Style Analysis
Page 2

   Capote’s uses detailed sensualistic description of characters, setting, and events to make the characters and setting exceptional.  Capote uses so many adjectives to describe the main elements of the story, the reader can easily see, smell, feel, or hear the characters, apartments, and movement Capote illustrates:
 

  A creature answered the door.  He smelled of cigars and Knize
 cologne. His shoes sported elevated heels… His bald 
freckled head was dwarf-big: attached to it were a pair of 
pointed, truly elfin ears.  He had Pekingese eyes, unpitying and 
slightly bulged.  Tufts of hair sprouted from his ears, from his 
nose; his jowls were gray with afternoon beard . . .
(Capote, page 29)

Capote does an excellent job of depicting the unique traits of this character; the scent of cigars and Knize cologne, bald freckled head, and elfin ears. With such description, a detailed and clear picture of the character is created: a short man, with a balding, freckled head and pointed elfin ears.  Capote is able to capture the reader’s attention and most of his novel is based on such description. Capote’s description of setting places the reader in the story:
 

  The room in which we stood (we were standing because there was 
nothing to sit on) seemed as though it were being just moved into . 
. . Suitcases and unpacked crates were the only furniture.  The 
crates served as tables.  One supported the mixings of a martini; 
another a lamp, a Libertyphone. . . Bookcases covered one wall 
and boasted a half-self of literature. 
    (Capote, page 29)
Capote creates a setting of an empty apartment.   Instead of saying "we stood in an empty apartment", Capote describes what makes the apartment empty (crates serving as table, suitcases and unpacked crates were the only furniture) and the reader can place themselves and the other characters in the room.

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