And The King On Dessert
Fort Baxter FB 2203
Lake Tahoe,NV. May 25th 1974 Dinner Show
Track listing:
C C Rider / I Got A Woman - Amen / Love Me / Tryin' To Get To You / All Shook Up / Love Me Tender / You Don't Have To Say You Love Me / Hound Dog / Fever / Polk Salad Annie / Why Me Lord / Suspicious Minds / Band Introductions / I Can't Stop Loving You / Help Me / An American Trilogy / Let Me Be There (incomplete) / Funny How Time Slips Away (incomplete) / Big Boss Man / It's Now Or Never / Can't Help Falling In Love.Bonus tracks:Bossom of Abraham - You Better Run from March 29, 1977, Alexandria.
Review:
A Fort Baxter release a couple of years ago, "Spanish
Eyes" revealed a good humoured Elvis live on stage at the Sahara Hotel in Lake Tahoe.
That CD had great sound, what we have come to expect from Fort Baxter, and a rare
performance of "Spanish Eyes" and for 1974 "Bridge Over Troubled
Water".
Now, with the release of "...And The King For Dessert" on
Fort Baxter, we get the very next show on May 25, 1974. We find Elvis still in good humour
cracking jokes about Wayne Newton's brother, Fig and streakin'' all the way thru Tryin To
Get to You.
There are no rarities here, but maybe that's why a bonus track of
"Bosom of Abraham/You Better Run" from Alexandria in March 1977 has been
added.Of course, no rarities doesn't mean a good show. Elvis displays the same commitment
to his set list that audiences of the time would have expected. Though on this particular
night he seems a little bit less involved in the
proceedings then he did the previous evening. (compare "Spanish Eyes" with this
show).
The only songs Elvis seems committed to performing are the old Sun song
"Tryin' To Get To You" (added to the show back in January in Vegas), "You
Don't Have to Say You Love Me", "Why Me Lord" (another new addition from
early in the year), "Help Me" (added to the show on the most recent tour) and
"Big Boss Man" (again, added in January).
The fifties hits are now fast becoming throwaway songs that he feels he
must perform for the audience, but his heart, mind and soul are just not into "All
Shook Up", "Love Me Tender", "Hound Dog". This would be more
evident in the years to come but at least he is wise to only perform these three on this
night.
From listening to the this show you will find Elvis has the most fun
with "Fever" (making a joke about a deep voice and lemonade), "Polk Salad
Annie" (which he never seemed to tire of) "Big Boss Man" (commenting that
he screwed the ending up, yet I can't hear the mistake) and "It's Now or Never"
(taken as a request).
"It's Now Or Never's " arrangement is much more pleasant to
the ears than the other live versions on import releases. in 1970 Elvis played
electricguitar when performing this classic (Electrfying Feb. 23/70) and in the tours of
1976-1977 there was an overabundance of horns as well as a tagged on intro of "O Sole
Mio" (sung by Sherril Nielson) - on this night, the band, obviously taken off guard,
follow Elvis with just the rhythm section and the acoustic guitars (for a mandolin effect)
while everyone else stays subdued playing softly. Elvis' vocal really shines thru on this
track.
Overall Elvis' performance is very good with a few vocal mistakes here and there but
nothing that would be considered out of the ordinary for a man nearing the end of a 22
show engagement.
The sound of course is excellent. everything is audible and well balanced with the bass
and backup vocals mixed up front with Elvis' lead vocal. It is not the best sounding
soundboard but it is way up there.
This CD is recommended but for those that find they must choose between
Spanish Eyes and this show, choose Spanish Eyes.
by John Carpenter Aug. 1st 1998
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