Highland Meadows

Khasi Festivals and Dances


FESTIVALS

SHAD SUK MYNSIEM:    Dance of the joyful heart, it is a thanksgiving dance celebrated usually in April.  It is an important festival of the Khasis, held at Weiking.  This dance is popularly known as Shad Weiking and celebrated for three days.  On the first day, male dancers gather at Seng Khasi Hall and together in procession walk to Weiking accompanied by drums and flutes, this dance on the first day is known as the Shad Nohkjat.  In the evening the dancers return to the Seng Khasi Hall, located at Mawkhar, to resume dancing outside the hall.  The third day is the biggest day, dancers flock the ground, bejeweled girls attired in traditional finery and silver clad men in colourful costumes dance to the beating of drums and accompaniment of flutes.  People from all walks of life come to the ground in their traditional dresses.  During these three days male dancers return back from the ground in procession along with drummers and flutist to resume dancing display outside the Seng Khasi Hall for an hour or so.

NONGKREM DANCE:  This festival is performed at Smit village.  The festival is essentially a commemoration when the evolutionary process of Khasi matured into the formation of democratic states.  The legendary Shillong Peak stands testimony to this episode, when the Creator in divine congregation manifested in the person of 'U Shyllong' and bestowed the art of democratic governance and the rule of justice.  Pah Syntiew was ordained to pro-generate the linage of elected rulers (Syiems) on the formation of Shyllong State (HIMA).  The Hima shyllong was later bifurcated into Hima Khyrim and Hima Mylliem,  the Headquarter of Hima Khyrim was then shifted from Nongkrem to Smit in 1830.  For three consecutive nights (Pamtiah, Umni, Ieduh) solemn reverence and obeisance is paid to U Lei Shyllong (the creator as conceived in the person of U Shyllong),  U Suid Nia Long Syiem (the ancestral maternal uncles) and to the venerated progenitress ancestress "Ka Pah Syntiew"  of the ruling lineage.  A sanctification ceremony of the Tangmuri, as queen of the musical instruments, form part of  the ritual.  exegesis is also made on the entrails of fowls and decapitated goats presented by each Raid (Zilla) of the Hima.  A separate ceremony is performed on the third day being the Iewduh market of the week.  On the fourth day, virgins and youths attired in traditional dresses, dance in the courtyard of the Iingsad, on the fith and last day, amid pin drop silence of midnight, the Syiem knells down and offers a prayer of thanks giving to the Creator.

BEHDEINKHLAM:  a colourful and majestic event celebrated in the month of July to ensure that the crops just sown yield a bountiful harvest.  The actual festival runs for four days, featuring religious ceremonies, processions, dancing (usually in the rain) and an ancient game akin to soccer but played with a wooden ball, known as "Datlawakor".  It is also the most important festival of the Jaintia.  Khlam means plague or pestilence and Behdein means to drive away with sticks.  It is  very popular and colourful, where men only, young or old take part in the dancing to the tune of the drums and flute.  Women do not take part in the dancing but, have an important role to play at home in offering sacrificial food to the spirit of the ancestors.  They evoke their aid and intersection, so that life will be good and worthy.  Men  go round the town and beat the roof of every house with bamboo poles calling upon the plague demon to leave the house.  This is done early on the first day of the festival.  The climax of the celebrations is the tussle, akin to tug-of-war, for a large undressed beam by two groups of people opposed to each other.  The festival is also an invocation to God seeking his blessing for a good harvest.  The soccer game with a wooden ball, known as Datwakor, is performed on the last day of the festival, at Aitnar, Jowai.  Beautiful three or four storeyed Tabuts (Pyramidical topping shape) are displayed in the dancing ground, brought from every nook and corner of Meghalaya is a real treat to the eyes.  These tabuts resemble the Muharram festival of the Muslims.  The Behdeinkhlam festival celebrated at Tuber is considered to be the biggest and grandest.

DANCES

Dances locally means Ki Shad.   There are two types of dances, that is ka Shad Niam (Ceremonial Dance) and Ka Shad Rong (Merriment Dance).

KA SHAD LEHNIAM IEWDUH:  Performed annually at Iewduh (Barabazar) by the Mylliem Syiemship, to propitiate the market deity for a blessed and peaceful trade.  Goat sacrifice is part of the religious ceremony.  When the ceremony is over, dancers started dancing to the accompaniment of drums and flute.

KA SHAD NGUH 'LEI SHYLLONG':  Ceremonial dance performed annually at the top of Shillong Peak by Mylliem Syiemship, praying for bountiful rain, good health, etc.  A White goat is sacrificed to the Creator.  The moment the head is severed from the body at a single chop, they dance joyfully especially after they have examined the signs as indicated by the Creator.  If the sign is good then they become more cheerful and dance robustly.

KA SHAD NGUH LYNGDOH:   Ceremonial dance performed annually by the Mylliem Syiemship at Mawnarian and Iewduh celebrating Ka Lehniam Iewduh and part of conclusion of religious ceremony at Mawnarian, interlinked directly with Ka Shad Nguh 'Lei Shyllong'.

KA SHAD INGLONG KARDOM:  Ceremonial dance of Knia Rynkew performed by Raid Umwang to propitiate the deity who guards them.  Other dances performed by this Raid Umwang are Ka Shad Kokklor Ki Shon (Shad siej or bamboo dance),  Shad Rynkang Wait Rynkang Stieh, Shad Dait Khla Dait Masi, Shad Sangkirip (shad kyrkhu iing), Shad Snieh Khla, Shad Soi Kba, Bam ja Khaw Thymmai, Shad Prat Rinong (pynkhuid Khyrdop) and Ka Shad Nguh.  Raid Umwang is located at Karbi Anglaong which falls under the jurisdiction of Mylliem Syiemship.

KA SHAD NGUH MEIKHA BAD PHUR PEPBAH:  Ceremonial dances in connection with post funeral rites performed by different villages, like ka shad Phur of Nongjri, Khat-ar Shnong, Mawkyrwat, Maharam, etc.  Ka Shad Nguh Meikha and Phur Pepbah of Nongtung, etc.  Other ceremonial dances include Ka Shad Lyngdoh of Wahkhen, Shad Thang Syiem And Thung Syiem  of Sohra and Nongkhlaw, both prestigious ceremonial dances belong to religious rites, the former for cremation and the latter for anointment.

KA SHAD SAJER:  Ceremonial dance held annually at Nongbah (Raid Nongpoh) by Ka Seng Pynneh Riti Khat-ar Lyngdoh.  Usually held in the last part of January.  neighboring zillas (raids) also come to take part in this dance. Shad Sajer is more or less like a festival of the Ri-bhoi District.  Other dances include Ka Shad Shohkba of Raid Nongkharai, Shad Shutwait and Shad Dongdong, Shad Malangho and Shad Kynjuh Kynthei of Raid Nonglyngdoh.  Shad Puh Lyngkha of Raid Sohkhwai, Shad Shutwait and Kynjuh Kynthei of Raid Nongkhrah.

KA SHAD LARNIUH:  Ceremonial dance of Nartiang, under Jaintia Hills District.  This dance is performed during the grandest festival, ka Knia Blai Iaw Nartiang.  Defunct for the last 41 years and revived on 26th April 1997, propitiating the Market Deity.

KA SHAD RONGKHLA:    Ceremonial dance of the Nongtalang, Jaintia Hills District. It is usually performed when they catch a tiger.

KA SHAD NIAM BUHSHYIENG:  Ceremonial dance of the Lamin.

KA SHAD RONGSYNRIANG:  Ceremonial dance of the Nongbareh.

KA SHAD THANG SHYIENG:  Ceremonial dance of the Nongbareh performed only once in a century.

KA SHAD POMBLANG IAWMUSIANG:  Ceremonial dance of the Nongbah.

KA SHAD KNIA KOPATI:  Ceremonial dance of Raliang.

KA SHAD POMBLANG 12 NOR:      Ceremonial dance of the Shangpung.

KA SHAD KERAI IONPRAI:   Ceremonial dance of the Nongtalang.

KA SHAD LEHDARI:     War dance of the Nobosohphoh Syiemship, West Khasi Hills District.

KA SHAD BEHDEINKHLAM: Festive dance of Jowai, Chyrmang, Tuber, Ialong, Muthlong, Sohkynphor and Mukhla. (Jaintia Hills District)

KA SHAD LEIT SHAW KURIM:  Dancing in joyful spirit of Riangsih Syiemship in connection with marriages.  (West Khasi Hills District)

KA SHAD KRUD KSING:      Meriment dance performed by Raid Thaiang of Ri Bhoi District.

KA SHAD MIET:  Merriment dance of the Lyndem (Ri War) East Khasi Hills District, where bother sexes dance together.

KA SHAD NOHSAKYRIAT:  Merriment dance of the IALONG, Jaintia Hill District.