When Alphaville founders James Jacks and Sean
Daniel first learned that Stephen Sommers was
interested in writing and directing The Mummy,
they immediately arranged an informational
meeting and began discussing the project. They
had never met Stephen before, but had seen his
widely-praised Rudyard Kipling's The Jungle Book
and were quite impressed.
"We thought Stephen had an interesting take on the subject - more
of a hell-bent-action-adventure movie with horror in it, but very much
a swashbuckler film like the old Errol Flynn films (Captain Blood,
Robin Hood and The Sea Hawk)," says Jacks.
Sommers says, "I really wanted to do a big roaring romantic
adventure set in ancient Egypt, and The Mummy offered all that and
more"
T he producers agreed, as they wanted to keep The Mummy a period
film -- a huge action-adventure film with a hint of romance.
"Iset the main story in the 1920's because, to me, it's the most
romantic era," says Summers. "The tone, the feel of the movie felt
just felt like it belonged in that period."
"Our version of The Mummy is very romantic. If we have a role model
for the movie it is probably Raiders of the Lost Ark or Gungha Din."
Jacks adds. "While the producers knew it would be presumptuous
to say the movie would be as good as those classic films, they
certainly intended to aim for a similar tone."
According to Daniel, "We wanted it to be fun...an adventure film with
a lot of humor, but not a comedy. Our aim is to be scary, not
gory...funny, not campy. We wanted to show that we have a great
affection for the original movies."
T he producers strove to create a movie that people of all ages would
want to see, and knew that the concept of the movie they envisioned
would require careful positioning, as the producers did not want the
film to be an out-and-out horror film.
"Idid see it as a horror movie but just a different kind," says
Summers. "I didn't want to make a gothic horror movie or a slasher
movie. I wanted to make a film with characters I really care about.
Imhotep, the Mummy, is really a romantic. Even in the original,
Boris Karloff was a hopeless romantic, too."
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