[CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] AMANDA: LILA HAS BEEN SPYING ON US FOR JORDAN STARK? SINCE WHEN? RACHEL: THANKSGIVING, APPARENTLY. AMANDA: WELL, WHAT KIND OF INFORMATION HAS SHE GIVEN HIM ON US? RACHEL: OH, NOTHING VERY IMPORTANT, JUST WHAT WE DO, WHERE WE GO. AMANDA: WHY? WHAT IS THIS FASCINATION WITH US? IT'S NOT LIKE WE'RE THAT RICH ANYMORE. RACHEL: I DON'T THINK IT'S ABOUT MONEY. AMANDA: THEN WHAT IT IS ABOUT? WHAT? RACHEL: I WOULD LIKE TO KNOW HOW MUCH INFLUENCE MR. STARK HAS OVER MATTHEW. AMANDA: YOU MEAN ALL THE ACCUSATIONS THAT CASS HAS MADE ABOUT HYPNOSIS AND MIND CONTROL? THAT'S ALL TRUE? RACHEL: I DON'T KNOW. NORMALLY, I WOULD TAKE CASS' WORD FOR IT, BUT HE'S HARDLY AN IMPARTIAL OBSERVER. HE HAS ADMITTED TO BEING IN LOVE WITH LILA. SHE SHARED WITH US YESTERDAY THAT SHE IS IN LOVE WITH HIM. AMANDA: ALL OF THIS IS GOING ON AND I'M COMPLETELY CLUELESS? CAMERON: AMANDA, WE'VE HAD OUR OWN STUFF TO DEAL WITH. AMANDA: I KNOW THAT, BUT, OH, MY GOD, MATTHEW MUST HAVE JUST HIT THE ROOF. RACHEL: WELL, THAT'S JUST THE POINT -- HE DIDN'T. HE TOLD LILA THAT HE WANTED HER TO CONTINUE TO LIVE HERE, BUT, NO MATTER WHAT SHE DID, JASMINE WOULD STAY. AMANDA: HARDBALL. RACHEL: NO, IT WASN'T HARDBALL! THAT'S THE POINT. HE ACTUALLY WANTS HER TO STAY HERE IN THIS HOUSE. THEY WANT TO RAISE JASMINE TOGETHER AS THOUGH IT DIDN'T MATTER THAT SHE DOESN'T LOVE HIM, THAT IT WAS THE MOST NORMAL THING IN THE WORLD. AMANDA: WHO'S GOING TO BE NEXT? IF JORDAN SUPPOSEDLY HAS DONE SOMETHING TO MATTHEW AND NOW WE FIND OUT THAT HE'S BEEN USING LILA, WHO'S GOING TO BE NEXT? ZAK: I GUESS ALL BETS ARE OFF NOW, HUH? NOW THAT LILA'S NOT COOPERATING ANYMORE? JORDAN: LILA WAS NEVER ESSENTIAL, ZAK. SHE WAS MERELY HANDY. SHE USED MATT CORY TO GET PREGNANT. I USED HER TO FIND OUT WHAT WAS GOING ON IN THE CORY HOUSEHOLD. DEFECTION IS IRRELEVANT IN THE LONG RUN. I'M STILL HEADED TOWARDS THE SAME DESTINATION. I'LL SIMPLY GET THERE BY OTHER MEANS. TONI: HEY. REMY: HEY. TONI: WHAT'S UP, REMY? CAN I HELP YOU WITH SOMETHING? REMY: THAT GUY, TITO BANACEK, THE ONE YOU BROUGHT IN LAST NIGHT? TONI: YEAH? REMY: CAN YOU TELL ME WHERE HE IS? TONI: WELL, HE'S AT HIS ARRAIGNMENT, WHICH SHOULD BE WINDING DOWN ANY MINUTE. AND THEN HE'LL BE PUT IN A HOLDING CELL TILL HE CAN POST BAIL. WHY? REMY: HOW MUCH DO YOU THINK THAT'LL BE? TONI: IT DEPENDS ON THE JUDGE, BUT GIVEN THE -- GIVEN THE CIRCUMSTANCES, I DON'T KNOW -- A COUPLE GRAND? WHY? IT'S MORE THAN YOU MAKE IN TIPS AT CARLINO'S? REMY: NO, I WASN'T PLANNING ON -- TONI: RIGHT, RIGHT, RIGHT. YOU JUST WANTED TO KNOW THE COST OF POSTING BAIL IN THE STATE OF ILLINOIS, RIGHT? [TELEPHONE RINGS] TONI: HOLD ON A SECOND. NICK: HEY, TONI, JOE AROUND? I NEED TO SEE HIM. NICK: HI. REMY: HI. NICK: WHAT ARE YOU DOING HERE? JOE: YOU'LL GET THREE SQUARES A DAY, BANACEK. HEY, JUST THINK -- YOU WON'T NEED HANDOUTS FROM MY WIFE ANYMORE. ME? I'M JUST GLAD TO HAVE ONE LESS PUNK ON THE STREETS. TITO: I'M NOT ON THE STREETS. I GOT A PLACE TO LIVE. JOE: YEAH, THAT'S RIGHT -- PIANO FACTORY. NO CRUMMY ROOM FOR YOU, HUH? TELL ME, WHERE DID YOU GET THE MONEY TO COME UP IN THE WORLD LIKE THAT? ANYTHING YOU WANT TO SHARE? THAT'S WHAT I THOUGHT. TONI: CAPTAIN? JOE: YEAH? TONI: WE JUST GOT WORD -- WE'RE GOING TO HAVE LET THE KID GO. JOE: SAYS WHO? TONI: WELL, APPARENTLY, HE HAS A FRIEND IN TOWN. SOMEONE JUST POSTED HIS BAIL. JOE: SOMEONE POSTED BAIL? TONI: IT WAS PAID IN CASH BY A BAIL BONDSMAN. JOE: ANONYMOUS BENEFACTOR. A COUPLE OF DAYS AGO, YOU'RE LIVING ON THE SCRAPS FROM CARLINO'S. NOW, YOU'VE GOT A NICE APARTMENT FOR YOURSELF, MYSTERIOUS RICH FRIEND. YOU GOT YOUR HOOKS INTO SOMEBODY. TITO: I DON'T KNOW. I -- I MAKE FRIENDS EASILY. JOE: YEAH, HUH? TITO: AND I GUESS YOU'VE NEVER BEEN DOWN ON YOUR LUCK, OR MAYBE YOU'D UNDERSTAND. THAT'S OK. AM I FREE TO GO, OFFICER, MA'AM? TONI: YEP. YOU'RE FREE TO GO. TITO: THANKS. JOE: YOU'RE OUT ON BAIL. YOU'RE NOT OFF SCOT-FREE. STILL GOT A PETTY LARCENY CHARGE PENDING. TITO: I HEAR YOU. JOE: GOOD. HEAR THIS -- STAY THE HELL AWAY FROM MY WIFE. TITO: OH. HAVE A NICE DAY. JOE: THE RENT ON THAT APARTMENT -- ANY LEADS ON WHO'S PAYING IT? TONI: NOPE. I'VE GOT A CALL IN TO THE LANDLADY, BUT SHE HASN'T GOTTEN BACK TO ME YET. JOE: GOOD. GET ME THAT INFORMATION AS SOON AS POSSIBLE. TONI: OK. JOE: SOMETHING IS ROTTEN HERE. AND I'M MAKING IT MY PERSONAL MISSION TO FIND OUT WHAT. PAULINA: MY SON. TITO: HI. PAULINA: ARE YOU OK? LOOK, I'M SORRY YOU HAD TO SPEND THE NIGHT IN JAIL. I COULDN'T GET YOU OUT ANY SOONER. I COULDN'T POST BAIL TILL YOU WERE ARRAIGNED, AND I THOUGHT THEY WERE GOING TO DO IT LAST NIGHT. BUT I DON'T KNOW, I GUESS IT WAS TOO LATE. TITO: I HAVE A FEELING THAT YOUR OLD MAN GOT OFF ON THE FACT THAT I WAS SPENDING THE NIGHT IN THE CELL. PAULINA: NO, JOE JUST -- JOE JUST DOESN'T UNDERSTAND. I PROMISE YOU IT WON'T ALWAYS BE LIKE THIS. COME HERE. REMY: BUT JUST BECAUSE I AM DATING YOU DOESN'T MEAN THAT I CAN'T HAVE MY OWN OPINION ABOUT TITO AND THE FACT THAT YOU GOT HIM ARRESTED. NICK: I DON'T KNOW WHY WE'RE FIGHTING ABOUT THIS CREEP. REMY: IT'S THE PRINCIPLE OF THE THING. WHERE I'M FROM, YOU DON'T RAT ON YOUR FRIENDS. NICK: OH, NOW YOU AND HIM ARE FRIENDS? SILLY ME. I THOUGHT YOU BARELY KNEW HIM. EXCEPT FOR THE FACT THAT YOU HIRED HIM TO BUILD SOME SHELVES THAT HE NEVER DELIVERED AND HIM HANGING AROUND YOU SO MUCH HE COULD GET PICKED UP STALKING, I DIDN'T THINK -- REMY: OK. I JUST THINK THAT THERE IS A DIFFERENCE BETWEEN BEING MAD AT SOMEONE AND GETTING THEM ARRESTED. NICK: I DON'T KNOW WHY YOU'RE SPENDING SO MUCH TIME DEFENDING A GUY LIKE THAT. REMY: MAYBE BECAUSE I WAS A GIRL LIKE THAT. MAYBE I RELATE. DID YOU EVER THINK OF THAT? NICK: YOU CLEANED UP YOUR ACT. YOU CAME TO ME. YOU TOLD ME ABOUT YOUR PAST. WE WORKED THROUGH IT. THIS TITO -- WHAT DO WE KNOW ABOUT HIM, REMY? REMY: NICK, WE KNOW THAT HE WASN'T ACCUSED OF MURDER. WE KNOW THAT HE HAS A JOB AT THE LUCKY LADY. WHY? WHY COULDN'T YOU JUST GIVE HIM A -- GIVE HIM A BREAK? JOE: ANY IDEA WHO POSTED BAIL FOR THE PEROXIDE KID? REMY: YOU MEAN HE'S NOT LOCKED UP ANYMORE? JOE: SORRY TO SAY. NICK: I CAN'T BELIEVE HE GOT OUT. REMY, LOOK, LET'S NOT HAVE THIS ARGUMENT BETWEEN YOU AND ME, OK? WOULD YOU DO ME A FAVOR AND KEEP YOUR DISTANCE FROM THIS GUY? HE'S BAD NEWS. REMY: I KNOW, OK? I'LL CATCH YOU LATER. TONI: WELL, I'D KEEP AN EYE ON HER IF I WERE YOU. JOE: NICK, REMY TOLD ME THAT HER CARPENTER FRIEND WAS NOT OUR SCAM ARTIST. NICK: WELL, SHE'S AWFULLY PROTECTIVE OF HIM. JOE: SHE'S NOT THE ONLY ONE. NICK: WHAT? JOE: LISTEN, HAVE YOU EVER SEEN THIS TITO GUY WITH ANYBODY ELSE BESIDES REMY? NICK: WELL, I'VE SEEN HIM HANGING AROUND CARLINO'S. JOE: THAT'S WHAT I THOUGHT. [TELEPHONE RINGS] JOE: WHY ISN'T THE RESTAURANT OPEN YET? AND WHERE THE HELL IS PAULINA? TITO: MOM, LISTEN, I FEEL -- I FEEL REALLY BAD THAT YOU SPENT ALL THAT MONEY. PAULINA: UH-UH. UH-UH. IT'S THE LEAST I COULD DO. IF I HADN'T BEEN GIVING YOU SO MANY HANDOUTS, JOE WOULDN'T BE SO HOT TO PUT YOU AWAY. TITO: YEAH, WELL, HE WAS JUST DOING HIS JOB, YOU KNOW. AND I CAN'T -- I CAN'T BLAME HIM. I DID -- I DID BREAK THE LAW. PAULINA: I KNOW WHAT IT'S LIKE TO BE THAT DESPERATE. BUT THAT'S ALL OVER NOW BECAUSE YOU HAVE -- YOU HAVE ME TO HELP YOU. AS SOON AS I TELL JOE THE TRUTH, EVERYTHING WILL -- TITO: NO, YOU CAN'T. YOU CAN'T TELL HIM. PAULINA: I'VE GOT TO PUT AN END TO THESE SECRETS, OK? I JUST WISH I HAD THE GUTS TO TELL JOE A LONG TIME AGO. TITO: LOOK, I DON'T THINK HE'S TOO BIG ON THE "FORGIVE AND FORGET" THING. I MEAN, NOT WITH YOU -- HE LOVES YOU -- BUT WITH ME. I MEAN, IT'S GOING TO BE KIND OF HARD FOR HIM TO ACCEPT THE FACT THAT I AM HIS LONG LOST STEPSON. THIS -- THIS THING IS TOO MESSY. I -- LOOK, IF YOU WANT TO WALK OUT THAT DOOR RIGHT NOW, I WILL NOT -- PAULINA: SHH. YOU'RE NOT GOING TO LOSE ME. I WON'T LET THAT EVER HAPPEN AGAIN. TITO: MAYBE I JUST NEED TO BECOME MORE OF A SOLID CITIZEN. I'LL GET A FEW MORE PAYCHECKS, GIVE ME A CHANCE TO GET A COUPLE MORE PEOPLE ON MY SIDE. MAYBE THEN. PAULINA: YOU THINK? TITO: YEAH. PAULINA: OK. I'LL WAIT A LITTLE BIT, BUT NOT TOO LONG. OK? OK. TITO: DEFINITELY. PAULINA: HEY. TITO: I'M GLAD WE CAN TALK ABOUT THIS STUFF. PAULINA: I GOT TO GET GOING. IF I DON'T OPEN THE RESTAURANT SOON, HALF THE FORCE WILL GO WITHOUT BREAKFAST. THANKS. HAVE A GOOD -- HAVE A GOOD DAY. TITO: BYE. TITO: MAN. OH. YOU'VE GOT TO HIDE HER DIARY A LITTLE BIT BETTER THERE, TITO. YOU DON'T WANT TO BLOW THIS BEFORE TIMMY BOY GETS HIS CHUNK OF THAT CORY MONEY. [KNOCK ON DOOR] TITO: HI, PEACHES. REMY: HEY. I JUST SAW PAULINA LEAVING THE BUILDING. WAS SHE UP HERE? WOW! TITO: NO. ACTUALLY, SHE WASN'T. I THINK SHE WAS ACROSS THE HALL VISITING ONE OF HER OTHER BOYFRIENDS. I'M JUST KIDDING. REMY: THIS PLACE IS A -- IS DEFINITELY NOT YOUR STYLE. WHAT ARE YOU DOING HERE? WHOSE IS THIS? TITO: IT'S MINE. STYLES CAN CHANGE. REMY: WAIT A MINUTE. WHERE DID YOU GET THE MONEY FOR THIS PLACE, IF IT IS YOURS, AND DON'T TELL ME THE TIPS ARE THAT GOOD AT THE LUCKY LADY. ETTA MAE: I AM TRYING OUT THIS MUSICIAN THIS MORNING. CAN YOU HANG AROUND FOR A FEW MINUTES? FELICIA: OHH -- ETTA MAE: OH, COME ON, FELICIA. I WOULD LOVE -- I WOULD LOVE -- FELICIA: I WOULD LOVE TO, BELIEVE ME. I'M ON A DEADLINE. I'VE GOT TO GO HOME. ETTA MAE: OK. [PIANO MUSIC PLAYS] ETTA MAE: WELL, THERE HE IS. FELICIA: SERGEI. ETTA MAE: YOU KNOW HIM? FELICIA: YES. JUST DIDN'T KNOW HE WAS THAT GOOD. SERGEI: SO, YOU COME TO HEAR MY MUSIC. FELICIA: UH -- WELL, ACTUALLY, NO. I'M SORRY. I WAS HERE HAVING A MEETING, AND I WAS JUST READY TO LEAVE. BOY, TO THINK I WOULD HAVE MISSED HEARING YOU PLAY. SERGEI: SO WHAT DO YOU THINK OF THE MUSIC THAT I WRITE? FELICIA: WELL, I WANT YOU THE NEXT TIME YOU WRITE TO YOUR MOTHER, YOU TELL HER FOR ME THAT THOSE PIANO LESSONS REALLY PAID OFF. SERGEI: I HAVE TOLD YOU, I AM GENIUS ARTIST. FELICIA: WELL, YOU KNOW, A LOT OF PEOPLE WHO SAY THEY'RE GENIUSES AREN'T REALLY GENIUSES. I -- I DIDN'T REALLY EXPECT THIS MUCH. SERGEI: BUT I HAVE TOLD YOU I AM ARTIST. FELICIA: UH-HUH. YOU ALSO TOLD ME YOU COULD DRIVE A CAR. REMEMBER THAT? SERGEI: OH, WELL, OK. YOU HAVE ME THERE. FELICIA: SO, WHAT NIGHTS ARE YOU GOING TO BE PLAYING? I'LL COME. I'LL COME AND LISTEN. SERGEI: NO, IT'S NOT NIGHTS. IT'S -- FOR DAY. THE GREAT SERGEI RADZINSKY WILL WORK FOR FOOD, THANKS TO THE KINDNESS OF MISS ETTA MAE. BIG HEART -- FELICIA: YES. SERGEI: AND GOOD KNISHES. FELICIA: WELL, YOU KNOW WHAT? IF YOU WORKED AT NIGHT, YOU'D PROBABLY GET A SALARY, AND THEN YOU COULD BUY YOUR OWN FOOD. YOU COULD EVEN THINK ABOUT GETTING A PLACE TO LIVE. SERGEI: WELL, IS ALL RIGHT. I WORK FOR THE LUNCH, FOR THE BREAKFAST. AT NIGHT, I SLEEP IN THE PARK. THIS IS THE LIFE OF THE ARTIST. FELICIA: WELL, IT REALLY SHOULDN'T BE. SERGEI: YEAH, BUT, WHAT, YOU DON'T THINK THE BIG BREAK IS FALLING FROM THE SKY LIKE A RIPE PEAR, DO YOU? FELICIA: NO. NO, NO. I -- I KNOW YOU HAVE TO WORK FOR IT. WANT TO KNOW SOMETHING? SERGEI: OK. FELICIA: WHEN I WAS GROWING UP, I WAS VERY POOR LIKE YOU. I LIVED IN CHICAGO, AND I USED TO DREAM OF A LIFE, A LIFE THAT WAS FULL OF ALL THE MOST BEAUTIFUL THINGS THAT I EVER WANTED. I GUESS THAT SOUNDS PRETTY SHALLOW, DOESN'T IT? SERGEI: NO. FELICIA: NO? SERGEI: FOR ME, THE BEAUTY IS LIKE THE SUN AND THE AIR. IS TRUE FOR ME, TOO. FELICIA: YEAH. YEAH. WELL, MY DREAMS DID COME TRUE. AND I GUESS ALL I'M SAYING IS THAT IF I CAN DO IT, YOU CAN DO IT. YOU CAN JUST HAVE THOSE PEARS FALLING FROM THE SKY. YOU JUST HAVE TO SHAKE THE TREES A LITTLE, THAT'S ALL. SERGEI: YEAH, SHAKE THE TREES. FELICIA: RIGHT. SERGEI: IN THE PARK. FELICIA: NO, NO. THAT'S JUST AN EXPRESSION. BUT, I MEAN, YOU DO HAVE TO WORK HARD FOR IT, BUT YOU CAN ALSO ASK PEOPLE TO HELP YOU, SERGEI. SERGEI: BUT, MISS GALLANT, YOU'RE THE ONLY PERSON THAT I KNOW HERE. WILL YOU TO HELP ME? FELICIA: HUH. UH -- WELL, YOU KNOW WHAT? I -- I COULD INTRODUCE YOU TO SOME PEOPLE. YES. YES, ABSOLUTELY, YES. I WOULD BE HONORED TO HELP YOU. SERGEI: EXCELLENT. AMANDA: OK. SO THE INVITATIONS ARE A GO. I WAS THINKING, THOUGH -- WHAT SHOULD I DO ABOUT SOFIA? I MEAN, I KNOW THAT MATT BROKE HER HEART, BUT I DON'T WANT TO SEEM RUDE AND NOT INVITE HER. THIS ISN'T WORKING. CAMERON: WHAT'S NOT WORKING? AMANDA: I JUST CAN'T CONCENTRATE. CAMERON: OH. WANT TO GO BACK TO PLAN A AND ELOPE? AMANDA: OH. I WISH WE COULD. WELL, LIKE I SAID, THE INVITATIONS ARE ALREADY OUT, AND THEN THERE'S ALLI. CAMERON: AMANDA, I WASN'T SERIOUS. AMANDA: I WAS. CAMERON: HAVE YOU TWO TALKED SINCE SHE DROPPED HER LITTLE BOMB? AMANDA: OH, WE'VE TALKED, YEAH. NOT ENOUGH. BUT AT LEAST WE'RE -- WE'VE GOT GROUND ZERO. THERE'S NO MORE SECRETS. THERE'S NO MORE BOMBS WAITING TO GO OFF. CAMERON: RIGHT. NO MORE SECRETS. ALLI, COULD WE SPEAK TO YOU FOR A MINUTE? ALLI: I HAVE THINGS TO DO. AMANDA: ALLI. KNOCK IT OFF. CAMERON: LET ME HANDLE THIS. YOU REALLY RESENT HAVING ME BEING AROUND, DON'T YOU? ALLI: DO YOU ALWAYS ASK QUESTIONS YOU KNOW THE ANSWERS TO? CAMERON: FAIR ENOUGH. YOU'RE MISERABLE, WHICH MAKES YOUR MOM UPSET. AMANDA: EXTREMELY. CAMERON: SO I'LL TELL YOU WHAT -- HERE'S THE PLAN. THE WEDDING'S OFF. I WON'T BE MARRYING YOUR MOTHER. JORDAN: SO HOW ARE THE WEDDING PLANS PROCEEDING? RACHEL: OH, THE HAPPY COUPLE ARE NERVOUS WRECKS, BUT YOU PROBABLY CAN IMAGINE THAT. OR PERHAPS YOU CAN'T. I GUESS I REALLY DON'T KNOW WHETHER YOU'VE EVER TAKEN THE PLUNGE. IF I THOUGHT YOU WOULD COME, I WOULD INVITE YOU TO THE WEDDING. IT'S ON VALENTINE'S DAY. JORDAN: THANK YOU. RACHEL: IT'S GOING TO BE VERY ROMANTIC. JORDAN: OR WHAT PASSES FOR ROMANCE THESE DAYS. RACHEL: WELL, THAT'S VERY CYNICAL. JORDAN: OH, DON'T LISTEN TO ME, RACHEL. MY FIELD IS SCIENCE. SAD TO SAY, ROMANCE DOESN'T FIGURE IN THE EQUATION. RACHEL: OH, I DON'T AGREE WITH THAT AT ALL. ANY HUMAN CREATION WORTH ITS SALT IS A BLEND OF FACT AND -- JORDAN: FICTION. RACHEL: YES. THE SEEN AND THE UNSEEN. TAKE THIS CLAY, FOR INSTANCE. INTRINSICALLY, IT'S NOT VERY INTERESTING. BUT IF I DO MY JOB RIGHT, IT SHOULD ILLUMINE THE SOUL OF THE SUBJECT. JORDAN: DO YOU PROFESS TO HAVE A WINDOW INTO MY DEEPER SELF? RACHEL: I KNOW I DO. THAT'S WHY I KNOW LUMINA ISN'T JUST ABOUT SCIENTIFIC RESEARCH. MY PROBLEM IS I DON'T KNOW EXACTLY WHAT IT IS YOU'RE AFTER. JORDAN: WELL, SINCE YOU INSIST I MUST BE JUST LIKE EVERYONE ELSE, IN SPITE OF MY UNUSUAL APPEARANCE, I WON'T DISAPPOINT YOU. I'M AFTER HAPPINESS, RACHEL. ISN'T EVERYONE? RACHEL: FAMILIES USUALLY MAKE PEOPLE HAPPY. JORDAN: EVEN ONES WITH REBELLIOUS TEENAGE GRANDDAUGHTERS? RACHEL: SO YOU KNOW ALL ABOUT ALLI. SHE'S HER MOTHER'S DAUGHTER. JORDAN: AND SHE'S AGAINST HER MOTHER'S REMARRIAGE. RACHEL: YOU SEEM TO HAVE MADE IT A POINT TO FIND OUT ABOUT MY FAMILY. WHY ARE YOU INTERESTED? JORDAN: THE DYNAMICS OF A FAMILY -- IT'S A FASCINATING TOPIC. RACHEL: ANY FAMILY OR JUST MINE? JOE: YOU WANT TO TELL ME WHAT YOU'RE DOING, BLUE EYES? CAMERON: I'M SORRY FOR SPRINGING THIS ON YOU, AMANDA. BUT THE MORE I THINK ABOUT IT, THE MORE IT MAKES SENSE. AMANDA: CAMERON -- CAMERON: IT'S NOT THAT I DON'T LOVE YOU. I DO. BUT I KNOW YOU. I KNOW HOW UNHAPPY YOU WOULD BE IF ALLI REMAINS MISERABLE. I SEE THE BOND THAT THE TWO OF YOU HAVE. NO MAN COULD EVER BREAK THAT. AMANDA: DO YOU THINK WE COULD HAVE TALKED ABOUT THIS IN PRIVATE FIRST? CAMERON: LET ME ASK YOU A QUESTION FIRST. LIFE-OR-DEATH SITUATION, AND I WANT A GUT REACTION. LIFE-OR-DEATH SITUATION, WHO WOULD YOU CHOOSE -- ME OR ALLI? AMANDA: THAT'S NOT A FAIR QUESTION. I WOULD CHOOSE ALLI, OF COURSE. ALLI IS MY DAUGHTER. CAMERON: WELL, THERE YOU GO. AMANDA: BUT I LOVE YOU SO MUCH. CAMERON: I LOVE YOU, TOO, BUT IT'S NOT GOING TO WORK IF ALLI DOESN'T WANT IT TO. AMANDA: CAMERON -- CAMERON: IT'S EITHER GOING TO BE THE THREE OF US OR IT CAN'T WORK. SO LET'S JUST CALL THIS OFF RIGHT NOW. AMANDA: OK. OK. FINE. THE WEDDING'S OFF. ALLI: FINE BY ME. CAMERON: AH, THIS KID'S GOOD. AMANDA: ALLI! REMY: OOH. YOU -- ENTERTAINING? TITO: YEP. JUST CALL ME MARTHA STEWART. REMY: OH. SO, YOU STILL HAVEN'T TOLD ME WHERE YOU GOT THE MONEY FOR THIS PLACE -- OR YOUR BAIL, FOR THAT MATTER. TITO: OH, NO. I'M -- I'M FINE. THANK YOU, PEACHES. REMY: COME OFF IT, TITO. YOU KNOW I WAS WORRIED ABOUT YOU. I -- I EVEN WENT TO THE STATION TO FIND OUT ABOUT YOUR BAIL. TITO: THAT'S REALLY SWEET OF YOU. DOES YOUR -- DOES YOUR BOYFRIEND KNOW THAT? REMY: BUT HE KNOWS THAT I WAS NOT TOO THRILLED THAT HE TURNED YOU IN TO THE POLICE. TITO: YEAH, ME, NEITHER. AND AS A MATTER OF FACT, THERE'S A FEW LITTLE DETAILS THAT I'D LIKE TO CLUE HIM IN ON THAT MIGHT KNOCK THAT SMILE RIGHT OFF HIS FACE. REMY: OK. IF YOU'RE TRYING TO GET ME WORRIED ABOUT MYSELF SO I STOP ASKING QUESTIONS, YOU'RE PRETTY FEEBLE, TITO. I THINK YOU MAY BE LOSING YOUR TOUCH. TITO: NO, NO. REMY: YEAH, I THINK YOU ARE. TITO: THAT'S NOT WHAT I'M DOING, AND I'M NOT LOSING MY TOUCH. ALL I'M SAYING IS YOU CAN COUNT ON ME TO NOT BLOW ANYTHING FOR YOU, JUST LIKE I'M COUNTING ON YOU. REMY: OK, BUT THIS PLACE, THE BAIL -- I MEAN, YOU HAVE TO BE SCAMMING SOMEBODY. COME ON! TITO: I TOLD YOU -- I AM GOING STRAIGHT. REMY: COME ON. TITO, COME HERE. SIT. THIS IS ME. COME ON. WHO'S SETTING YOU UP WITH THIS NEW LIFESTYLE HERE? TITO: OK, FINE. YOU WANT TO KNOW? REMY: UH-HUH. TITO: YOU WANT ME TO TELL YOU? REMY: YES. TITO: PAULINA. PAULINA IS PAYING FOR THIS. PAULINA: WHAT ARE YOU DOING SITTING HERE IN THE DARK? WHY DIDN'T YOU TURN ON THE LIGHTS? JOE: I WAS WAITING FOR YOU. PAULINA: IT'S YOUR RESTAURANT, TOO. YOU COULD HAVE OPENED UP. JOE: WHAT WERE YOU PUTTING IN THE CASH REGISTER? PAULINA: MONEY. WHAT ELSE? THAT'S WHY I'M SO LATE. I NOTICED THAT THE REGISTER WAS LOW, SO I WENT TO THE BANK. THERE WAS A LINE. JOE: BECAUSE IT LOOKS LIKE A LOT. I MEAN, HOW MUCH IS THAT? PAULINA: YOU WANT TO COUNT IT? JOE: I DON'T KNOW. FROM THE SIZE OF THE STACK, I'D SAY IT'S CLOSE TO A THOUSAND. WE NEVER OPEN WITH MORE THAN A COUPLE HUNDRED. PAULINA: SOME OF OUR SUPPLIERS ARE WORKING ON THIS NEW SYSTEM, SO YOU GET A BIG DISCOUNT IF YOU PAY CASH. JOE: SO WE GET NEW SUPPLIERS. I MEAN, WE'RE NOT THE HARBOR CLUB. PAULINA: YOU'RE RIGHT. I'M SORRY. I SHOULD HAVE, YOU KNOW, CHECKED WITH YOU FIRST, AND I -- UM -- I -- I CAN'T DO THIS ANYMORE. I'M LYING TO YOU. PAULINA: I'M LYING. I DID GO TO THE BANK, BUT IT HAD NOTHING TO DO WITH THE SUPPLIERS. I TOOK OUT CASH TO PAY TIM'S BAIL. JOE: I KNEW THAT. PAULINA: IT WAS LESS THAN I EXPECTED, SO I WAS PUTTING THE REST OF THE CASH IN THE REGISTER. JOE: PAULINA, WOULD YOU MIND TELLING ME WHY YOU'RE USING OUR MONEY TO PAY THIS LOSER'S BAIL? PAULINA: DON'T CALL HIM A LOSER. JOE: WHAT SHOULD I CALL US, PAULINA? A MARRIED COUPLE WHO TRUSTS EACH OTHER? I MEAN, IT'S LIKE WE'RE RIGHT BACK TO THE DIET PILL THING AGAIN. I'M TRUSTING YOU, AND YOU'RE LYING TO ME. NOW WHAT AM I SUPPOSED TO DO WITH THAT? WHY ARE YOU TAKING OUR MONEY TO PAY TITO BANACEK'S BAIL? PAULINA: HIS NAME -- HIS NAME IS TIMOTHY. AND I FELT LIKE I OWED HIM, OK? JOE: FOR WHAT? PAULINA: FOR THE WAY MY HUSBAND'S BEEN TREATING HIM, AMONG OTHER THINGS. JOE: HE BROKE THE LAW, PAULINA. PAULINA: OH, COME ON. YOU'RE NOT GOING TO STAND HERE AND TELL ME THAT YOU WOULDN'T LOOK THE OTHER WAY IF IT WAS SOME OLD KID FROM YOUR OLD NEIGHBORHOOD? JOE: WHAT IS THAT SUPPOSED TO MEAN? PAULINA: YOU PICKED HIM UP BECAUSE YOU'RE MAD THAT I'VE BEEN HELPING HIM OUT! JOE: I DON'T GET YOU. I DON'T GET YOU AT ALL LATELY. I MEAN, YOU'RE HANGING OUT WITH THIS J.D., PAULINA. YOU'RE LYING TO ME OVER AND OVER AGAIN. PAULINA: WELL, MAYBE IF YOU HAD TRUSTED ME MORE, OK? MAYBE IF YOU DIDN'T ASK SO MANY QUESTIONS WHEN I WAS FIVE MINUTES LATE. IT'S NO FUN FEELING LIKE YOUR HUSBAND IS YOUR JUDGE AND JURY! TONI: CAPTAIN, I GOT THE INFORMATION THAT YOU ASKED ME ABOUT. JOE: TONI, I'M -- I'M IN THE MIDDLE OF SOMETHING RIGHT NOW. WHY DON'T YOU JUST LEAVE IT ON MY DESK? TONI: I DON'T THINK THAT'D BE VERY WISE. JOE: WHAT DO YOU GOT? TONI: THE LANDLADY GOT BACK TO ME ABOUT WHO'S PAYING TITO BANACEK'S RENT. JOE: MY WIFE, RIGHT? TONI: YEP. SHE PAID IT IN CASH -- FIRST AND LAST MONTH'S RENT PLUS SECURITY. OVER $2,000. REMY: YOU EXPECT ME TO BELIEVE THAT PAULINA IS PAYING YOUR RENT FOR YOU? TITO, WHY WOULD SHE DO THAT? TITO: WHY WOULDN'T SHE? I TOLD YOU. SHE HAS A THING FOR ME. REMY: GOD, YOU ARE DISGUSTING! PAULINA IS THE CLOSEST THING THAT I HAVE EVER HAD TO A MOTHER. SO DON'T YOU DARE GO AROUND SPREADING RUMORS ABOUT HER LIKE THAT BECAUSE I FOR ONE -- I DON'T BELIEVE THAT SHE HAS A THING FOR YOU. AND YOU KNOW WHAT? YOU BETTER DROP THAT LINE BEFORE PAULINA GETS WIND OF IT. AND WHOEVER IS GIVING YOU THE MONEY, I DON'T CARE. I DON'T WANT TO KNOW. TITO: IT'S PAULINA. AND IT'S NOT A PHYSICAL THING, NOT HOW YOU MEAN. WE'RE A LOT CLOSER -- A LOT CLOSER THAN ANYONE KNOWS, AND THAT'S IT. REMY: REALLY? TITO: YES. WE HAVE SOMETHING SPECIAL BETWEEN US. COME ON, PEACHES. YOU'VE SEEN HER AND I TOGETHER. REMY: TITO, YOU'RE MAKING IT UP. AND IF YOU EVER HURT PAULINA, I WILL NEVER, NEVER FORGIVE YOU. FELICIA: I'M NOT SAYING THAT I'M GOING TO BOOK YOU AT CARNEGIE HALL. I JUST -- I CAN HELP YOU. I MEAN, I KNOW A LOT OF PEOPLE. IN FACT, RACHEL HUTCHINS IS ONE OF MY VERY BEST FRIENDS, AND SHE KNOWS ABSOLUTELY EVERYBODY IN TOWN. AND, IN FACT, HER SON WAS IN AND OUT OF THE MUSIC BUSINESS FOR A LONG TIME, SO I'M SURE HE HAS SOME CONTACTS THAT CAN PROMOTE YOU. COME ON. LET ME HELP YOU. IT'LL BE FUN. YOU KNOW, I HAVEN'T HAD A PROTEGE IN A LONG TIME, SO I ACTUALLY MISS IT. SERGEI: BLESS YOU. YOU ARE THE PATRON SAINT OF ARTISTS IN AMERICA. FELICIA: OH, NO. SERGEI: YOU KNOW, I KNEW THE FIRST THE TIME THAT I SAW YOU THAT YOU WERE A TRUE ARTIST LIKE ME! THAT YOU UNDERSTAND THE SUFFERING THAT THIS -- BLESS YOU. FELICIA: OH, NO. NO, NO. SERGEI: BLESS YOU. FELICIA: "BLESS YOU" IS WHAT WE SAY WHEN PEOPLE SNEEZE IN THIS COUNTRY. SERGEI: ARE YOU LAUGHING AT ME? FELICIA: OH, NO. I WOULD NEVER LAUGH AT YOU. COME ON. COME ON. THANK YOU. I'M JUST A LITTLE EMBARRASSED. IT'S -- LOOK, IF YOU WANT TO REALLY FIT IN IN AMERICA, I THINK MAYBE A LITTLE LESS EMOTION, IN PUBLIC PLACES AT LEAST. SERGEI: LESS EMOTION? FELICIA: YEAH. SERGEI: BUT HOW? I'M SERGEI. FELICIA: I KNOW, I KNOW. ETTA MAE: MR. RADZINSKY -- SERGEI: SERGEI, DEAR LADY. NOW, TELL ME, DO YOU LIKE THE PLAYING? ETTA MAE: HOW SOON CAN YOU START? FELICIA: OH, YOU -- SERGEI: YOU WANT TO GIVE ME JOB? ETTA MAE: OH, YES. SERGEI: OH, THANK YOU SO MUCH. FELICIA: THIS IS WHAT HE DOES WHEN HE'S GRATEFUL. YOU'LL GET USED TO IT. SERGEI: I'M SO GRATEFUL. I'M GRATEFUL. ETTA MAE: OK, OK, OK, OK. FELICIA: SHE KNOWS. ETTA MAE: SO, SERGEI, JUST ONE SMALL REQUEST. SERGEI: WHAT? YOU WANT A DIFFERENT SONG, YOU WANT MORE SONG? I HAVE A LOT OF SONG. ETTA MAE: YEAH, WELL, IT'S -- IT'S A QUESTION OF LESS, OK? FELICIA: YEAH. ETTA MAE: NOW, MY DAYTIME CUSTOMERS ARE WHAT YOU WOULD CALL THE EASY-LISTENING CROWD. YEAH? YOU KNOW, THEY DON'T WANT TO BE CHALLENGED TOO MUCH, IF YOU KNOW WHAT I MEAN. FELICIA: NO, I'M AFRAID HE DOESN'T KNOW. ETTA MAE: KEEP IT MELLOW. SERGEI: MELLOW? WHAT, DO YOU THINK THAT I'M THE BARRY MANILOW? ETTA MAE: WELL, YOU NEED TO KEEP YOUR SHIRT ON. YOU KNOW, I AM NOT CRITICIZING YOUR PLAYING. NOW, MY JOB IS TO KEEP MY CUSTOMERS HAPPY. FELICIA: RIGHT. ETTA MAE: YOUR JOB IS TO HELP ME DO THAT. SERGEI: NO, BUT I GIVE THE PEOPLE THE PASSION. ETTA MAE: HONEY -- FELICIA: OH, BOY. ETTA MAE: IF THEY WANT PASSION, THEY CAN GO HOME AND WATCH A SOAP. I WANT THEM SO LAID-BACK THEY WILL NOT BE THINKING ABOUT WHAT I'M CHARGING THEM FOR A CUP OF JOE. SERGEI: WELL, BUT I -- I AM NOT, HOW YOU SAY? JUKEBOX. YOU CANNOT PUT QUARTER IN AND GET THIS MELLOW. I AM AN ARTIST. I MUST PLAY WHAT IS IN MY SOUL. ETTA MAE: WITH THAT ATTITUDE -- FELICIA: OH, BOY. ETTA MAE: YOU CAN TAKE YOUR SOUL AND TAKE A HIKE. FELICIA: OH, YES. OH, BOY. OH, BOY, OH, BOY. YEAH. FELICIA: WHY DON'T I JUST JUMP IN HERE, ALL RIGHT? COULD YOU TRY AND GIVE HIM A SECOND CHANCE? SERGEI: I WILL NOT PLAY THE MUSIC FOR AN ELEVATOR. FELICIA: DON'T INTERRUPT ME WHEN I'M TRYING TO SAVE YOUR BEHIND. NOBODY KNOWS MORE THAN I DO HOW COMPLETELY IMPOSSIBLE HE IS. ETTA MAE: OH, YOU GOT THAT RIGHT. FELICIA: YOU KNOW, SO WAS MOZART, RIGHT? I MEAN, IT'S ARTISTIC TEMPERAMENT. IT SORT OF COMES WITH THE TERRITORY, ESPECIALLY SOMEBODY WHO'S AS GIFTED AND TALENTED AS SERGEI IS. ETTA MAE: WELL, WHO DOES HE THINK HE IS, TALKING TO ME ABOUT SOUL? FELICIA: HE'S GOT A LOT OF PROBLEMS, ETTA MAE. AND THESE PROBLEMS COULD BE SOLVED WITH THIS JOB. YOU KNOW, HE'S HOMELESS. HE HASN'T BEEN EATING VERY WELL, AND, WELL, HE'S HAD A VERY ROUGH LIFE. ETTA MAE: YEAH, A GOOD STINT IN THE ARMY WOULD DO HIS EGO A WORLD OF GOOD. FELICIA: NOW, ETTA MAE WAS A LIEUTENANT IN THE ARMY, RIGHT? ETTA MAE: SERGEANT. FELICIA: SERGEANT. ETTA MAE: UH-HUH, AND MY DAUGHTER'S A COP, AND SHE LOVES TO BUST TROUBLEMAKERS. FELICIA: WELL, NOW, HE WILL NOT CAUSE YOU ANY TROUBLE, I PROMISE YOU. COME ON. CAN'T YOU GIVE HIM THE JOB? ETTA MAE: I DON'T KNOW. FELICIA: HOW ABOUT I -- I PAY FOR HIS SALARY? ETTA MAE: ARE YOU NUTS? SERGEI: I WILL NOT TAKE A HANDOUT. FELICIA: THIS IS NOT -- THIS IS NOT CHARITY. THIS IS A -- THIS IS A GRANT, FROM ONE ARTIST TO ANOTHER ARTIST. COME ON. ETTA MAE, WHAT DO YOU SAY? ETTA MAE: I'LL TRY HIM OUT FOR A WEEK. FELICIA: THANK YOU. YOU WON'T REGRET THIS, I PROMISE. ETTA MAE: I BETTER NOT. FELICIA: YES. YOU KNOW YOU'RE GOING TO HAVE TO WIN HER OVER, DON'T YOU? AND COULD YOU PLEASE CONTROL YOUR TEMPER JUST LONG ENOUGH TO SAVE FOR AN APARTMENT, PLEASE? SERGEI: I AM MOSTLY VERY HAPPY GUY, BUT WHEN I AM UNHAPPY, I AM VERY UNHAPPY, AND RIGHT NOW I AM UNHAPPY. FELICIA: OH. WELL, YOU SHOULD BE HAPPY. YOU KNOW WHY? YOU'VE GOT A JOB. SERGEI: OK. FELICIA: OK. SERGEI: I WILL PUT CONTROL ON MYSELF -- FELICIA: GOOD. SERGEI: FOR YOU. FELICIA: NOT FOR ME, PLEASE. FOR YOU. DO IT FOR YOU, FOR YOUR FUTURE. NOW, I'M GOING TO GO HOME, I'M GOING TO MAKE A FEW CALLS. I'LL TELL YOU WHAT -- TOMORROW WE'LL MEET. WE'LL HAVE A -- WE'LL HAVE A STRATEGY MEETING. HOW DOES THAT SOUND? SERGEI: TO PLAN FOR THE BIG BREAK? FELICIA: "FOR THE BIG BREAK." OH, NO. SERGEI: MISS GALLANT, THANK YOU SO MUCH. FELICIA: YOU KNOW WHAT? A LITTLE SIMPLE "THANK YOU" WILL DO NICELY. SERGEI: SPASIBO. FELICIA: YES. SERGEI: NOW, MISS GALLANT? FELICIA: YES? SERGEI: I WILL PLAY FOR YOU, RIGHT NOW, VERY SPECIAL, THE FEELINGS OF THE DAY. AMANDA: YOU CAN'T JUST KEEP RUNNING OUT OF THE ROOM EVERY TIME THINGS DON'T GO YOUR WAY. ALLI: WHAT DO YOU EXPECT? YOU TWO TRYING TO PULL THIS WHOLE REVERSE PSYCHOLOGY CON? THAT HASN'T WORKED SINCE I WAS 5. AMANDA: CAMERON DOESN'T KNOW YOU AS WELL AS I DO. AT THIS POINT, WE'RE BOTH GETTING A LITTLE DESPERATE, OK? ALLI: MOM, DON'T YOU THINK I LOVE YOU, TOO? I AM NOT SOME SPOILED MISERABLE LITTLE BRAT WHO IS TRYING TO PUNISH YOU FOR DIVORCING DADDY OR ANYTHING DUMB LIKE THAT. I WANT YOU TO BE HAPPY. AMANDA: WELL, WHY CAN'T YOU TRY TO GET ALONG WITH CAMERON? ALLI: AND JUST FORGET ALL THE BAD STUFF? AMANDA: I'M NOT ASKING YOU TO FORGET ANYTHING.* I'M JUST ASKING YOU TO GIVE IT A CHANCE. SEE, IN A PERFECT WORLD, YOU WOULD HAVE BEEN HERE WHEN I MET CAMERON. YOU WOULD HAVE SEEN HOW HE CHANGED MY LIFE AND HOW HE SAVED MY LIFE. BUT WE CAN'T GO BACK. WE'VE JUST GOT TO START FROM THIS MOMENT. I WOULD LIKE TO START OVER. PLEASE? CAN WE TRY? JORDAN: YOU HAVE A MARVELOUS EYE. RACHEL: ACTUALLY, MY HANDS SEE MORE THAN MY EYES DO. JORDAN: DO THEY NOW? RACHEL: MM-HMM. BUT IN ORDER TO BE ANY GOOD AT ALL, I NEED TO GET TO KNOW MY SUBJECT. IT'S MORE THAN JUST PHYSIOGNOMY, YOU KNOW. IT'S THE SUM TOTAL OF EVERYTHING A SUBJECT HAS DONE OR EXPERIENCED. JORDAN: WHAT HAVE I DONE IN YOUR EYES? RACHEL: I DON'T KNOW. I WISH I DID. I WISH YOU FELT YOU COULD LET ME IN ON YOURSELF A LITTLE BIT MORE. I KNOW ONE THING YOU'VE DONE -- YOU RETURNED A PAINTING THAT MY FORMER HUSBAND WAS VERY FOND OF. JORDAN: MAC? RACHEL: YES. I HAD AGONIZED OVER LETTING THAT PAINTING GO. AND THEN IT WAS RETURNED. IT WAS AS THOUGH YOU KNEW HOW MUCH THAT HAD COST ME. DID YOU KNOW, SOMEHOW? JORDAN: I'M IN THE BUSINESS OF PERCEIVING WHAT OTHERS MAY MISS, TOO. IT'S A MATTER OF FOCUS. SPEAKING OF WHICH, I AM SORRY TO SAY, I HAVE BUSINESS TO ATTEND TO. RACHEL: SO DO I. JORDAN: MORE WEDDING PLANS? RACHEL: OH, ALWAYS THOSE. AND ANOTHER MATTER THAT'S BECOME A BIT OF A PUZZLE. THANKS TO YOU, I THINK -- I THINK I HAVE A CLUE I CAN START WITH. GOOD NIGHT. TONI: IT'S NOT ILLEGAL TO PAY SOMEONE'S RENT. JOE: THE SHOCKER'S NOT TELLING YOUR HUSBAND ABOUT IT. TONI: I'M SURE THERE'S A REASON. JOE: YOU THINK SO? JOE: THE LYING HAS GOT TO STOP, PAULINA, RIGHT NOW. AMANDA: ISN'T THAT THE PAINTING THAT JORDAN BOUGHT AND THEN RETURNED? RACHEL: YES. IT CAME UP IN THE SESSION ,TODAY AND I WAS WONDERING IF MAYBE IT HELD A CLUE. CAMERON: YOU MEAN IN THE PAINTING? RACHEL: YEAH. IT'S ALL TIED UP WITH LILA AND LUMINA AND EVERYTHING. AMANDA: THAT'S RIGHT. LILA BROKERED THIS. RACHEL: AND THEN LUMINA RETURNED IT, REMEMBER? WITH A NOTE SAYING IT WAS A GIFT. THAT'S WHEN JORDAN STARK CAME INTO OUR FAMILY, AND ALL THE TROUBLE BEGAN. SO I'M WONDERING MAYBE -- MAYBE THE PAINTING HOLDS THE ANSWER. AMANDA: YOU MEAN SOMETHING LITERALLY IN THE PAINTING? I WOULDN'T EVEN KNOW WHAT TO LOOK FOR. RACHEL: NEITHER DO I. IS IT THE SUBJECT? AND WHAT IS THE SUBJECT? THIS LADY AND THIS MAN. IS THE LADY WAITING FOR THE MAN, OR WAS THE MAN WAITING FOR THE LADY? IS IT A -- IS IT A ROMANCE OR IS IT JUST ABOUT TWO SHIPS IN THE NIGHT? AMANDA: SO ARE YOU STARTING TO COLD FEET MARRYING INTO A FAMILY THAT HAS SO MANY STRANGE THINGS GOING ON ALL THE TIME? CAMERON: NO. AS LONG AS YOU'RE IN THAT FAMILY, I'M IN. AMANDA: OH, BUT DON'T YOU EVEN TRY TO BACK OUT NOW, ESPECIALLY NOW THAT I'M GETTING SOMEWHERE WITH ALLI. I AM GETTING SOMEWHERE, AREN'T I? CAMERON: MAYBE. AMANDA: WELL, AT LEAST JORDAN STARK WON'T HAVE ANY EFFECT ON US BECAUSE WE'LL BE MARRIED. ZAK: HOW'D IT GO WITH RACHEL? DID YOU GET THE INFORMATION YOU WANTED? JORDAN: NO. YOUR SURPRISE MIRRORS MY OWN, ZAK. RACHEL HUTCHINS IS MORE FORMIDABLE THAN I THOUGHT. ZAK: ARE YOU GOING TO THE WEDDING? I MEAN, YOU KNOW, IS DAVID GOING? JORDAN: NO. BUT THEN AGAIN, NEITHER IS ANYONE ELSE. THIS WEDDING IS NOT GOING TO HAPPEN. JOE: THERE'S MORE THAN YOU'VE BEEN TELLING ME, MORE THAN HOW YOU FEEL SORRY FOR THIS TITO OR WHATEVER NAME HE'S USING TODAY. PAULINA: I DIDN'T WANT TO KEEP ANY SECRETS FROM YOU. BUT YOU'VE BEEN SO DOWN ON TIM -- TIM. OK? YOU'RE SO READY TO SLAM HIM INTO A CELL, IT'S MADE IT HARDER FOR ME TO COME TO YOU. JOE: COME TO ME WITH WHAT? PAULINA, WHAT THE HELL IS THIS ABOUT? YOU TOOK MONEY -- YOU TOOK OUR MONEY OUT OF THE BANK TO PAY THIS GUY'S BAIL. PAULINA: I EXPLAINED THAT. JOE: AND THEN I JUST HAD TO FIND OUT FROM ONE OF MY COPS THAT YOU'RE PAYING HIS RENT, TOO. OK? PAULINA, I WANT THE TRUTH. I'M NOT INTERESTED IN HEARING ANY MORE HOW YOU FEEL THIS GUY'S PAIN OR HOW YOU AND THIS DIRTBAG ARE LIKE TWO PEAS IN A POD BECAUSE, DAMN IT, PAULINA, IF YOU ARE FOOLING AROUND WITH THIS GUY WHO'S YOUNG ENOUGH TO BE YOUR SON -- PAULINA: HE IS. JOE: WHAT? PAULINA: IT'S NOT WHAT YOU THINK. TIM IS MY SON. [CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.]