MISSISSIPPI MASALA
(1992)
Directed by Mira Nair
Cast: Denzel Washington, Sarita Choudhury, Roshan Seth, Sharmila Tagore,
Charles Dutton, Joe Seneca, Ranjit Chowdhry, Mohan Gokhale, Mohan Agashe,
Tico Wells, Yvette Hawkins, Anjan Srivastava, Dipti Suthar, Varsha Thaker,
Ashok Lath, Natalie Oliver, Karen Pinkston, Willy Cobbs, Mira Nair, Rajika
Puri, Sharon Williams, Cyreio Hughes, Stacy Swinford, Rick Senn, Jim Haffey,
Dillon Rozell Gross, Reverend Fred Matthews, Shung Moo Joe
Yes,
it's yet another interracial romance with an Asian American woman. But
wait! This time, the leading man is African American. The thought-provoking
flip side to all those annoying "white knight" movies.
RAPID
FIRE
(1992)
Directed by Dwight H. Little
Cast: Brandon Lee, Powers Boothe, Dustin Nguyen
One of the few Hollywood films with an acculturated Asian American hero
who is also in touch with his ancestral roots, this above-average, action-packed
movie boasts some fine acting and rescues Brandon Lee (son of Bruce
Lee) from his insulting sidekick role in the loathsome "Showdown in
Little Tokyo" (1991). This film also led to Brandon's casting as the non-Asian
title character in "The Crow" (1994) and--sadly--to his untimely death.
WHO'S GOING TO PAY FOR THESE DONUTS?
(1992)
Directed by Janice Tanaka
Sansei
artist Tanaka confronts a momentous chapter in her personal history: the
discovery of her long-missing father, an evacuee during World War II,
in a halfway house for the mentally ill.
Tanaka's
hour-long video interrogates perceptions of her father's mental health,
an interrogation that stretches into the history of the Japanese American
internment.
But
rather than making any hard and fast assertions, Tanaka questions the
very subject of perception and looks inward to fathom the internment's
impact upon herself and the rest of her family. Unusual and absorbing
video images permeate this thought-provoking work.
STRANGERS
(1992)
Directed by Daniel Vigne, Wayne Wang, and
Joan Tewkesbury
Cast: Linda Fiorentino, Joan Chen, Timothy Hutton
This
HBO-produced omnibus film consists of three separate stories, one of them
directed by Wang and starring Chen as an Asian American woman whom becomes
erotically obsessed with an unseen man in Paris. Refreshingly, the race
of Chen's character is incidental to the story. Wang's segment does a
fine job of capturing Chen's sense of disorientation (so to speak), but
it's hard to tell what the point of the story is supposed to be--beyond
the sexual titillation of the audience. Although the erotic material clearly
required Chen to cut loose and bare all, she self-consciously keeps her
body strategically covered. This draws our attention to the artifice of
Chen's performance, and it makes us wonder why such an inhibited actress
was hired for such an uninhibited role in the first place.
WAYNE'S
WORLD
(1992)
Directed by Penelope Spheeris
Cast: Mike Myers, Dana Carvey, Rob Lowe, Tia Carrere, Brian Doyle-Murray,
Lara Flynn Boyle, Michael DeLuise, Dan Bell, Lee Tergesen, Kurt Fuller,
Sean Gregory Sullivan, Colleen Camp, Donna Dixon, Frederick Coffin, Michael
G. Hagerty, Chris Farley, Meat Loaf, Charles Noland, Robert Patrick, Ione
Skye, Frank DiLeo, Eric Crabb, Mark St. James, Harris Shore, Peder Melhuse,
Don Amendolia, Carmen Filpi, Anna Schoeller, Robin Ruzan, Alice Cooper,
Stan Mikita, Ed O'Neill, George Foster, Anthony Focx, Marc Ferrari, Stef
Burns, Pete Freezin', Greg Smith, Derek Sherinian, Jimmy DeGrasso
Wayne and Garth, the horny, heavy metal-loving teenage
heroes of the popular "Saturday Night Live" skit, hit the big screen.
They're still doing their cable-access show out of the Wayne's basement
in Aurora, Illinois; only now a sleazy TV executive named Benjamin Oliver
wants a piece of the action. As the babe 'n' band obsessed adolescents
negotiate the shark-infested waters of network television, Wayne finds
'amore' in the form of a heavy metal femme fatale with a penchant for
skin-tight costumes. But can Wayne keep his new lady love out Oliver's
unsavory clutches?
This film provided a very high profile to the pretty
Tia Carriere. She wasn't cast as a typical Asian girl, just as a pretty
girl that all boys dream about. Tia does kick as a strong girl in the
film. Despite some people thinking that this is inconsequential film of
youthful lust, a lot of people did see the film and those same viewers
saw Tia Carriere as the object of their desire. Now what we need to do
is to let people know that Asian / Asian Pacific American guys are just
as sexy - just look at Russell Wong!?!
INDOCHINE
(1992)
Directed by Régis Wargnier
Cast: Catherine Deneuve, Vincent Pérez, Jean Yanne, Linh Dan Pham, Dominique
Blanc, Alain Fromager, Eric Nguyen, Carlo Brandt, Henri Marteau, Gérard
Lartigau, Andrzej Seweryn
We
decided to slightly bend the rules of which films are included in this
list with the inclusion of Indochine. This film, though it is an European
film, is noteworthy because the plot shows where an Asian (Vietnamese)
woman has a mind of her own and decides her own destiny! This film won
a 1992 Oscar winner for Best Foreign Film, though many American critics
didn't like the film. Their complaint is that the picture is more like
a soap opera, but one could say that the film was more interested in character
development - different strokes for different folks! The film does feature
some great acting from the great and beautiful Catherine Deneuve, along
with Linh Dan Pham! If you're into European films and tired of the typical
"boy toy" image of Asian/Asian Pacific American women, you should see/rent/buy
this film!
THE
PLOT - Romantic melodrama set during French colonial rule in Vietnam from
1930-1954. French national Eliane thinks of Vietnam as home: she owns
a rubber plantation there, and has adopted Camille, the Vietnamese child
of Eliane's deceased friends. But mother and daughter are soon at odds
over both romance and politics: Camille has fallen for French naval officer
Jean-Baptiste, who was once Eliane's lover, and has also become a revolutionary
determined to destroy the French-run government. Tensions deepen when
authorities sentence Camille to a French labor camp, and Eliane takes
charge of Jean-Baptiste and Camille's baby. As time passes, it becomes
clear that France's reign in Vietnam will soon end -- leaving mother,
daughter and grandchild on different sides of the ideological issue. (from
Amazon.Com)
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