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'Becker' gives Danson (and us) break from Sam Malone Web posted Dec. 18 at 06:52 PM By Paul Brownfield Keeping Becker off the new fall
lineup in favor of the since-canceled Brian Benben Show has turned
out to be a canny piece of Monday-night strategy by CBS. For not only does
Becker (9:30 tonight on WRDW-TV, Channel 12) deservedly draw better
ratings than its dead-on-arrival predecessor, but the midseason launch
gave Mr. Danson's image a few more months of distance from the gaudy
failure of Ink.
Ink was the 1996-97 sitcom starring Mr. Danson and wife Mary
Steenburgen, which drew attention for all the wrong reasons -- principally
because CBS made a costly, 22-episode commitment to the stars before there
was even a script and then watched as the show limped through expensive
creative changes and critical flogging.
``After Ink, I thought, all right, that's it, no more
half-hours,'' Mr. Danson says. ``All I can do is Sam Malone, and I don't
want to be Sam Malone, (but) that's all people want me to do or be, and I
sure as hell am not going back to CBS, so I'm outta here.''
It's Wednesday, a day of lazy rehearsal on the set, the cast and crew
still aglow over the previous night's taping, in which Dick Van Dyke did a
guest appearance as Becker's estranged father. Mr. Danson, in blazer,
jeans and sneakers, is sitting in the office of the title character he
plays, a cranky doctor with more pet peeves than Andy Rooney on a
therapist's couch. Twice-divorced, middle-aged, Becker has given up a
high-paying research job at Harvard to open a general practice for
low-income patients in the Bronx. But his heart of gold is constantly
canceled out by his rants about everyday life.
There's a discernible bit of Becker in Dave Hackel, the show's
49-year-old creator and executive producer. After decades spent on sitcoms
such as Wings, Dear John and Frasier, Mr. Hackel wanted to
do a show in which the lead character could be, well, not nice.
Becker is hardly a revolutionary sitcom character, but he's at least a
breath of hot air in a field crowded with either smug urban yuppies or
endearing blue-collar losers. Indeed, even the slightly seedy
diner/newsstand where Becker hangs out feels like a throwback to a
previous sitcom era. ``I used to think he was this angry guy,'' Mr. Danson
says of a character who, very much like Sam Malone, hides his pain with a
false front -- this time as a cynic. ``Now I think what he is is this
intensely lonely guy. ... What I love is how lonely he is, how awkward he
is, how he doesn't want to be touched.''
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