THE
STATION AGENT (2003) directed by Thomas McCarthy “(W)e need allies in
inhabitation.” Charles Moore
Finbar McBride (Peter Dinklage in an Oscar
worthy performance) works at a model train store on a
forlorn street in But it’s not to be.
Little by little, one importunate person at a time, Fin gets entangled in the
lives of the place. There’s
Olivia Harris
(Patricia Clarkson), an artist separated from her husband
after the death of their son, who literally runs Fin off the road with her
SUV. Twice!
Her apologies and offers of assistance are summarily rejected.
Joe (Bobby Cannavale) is another story—he’s not put off so easily.
His food and coffee stand happens to be a few yards from
Fin’s depot, and Joe is anything but shy.
Like a shark who must keep moving to survive,
Joe needs talk--and friendship--and he’s not about to let Fin’s
monosyllabic answers deter him. One day Joe asks him if he’s had sex
with a "regular-size chick."
Fin,
who is 4 feet 5 inches tall, answers yes.
Joe presses him. What
about a woman your size? No, says Fin.
Joe isn’t sure what to make of this:
here’s this little guy who's marginalized by
society, living out here in the boonies, and yet he's normal, at least in
one essential area. At once caretaker and train
mechanic, Finbar McBride becomes the "agent" at the Newfoundland station
depot .
Okay, it’s not a working station but even if it were he’d still
be alone. Station agents
don’t lead exciting lives, never have.
He walks the tracks and country roads, usually with no destination
in mind, save the occasional trip to town for groceries or books on
railroading at the public library.
Finbar
McBride occupies the center of this movie, and like a black hole he
absorbs the sounds around him, forcing Joe and Olivia to fill in the
silence. Both are content
to take Fin as he is, even to join him as he walks the rails, going
nowhere; just being together seems enough. For a while. Then
Olivia's husband shows up for some kind of showdown, and this sends her
into a deep depression. Fin is at a loss. He decides it's up to him
to help her. His strategy is to make A nuance of himself, much as
Joe and Olivia did with him immediately after his arrival.
All
of us want to belong, to have a place which is ours. Fin has his
depot, Olivia her house on the lake, Joe his food truck. Each
discovers that living exclusively for oneself isn’t all that
simple, not even in a rural place like Endings in movies are
tricky. To work they have to
provide a certain satisfaction, which may or may not tie all the threads
of the story together. When
Rick and Louis walk off together at the end of At the end of
The Station Agent three people are sitting on rocking chairs enjoying the sun and each
other’s company. That’s
it. Problems are not tidily
resolved, but each one has a ally, two in fact.
It’s a small thing, but maybe not so small after all. **********************
TRIVIA:
The only two movies ever filmed in
a commentary by Tony McRae