[CAPTIONING MADE POSSIBLE BY THE NATIONAL BROADCASTING COMPANY] PAULINA: I KNOW. I CAN'T STAND TO LISTEN. I KNEW THERE WAS SOMETHING WRONG WITH MARLEY. NICK: WE DROVE BY FIRST AND MAPLE. THERE WERE PEOPLE ALL OVER THE PLACE. REMY: YEAH, LIKE, FOR BLOCKS AND BLOCKS. PAULINA: DON'T PEOPLE HAVE ANYTHING BETTER TO DO AT 3:00 IN THE MORNING? YOU KNOW, YOU'D THINK I'D BE USED TO IT -- THE WAITING, WITH MY HUSBAND BEING A COP AND EVERYTHING -- BUT VICKY'S ONE OF MY CLOSEST FRIENDS. IT'S JUST -- REMY: CAN WE HELP YOU CHOP SOMETHING? PAULINA: NO, NO, I'M ALL SET. HERE I AM THINKING I'M THE ONLY ONE WHO'S UPSET. LISTEN, REMY, CAN YOU JUST PUT THESE GREENS IN THE MINESTRONE, PLEASE? REMY: ABSOLUTELY. PAULINA: THANK YOU. HEY, HOW ARE YOU HOLDING UP? NICK: I CAN'T BELIEVE ANY OF THIS. PAULINA: HAVE YOU CHECKED ON THE BOYS? NICK: YEAH, THEY'RE AT THE CORYS WITH DANTE, YOU KNOW. PAULINA: AS LONG AS THEY DON'T GET NEAR A TELEVISION SET. NICK: OH, NO, THEY WON'T. PAULINA: GOOD. NICK: REMY AND I WERE DRIVING BY, AND WE SAW THE LIGHT ON. WE GOT WORRIED. PAULINA: NO, I'LL BE FINE. CAN'T SAY THE SAME FOR THE GREEN PEPPER, THOUGH. NICK: I CAN SEE THAT. REMY: PAULINA, MAYBE YOU DON'T HAVE TO BE THAT WORRIED ABOUT VICKY. I MEAN, THE RADIO -- THEY SAID THAT HER HUSBAND'S RIGHT UP THERE ON THE ROOF WITH HER. PAULINA: JAKE? JAKE'S UP THERE WITH VICKY AND MARLEY? JOSIE: WE GOT TO GET JAKE OFF THAT ROOF, AWAY FROM MARLEY, OUT OF HER SIGHT. GARY: LIKE I'D LEAVE IF YOU WERE UP THERE. JOSIE: LOOK, THE LONGER HE'S UP THERE WITH HER, THE WORSE IT'S GOING TO BE FOR VICKY. CHRIS: WHY IS THAT? JOSIE: THIS IS BASICALLY A HOSTAGE SITUATION. WHEN YOU'RE DEALING WITH SOMEBODY LIKE MARLEY -- TONI: SOMEBODY AS CRAZY AS MARLEY -- JOSIE: CALL IT WHATEVER YOU WANT -- THE NEGOTIATOR NEEDS TO BE TOTALLY COOL WITH WHATEVER'S GOING ON -- NO PERSONAL STAKES AT ALL. CHRIS: SO IN OTHER WORDS, ANYBODY BUT JAKE McKINNON. JOSIE: EXACTLY. IF HE STARTS TALKING WRONG, HE SAYS THE WRONG THING, HE STARTS YELLING -- CHRIS: STARTS ACTING LIKE HIMSELF -- JOSIE: MARLEY'S GOING TO GO RIGHT OFF THAT LEDGE. SO IS VICKY. JAKE: IT'S ALL RIGHT. DON'T LET THE LEDGE SCARE YOU. NOW, GIVE ME YOUR HAND. MARLEY: GET BACK OR I'LL JUMP! AND WHEN I GO, I'M GOING TO TAKE VICKY WITH ME! JAKE: NO! JAKE: LET GO OF ME. MARLEY: I'LL JUMP! I'LL JUMP! I SWEAR I'LL JUMP! TYRONE: MARLEY, LOOK AT ME. JUST TURN AROUND AND LOOK AT ME. MARLEY: WHY SHOULD I? YOU HATE ME! TYRONE: MARLEY, NOBODY HATES YOU, OK? MARLEY: THAT IS A LIE. TYRONE: WE JUST WANT TO HELP YOU. PLEASE, LET US HELP YOU. JAKE: I'LL HELP YOU. GET -- JOE: JAKE, CALM DOWN. OTHERWISE YOU'RE OUT OF HERE. TYRONE: LOOK, MARLEY, YOU'RE GOING TO BE ALL RIGHT. WE UNDERSTAND, ALL RIGHT? I UNDERSTAND. JAKE: LIKE HELL. VICKY: JAKE. JAKE: I'M RIGHT HERE, HONEY. VICKY: JAKE, MARLEY WOULDN'T HURT ME. NO, MARLEY WOULDN'T HURT ME BECAUSE -- BECAUSE MARLEY LOVES ME. RIGHT? MARLEY SAVED MY LIFE. DIDN'T YOU SEE HER PULL ME UP OVER THE LEDGE? DIDN'T YOU SEE IT, JAKE? JAKE: I SAW EVERYTHING, VIC. I SAW EVERYTHING. VICKY: RIGHT. YOU SEE? YOU SEE? JAKE KNOWS HOW MUCH YOU LOVE ME. EVERYBODY DOES. EVERYBODY SAW YOU SAVE MY LIFE. EVERYBODY KNOWS HOW MUCH YOU LOVE ME, MARLEY. MARLEY: HE'S NOT GOING TO BELIEVE YOU. HE HATES ME. ALL OF THIS -- I DID ALL OF THIS, AND HE HATES ME. JOE: MARLEY -- MARLEY, LISTEN -- COME UP OFF THE LEDGE, ALL RIGHT? WE'LL GET THIS ALL STRAIGHTENED OUT. VICKY: JAKE? JAKE: I'M RIGHT HERE, HONEY. VICKY: YOU SEE, MARLEY TOOK SUCH GOOD CARE OF ME, JAKE. I'D BE DEAD IF IT WASN'T FOR MARLEY. JAKE: IF IT WASN'T FOR MARLEY -- MARLEY: SHUT UP! JUST SHUT UP! SHUT UP! EVERYBODY, SHUT UP! VICKY: SHUT UP? YOU WANT -- YOU WANT JAKE TO SHUT UP? JAKE, WHO'S ALWAYS SHOOTING HIS MOUTH OFF ABOUT SOMETHING, HUH? HUH, MARLEY? MARLEY? MARLEY: JAKE JUST WANTS TO SAVE YOU. TYRONE: MARLEY -- MARLEY, YOU CAN SAVE YOURSELF AND YOUR SISTER, TOO, ALL RIGHT? JUST, PLEASE, LET US HELP YOU. MARLEY: DO YOU THINK -- DO YOU THINK IT'S TRUE -- THAT OLD HYMN? THE HYMN ABOUT A RIVER. DO YOU THINK THERE REALLY IS A RIVER WHERE YOU CAN WASH ALL YOUR SINS AWAY? JAKE: WHAT IS SHE TALKING ABOUT? MARLEY: WOULD YOU LIKE TO SEE IT? WOULD YOU LIKE TO SEE THAT RIVER WHERE YOU CAN JUST LAY ALL YOUR BURDENS DOWN AND YOU CAN BE CLEAN AGAIN? WOULD YOU LIKE TO SEE MICHAEL? WOULDN'T YOU LIKE TO SEE HIM? MAYBE HE'S THERE JUST WAITING FOR US NOW. ARE YOU TIRED? I AM. I AM SO -- I AM SO, SO TIRED. I HAVEN'T SLEPT FOR A VERY LONG TIME. AND I DON'T KNOW WHY I HAVEN'T BEEN ABLE TO SLEEP, BUT I JUST CAN'T SLEEP. AND I WOULD LIKE TO SLEEP BY THAT RIVER -- JUST SLEEP AND SLEEP. WOULDN'T YOU? I WOULD. OH, I WOULD. VICKY: No. No. MARLEY: WE'LL BE JUST LIKE WE WERE BEFORE. WE'LL BE WARM. AND WE CAN SLEEP TOGETHER, ALL SNUGGLED UP LIKE LITTLE SISTERS. LIKE TWINS. JAKE: MARLEY -- MARLEY: IT'S ALL RIGHT. IT'S ALL RIGHT. IT'S ALL RIGHT, JAKE. WE'RE JUST -- WE'RE JUST GOING TO TAKE A LITTLE REST. JAKE: NO. I JUST WANT TO THANK YOU FOR EVERYTHING THAT YOU'VE DONE FOR ME. MARLEY: YOU DON'T HAVE TO LIE ANYMORE, JAKE. WE'RE GOING TO BE ALL RIGHT. JAKE: DON'T! LISTEN TO ME, MARLEY. DON'T DO THIS BECAUSE OF ME. I'M THE ONE THAT MADE THE MISTAKES, NOT YOU. MARLEY: I DON'T BLAME YOU, JAKE. YOU KNOW WHAT I'VE DONE, AND I KNOW HOW YOU FEEL ABOUT IT. SO NOW WE'RE EVEN, AREN'T WE? SORT OF. FINALLY. JAKE: NO, MARLEY, LISTEN. LISTEN TO ME. IF I WOULD HAVE JUST HEADED OUT OF TOWN WHEN I FIRST MET YOU -- I'VE DONE NOTHING BUT CAUSE YOU TROUBLE. I -- I -- SOMETHING I WISH FOR YOUR SAKE -- I WISH THAT WE NEVER MET. ISN'T THAT WHAT YOU WISH? MARLEY: NO. JAKE: IF I WOULD HAVE NEVER TALKED TO YOU, IF YOU WOULD HAVE NEVER SEEN ME ON THAT BIKE, THEN YOU WOULDN'T BE WHERE YOU ARE RIGHT NOW. ALL I'VE EVER DONE IS CAUSE YOU PAIN, AND FOR THAT I AM SORRY. AND I DON'T -- I DON'T MEAN -- YOU KNOW WHAT I DON'T MEAN. MARLEY: YOU DON'T HAVE TO SAY IT, JAKE. NOT ANYMORE. JAKE: NO, MARLEY, LISTEN. YOU -- YOU'VE ALWAYS BEEN THERE FOR ME. NOW, THESE LAST COUPLE OF WEEKS -- I DON'T THINK I WOULD HAVE BEEN ABLE TO GO THROUGH THEM IF IT WASN'T FOR YOU. YOU'VE DONE EVERYTHING FOR ME, AND I ASKED FOR MORE. YOU DO EVERYTHING I ASK, AND I JUST CONTINUALLY ASK FOR MORE. MARLEY: YOU'RE JUST SAYING THAT SO I WON'T JUMP. JAKE: YOU HAD ON A BLUE SWEATER AND A WHITE SKIRT. AND YOUR HAIR -- YOUR HAIR WAS -- IT WAS UP, AND IT KEPT FALLING DOWN IN YOUR EYES. I'M TALKING ABOUT THE FIRST DAY WE EVER MET. I MEAN, YOU THINK I COULD FORGET THAT DAY, THAT MOMENT? MARLEY: YOU REMEMBER WHAT I WAS WEARING? JAKE: DON'T YOU? MARLEY: NO. JAKE: OH, MARLEY, YOU WERE -- YOU WERE SO CALM, LIKE YOU KNEW EVERY SECRET IN THE WORLD. AND I -- I TRIED TO TURN AWAY, BUT YOUR HAIR FELL IN YOUR EYES, AND YOU BRUSHED IT BACK, AND I WANTED TO TOUCH YOUR HAIR. MARLEY: YOU REMEMBER THAT? JAKE: SO BEAUTIFUL. WHEN I FIRST MET YOU, YOU WERE SO BEAUTIFUL. YOU WERE LIKE A PAINTING IN A MUSEUM -- THE PERFECT GIRL. BUT YOU WOULDN'T SMILE AT ME. YOU WOULDN'T SMILE. MARLEY: I WOULDN'T? JAKE: YOUR FACE WOULDN'T. BUT YOUR EYES DID. MARLEY: YES. YES. JAKE: YOU KNOW SOMETHING, MARLEY? IT WAS LIKE THE SUN WAS RIGHT BEHIND YOU SOMEHOW. IT WAS LIKE YOU SHONE. I MEAN, YOU -- IT WAS LIKE YOU WERE MADE OUT OF LIGHT. NOW, YOU THINK I COULD FORGET THAT? HERE WE ARE, SAME THING -- ALL I WANT TO SEE YOU DO IS SMILE. AND I'M ASKING YOU -- AS A MATTER FACT, MARLEY, I'M BEGGING YOU -- PLEASE, LET ME LOOK AT YOU. MARLEY, PLEASE LOOK AT ME. PLEASE. PLEASE. ETTA MAE: OH, I JUST CALLED THE CORYS. DEBRA'S BEEN UP ALL NIGHT LIKE THE REST OF US, BUT THEY'RE ALL FINE. DONNA: I THOUGHT MARLEY WAS FINE, TOO. I TOLD MYSELF THAT WHEN ANY OTHER MOTHER WOULD HAVE KNOWN. DO YOU KNOW THAT I DIDN'T EVEN REMEMBER WHEN SHE WAS BORN? THEY GAVE ME SOMETHING CALLED TWILIGHT SLEEP. ETTA MAE: YEAH. DONNA: IT'S WAS AN AMNESIAC. I DIDN'T EVEN KNOW I'D HAD TWINS. BUT MY FATHER -- WHEN I WOKE UP, MARLEY WAS LYING BESIDE ME. SHE HAD THIS SWEET LITTLE SOLEMN FACE, JUST LIKE A LITTLE DOLL. SHE NEVER CRIED. SHE PROBABLY KNEW THAT I COULDN'T HANDLE IT. AND I WAS SO YOUNG THAT I COULDN'T EVEN KNOW HOW TO HOLD HER OR FEED HER. AND MY FATHER JUST TOOK HER AWAY FROM ME AND TURNED HER OVER TO A NANNY. AND I -- I NEVER -- I TRIED TO TAKE CARE OF HER. I -- I -- WHAT DID I DO TO MY LITTLE GIRL? WHAT DID I DO TO HER? I ALWAYS USED TO THINK IT WAS SUCH A TRAGEDY THAT VICTORIA DIDN'T GROW UP WITH ME. BUT NOW -- ETTA MAE: SO MARLEY IS UP ON THAT ROOF BECAUSE YOU DIDN'T KNOW HOW TO FEED HER A BOTTLE? DONNA: OH, THERE WERE OTHER THINGS. YOU DIDN'T HEAR ME AND WHAT I SAID TO HER THE LAST TIME SHE WAS IN THIS ROOM. JAKE ASKED ME TO KEEP HER HERE. I COULDN'T EVEN DO THAT. I WAS SO ANGRY, I JUST YELLED AT HER. I WAS JUST ANGRY AT WHAT SHE'D DONE. ETTA MAE: BUT DID SHE DO THOSE THINGS? DONNA: ETTA MAE, SHE'S SICK, AND IT WAS MY FAULT. AND IF I HADN'T -- IF I HADN'T YELLED AT HER AND IF I'D TRIED TO UNDERSTAND HER, SHE WOULDN'T HAVE GOTTEN SO UPSET AND SHE WOULD HAVE STAYED HERE. ETTA MAE: OK, NOW, WAIT, WAIT, WAIT. LET ME GET THIS STRAIGHT. NOW, IF YOU FEEL GUILTY ENOUGH, SHE WON'T JUMP. IS THAT IT? AND SHE WON'T TAKE VICKY WITH HER, HUH? DONNA: YOU DON'T LIKE MARLEY, DO YOU? ETTA MAE: VICKY'S MY FRIEND. LET ME TELL YOU SOMETHING, DONNA. MARLEY IS NOT THE ONLY CHILD YOU HAVE IN TROUBLE TONIGHT. NOW, WHEN VICKY GETS HOME -- AND SHE WILL GET HOME -- SHE IS GOING TO NEED HER MOTHER, NOT SOME RICH LADY FEELING SORRY FOR HERSELF. NO, NO, NO. YOU KNOW IT'S TRUE. DONNA: WELL, HOW ARE YOU SO SURE THAT VICTORIA IS COMING HOME? ETTA MAE: BECAUSE I HAVE FAITH. I HAVE BEEN PRAYING FOR HER EVERY HOUR SHE'S BEEN GONE. AND IF SHE DOESN'T COME BACK TO JAKE AND THOSE BOYS, NOTHING IS GOING TO MAKE SENSE IN THIS WORLD. DONNA: BUT NOTHING MAKES SENSE ANYWAY, NOT SINCE MARLEY WAS IN THAT HOSPITAL BED. AND IF IT HADN'T BEEN FOR THAT FIRE -- ETTA MAE: IS THIS HELPING YOU FEEL BETTER? DONNA: YOU DIDN'T KNOW MARLEY BEFORE AND WHAT SHE WAS REALLY LIKE. NOW, I KNOW THAT JAKE IS GOING TO DO EVERYTHING HUMANLY POSSIBLE TO SAVE VICTORIA. BUT WHAT ABOUT MARLEY? WHO'S GOING TO SAVE MARLEY? ETTA MAE: WELL, I JUST HOPE TYRONE HASN'T SIGNED UP FOR THE JOB. REMY: ARE YOU SURE YOU DON'T WANT US TO STAY? PAULINA: GO HOME. HAVE THE MINESTRONE FOR BREAKFAST. REMY: THANK YOU. BUT WHAT ABOUT YOU? PAULINA: I'LL KEEP THE PLACE OPEN FOR THE COPS. REMY: PAULINA, I REALLY HOPE YOUR FRIENDS ARE OK. PAULINA: THANK YOU. SO DO I. SO DO I. REMY: I WONDER WHAT IT WOULD BE LIKE. NICK: WHAT? REMY: NO -- NICK: COME ON, TELL ME. REMY: WELL, JUST PAULINA AND VICKY -- I JUST WONDER WHAT IT WOULD BE LIKE TO HAVE A FRIEND THAT CARES ABOUT YOU THAT MUCH. NICK: THERE ARE A LOT OF PEOPLE THAT CARE ABOUT YOU, REMY. MORE THAN YOU KNOW. PAULINA: REMY! REMY, YOUR GLOVE! REMY -- TIM. TIMOTHY, WHAT ARE YOU DOING HERE? TITO: HEY. PAULINA: HEY. HEY, COME ON INSIDE. YOU MUST BE FREEZING. TITO: NO, THAT'S OK. PAULINA: WERE YOU LOOKING FOR ME? TITO: NO. NO, I WAS -- YOU WORK HERE? PAULINA: OH, MY HUSBAND AND I -- WE OWN THE PLACE. COME INSIDE. TITO: I -- I GOT TO GET SOMEWHERE. PAULINA: WHERE ARE YOU GOING ON A NIGHT LIKE THIS? I'M SORRY. THAT'S NONE OF MY BUSINESS. BUT PLEASE COME INSIDE. YOU'RE FREEZING ME TO DEATH. PLEASE? PLEASE? THANKS. PAULINA: THAT'S BETTER. AREN'T YOU COLD? I'M SORRY. TITO: NO, IT'S OK. I'M JUST -- I'M NOT USED TO -- PAULINA: I'M ALWAYS FUSSING OVER PEOPLE, ALWAYS THE MOM, AND -- I CAN SEE YOU'RE HAVING TROUBLE WITH THAT ONE. TITO: YEAH. WELL, LIKE I SAID, I GOT TO GET SOMEWHERE. PAULINA: NO, WAIT. WAIT, JUST -- PLEASE, HAVE SOME SOUP. OK? GET WARM. TITO: I'M NOT HUNGRY. PAULINA: IT'S ON THE HOUSE. AND I REALLY WOULDN'T MIND THE COMPANY. TITO: ALL RIGHT, WHATEVER YOU SAY. PAULINA: GREAT. HERE, SIT DOWN. SIT DOWN. TITO: MA'AM? PAULINA: PLEASE, CALL ME PAULINA. TITO: COULD I GET SOME MILK WITH THAT? PAULINA: YES. YOU CAN HAVE SOME MILK WITH THAT. DONNA: IN THIS WHOLE SITUATION, TYRONE IS THE PERSON THAT YOU'RE CARING ABOUT? ETTA MAE: HE'S NOT THE ONLY PERSON. DONNA: BUT YOU DON'T CARE ABOUT MARLEY. YOU DON'T EVEN WANT TYRONE TO HELP HER, RIGHT? ETTA MAE: LISTEN, DONNA -- I HAVE KNOWN TYRONE SINCE HE WAS A BABY. HE PRACTICALLY GREW UP IN MY LIVING ROOM. NOW, WHEN HE WENT OFF TO LAW SCHOOL, HE DID NOT DO IT JUST SO THAT HE COULD WEAR ITALIAN SHOES AND DRIVE SOME FANCY CAR. NO. HE DID IT BECAUSE HE WANTS TO HELP PEOPLE. DONNA: AND MARLEY HAS BEEN VERY BADLY HURT. ETTA MAE: WELL, SHE SURE HAS A STRANGE WAY OF SHOWING THE WORLD, DOESN'T SHE? DONNA: SHE'S VERY EMOTIONALLY UNBALANCED. ETTA MAE: OH, "UNBALANCED," HUH? WELL, SHE'S BALANCED ENOUGH TO BE PLAYING JAKE LIKE A CHEAP FIDDLE FOR MONTHS. AND YOU KNOW IT'S TRUE. AND HE'S A GOOD MAN. DONNA: HE WASN'T ALWAYS A GOOD MAN, BELIEVE ME. ETTA MAE: WELL, TYRONE MONTGOMERY HAS ALWAYS BEEN. DONNA, YOU DON'T KNOW. HE HAS WORKED SO HARD TO GET WHERE HE IS. HIS MAMA WAS SO PROUD OF HIM. AND SHE ASKED ME TO LOOK AFTER HER LITTLE BOY, AND THAT IS WHAT I TRY TO DO. HE'S GOT THIS PROTECTIVE STREAK. AND WHAT IS HE DOING? WHERE IS HE? OUT ON SOME LEDGE, CHASING AFTER SOME BONY-MARONI THAT HE BARELY EVEN KNOWS. DONNA: THANK YOU FOR VOLUNTEERING TO BE WITH ME, ETTA MAE. YOU'RE SO COMFORTING. ETTA MAE: WHAT I SAID WAS OUT OF LINE. I KNOW YOU LOVE BOTH YOUR GIRLS, AND I KNOW YOU WANT THEM BOTH HOME SAFE. BUT I WANT TYRONE HOME SAFE, TOO. DONNA: I KNOW. SO DO I. ETTA MAE: MARLEY WENT AFTER JAKE, AND YOU SEE WHERE THEY ARE. NOW, WHAT IF SHE GOES AFTER TYRONE? DONNA: MAYBE HE CAN HELP HER. ETTA MAE: OH, GIRL, I HAVE SEEN SO-CALLED HELPLESS WOMEN DO SOME SERIOUS DAMAGE IN MY TIME. DONNA: Like mother, like daughter. ETTA MAE: BUT TYRONE'S A GOOD MAN. BUT HE'S STILL A MAN. AND WHEN IT COMES TO WOMEN, I CAN'T TELL HIM NOTHING. JAKE: THANK YOU. THANK YOU FOR LOOKING AT ME AND LISTENING TO ME. I KNOW WHAT YOU'RE GOING THROUGH. AT LEAST I THINK I DO. YOU TELL ME IF I'M WRONG. SEE, MARLEY, WHEN I FIRST DID THAT TERRIBLE THING TO YOU, I FELT LIKE I DIDN'T HAVE A RIGHT TO LIVE. TYRONE: WHAT ARE YOU, CRAZY? MAN, DON'T SAY THAT. JAKE: THAT'S WHAT YOU FEEL LIKE, ISN'T IT, MARLEY? TYRONE: MARLEY, YOU HAVE A RIGHT TO LIVE. NOBODY THINKS -- JAKE: YOU FEEL LIKE YOU DON'T HAVE A RIGHT TO LIVE. MARLEY: BE QUIET. LISTEN TO JAKE. HE'S JUST TELLING ME THE TRUTH. JAKE ALWAYS TELLS ME THE TRUTH. JAKE: WELL, SOME OF THE TRUTH SOME OF THE TIME. BUT I DO KNOW ONE THING IS TRUE -- YOU DID THE VERY BEST YOU COULD WITH VICKY, DIDN'T YOU? MARLEY: YES. YES. JAKE: YOU WEREN'T TRYING TO HURT HER, WERE YOU, MARLEY? MARLEY: I DIDN'T HURT HER. JAKE: I KNOW. I KNOW, I KNOW. I SAW. YOU BROUGHT HER FOOD, AND YOU BROUGHT HER MEDICINE. AND I DIDN'T HELP YOU VERY MUCH, BUT YOU SAVED HER LIFE ANYWAY. MARLEY: YES. YES. YES. JAKE: EVEN THOUGH YOU MADE A MISTAKE, YOU TRIED TO MAKE IT RIGHT. YOU TRIED TO DO IT WITH NO HELP FROM ANYONE. MARLEY: YOU -- YOU UNDERSTAND? JAKE: YOU KNOW SOMETHING, MARLEY? YOU HANDLED THIS A LOT BETTER THAN ANYONE. YOU HANDLED IT A HELL OF A LOT BETTER THAN I COULD HAVE. SO MANY THINGS HAVE CHANGED, BUT NOT YOU. YOU'RE STILL THE PERSON THAT I FELL IN LOVE WITH. YOU'RE STILL THE MARLEY THAT'S THE FINEST PERSON I EVER MET. YOU WERE THE ONE THAT TAUGHT ME SO MUCH ABOUT LOVING SOMEONE. MARLEY: YOU WANT VICKY BACK, DON'T YOU? JAKE: YES. MARLEY, I WANT YOU BACK, TOO. I WANT YOU BACK SO WE CAN WORK IT OUT, LIKE WE WORKED IT OUT SO MANY OTHER TIMES. VICKY: PLEASE, MARLEY, LET'S GO HOME. JAKE: LET'S ALL GO HOME, MARLEY. MARLEY: YES. JAKE: LET'S GO. TITO: IT'S OK, PAULINA. I SHOULDN'T HAVE COME IN. PAULINA: NO, WAIT. YOU HAVEN'T HAD YOUR SOUP. TITO: LOOK, I'M PROBABLY NOT EVEN YOUR KID, OK? WE GOT NO PROOF. PAULINA: SO YOU CAN'T EAT SOUP? TITO: CAN YOU STOP BEING SO NICE TO ME? PAULINA: LOOK, I DON'T NEED PROOF TO INVITE YOU IN FROM OUT OF THE COLD. TITO: LOOK, I GET IT, ALL RIGHT? I GET IT. I UNDERSTAND. IF THE D.N.A. COMES BACK A MATCH AND YOU FIGURE YOU'RE NICE TO ME NOW, THEN I DON'T ROCK YOUR WORLD. PAULINA: WHAT'S THAT SUPPOSED TO MEAN? TITO: THE NICER YOU ARE TO ME NOW, THEN THE EASIER IT'S GOING TO BE. BECAUSE IF I'M NOT YOUR KID -- WHICH I'M PROBABLY NOT -- NO HASSLE. NICE AND CLEAN. PAULINA: WHO DO YOU THINK YOU'RE DEALING WITH? TITO: WELL, THAT IS KIND OF THE QUESTION, ISN'T IT? PAULINA: MAYBE THIS IS THE FIRST TIME I'VE GIVEN MY FIRST-BORN KID SOME SOUP AND A GLASS OF MILK, ALL RIGHT? AND IF IT'S NOT -- IF YOU'RE NOT -- THEN I'M SORRY THAT THIS DIDN'T HAPPEN TO YOU BEFORE. TITO: I'M NOT THAT BIG A DEAL. PAULINA: I DECIDE WHO GETS TO BE THAT BIG A DEAL. YOU GOT THAT? TITO: WHATEVER. PAULINA: OK. STOP. LET'S JUST BACK UP. I'LL GET YOUR SOUP, YOU DRINK ALL YOUR MILK, AND I'LL TRY AND CONTROL THE WATERWORKS. HOW ABOUT THAT? TITO: YOU'RE A REAL NICE LADY. PAULINA: YOU'RE A REAL NICE KID. JAKE: VICKY. VICKY, YOU'RE GOING TO BE FINE, HON. YOU'RE GOING HOME. GIVE ME YOUR HAND. VICKY: OK. JAKE: COME ON, HONEY. MARLEY: COME ON. COME ON. JAKE: GIVE ME YOUR HAND, VIC. TYRONE: COME ON, MARLEY. YOU CAN DO THIS. JAKE: ALL RIGHT, LISTEN. LISTEN, VIC. REMEMBER ON SUNDAY MORNINGS THE WAY THE BOYS DIVE INTO YOUR BED WHEN YOU'RE TRYING TO SLEEP? VICKY: THE MORNINGS. JAKE: THE MORNING, THE BOYS -- THAT'S RIGHT, HONEY. THEY'RE WAITING FOR YOU. STEVEN AND KIRKLAND NEED YOU, VIC. VICKY: YEAH, MY LITTLE BOYS. JAKE: RIGHT. WHAT ABOUT OUR KID, VICKY? WHAT ABOUT THE KID WE'RE GOING TO HAVE ONE DAY, RIGHT? NOW, BABY, YOU GOT TO GIVE ME YOUR HAND. WE NEED YOU. THE BOYS NEED YOU. I NEED YOU. EVERYONE NEEDS -- OUR KID, VIC. THE KID WE'RE GOING TO HAVE. COME ON. HELP HER UP, MARLEY. JOE: HERE YOU GO. JAKE: HELP HER UP. GET US YOUR HAND. COME ON, HONEY. COME ON, HELP. COME ON. MARLEY: NO, NO, NO. JAKE: COME ON! MARLEY, GET DOWN AND HELP HER UP. COME ON, HONEY. VICKY, GIVE ME YOUR HAND! MARLEY: HANDS, VICKY -- HANDS UP. JAKE: GIVE ME YOUR HAND, VIC. TYRONE: COME ON, MARLEY. JAKE: COME ON, VICKY. COME ON, GIVE ME YOUR HAND. COME ON! JOE: COME ON! JAKE: COME ON, YOU CAN DO IT. COME ON! COME ON! TYRONE: I GOT YOU. I GOT HER. GOT HER. JOE: WE GOT HER. PARAMEDICS UP HERE NOW! JAKE -- JAKE, DON'T TAKE HER DOWN THE STAIRS. WAIT FOR THE PARAMEDICS. TYRONE: MARLEY -- MARLEY, TAKE MY HAND. MARLEY: NO. TYRONE: MARLEY, FOR GOD'S SAKE, TAKE MY HAND! MARLEY: IT'S OVER. IT'S OVER FOR ME. IT'S FINALLY ALL OVER. TYRONE: THAT'S RIGHT, MARLEY. MARLEY -- MARLEY, THAT'S RIGHT. IT'S OVER. IT'S ALL OVER. YOU SAVED YOUR SISTER, JUST LIKE I KNEW YOU WOULD, OK? NOW, THE NIGHTMARE'S OVER. NOW, PLEASE, PLEASE, LET ME HELP YOU GET BACK UP ON THIS ROOF. MARLEY: CAN YOU TELL JAKE SOMETHING FOR ME? TYRONE: TAKE MY HAND, AND I'LL TELL HIM, I SWEAR. MARLEY: TELL JAKE I LOVE HIM. TYRONE: MARLEY -- MARLEY, YOU CAN TELL HIM THAT YOURSELF. MARLEY: I GAVE HIM WHAT HE WANTED -- VICKY. I MADE HIM HAPPY. THAT'S ALL I WANTED. I JUST WANTED JAKE TO BE HAPPY. NOW HE CAN START OVER. TYRONE: MARLEY, SO CAN YOU. MARLEY: IT'S LIKE THAT DAY I WAS LOOKING IN THE WATER. WHEN YOU FOUND ME, I WAS JUST SO -- SO TIRED FOR SUCH A LONG TIME. JOE: TONI, STAND BY. MARLEY: YOU'VE ALWAYS BEEN SO KIND TO ME. YOU'LL TELL JAKE I LOVE HIM, WON'T YOU? AND TELL DONNA SHE'S RIGHT ABOUT ME. I'M REALLY A VERY CRUEL PERSON. TYRONE: MARLEY, THAT'S NOT TRUE. MARLEY: I JUST WANTED TO HAVE WHAT I WANTED FOR ONCE. TELL DONNA I'M SORRY. TYRONE: MARLEY, YOUR MOTHER WANTS TO HEAR THAT FROM YOU, NOT FROM ME. MARLEY: DONNA HAS VICKY NOW. VICKY HAS JAKE AND THE BOYS. THEY DON'T NEED ME. I'M GOING TO GO SEE MICHAEL. I JUST WANT TO GET SOME SLEEP. TYRONE: MARLEY -- MARLEY: NO! NO! LET GO OF ME! I WANT TO FALL! LET GO! LET GO! TYRONE: YOU'RE NOT GOING TO FALL BECAUSE I'M NOT GOING TO LET YOU, MARLEY. TYRONE: OK. PLEASE -- PLEASE, LET IT BE OVER. CHRIS: IT'S OK. YOU CAN LOOK. TYRONE'S BACK ON THE ROOF. IT LOOKS LIKE HE'S ALL RIGHT. TONI: WHAT KIND OF STUNT WAS THAT, GOING OFF A BUILDING FOR A CRAZY WOMAN? CHRIS: THE GUY'S A SAINT. WHAT CAN I SAY? MAN, DO I HAVE A STORY HERE OR WHAT. TONI: OH, DON'T TELL ME YOU'RE THINKING ABOUT YOUR STORY, CHRIS. CHRIS: NO, NO, THAT'S NOT THE ONLY THING I'M THINKING ABOUT. I'M ALSO THINKING HOW I'M GLAD MY BEST FRIEND JAKE DOESN'T HAVE TO GO HOME AND TELL HIS KIDS THAT THEIR MOTHER'S DEAD ON THE SIDEWALK. TONI: I'M SORRY. JUST SEEING TYRONE UP THERE, YOU KNOW -- WHAT IF HE HAD FALLEN RIGHT IN FRONT OF ME? CHRIS: BUT HE DIDN'T. HE LUCKED OUT. WE ALL DID. GARY: COME ON, LET'S GET OUT OF THIS COLD. JOSIE: NO, I WANT TO MAKE SURE VICKY'S ALL RIGHT. GOD, GARY, WHAT JUST HAPPENED HERE? HOW CAN MARLEY JUST -- GARY: SOMETHING SNAPPED, THAT'S ALL. JOSIE: I MEAN, I KNOW SHE WAS GOING THROUGH A TOUGH TIME, BUT SHE ALWAYS SEEMED SO -- GARY: SANE? IT COULD HAPPEN TO ANYBODY IF YOU PUSH THEM FAR ENOUGH. THEY'LL DO THINGS THEY'D NEVER DO. JOSIE: YEAH, I KNOW. GARY: NOW, MARLEY, SHE'S GOT TO PICK UP THE PIECES AND DEAL WITH THE CONSEQUENCES OF WHAT SHE'S DONE. JOSIE: AND THAT'S ALWAYS THE HARDEST PART. JAKE: WE'RE COMING THROUGH! EVERYBODY OUT OF THE WAY! OUT OF THE WAY! DOCTOR: GET HER ON A MONITOR! LET'S GET HER VITALS. JAKE: WILL SOMEONE PLEASE TELL ME IF SHE'S GOING TO BE ALL RIGHT? VICKY: OW! OW! OW! IT'S OVER. PARAMEDIC: WE GOT A LINE HERE. DOCTOR: MRS. McKINNON, I'M A DOCTOR. YOU'RE SAFE NOW. JAKE: YOU'RE FINE. YOU'RE GOING TO BE FINE. VICKY: DONNA AND THE BOYS? JAKE: THE BOYS ARE FINE. THEY'RE GOING TO BE MUCH BETTER WHEN I TELL THEM -- WHEN I TELL THEM ABOUT YOU. VICKY: I KNEW YOU'D FIND ME. I KNEW YOU'D BRING ME HOME. NICK: IF THERE'S ANYTHING ELSE YOU NEED, DONNA -- DONNA: YOU'RE SO MUCH LIKE MICHAEL. NICK: YOU DON'T HAVE TO KEEP SAYING THAT. DONNA: YOU'RE SO CALM AND GOOD IN A CRISIS SITUATION. REMY: IT'S OK. NICK: WHAT? REMY: THE WHOLE DEAL. IT'S OVER, BUT THEY'RE OK. EVERYBODY IS. ETTA MAE: WHAT ARE YOU SAYING, GIRL? NOW, DON'T YOU GET OUR HOPES UP WITH ALL THIS KIND OF NONSENSE. REMY: NO, ETTA MAE, IT HAS BEEN SO LONG SINCE I HAVE HAD A GOOD FEELING ABOUT ANYTHING. [TELEPHONE RINGS] REMY: THAT IS GOING TO BE GOOD NEWS. ETTA MAE: OH, MY GOD. NICK: YEAH? JOSIE? JOSIE: THEY'RE ALL RIGHT. NICK: THEY'RE ALL RIGHT! ETTA MAE: OH, THANK GOD. NICK: VICKY'S IN THE AMBULANCE. DONNA: GIVE ME THE PHONE. GIVE ME THE PHONE. JOSIE? JOSIE, HOW'S MARLEY? JOSIE: SHE -- DONNA, YOU KNOW THAT WE HAVE TO ARREST HER, RIGHT? DONNA: BUT SHE'S NOT HURT? JOSIE: APPARENTLY NOT. ETTA MAE: HOW'S TYRONE? DONNA: HOW'S TYRONE? JOSIE: TYRONE SAVED MARLEY'S LIFE. DONNA: TYRONE'S OK. HE'S OK. HE SAVED MY LITTLE GIRL'S LIFE. WELL, TELL HIM THANK YOU. AND TELL HIM -- TELL HIM THAT -- ETTA MAE: WAIT, WAIT, WAIT. TELL HIM I NEED TO TALK TO HIM, OK? JOSIE: I WILL. DONNA: JOSIE? JOSIE, TELL MY GIRLS I LOVE THEM. ETTA MAE: AND WE'RE ON OUR WAY TO THE HOSPITAL. DONNA: DID YOU HEAR THAT? JOSIE: LOUD AND CLEAR. DONNA: JOSIE, MAKE SURE SOMEBODY TAKES CARE OF MARLEY. PAULINA: MORE? TITO: I'M SORRY, I -- I DIDN'T MEAN -- WHAT IS THIS STUFF? PAULINA: MINESTRONE, FROM A FAMILY RECIPE. MY HUSBAND -- HIS FATHER, EDDIE -- HE'S IN ITALY NOW -- BUT THE GUY WAS A BORN COOK. HE GAVE ME ALL THE FAMILY RECIPES AND EVERYTHING. TITO: FAMILY RECIPES. THAT'S SO COOL. LIKE, TO KNOW WHERE YOU'RE FROM, TO EAT THE SAME STUFF YOUR FAMILY DID WAY BACK. PAULINA: CANNOLI? TITO: WHAT? PAULINA: A DESSERT. WAIT TILL YOU TRY IT. TITO: OH, NO, THAT'S OK. PAULINA: WHY NOT? TITO: I DON'T EVEN KNOW WHAT IT IS, MUCH LESS HOW TO USE THE -- YOU KNOW, THE RIGHT FORK. I MEAN, THIS PLACE -- I EAT AT DIVES. PAULINA: ALL KINDS OF PEOPLE EAT HERE, TIMOTHY. TITO: WELL, LET'S SAY THAT I WAS TO SPILL THE MINESTRONE ON THE TABLECLOTH. PAULINA: YOU'RE FINE. BELIEVE ME, I UNDERSTAND. WHEN I WAS YOUR AGE, I USED TO WORRY ABOUT THE WRONG FORK, TOO. TITO: I SHOULD PROBABLY QUIT WHILE I'M AHEAD. PAULINA: HOW ABOUT THIS -- I GET THE CANNOLI, ALL RIGHT? AND IF YOU HAVE ANY QUESTIONS ABOUT WHICH FORK TO USE, YOU CAN CONSIDER ME THE COACH. TITO: YOU SURE? PAULINA: MM-HMM. HOW ABOUT A CAPPUCCINO? TITO: SURE, I'LL TRY ANYTHING ONCE. PAULINA: YOU GOT IT, KID. TITO: WELL, LET'S SEE, YOU WORRIED ABOUT WHICH FORK TO USE FOR -- ONE, TWO, THREE, FOUR, FIVE, SIX -- SIX PAGES. THAT'S NOT ALL WE'RE GOING TO HAVE IN COMMON, MA. WE'RE JUST GETTING STARTED. PAULINA: TASTES BETTER THAT WAY, I ALWAYS SAY. TITO: MMM. SO THIS IS WHAT THEY EAT IN ITALY, HUH? PAULINA: YEAH, AMONG OTHER PLACES. TITO: YOU KNOW, I ALWAYS WANTED TO GO TO ITALY OR FRANCE. PAULINA: WHEN I WAS YOUR AGE, I ALWAYS WANTED TO GO THERE, TOO. TITO: US AND EVERYBODY ELSE IN THE WORLD, RIGHT? PAULINA: YEAH, RIGHT. [TELEPHONE RINGS] PAULINA: OOH, EXCUSE ME ONE SECOND. CARLINO'S. JOE: PAULINA -- PAULINA: WHAT HAPPENED? JOE: THEY'RE OK. EVERYBODY'S FINE. BLUE EYES? PAULINA: THANK GOD. JOE: THEY ARE TAKING VICKY TO THE HOSPITAL, THOUGH. JOE: PAULINA? PAULINA: I'LL MEET YOU THERE. JOE: WHO'S THERE WITH YOU? PAULINA: NOBODY. ANTHONY'S ON HIS WAY OVER. TELL THE COPS WE'RE OPEN. JOE: ARE YOU SURE YOU'RE OK? PAULINA: THOSE BOYS ARE GOING TO GET THEIR MOTHER BACK, OK? I'M GREAT. I'LL SEE YOU. HEY, YOU CAN FINISH THAT. TITO: NO, I'M SET. DON'T WORRY. PAULINA: OH, WAIT. WAIT ONE SECOND. FOR A REAL COAT. TITO: NAH, THIS COAT'S FINE. PAULINA: OUT IN THIS COLD? NUH-UH. TITO: LOOK, I DON'T -- I DON'T DO CHARITY. PAULINA: THIS ISN'T CHARITY. I COULD BE YOUR -- TITO: LOOK, YOU'RE A REAL NICE LADY. THAT'S ALL WE REALLY KNOW FOR SURE. PAULINA: TIMOTHY, A COAT DOESN'T COST THAT MUCH. TITO: YOU CAN'T KEEP GIVING ME MONEY. BUT THANKS. TITO: YOU'RE GOING TO SPRING FOR A LOT MORE THAN A WINTER COAT. YOU CAN COUNT ON IT, LADY. VICKY: SO COLD. JAKE: COULD SOMEBODY PLEASE GET MY WIFE A BLANKET? GET HER ANOTHER BLANKET, PLEASE. DOCTOR: VICKY, I NEED YOU TO TAKE A DEEP BREATH. JAKE: WHAT'S WRONG WITH HER? DOCTOR: SHE'S BURNING UP. PARAMEDIC: RESPIRATION'S 38. JAKE: HOW BAD IS THIS? VICKY: SOMEBODY GIVE ME A BLANKET, PLEASE. PARAMEDIC: SHE'S GOT DEHYDRATION, PNEUMONIA IN BOTH LUNGS. SHE'S CRITICAL. IT'S A MIRACLE SHE'S LASTED THIS LONG. JAKE: SHE WANTED TO GET BACK HOME. VICKY: JAKE? JAKE? JAKE? PARAMEDIC: SIR, SIR, WE NEED ROOM TO WORK. JAKE: ALL RIGHT! LISTEN, I'M GOING TO GO WITH HER TO THE HOSPITAL, OK? PARAMEDIC: OK, THAT'S ALL RIGHT. VICKY: PLEASE, JAKE, GET ME A BLANKET, PLEASE, HONEY. PLEASE. BLANKET. JOE: JAKE, WHERE'S YOUR JACKET? JAKE: COME ON, JOE, SHE'S FREEZING, AND I CAN'T DO A DAMN THING ABOUT IT. JOE: YOU CAN'T DO A DAMN THING? NO, NOTHING EXCEPT SAVE HER LIFE. JAKE, ALL THAT STUFF YOU REMEMBERED WITH MARLEY -- ALL THAT STUFF -- THAT WAS A GODSEND. JAKE: I DIDN'T REMEMBER ANYTHING, JOE. JOE: WHAT ARE YOU TALKING ABOUT? THE SKIRT, THE HAIR IN HER FACE? JAKE: I MADE UP ALL THAT CRAP. TONI: TYRONE. THANK GOD YOU'RE ALL RIGHT. YOU MAKE ME WANT TO KILL YOU MYSELF. MARLEY: IS VICKY ALL RIGHT? HOW'S VICKY? JAKE: YOU GET HER AWAY FROM ME. I MEAN RIGHT NOW. PAULINA: OK, EVERYBODY WILL BE HUNGRY AT THE HOSPITAL. ANTHONY'S PARKING THE CAR. COPS WILL ALL BE FED WELL. I'M ALL SET. TITO'S VOICE: WHAT IF I'D SPILLED THAT MINESTRONE, RIGHT? THE MINESTRONE ON THE TABLECLOTH? I ALWAYS WANTED TO GO TO ITALY AND FRANCE. PAULINA: YEAH. HE'S MINE, ALL RIGHT. HE'S JUST LIKE ME. NICK: WHOO-EE. SOME DATE, HUH? REMY: YEAH. WHY DON'T YOU COME IN? YOU KNOW, I KNOW THE NIGHT'S ALMOST OVER. IT'S JUST -- IT'S BEEN REALLY ROUGH FOR YOU. JAKE: YOU GET HER AWAY FROM ME NOW -- RIGHT NOW! PARAMEDIC: MR. McKINNON, WE'RE READY TO ROLL. 482 TO HOSPITAL 21 -- WHEN ARE YOU GOING TO NEED A NOTIFICATION? JAKE: THE BOYS KNOW YOU'RE OK, DONNA KNOWS YOU'RE OK, AND YOU'RE GOING TO BE WARM AGAIN. I PROMISE. I PROMISE YOU. YOU ARE GOING TO BE WARM AGAIN. MARLEY: DO YOU THINK JAKE KNOWS I STILL LOVE HIM? TYRONE: WAIT, WAIT. COME ON, IS THAT REALLY NECESSARY? TONI: ARE YOU REALLY ASKING ME THAT? JOE: MARLEY HUDSON, YOU ARE UNDER ARREST. THE CHARGES ARE KIDNAPPING AND RECKLESS ENDANGERMENT. YOU HAVE THE RIGHT TO REMAIN SILENT. IF YOU WAIVE THAT RIGHT, ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU IN A COURT OF LAW. DO YOU UNDERSTAND? [ECHOING] YOU HAVE THE RIGHT TO CONSULT AN ATTORNEY AND TO HAVE AN ATTORNEY PRESENT DURING ANY QUESTIONING NOW OR IN THE FUTURE. IF YOU CANNOT AFFORD AN ATTORNEY, ONE WILL BE PROVIDED FOR YOU BY THE COURT. DO YOU UNDERSTAND? [SIRENS] JOE: MARLEY? MARLEY: I LOVE YOU, JAKE. I REALLY DO. [CAPTIONING MADE POSSIBLE BY THE NATIONAL BROADCASTING COMPANY] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE] BY ABC, INC.]