One of the
leading cinematographers of the Indian cinema, Subrata Mitra began
his career as a still photographer. His first assignment as a cinematographer,
was with Satyajit Ray for Pather Panchali.
Later, he also worked for other directors, including James Ivory.
Rejecting the methods of studio lighting then accepted world-over,
Ray and Mitra evolved the "bounce lighting", which we take
for granted today. Ray described it in an article – "Subroto
(Subrata as pronounced in Bengali), my cameraman, has evolved, elaborated
and perfected a system of diffused lighting whereby natural daylight
can be simulated to a remarkable degree. This results in a photographic
style, which is truthful, unobtrusive and modern. I have no doubt
that for films in the realistic genre, this is a most admirable system."
Mitra was also responsible for operating the camera until Charulata
when Ray himself began operating the camera. Soon, they parted company
and Mitra’s assistant Soumendu Roy took over the lighting. The last
film Mitra photographed for Ray was Nayak
(The Hero, 1966).