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3.1.15 Religious themes and death
** How are Christian themes used in the film?
Christian themes are used in several ways. First, they are cultural reference
points, used to place the story in a cultural setting--the value system and morals
percolating through the story are consistent with a very British community, and the Church
of England as a distilled representation of that society. Second, they are used as
parallel standards against which to compare the girls' visions of the Fourth World. This
'compare and contrast' type of analysis gives the viewer greater insight into the minds of
the girls, and a quantitative measure of how much their sensibilities differed from those
of their peers and how much their values differed from the values of their community.
Third, they are used ironically, in several places. Jackson uses the Church as a comic
foil, while still managing to communicate some serious ideas and useful information.
** What are the prominent references to real
death?
* The portrait of the monarch in the school room is changed because of the death of
King George. This 'Royal' connection with death and succession was not emphasized in the
North American version of the film, however. * Both girls faced death as small children,
and apparently conquered it. And they have the scars to remember their battles. * Pauline
falls off her bike in the "Donkey Serenade" scene and says: "I think ...
I'm ... dying!" Juliet orders her: "Don't!" * The Port Levy revelation
happened "on the day of the death of Christ." * Pauline declares, when she is
threatened with separation from Juliet after Dr Bennett's exam, that life without Deborah
would be unbearable, and that "the thought of death is not fearsome." * Pauline
at last puts words to her growing black feelings in "the letter from old Stew"
scene: "Suddenly, a means of ridding myself of this obstacle occurred to me. If she
were to die..." * Finally, on the morning of the murder, Pauline wrote that she was
"writing a little of this up in the morning before the death." Inbetween, she
had referred to her mother's 'moider' but she came back to the real, final word on June
22, 1954.
** Wasn't Paul a Christian Saint?
Oh, yes. Eventually. After a life of sin, and a revelation.
** Wasn't Jesus a carpenter?
And didn't Juliet ask Bert Rieper, after he commented he liked to make things out
of wood: "Oh. Are you a carpenter, Mr Rieper?"
** What did Dr Hulme think of religion?
According to Juliet, "Daddy thinks the Bible's a load of old bunkum." A
quote from real life testimony, actually.
** Are there other Christian symbols and
references?
* Well, there is the location, repeated several times more than necessary
throughout the film: Christchurch. And the shot of the Cathedral in the Prologue. (The
Cathedral also figured in a fantasy scene revolving around Diello's Coronation,
unfortunately cut for the NAm version.) * There are two scenes in the Riepers' home at
Christmas, and we are told specifically that the trip to Port Levy occurred at Easter,
1953. The Hulmes' home was "Christmas Cottage." * The girls spent a lot of time
bathing together, an allusion to baptism. This is the moment when sin is washed away, when
a Christian is brought into the family of other Christians, and the moment a Christian
first accept the Faith and teaching of the Church. We see Pauline plunge into the waters
of Port Levy just before she sees Paradise for the first time. * The day of the murder
sees two meals, the scene in the tea shop, especially, being a reference to the Last
Supper and to Christ's betrayal by one of his disciples. Judas Iscariot was even brought
up by name in the trial, believe it or not. * The food we see most prominently in the
Riepers' home is bread (buttered by Pauline on the morning of the murder) and fishes
(brought home by Bert). And Weetabix, but I don't recall Weetabix on the menu when Jesus
fed the multitudes... * The Garden of Gethsemene was where Christ was denied by Peter, and
where he had his crisis of faith before his death. And then there are all the Eden
references, the expulsion of Satan and, eventually, the original lovers with their stain
of original sin. There are gardens everywhere in this film, including the murder scene. *
Juliet commented that Honora seemed to know what the girls had planned for her, and she
didn't seem to bear them any grudge. Another reference to Christ and the events of the
night before the crucifiction. (And to real-life statements by Juliet). * The unicorn has
often been used as a symbol of purity and of Christ in literature. * Jackson uses candles
as religious artifacts and props in several scenes. * Juliet pointedly 'washes her hands,'
like Pilate, throughout the entire last scene before the death of Honora. * The girls'
concepts of Paradise and resurrection, despite their protests to the contrary and a few
pagan symbols thrown in for good measure, are pretty much standard Christian fare. As is
their concept of Sainthood.
** Overall, Honora is gradually converted into...
Something of a Christ figure by Jackson. We get the feeling that Honora's death
comes to be seen, by Pauline and perhaps by Juliet, to be the vehicle for Pauline's
resurrection and rebirth in Paradise--in her new life with Juliet. Or, if not quite the
Lamb of God, Honora is certainly converted into a sacrificial lamb.
