
Healey Blue | BU2 | 2697/2301m |
Metallic Golden Beige | BG19 | 3006m/2496m |
Aluminum (painted wire wheels) | AL1 |
A trip to a long established glass and paint shop results-- a re-acquaintance
with a high school classmate (HA! Small World!). Dan spent at least a hour
and a half educating me about paint systems and researching these colors.
(A paint system is all of the elements, from one manufacturer, going into
a paint job. i.e.- metal prep. prod., primer, primer-surfacer, filler,
paint, reducer, polisher, etc.) Now to the paint angst. In the U.S. the
players in the paint business are: DUPONT and PPG. These are the folks
we look to, to provide the correct recipe in their paint to match the color
that was put on at the factory. But our cars are old cars, and so we are
talking about old technology paint systems-- acrylic laquer and thinner,
or, acrylic enamel and reducer. These are the two paint types that you
are apt to find cross-referenced recipes by the manufacturer. Otherwise,
with the newer paint systems, you are forced to match a sample of the color
you want against a book of color samples. Color matching against samples
is problematic in a few ways. First you have to have a sample. [Sounds
simple, but the only sample I had of Healey Blue is on an area of the underside
of the front shroud, not something you want to tote around to paint stores.
Also, is your sample faded by age or sunlight??] Second, you have to match
it. [Also sounds simple, but here too are a couple of caveats. First, don't
try to match colors in the store's florescent lighting, do it outside in
the natural sunlight. Artificial light isn't color balanced, have your
photographer friends explain this principle to you. Florescents emphasize
blue, incandescents emphasize yellow light.] Also, compare three colors
at a time. Your sample, your best target choice, and a contrasting color
to help your eyes set the match. Try it you'll see what I mean. Comparing
blue/blue may show a very close match to the eye with the target looking
ever so slightly lighter in color, yet, when, say, a contrasting green
is brought into proximity, the target shows to be a yellow blue instead.
Acrylic laquer is probably used most by us 'paint in your garage' types
because of its properties. It dries to the touch very quickly, so it's
much less susceptible to trapping dust, dust is obviously an issue unless
you have a paint booth with filtered air circulation. Also, imperfections
found after spraying, can be sanded out and spot resprayed without much
bother. Laquers dry to a semi-gloss so the paint job isn't complete until
the finish has been polished by sanding with a very fine grit sanding medium
to bring out the final gloss luster. This attribute is a minus when it
comes to painting doorjams, frames, and wheel-wells, you can't very well
finish these off by sanding. Also, laquer paint isn't particularly durable,
it chips easier, and will fade its color over time, in other words, it's
a high maintenance finish, requiring waxing and polishing to keep it up.
Most importantly, its probably unavailable, as it is quickly being regulated
out of circulation. Laquers fall into a catagory of High VOC substances
[VOC - Volatile Organic Compound] that are being regulated out of existance
for your health and mine. (That's why it dries so quickly, alot of quick
evaporating solvent in its composition). Dan found Duponts cross references
as follows: DUPONT 8179 Healey Blue BU 2 DUPONT 8178 Metalic Golden Beige
BG 19 No listing for AL 1. He had a well worn color chip sample book dating
back to the late '60's, but it didn't have either color entry so I had
him make be up a quart of each for a test spray to see how they would look,
and as a sample to match to other paint systems if I chose a different
route. After the paints were mixed and home I took alook at the M. Golden
Beige and it reminded me of the common brown metalic of the Triumph Spitfires
and I wasn't too interested in it. The Healey Blue impressed me as being
on the dark side and sure enough after I sprayed a sample out, it was a
couple of shades darker to my eye and not what I wanted or imagined either.
Acrylic Enamel is the other old technology paint. It dries to a more durable
gloss, but it dries slooowly, so dust and insects are an issue. The DUPONT
colors above were only available in the laquer paint scheme. When talking
of new paint systems, the prevalent one seems to be the Color-Coat/Clear-Coat
systems of both DUPONT and PPG where a couple of color coats are applied
over the primer, and after a flash-off period the clear gloss coat is sprayed.
But this system isn't designed for us 'paint in the garage types'. For
one, they're a catalyst based system were you mix in a reagent like epoxy,
and you have x amount of time to get the spray done and clean up your equipment
before it sets up. If you have a problem during spraying, you quickly have
a cascading set of problems. They're really designed for a professional
spray booth with a clean enviornment, filtered air supply, with the person
spraying covered head to toe with protection from skin exposure and wearing
a supplied air mask. scary. These paints are isocyanate based. [Heck even
the hardener I got to put into Acrylic Enamel for another project is isocyanate
based.] This stuff can absorb thru your skin into your system, not good.
All the paint masks with the canister filters I've researched that were
rated for paint and organic solvent protection excluded isocyanate compounds
emphatically. Where does this leave us? In a quandry I'm afraid. Why bother
trying ourselves? To control the process and quality. Besides, now that
the car is dismantled down as far as I can go I can't tow it to the body
shop. In Summary: "Oh, Oh, My work in progress is unresolved!"