articles
Alright this is the article
i wrote to Blah, Blah, Blah for Chart and Chart published it. Yvette read
it and called me up on the phone cause i knew them previously and was in
thier fan book, and Yvette looked through all the pages in the fan book
and called me up. Yvette called me from Regina when thier van had
broken down and thanked me, it was great. I couldn't believe she
called me and gave me the best advice and always has, she means the world
to me..k here is the article.
BLAH BLAH BLAH
LETS HEAR IT FOR THE GIRLS...
BY MOI !!
NICOLETTE RIGNAULT
Chart is the best magazine out there. It would prove
to be even better if you gave rockn artists like Bif Naked and Mollies
Revenge more space and recognition. It was good to see Bif Naked featured
in, let's see, May 96(God has it been that long? - hint hint), and most
recently the whooping page of Bif's shoe fetish[july 97]. God I love that
girl. She's a hoot. So I say to you, support Canandian bands like Bif and
MR. They need your support, so I leave you by encouraging you to feature
Mollies Revenge on a Chart magazine cover in the future along with Bif.
(But mostly MR[no offense Bif] because they haven't had the honour to be
the feature band on the cover of chart and Bif has, but she should be also.)
Dynamic confrontations
by Zoltan Varadi
"My whole thing is, why make a big deal out of coming out? It's probalby
less of a deal just being out."Yvette, front person for Vancouver's Mollies
revengereflects on the recent media frenzy surrounding the whole Ellen
thing.
She thens lets out a little sigh before addressing her own, very"out"
art. "It's such a broad topic. I mean. I write songs that are specifically
about my own experience. I don't write about men because I don't sleep
with men," she laughs.
Yvette (yet another artist with apparently no last name) speak somewhat
lackadaisically about sexual politics and public perception. Not that she
isn't interested in issues relating to the gay community -- she is an adamant
participant and supporter -- but in terms of how some (straight) people
might react to her open, honest lyrics, well, that isn't a concern.
"It's intersting that i would be considered confrontational --- and
a lot of people do consider me that. What am I confronting?My own personal
issues?
"But , I will say then when a woman writes a song about a woman, it's
never the same as a man writing about a woman or a woman writing about
a man. Other than that -- the way people perceive it -- I don't see
why it's so bizarre that they can't relate it to thier own personal experiences,
whether it is a hederal or homosexual relationship."
Apparently, though a lot of people can relate (even recent episode
of Beverly Hills 90210 featured a Mollies Revenge tune from thier latest
CD Every Dirty Word, rumbling through the credits). With fellow band mates,
Aggie Richichi (drums), Adam Popowitz(electric guitar), Marlow Holder(bass),
and Lisa Wagner (cello), Mollies Revenge weave an amphophous concoction
of sonic elements that define modern rock music (i.e. bits of funk, metal
and folk threaded together into a seamingless whole).
But, undeniably, a lot of the appeal comes from Yvette's throaty charisma
(Marianne Faithfull meets Sinead O'Conner) and her striking stage persona.
Sporting a mini-mohawk, numerous piercing's and chiseled, movir star looks(if
the movie happens to be Blade Runner that is), Yvette could, on first glance,
be the 90's heir to Iggy's self proclaimed "street walking cheetah with
a heart full of Napalm."
Unlike Mr.Pop's Stooge-era nihilism, through, Yvette isn't "searching
to destroy," but rather to explore what she terms "the dynamics of relationships.
"I simply do," she says. "I just experience something, I go through
it and write about it...I am what I are."
MOLLIES REVENGE:
BOTH SIDES NOW
Side One - Vicki LaLonde
There's something about the way Yvette's hot leather
pants hand off her hips exposing her tight pelvis. It didn't matter June
18th at the Shio whether you were girl or a boy, straight, or bi ; if you
saw Yvette front Mollies Revenge you were instantly inthralled. Not only
does she have a superstar voice but she writes smart, sometimes cheeky
lyrics, rapped over the hard core trip-hop groove.
As a big lesbo, I asked Yvette aboutthe differencebetween
speaking to the queer media and the straight media: "I can talk smut [with
the queer meadia]. They are my family, and it's not about segragation,
people maturally go to their clan where thay get supportwe don't nessisarily
get from teh outside world. Most of all I feel more understood in my own
community. And within the community you reach outward." So you arn't looking
for an exclusive "dyke" audience? "I'm not that hard core in that way,
because i find you miss out on too much of the world. There's lessons to
be learned and your not only going to learn them from lesbians. Mollies
Revenge wants the largest cross section of people a band could ever ask
for ; from the dykiest of dykes, jockiest of jocks, to the grandmas and
teh kids. We jsut want people to understand us and get something from the
music whether it's pleasure, insight or support."
Did you ever want and All-Girl band? "Think about
it - five women, bleeding with estrogen pumping put of thier veins in a
van? For 8 months of the year, that would probably be pretty dangerous...All
i really want is good musicians [the guys in the band] are just kick ass
musicians and they look good on stage. I'd do them if I were straight."
The entire band looked very good on stage and
the Ship was packedwith admires of them and of thier own new CD EVERY DIRTY
WORD. I askes Yvette to define a "Dirty Word" for me : "Naughty!
Meaning women who like shag in the bathrooms in the club, women who like
to do it in public places, women who will wear G-strings and stilettos
every now and then, cook dinner and fix the car and still call me Daddy."
SIDE TWO - Tonya Zelinski
"Everyone shit your pants when the guards leave the
room and we'll see if they still want to search us," Aggie Richichi whispered
to his counterparts. The rubber gloves were already sittin gout on the
table and the search dogscould hardly contain their excitement at
the thoguht of sniffing out a little contraband.
"You kids can expect this kind of thing to happen
while you're still cutting your teeth in the business, "The border crossing
guard said as he gave the four of the five members of Vancouver based band,
Mollies Revenge, to go ahead and allowed thenm safe passage into North
Dakota from Winnipeg.
Just one hour behinf scheduel, Adam Popowitz said
all it took was a name dropping to be released. "Uh why don't you just
call David Foster (president of 143 Records). He can vouch for us." Lucky
fro them the border guard is a fan of "St. Elmo's Fire" and other foster
hits.
Incidentally there were no drugs in the trailer.
But this is what happens when you get four young people together with some
strange hair, and a few musical instraments - teh stero types tend to run
amuck.
But aside from thier brush with the authorities
(and full cavity search), Mollies Revengesaid nothing could make them turn
back on thier tour across North America, humorously dubbed "Death Drive
2000" by Adam.
Some may call them mere babes in the woods with
only three years under thier belt as a group, but so far thier name and
relationship with Warner music has preceded them. Touring extensivly
with Moist and embarking on three of thier own cross Canada adverntures,
Mollies Revenge has already been aproached by David Bowie's people to perfprm
on four shgows as an opening act. Radiohead has also contacted the band
to play with them as well.
Unfortunatly, neither gig worked out.
Our name isn't big enough yet, said lead singer
Yvette. But it's the support of all are die hard fans that has aloowed
Mollies Revenge to grow and bring more life to thier name and it's meaning.
Mollie - traditional english slang for a whore
- represents those burdaned by falling into society's sterotypes and and
discrimintaions, said Yvette glancing around the ship and anchor before
thier June 18th show, opening for Spider Bait.
"We're bringing power to teh underdog; exploited;
the women."
With Yvette's storng vocals (she's currently undergoing
vioce traing to improve and build and improve her voice), mixed with Aggie's
drums. Adam's guitar, Lisa Wagner's cello and Marlow Holder's Bass, thier
debut album, Every Dirty Word is striking a chord in the minds and ears
of fans around the world.
They rap their current tour up in Vacouver - back
home - and arn't really looking for any time off. "We've always been a
hard working band," said Aggie. "for us, the idea of having more than a
week off is inconcivable."
"Being in this band is the best job in the world,"
reiterated Adam.
"Just don't try to make us take any vacation
time."
MOLLIES REVENGE:
Moving Careful
jeff haas
Interviewing Vancouver band Mollies Revenge is like
chairing a rabid band group discussion on music and sex. There
are only five of them -Yvette(vocals and acustic guitar), Marlow Holder(bass),
Lisa Wagner(cello), Adam Popowitz(guitar) and Aggie "Flinch" Richichi (drums)
- but somehow there are six opinions on everything. All I have to do is
drop a question and the answers start flying. Between them, there are 30
piercings (with Adam having none, and lisa having 14), five radically different,
obstinate personality's, lots of charisma and musical tastes raging from
classical, trip-hop and funk to 80's pop, thrash and Skunk Anansie. The
only thing they seem to agree on is thier own music: They love it.
Mollies Revenge is a bitter sweet, increadibly
sexual and sexy band which directs all it's music energy towards turning
on the listers.
"We want people to dance to our music," says
Yvette. "We want people to get turned on by the energy and the emotion."
The bands debut album, Every Dirty Word (143/Warner) does that. The
powerful hook filled pop and virile, aggressive groves are bewitching,
mainstream-radio friendly and increadibly appealing.
The buzz has been on Mollies Revenge for a while
now. The band's first gig in Janurary of '95 was opening up for Moist at
The Town Pump.(That's Yvette in Moist's "Silver" video, by the way.) It's
independant EP was a critical and commercial sucsess - it sold out all
2000 copies. Then after much label interest, Mollies Revenge signed with
David Foster's 143 records.
In the beginning there was just Yvette, a mohawked
chatuese with dangerous eyes and a warm smile. She was a "folk artist"
whose songs begged for lush instramentation and bleeding edge. She hooked
up with Moist producer/keyboard player Kevin Hamilton who really loved
her solo stuff.
"He wanted to help me put a band together,'says
Yvette. "He knew Marlow and Marlow knew Flinch. Then they told me they
knew this really cute guitar player(Adam)."
After those few loose jams, they liked what was
happening, but they felt something was missing.
"I like groove," says Yvette. "I like rythm,
but it has to stem from some kind of folky base. I like an edge. But I
also like beauty and were just too heavy. I knew I wanted a cello to add
the mix."
"Lisa was the most suprising catch for us," says
Marlow. "We were just talking about using a cello for different sounds
and when we asked her is she'd mind using effects on her cello, she got
excited and started grabbing pedals, hooking them up and trying to get
different souns out of it. It was just crazy to watch."
But with three melody instruments, two back up
vocal's, and a bass player that stays in the pocket but loves throwing
down some tasty fills, it's difficult to give everyone room to breathe.
"We work really hard [on our arrangments]," says
Yvette. " We spend a lot of time pulling are hair out, trying millions
of different idea's -- and everybody's got (his/her) idea to try
-- so we've got to be extreamly patient , extreamly open-minded and very
picky."
"The best analogy for this is that we're five
people walking with are shoelaces tied together, " says Marlow.
A large part of the band's learning process for
this record was due to working with producer Ric Parashar(Alice and Chains,
Temple of the dog, Pearl Jam's Ten), who was brought in to lend an objective
pair of ears and "arrange our arrangments, " says Marlow. "He took an enourmous
number of our ideas and told us which ones to throw away and which ones
to work on."
One of the biggest changes was to the album's
namesake song, which had appeared on the EP and recieved good MuchMusic
airplay. "No one was really happy with it when we first recorded it, "
says Adam. "We played the song for (Parashar) and he said ' I only like
the intro'. So we took the feel for the intro, which was half time and
tribal, then switched the whole song into a minor key. Now the song just
rocks and none of us can believe how amazing he made it sound."
But did working with Parashar and a production
team including Robbie Adams (U2), Glen Ballard(Alanis) and Bob Ludwig (everyone)
have it's proce?
"Commercial sucess would be wonderful," says
Yvette, who acknowloedges some of her music's integratiy may have been
compromised in the studio. "But it's still honest. Look at us; were all
poor bastards with the day jobs and just the clothes on our backs. But
we arn't in this for the money or the fame. We've all dedicated the past
three years of our lives to the musci of Mollies Revenge. We've sacrificed
everything and given up every bit of financial stability we could have
had. This is about creating wonderful music we love; if we were about anything
else, we'd be wasting out time."
In the song "Glory", Yvette sings:
"When I die I'm going to be famous/I'm going
to be a big star in the sky/I'm going to be discoverd when I'm six feet
under the ground."
Something tells me Mollies Revenge might not
have to wait that long.
Mollies Revnge
Mike James
IN A BUSINESS where appearencs are everything and image defines who you
are, Yvette, lead singer and gray matter of Vancouver's Mollies Revenge,
has come to play. "Chicks rock with raw menstrual emotion," says the intense
frontwoman. The vision of an agressive, mini-mohawked lesbain tearing
up the stage may be enough to scare anyone. But to simply call Yevette
tough would be doing an extremely talented woamn a very large disservice.
Yvette's kind of tough is more in the vein of tough/intelligent (also see
mature, rounded or worldly), which finds the powerful singer very interested
int he direction of her career.
Yvette and her Mollies Revenenge bandmates Aggie Richichi (drums), Adam
Popowitz (guitars), Marlow Holder (bass) and Lisa Wagner (cello) are not
satisfied with just having a record deal. This is their life's goal
and it's clear they're gonna shake every tree until that dream falls out.
"We've paid our dues, and I'm not a spring chicken," she says. "I'm
not a 22-year-old girl who 's just walked out of the womb into a recording
contract".
Following her heart after graduating from college, where she studes
communications, Yvette lived in Paris and London, travelled the world and
eventually ended up on the west coast of Canada. Her short stint
as a Vancouverite (she was born in San Francisco) has seen her careeer
go from 'girl with a guitar singing for her supper' to major record deals
and alliances with some very powerful music industry veterans. She
gives much thanks to some familiar names that have helped her from the
beginning including David Usher from Moist and his producer Kevin Hamilton,
whom she says "were very much the catalyst in turning around my career".
the transition from indie to signed act is traumatic for any band and
Mollies Revenge have no lack of stories in this department. Not that
they have anything but praise for David Foster and his Atlantic label 143
that signed the group two years ago. But even on a small label, the
competition for resources can be fierce. And once you get the lable's
attention, sometimes you wish you hadn't. At one point 143 decided
Yvette had to shave her head bald or there would be no video budget.
"They thought the mohawk was too passe, too puncky, and making it bald
would make it a little more generic and palatable" Well, unless you
live under a rock and haven't seen the video for 'Humble', you know the
two sides came to an interesting compromise. "I doubt I'm onna be
an anchorwoman with a mohawk, but you never know..."
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