A Composer's Notepad ::

  • Opp. 101-
  • Opp. 91-100
  • Opp. 81-90
  • Opp. 71-80
  • Opp. 61-70
  • Opp. 51-60
  • Opp. 41-50
  • Opp. 31-40
  • Opp. 21-30
  • Opp. 11-20
  • Opp. 1-10
  • Service Music

    • Opus 20 — Uncondyssion'd Ayres. (1992-96) STB soli & symphonic band. Texts: K. Aaron d'Ash. Doctoral dissertation for the University at Buffalo.

    • Opus 19 — Gate of the Stillness Before Dawn. (1992) Unpitched percussion quartet. Written as part of the qualifying examinations for Ph.D. candidacy at the University at Buffalo. Premiere given by the University at Buffalo Percussion Ensemble (Tony Miranda, director).

    • Opus 18 — Little Towns, Low Countries (Suite No. 3: Invention, Aubade, Gigue). (1992) Piano solo. Written for Luk Vaes.

    • Opus 17 — The Improbable Harmonica. (1992) Cl, sop sx, t sx.

    • Opus 16 — Night of the Weeping Crocodiles. (1991; revised 2004) clarinet, violin and piano.

    • Opus 15 — Merry Christmas, Mr S. (1990) 2 cl, 2 va, piano and percussion.

    • Opus 14 — Ambiguous Strategies. (1990) 2 cl, 2 va, piano and percussion. Dance music for Jeff Wallace.

    • Opus 13 — Still Life. (1990) Clarinet and piano. Adaptation of Phrenetikos.

    • Opus 12 — Two False Impressions. (1989) Two pianos and percussion (one player).

    • Opus 11 — Pictures Only I Can See (Suite No. 2: Spring in Her Step; The Bronze Girl's Spilt Milk; The Myth of Motion; The Sleep-Pavane at the Foot of Frozen Niagara; Petersburg Nocturne). (1988-94) Piano solo.


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