commentary by Tony McRae Early on in Lawrence of Arabia, soon after Lieutenant Lawrence
(Peter O'Toole) arrives in the camp of Prince Feisal (Alec Guinness),
the prince moves close to him and while staring him in the eyes he says,
"I think you are another of these desert-loving English. No
Arab loves the desert. We love water and green trees, there is nothing
in the desert. No man needs nothing. Or
is it that you think we are something you can play with because we are a
little people? A silly
people, greedy, barbarous, and cruel? What do you know,
lieutenant? In the Arab city
of Before As he prepares to leave in the dark of night with Feisal's men, the
prince stops him and asks," Where are you going, lieutenant."
Of course he knows the answer, but he wishes to gain an insight into the
young Englishman. "To
work your miracle," Is David Lean’s Much later, the reporter Bentley (Arthur Kennedy)
asks what the Arabs hope to gain from the war Lawrence
is waging. “They hope to
gain their freedom.” Bentley
is skeptical. “They’re
gonna get it, Mr. Bentley. I’m
going to give it to them.” When
Bentley asks what attracts him to the desert, Lawrence
answers, “It’s clean.” “Well
now,” Bentley replies, “that’s
a very illuminating answer.” And it is, I
think. Lawrence
needs cleansing, and he knows it. He
is tormented, attracted by pain and killing.
Lean does not deal with these issues in a heavy-handed way.
He puts it out there—in Lawrence’s face, in side comments
from others: when the diplomat Brighton (Claude Rains) says that the
Arabs think Lawrence is “a kind of prophet,” General Allenby (Jack
Hawkins) retorts, “They do or he does?” Rather than pass judgment, David Lean co-opts his
viewers, bringing them into a desert which mesmerizes. Like his hero we are swept up in its allure, its dangers, its
ever-changing permanence. And so when ********************
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