Let me sing A happy song With crazy words That roll along And if my song can start your laughing I'm happy         Happy! Let me sing a sad refrain A broken heart that loved in vain, And if my song can start your crying I'm happy Let me croon A low down tune To lift you out of your seat And if my song Can reach your shoes And start you tapping your feet

Let Me Sing and I'm Happy, by Irving Berlin from Mammy

Sing Hallelujah Hallelujah  And you'll shoo the blues away When cares pursue ya Hallelujah Sees you through The darkest day Satan lies a-waitin' And creatin' skies of grey

Hallelujah, by Newmans/Robbins/Grey

When I got to Satan's door I heard you blowing on your horn once more So, blow Gabriel, blow Blow Gabriel, blow

Blow, Gabriel Blow, by Cole Porter from Anything Goes

I want to join your happy band  Let the drums roll out Let the trumpets call While the people shout Strike up the band Let the cybmals ring Calling one and all To the martial swing Strike up the band There is work to be done to be done There's a war to be won to be won Come you son of a gun of a gun Take a stand Fall in line yeah boy Come along lets go Hey, leader strike up

Strike Up the Band, by George and Ira Gershwin from  An American in Paris

Before the parade passes by I'm gonna go and taste Saturday's highlife Before the parade passes by I'm going to get some life back into my life I'm ready to move out in front I've had enough of just passing by life With the rest of them With the best of them I'm going to hold my head up high

Before the Parade Passes By, by Jerry Herman for  Hello Dolly

Be a clown Be a clown All the world loves a clown With his pants fallin' down

Be a Clown, by Cole Porter from The Pirate

Or the dance that's a dream of romance Or the scene, when the villain is mean The world is a stage The stage is a world

That's Entertainment, by Howard Dietz/ArthurSchwartz used in Band Wagon

Give my regards to Broadway Remember me to Herald Square Tell all the gals

Give My Regards to Broadway, by George M Cohan from Little Johnny Jones

On the avenue I'm taking you to

42nd Street, by Harry Warren/Al Dubin from 42nd Street

That I will soon be there Whisper of how I'm yearning To mingle with that old time throng So give my regards to Broadway

Give My Regards to Broadway

Broadway How great you are I'll leave the farm and all its charm To be a Broadway star Bright lights, white lights Where the neons glow My bags are packed I've got my act So all aboard, come on lets go

Broadway, by Stephen Sondheim/Julie Styne from Gypsy

All aboard, all aboard, all aboard Can you hear that whistle down the line I figure that it's engine number 49 She's the only one that'll sound that way On the the Atchison Topeka and the Santa Fe Ooo-oo-oo  oo-oo-oo-oo Hey Jim, you'd better get the rig Ooo-oo-oo  oo-oo-oo-oo She's got a list of passengers that's mighty big

The Atchison, Topeka and the Santa Fe, by Harry Warren/Johnny Mercer from The Harvey Girls

Toot toot tootsie, goodbye Toot toot tootsie, don't cry I'm on a train that takes me Away from you Oh, you'll never know how sad that makes me Kiss me Tootsie and then Kiss me over again I'll watch for the mail I'll never fail If you don't get a letter then you'll know I'm in jail

Toot, Toot, Tootsie, by Ernie Erdman/Gus Kahn/Ted Fiorito/Russo/King from The Jazz Singer

San Francisco, open your golden gate  You'd let no stranger wait outside your door San Francisco, here is your wandering one Sayin' I'll wander no more Other places make me love you best Tell me you're the heart of all the golden west

San Francisco, by Jurmann/Kaper/Kahn from  San Francisco

Meet me in St Louis, Louis Meet me at the fair Don't tell me the lights are shining Any place but

Meet Me in St Louis, by Mills/Sterlin from Meet Me in St Louis

Nothing could be finer Than to be in Carolina In the morning And nothing could be sweeter Than my sweetie When I meeet her in the mornin' And if I had Aladdin's lamp For only a day I'd make a wish And here's what I'd say

Carolina in the Morning, by Walter Donaldson/Gus Kahn from the 1922 Broadway show, The Passing Show

Oh Rock-a-bye my baby with a Dixie Melody  When you croon, croon a tune Right from the heart of Dixie Just hang that cradle, Mammy mine Right on the Mason Dixon Line And swing it from Virginia To Tennessee With all the love that's in ya Weep no more my lady Sing that song again for me Sing, Old Black Joe, just as though you had me on your

Rock-a-bye My Baby with a Dixie Melody, by Jean Schwartz/Sam M Lewis/Joe Young/Gershwin/Irving Caesar from the 1918 Broadway show Sinbad

Swanee, how I love ya, how I love ya,  My dear old Baby face,  I'm up in heaven when I'm in your fond embrace Me, my sweet embraceable    You and the night and the music Thrill me, but will we be true After the night and the music dies will I have

Swanee, by George and Ira Gershwin   Baby Face, by Benny Davis/Harry Akst Embracable You, by George and Ira Gershwin from An American in Paris You and the Night and the Music, by Arthur Schwartz/Howard Dietz from the movie version of The Band Wagon

Will I have rhythm,  Will I have music, Will I have my gal, Who could ask for anything more? This is the love I give to you  And more I know I've never lived before And my heart is very sure No one else could love You've made my life so glamorous You can't blame me for feeling amorous Oh s'wonderful, s'marvellous That you should care for

I Got Rhythm, by George and Ira Gershwin from An American in Paris     More, by Ortolani/Oliviereor/Newell         S'Wonderful, by George and Ira Gershwin from the 1927 Broadway musical version of Funny Face

Me and my shadow  All alone and feeling Blue skies, smiling at me  Nothing but blue skies Do I see After you've gone  And left me crying After you’ve gone There's no denying Some day when you grow lonely Your heart'll break like mine and you'll want me only After you've gone After you’ve gone

Me and My Shadow, by Al Jolson/Dave Dreyer/Billy Rose   Blue Skies, by Irving Berlin from The Jazz Singer - the first song ever to be used in a film   After You've Gone, by Henry Creamer/Turner Layton

I'll go my way by myself  Here's where the comedy ends I'll try to deny myself Love and laughter and friends I'll face the unknown I'll build a world of my own Love, love changes Everything's coming up roses  And if you're real good I'll make you feel good I want your spirits to climb So let me sing a happy song  With crazy words That roll along And if my song can make you H - A - P - P Why was I born?  To make you  Happy Happy To make you HAPPY

By Myself, by Howard Dietz/Arthur Schwartz, used in Band Wagon       Love Changes Everything, by Andrew Lloyd Webber/Don Black/Hart from Aspects of Love Everything's Coming Up Roses, by Stephen Sondheim/Julie Styne from Gypsy Let Me Entertain You, by Stephen Sondheim/Julie Styne from Gypsy reprise of Let Me Sing and I'm Happy         Why Was I Born?, Jerome Kern/Oscar Hammerstein II from the Broadway show Sweet Adeline reprise of Let Me Sing and I'm Happy