Bara (Belly) Kajira lies face down on the floor with her hands behind her back, wrists crossed, legs straight, ankles crossed, ready to be bound. Head faces left.
Belly Kajira lies face down with her forehead resting flat on the floor and arms at her sides. she crawls to the Master on her belly.
The command belly is a form of obeisance that commands a slave into a position where they lie on their belly with their head to the floor or to the foot of the Free. one's palms are pressed flat to floor, next to the head. Variations may include moving to the Free, kissing Their foot, or placing Their foot upon one's head or neck to show that their life may be so easily crushed. It may be used to show submission, respect or obedience, to beg forgiveness, or simply as a means to approach the Free. ~With fear in her belly, but an ache in her heart, the slave moved to her belly on the floor. Each hand is pressed to the floor at her sides, and she painfully inches forward. Reaching His feet, she grasps His ankles with her small hands and lifts her lips to His boots. Placing a soft kiss against each boot, she whispers brokenly~ one begs forgiveness Master, the words she spoke that upset You, were ill-chosen.
Binding Kajira crosses her wrists and ankles, waiting to be bound. From the Gorean word Lesha, which translates as "leash." In this position, the slave remains either standing or kneeling, depending upon the current position she is in. She turns and puts her back to her Master, her chin up, her head turned to the left so a leash may be attached to her collar, with her chin up and her back and shoulders straight. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets.
Blanket In this position the slave has to remain very still and quiet when a covering is thrown over her....until the Master removes it.
Bracelets or chainning Kajira stands, head high, wrists behind her back and crossed, ready to receive slave bracelets.
To the command "bracelets" the slave responds by placing her hands behind her back, wrists crossed, ready to receive bracelets. The head should be held tall with the chin lifted and turned to the left. It might be used to attach bracelets to a slave, easy access to the collar to grasp the collar or attach a leash, to display a girl, to capture a slave's attention, to test the training of a slave, or simply because it pleases the Master. ~Throwing her arms and her ash~blonde hair behind her, she presses back with her shoulders and raises her wrists so that they are well clear of the small of her back. she pulls up the crown of her head slightly to complete the curve caused by the forward thrust. Turning her head to the left, her chin raised slightly, the collar of steel fully exposed as it lays across the smoothness of her slender throat.
Capture position The girl lies on her back with her knees raised, heels on the floor in a standard, supine capture position. ("Kajira of Gor" p. 422)
Crawl The slave gets down on all fours, palms flat on floor...ass in the air...forehead close but not touching the floor....crawls to just an inch from Master's feet.
The slave gets down on all fours and moves to where she is directed. In the books, one example is a slave moving forward on her belly with her head down. Other instructions, not found in the books, may include having the forearms (palms to elbows) upon the floor, exaggerating the tush in the air, lowering the forehead close to but not touching the floor, crawling to a hort from the Master's feet, or crawling to and kissing the Master's feet.
Common Gorean Usage Position (sex) The slave falls to the floor upon all fours, and keeps her head straight, her eyes looking forward, with her buttocks thrust upward and her thighs widely spread in preparation for the sexual use of the Master.
Gorean Bow The girl kneels in the nadu position and bends her body backwards, her head to the floor, she places her hands by her head palms down .... then pulls up into a back bend.
Hair Position The command for hair is a silent gesture in the books, but may be given verbally in the online realm. a slave approaches the Free opposite their dominant side, bowing or crouching to place the slave's bowed head within easy grasp. It may be used when a Free wishes to have a slave by their side, lead a slave, wipe His fingers or face with her hair, moved to another position, controlled, or have her slavery impressed upon her.
Heel The slave goes to Master and kneels in nadu behind and to his left... awaits further orders note: if Master is right handed go to his left , if left handed go to his right.
The command for hair is often a silent gesture in the books, but may be given verbally as well. a slave approaches the Free opposite their dominant side, kneeling or crouching to place the slave's bowed head within easy grasp. It may be used when a Free wishes to have a slave by their side, lead a slave, wipe His fingers or face with her hair, moved to another position, controlled, or have her slavery impressed upon her.
High Harness A position in which a leashed slave is commanded to do....to show off her collar and neck.
Kneeling (Leash) The slave kneels quickly spreading her thighs wide, arches her back stiffly and places her hands, wrists crossed, at the small of her back, turns her head to the left with eyes lowered submissively, and lips parted slightly, she patiently awaits the leash, or inspection...(standing): The slave stands with feet shoulder-width apart, wrists crossed at the small of her back, head held high and turned to the left, lips slightly parted and eyes lowered submissively awaiting the leash or inspection.
Ko Lar, or Collaring Position Also called "the Position of Female Submission." In this position the slave kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication. (see "Tarnsman of Gor" p. 93-94).
Kneel to the Coffle The girls kneel, closely, one behind the other, as their left wrists are placed in wrist rings; this is usually followed by the order to stand and then the order "Lower chain" where the girls lower their wrists. Thusly they are then in line, standing, coffled. ("Slave Girl of Gor: p. 127)
Kneel to the Whip Kajira kneels, head to the floor, arms crossed beneath her, back exposed in preparation to be beaten. In this position the slave first assumes the Nadu position, though with her arms crossed in front of her. She then leans forward and places her head to the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip.
Leading Position Kajira walks behind the Master and puts her head to Master's hip in order to be led. The slave hurries to Masters side, bends at the waist pressing her head against his left hip...her hair falling forward. .. waits for Master to lead her by her hair or her collar... note:if Master is right handed go to his right side..or vice versa if Masters left.
Leasha/Lesha (Leash) Kajira clasps her hands behind her back in readiness for bracelets. She holds her head up and turned left ready for the leash.
Maintaining Position When a master places a girl in position, it is imperative that she does not break it until commanded to do so.
Nestle A command used by the Master when He wishes the slave to cuddle.
The proper response to the command, "nestle", is for the girl to cuddle in the crook of the Master's arm. The quote below shows the Master lying down, however on the occasions on-line that the command is used, the Master is seated and the girl on His lap.
Prostrate The slave kneels and touches her forehead to the floor, she stretches her arms out before her with palms face down and fingers spread.
Nadu (Kneel) This is the primary position of the slave. Kajira kneels with thighs parted widely for the Master's pleasure (if she is a pleasure slave, that is. Tower slaves keep their knees together). Her back and shoulders are straight, breasts thrust forward, belly in, hands on her thighs palms down (or up, in a silent plea for a Master to use her sexually). Her head is up and her eyes are lowered. A slave may kneel like this for a prolonged time so posture is important not only for appearance but also for comfort.
Obeisance There are many forms of obeisance which can be performed. The dictionary definition of the word is "an act of reverence: an expression of respect".
She-sleen (Sometimes known as the "dicipline of the she-quadruped") This is either a position assumed on all fours for being used from behind or a discipline under which a kajira is put where she must act like a she-sleen, unable to communicate except in whimpers. Also known as "assuming the modality of the she-quadruped." In this position, the slave falls to her hands and knees, her head down on the floor, her hindquarters upthrust for viewing and/or her Master's pleasure. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs her regular duties upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet and may use only her mouth and teeth to grasp and manipulate objects.
A slave under the discipline of the she-quadruped goes about on her hands and knees as though she were a four-legged animal. The girl goes to all fours, going about on their hands and knees performing tasks, and perhaps tricks, as directed. The slave is permitted to use her hands only as a means of locomotion. she is not allowed to use human speech, and must communicate by means of animal noises used to signal the intentions or meanings normally given to words. The girl must often times eat and drink as an animal, lapping water from a puddle, and eating without the aid of her hands. The phrase she-sleen is often used when referring to a woman, either Free or slave. In the books women have been compared to the sleen in a similar manner as women of earth when given the qualities of felines or female canines, e.g. "catty" or "bitch". The phrase tends to imply the woman is like the sleen, vicious and nasty until tamed by the stronger Man. When the phrase "she-sleen" is used as a command, the slave mimics the position of the animal she is thought to be and assumes the modality of the she-quadruped.
When told to assume the modality of the she-quadruped, one would move to their hands and feet (unless bound or under another command, such as belly, that would prevent them from doing so) and would whimper softly, once, to show that they understood. If it was believed that the command was given in punishment, the slave might approach the Master, kissing and licking at His boots or curling about them to beg His forgiveness. The slave would then serve, do chores, and follow whatever instructions were given to her in this mode until she was told she was no longer under the modality or discipline of the she-quadruped.
Psychologically the slave while in she-quadruped learns what is it to be female. she is reduced to level of an animal. In this mode of serving, the slave realizes her status and position; that she is owned, dominated, and dependent upon her Master for her very life. This position is often used to discipline or to teach a new slave her place. It is a powerful tool for instruction. In requiring a slave to rethink how to obtain a paga bowl and fill it, how to greet guests, and how to serve the Free without using hands or voice, it forces a slave to think differently about their actions and can bring new life to one that may have been feeling complacent or bored.
Run When this command is given, the slave runs toward her objective, taking short rapid steps with her legs almost straight, her feet harely leaving the floor. As she moves her back is straight, her head is turned up to the left, and her arms are at her sides, her palms facing outward at a 45 degree angle to her body. Upon approaching the object, she drops gracefully to her knees and typically resumes the position of Nadu.
The proper response to this command, one needs to consider the context. The correct response in the midst of the games of the Wagon Peoples is not the appropriate response within a tavern. slave girls are sometimes taught to run in a stylized fashion, with straight legs using short, rapid steps that hardly touch the floor. The back is held straight with the head turned to the left, and the arms are at her sides with palms facing outward at a 45-degree angle.
"Slaver's Kiss" (Slaver's Caress) Position This is somewhat of an action, since the slave is taken by surprize when done. The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body.
Slave Lips When this command is given, the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master.
Submission Kajira kneels, with her back straight. She raises her arms and crosses her wrists ready for binding, head lowered. This is the position assumed when a woman submits to a man as his slave.
Sula (Back) or Prone Position Kajira lies on her back, her hands at her sides palms open and up. Her legs are spread widely apart, ready for whatever uses or disciplines a master wishes to place upon her.
Sula-Ki, or "Alternative Sula This position is almost identical to the Sula position, except once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him.
Table The slave goes to all 4, locking her elbows, makes her back smooth and level, she holds her head level with her back.
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Tower position There is another variation of Nadu in which the slave kneels the same way, but with her palms down and her knees modestly together. This variation is Position and is typically reserved for underage or white-silk slavegirls, or slavegirls who serve their Master in a non-sexual way, such as a Tower Slave or female Work Slave.
Walk When this command is given, the slave turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hip out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered.
Lap When the command "lap" is given, the slave girl has been ordered into the Master's lap. she does not necessarily sit, she may be draped over His legs with her body exposed for His caresses and viewing pleasure.
Coffle The command is often given with multiple girls, who kneel, in order of first slave to last, closely, one behind the other. With the command "left wrist coffle" the left wrist is raised to be placed within the wrist rings. This might be followed by the order to stand and the order "lower chain" where the slaves lower their wrists. Thus the slaves are then in line, standing, coffled, ready to be moved or displayed. |
Stand In the books the command is "stand" or "stand as a slave." This is done according to the quote as back straight, head high, belly sucked in, breasts thrust out, hip slightly turned. In addition, one might add personal touches, such as placing one foot in front of the other, front knee bent, or pointing the toes. However that is merely personal preference, not given in the book. ~The girl curls her toes beneath her, moving her weight back over her heels and pushing herself to standing. Raising the crown of her head as high as she can, the slave lowers her eyes and presses her shoulders back as she sucks in her gut to display her figure well. Shifting her weight ever so slightly so that she may better turn her hip, she raises a delicate hand to tuck a stray lock of hair behind her ear, silver-blue eyes glancing quickly as a soft smile crosses her features, only to disappear as she drops her hand once again. Feeling her heart pound under the scrutiny of watchful eyes, she slightly turns her arms so that her soft palms face more forward, exposed.
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