[CAPTIONING MADE POSSIBLE
BY PROCTER & GAMBLE
PRODUCTIONS, INC.]

 JOE: YOU FIGURE OUT THIS WORD
PROCESSING THING ALL RIGHT?
 REMY: YEAH, I THINK SO.
 JOE: YEAH?
 REMY: THANK YOU.
I HAVE TO GET THIS APPLICATION
IN BY TOMORROW IF I WANT
TO ENROLL FOR THE FALL.
 JOE: GOOD.
OK, WELL, IF YOU NEED ANYTHING,
JUST GIVE ME A SHOUT, ALL RIGHT?
 REMY: I WILL. THANKS.
 TONI: JOE.
GOOD. HI.
I'M GLAD I CAUGHT YOU.
LISTEN --
 JOE: IF IT'S NOT THE WOMAN
WHO SAVED MY CAREER AND THEN
DUMPED ME.
 TONI: WELL, I'M --
 JOE: OH, RELAX, RELAX.
I'M JUST KIDDING, JUST KIDDING.
DOUGHNUT?
 TONI: NO.
UH --
 JOE: LISTEN, I WANT TO KNOW.
YOU ALL PACKED UP AND READY
TO GO DOWN TO TAMPA AND WHIP
THAT POLICE DEPARTMENT
INTO SHAPE?
 TONI: NOT EXACTLY.
 JOE: WHAT'S THE MATTER?
WHAT'S WRONG?
 TONI: YOU KNOW HOW YOU KEEP
SAYING YOU'RE REALLY,
REALLY, REALLY, REALLY GRATEFUL
TO ME AND EVERYTHING?
 JOE: YEAH?
 TONI: WELL, KEEP THAT IN MIND
BECAUSE I HAVE A FAVOR TO ASK
YOU.
I WANT MY JOB BACK.
 JOE: A FAVOR FOR YOU?
 TONI: YEAH.
 JOE: IT'S A FAVOR TO ME.
 TONI: YEAH, OK.
 JOE: YOU WANT IT?
YOU GOT IT IN A HEARTBEAT.
ARE YOU KIDDING ME?
REALLY, YOU MEAN THIS?
 TONI: YES, YES.
 JOE: THAT'S GREAT!
THAT'S GREAT!
WHY ARE YOU DOING THIS?
 TONI: I WASN'T QUITE READY
TO MOVE AS FAR AWAY AS --
 JOE: EXCUSE ME?
I DIDN'T HEAR YOU.
 TONI: I -- I REALIZED I LOVE
CHRIS MORE THAN THE JOB.
 JOE: WOW, MORE THAN --
MORE THAN A POWERFUL JOB?
MORE THAN A JOB WHERE YOU GET
TO, LIKE, SHOVE PEOPLE AROUND
AND BE BOSSY ALL DAY?
MORE THAN ALL THAT?
 TONI: YEAH.
 JOE: WOW.
WOW, THAT'S LOVE.
COOL.
SO WHY DOESN'T CHRIS JUST MOVE
DOWN THERE WITH YOU?
 TONI: BECAUSE HE'S CHRIS.
 JOE: AND I'M SURE THAT'S
SUPPOSED TO MEAN SOMETHING
TO ME, BUT IT DOESN'T.
 TONI: IT'S JUST NOT
HIS THING.
 JOE: WHY CAN'T HE MAKE IT
HIS THING?
 TONI: HE LOVES HIS JOB HERE.
I KNOW CHRIS.
HE'D NEVER MOVE TO TAMPA.

 ETTA MAE: YOU WANT TO TRY
AGAIN?
 CHRIS: HMM?
 ETTA MAE: COME ON, NOW.
YOU CAME IN HERE LOOKING ALL
DOWN AND PITIFUL, LOOKING
AT MY CAKE LIKE IT'S THE LAST
TIME YOU'LL EVER SEE IT AGAIN.
AND YOU WANT TO TELL ME
SOMETHING, BUT YOU SEEM LIKE
YOU CAN'T FINISH A SENTENCE.
 CHRIS: UH-UH.
I DON'T WANT TO TELL
YOU ANYTHING.
I'M TRYING NOT TO TELL
YOU SOMETHING.
 ETTA MAE: OH, MAN.
I MEAN, I KNOW YOU KNOW BETTER
THAN TO COME IN HERE AND THROW
DOWN A CHALLENGE LIKE THAT TO ME
THIS EARLY IN THE DAY.
I'M STILL FRESH, BABY.
NOW, YOU KNOW I'M GOING TO GET
IT OUT OF YOU SOONER OR LATER.
SO YOU MIGHT AS WELL GIVE IT UP
RIGHT NOW.
 CHRIS: I WANT IT TO BE
A SURPRISE.
 ETTA MAE: A SURPRISE?
WHAT, ARE YOU THROWING TONI
A GOING-AWAY PARTY?
 CHRIS: NO.
THAT'S A GOOD IDEA, THOUGH.
YOU SHOULD DO THAT.
 ETTA MAE: WELL, I KNOW
I COULD, BUT YOU'RE THE ONE WHO
SHOULD, SO --
 CHRIS: NOT IF I'M LEAVING,
TOO?
 ETTA MAE: WHAT?
 CHRIS: I'M GOING TO TAMPA
WITH HER.

 CARL: APART FROM RACHEL,
YOU SEEM TO BE THE ONLY FAMILY
MEMBER GENUINELY GLAD TO SEE ME
HOME.
 PAULINA: OH, CARL, I AM HAPPY
YOU'RE BACK.
AS FOR THE REST OF THEM,
MAYBE THEY JUST NEED SOME TIME.
MAYBE YOU AND MATT AND AMANDA
CAN HAVE A SECOND CHANCE.
THEY SAID THEY WERE WILLING
TO BURY THE HATCHET.
I JUST HOPE YOU BOTH CAN, TOO.
 MATT: OH, WHERE IS YOUR BEAR?
WHERE -- OH! THERE IT IS.
WELL, IT'S BACK TO MOMMY'S.
 RACHEL: OH, JUST LOOK AT HER.
 CARL: IS THIS --
IS THIS YOUR BABY, MATTHEW?
 MATT: YES, SHE IS.
 CARL: OH, SHE'S BEAUTIFUL.
 PAULINA: MM-HMM.
OH, I ALMOST FORGOT.
I RAN INTO A MESSENGER
ON THE WAY IN.
THESE WERE HAND-DELIVERED.
IT'S MARKED "URGENT."
 RACHEL: OH, HERE'S ONE
FOR YOU, MATTHEW.
 MATT: YEAH?
WHAT IS IT?
 RACHEL: OH, MATTHEW,
DON'T OPEN IT.
 MATT: HERE, GIVE ME THAT.

 SERGEI: IS NOT BETTER!
IS NOT EVEN BETTER ENGLISH!
FELICIA, IT DOES NOT CONVEY
WHAT --
 FELICIA: CONVEY ABOUT ME.
REMEMBER?
THIS IS ABOUT ME.
 SERGEI: YES, THIS IS
ABOUT YOU.
AND IF YOU WOULDN'T MIND GIVING
ME THE DICTIONARY SO THAT
I COULD RELOOK UP THE WORD
"COLLABORATION," BECAUSE IS THIS
WHAT IT MEANS TO COLLABORATE
FOR YOU?
 FELICIA: THIS WAS JUST
A LITTLE SUGGESTION, THAT'S ALL.
 SERGEI: YEAH, A SUGGESTION.
YOU RIP ME TO SHREDS.
YOU REDUCE ME TO DRIVEL.
IS THAT WHAT MEAN
"COLLABORATION"?
 FELICIA: WELL, YOU REALLY DO
HAVE A GOOD POINT.
I AM SORRY, BUT -- WHAT IS THIS?
 SERGEI: THAT IS SPECIAL
DELIVERY ENVELOPE.
 FELICIA: FOR ME?
WHEN DID THIS COME?
 SERGEI: THIS CAME WHILE
YOU WERE IN BEDROOM SCREAMING
THAT YOU WOULD NOT WORK
WITH SLAVIC HACK.
 FELICIA: WELL, I GUESS
IT'S A LITTLE HARDER THAN
WE THOUGHT, YOU KNOW?
DID I REALLY SAY "SLAVIC HACK"?
 SERGEI: FULL VOLUME!
YOU --
 FELICIA: OH.
 SERGEI: WHAT IS IT?
 FELICIA: MY BEST FRIEND HAS
LOST HIS MIND.

 LILA: OH, COME ON, CASS.
IT'S TIME FOR YOU TO TELL ME
WHAT YOU'RE DOING.
 CASS: NOT YET, IT ISN'T.
 LILA: OH, PLEASE.
I DON'T LIKE SURPRISES THAT
INVOLVE BLINDFOLDS.
WHERE ARE WE?
 CASS: THAT'S ABOUT TO CHANGE,
HONEY.
STEP UP.
UP.
THERE YOU GO.
 LILA: OH, CASS.
COME ON.
OH.
IT HAS JUST NEVER BEEN MORE
BEAUTIFUL, HAS IT?
 CASS: I HAD THEM WORK
OVERTIME, HONEY.
 LILA: THIS IS WHERE YOU FIRST
PROPOSED TO ME.
 CASS: AND THIS IS WHERE WE'RE
GETTING MARRIED, THIS AFTERNOON.

 CASS: DIDN'T YOU HEAR ME?
 LILA: MARRIED THIS AFTERNOON?
 CASS: THAT'S RIGHT.
I SENT OUT INVITATIONS
TO EVERYONE.
 LILA: OH.
MARRIED, THIS AFTERNOON?
 CASS: HONEY, IT'S GOING TO BE
PERFECT.
 LILA: OH, CASS!
I MEAN -- WELL, I DON'T EVEN
HAVE TIME TO GET A MANICURE,
LET ALONE PICK OUT A FABULOUS
DRESS.
 CASS: YOU'LL LOOK BEAUTIFUL
IN ANYTHING YOU WEAR.
 LILA: OH, NO, YOU DON'T SEEM
TO UNDERSTAND.
YOU CAN'T JUST WEAR ANYTHING
TO YOUR WEDDING.
YOU HAVE TO WEAR A FABULOUS
DRESS.
CASS -- OH, CASS.
THIS IS THE STUPIDEST THING
YOU HAVE EVER DONE.
 CASS: I JUST KNEW YOU'D BE
THRILLED.
YOU'RE WELCOME, HONEY.
 LILA: DO YOU HAVE ANY IDEA
WHAT YOU'RE DOING?
 CASS: OH, YEAH.
OH, YEAH!
I'M GETTING US MARRIED BEFORE
SOMEONE ELSE COMES BACK THAT
LOOKS LIKE FRANKIE, OR ANOTHER
200-YEAR-OLD MAN COMES TO TOWN
AND STARTS TERRORIZING YOU.
IN CASE YOU FORGOT, WE LOVE EACH
OTHER AND WE WANT TO SPEND
THE REST OF OUR LIVES TOGETHER.
RING A BELL?
 LILA: OH, I WANT TO SPEND
THE REST OF MY LIFE WITH YOU,
CASS, BUT I'M NOT SURE I WANT
TO DO IT THIS AFTERNOON.
 CASS: WELL, EXCUSE ME
FOR BEING AN IMPULSIVE ROMANTIC
WHO'S NUTS ABOUT YOU.
 LILA: OH, I'M NUTS ABOUT YOU,
TOO, BUT THANKS TO YOU,
I'M GOING TO BE NOTHING
BUT NUTS.
I'VE GOT A MILLION THINGS TO DO
NOW.
 CASS: WHAT MILLION THINGS?
I'VE DONE IT. WE'RE ALL SET.
 LILA: FOOD.
 CASS: MM-HMM.
 LILA: MUSIC.
 CASS: MM-HMM.
 LILA: FLOWERS.
 CASS: OH -- HEY.
 LILA: OH, WELL, I GUESS
YOU'RE RIGHT.
OH -- WEATHER.
 CASS: WEATHER?
 LILA: WEATHER!
DID YOU CHECK THE WEATHER
REPORT?
BECAUSE I'M HOLDING
YOU PERSONALLY RESPONSIBLE IF IT
RAINS, YOU KNOW.
 CASS: HONEY, I ORDERED
A PERFECT DAY.
I SENT A FAX.
I'M WAITING FOR CONFIRMATION
AS WE SPEAK.
 LILA: OK.
OK.
I'LL DO THIS.
BUT NO MORE SURPRISE WEDDINGS.
 CASS: NO PROBLEM.
 LILA: HMM.
AND BE ON HERE ON TIME.
 CASS: I'LL BE EARLY.
 LILA: AND ONE MORE THING --
I HAVE NEVER BEEN HAPPIER
IN MY WHOLE LIFE.
 CASS: ME, EITHER.
 LILA: MATTHEW.

 CASS: I HOPE, ONCE
IN A WHILE, AFTER WE'RE MARRIED,
YOU CAN KISS ME WITHOUT CALLING
OUT THAT MAN'S NAME.
 LILA: YOU SAID YOU SENT OUT
INVITATIONS, RIGHT?
 CASS: OF COURSE I DID.
 LILA: OH.
THAT MEANS MATTHEW'S GOING
TO FIND OUT.
 CASS: HONEY, I INVITED HIM.
 LILA: YES, BUT --
I DIDN'T TELL HIM.
YOU KNOW, HE'S GOING TO FIND OUT
BECAUSE OF THE INVITATION.
YOU KNOW HOW TACKY THAT IS?
OH, YOU DO, DON'T YOU,
AND YOU DON'T CARE.
 CASS: ALL RIGHT, THE TRUTH?
 LILA: WHAT, YOU DID IT
ON PURPOSE?
 CASS: NOT EXACTLY, NO.
BUT I DON'T THINK IT HURTS.
PART OF WHAT APPEALS TO ME ABOUT
US GETTING MARRIED TODAY IS
WE DON'T HAVE TO STAND AROUND
WRINGING OUR HANDS OVER WHAT
MATT IS GOING TO THINK AND HOW
HE'S GOING TO TAKE ALL OF THIS,
POOR, SENSITIVE SOUL THAT HE IS.
 LILA: OH, YOU ARE JUST --
 CASS: A MAN, YES.
COME ON, HONEY, IT'S GOOD
FOR MATT.
 LILA: YOU REALLY THINK SO?
 CASS: YEAH.
IT'S NOT LIKE HE DIDN'T REALIZE
THAT WE WERE GETTING MARRIED,
BUT IT'S TIME HE REALIZED IT'S
HAPPENING NOW.
IT'S LIKE A SPLASH OF ICE WATER
IN HIS FACE.
WE'LL GET MARRIED.
HE CAN GO OUT AND FIND HIS OWN
PARTNER AND LEAVE US ALONE.
 LILA: YOU'RE REALLY LUCKY
I LOVE YOU OR ELSE I'D STRANGLE
YOU RIGHT NOW.
I'D BETTER GET OVER TO THE CORY
HOUSE AND SEE IF I CAN BEAT THAT
INVITATION THERE, AND THEN I'VE
GOT TO FIND A FABULOUS DRESS
AND BE HERE A HALF AN HOUR
BEFORE THE WEDDING.
 CASS: I WILL.
 LILA: OK.
AND AFTER WE GET MARRIED,
PLEASE, YOU HAVE TO BE MORE
CONSIDERATE OF MATTHEW.
OR YOU'LL BE SLEEPING
ON THE COUCH.
 CASS: FEELS LIKE WE'RE
MARRIED ALREADY.
WHICH IS JUST FINE BY ME.

 RACHEL: THE CEREMONY'S THIS
AFTERNOON, AND THIS IS HOW
YOU FIND OUT ABOUT IT?
 MATT: WELL, WHAT DO
YOU EXPECT?
IT'S CASS.
 RACHEL: AND LILA.
 MATT: NO.
THE INVITATION SAYS,
"MR. CASS WINTHROP REQUESTS
THE HONOR OF YOUR PRESENCE --"
AND SO FORTH AND SO ON.
 RACHEL: IT'S PRETTY
INSENSITIVE.
 MATT: WELL, LILA DIDN'T HAVE
ANYTHING TO DO WITH IT,
I GUARANTEE.
 RACHEL: WELL, WAIT ARE
YOU SAYING?
THIS IS JUST A SURPRISE WEDDING
OR SOMETHING?
 MATT: WELL, HE PROBABLY
FIGURES IT'S CHEAPER.
 RACHEL: WHAT?
 MATT: LISTEN, LILA'S GOING
TO BE VERY HAPPY WITH CASS,
AND THAT'S WHAT'S BEST
FOR JASMINE.
NOW, WE HAVE TO GET OVER
TO MOMMY'S, RIGHT?
RIGHT?
 RACHEL: BYE, PUMPKIN.
 MATT: WE'LL SEE YOU GUYS
LATER.
 RACHEL: BYE.
 CARL: BYE, MATTHEW.
 MATT: GOOD-BYE.
 PAULINA: HOW CAN LILA NOT
FALL IN LOVE WITH A GUY THAT
GREAT?
 RACHEL: BECAUSE SHE ALREADY
FELL IN LOVE WITH CASS.
AND HE'S GOING TO FIND JUST
THE PERFECT WOMAN TO FALL
IN LOVE WITH ONE OF THESE DAYS.
 CARL: MATTHEW HAS A BABY.
HE'LL GROW UP NOW, I IMAGINE.
EVERYONE SEEMS TO HAVE DONE VERY
WELL IN MY ABSENCE.
 RACHEL: I WAS MISERABLE.
 CARL: OH, DARLING.
 PAULINA: OH, HELLO.
I WAS A MAJOR MESS.
 CARL: OH, I DON'T BELIEVE
THAT FOR A SECOND.
 PAULINA: NO, I MADE A LOT
OF DUMB MOVES AND TRUSTED
THE WRONG PEOPLE.
WHEN I FINALLY FOUND MY SON,
I -- I WISHED FOR YOU SO MANY
TIMES, CARL.
I MIGHT NOT HAVE SCREWED UP
SO BADLY IF YOU'D BEEN HERE.
 RACHEL: ALL YOU WANTED WAS
YOUR CHILD, AND THAT'S ALL
YOU WERE AFTER.
 CARL: RACHEL'S RIGHT.
SHE'S ALWAYS RIGHT.
 PAULINA: I LIED TO HER.
I FORGED HER SIGNATURE TO BREAK
INTO MY TRUST FUND.
DID SHE TELL YOU?
 CARL: OH, IT DOESN'T MATTER
ABOUT THAT.
 PAULINA: NO, THERE IS
NO EXCUSE FOR WHAT I DID.
AND I HAVE REGRETTED IT EVERY
DAY SINCE.
I CAN'T MAKE UP FOR IT,
RACHEL, BUT I CAN FINALLY MAKE
IT RIGHT.
THE POLICE RETURNED THE MONEY.
HERE.
 RACHEL: OH, PAULINA --
 PAULINA: NO, NO,
LISTEN TO ME -- PLEASE HEAR ME
OUT.
PLEASE? PLEASE?
DO WITH IT WHAT YOU WILL.
PUT IT BACK IN MY TRUST
OR KEEP IT.
I KNOW YOU HAVE MONEY PROBLEMS
OF YOUR OWN.
I JUST CAN'T TELL YOU HOW SORRY
I AM, AND I JUST WISH I'D
LISTENED TO YOU FROM
THE BEGINNING.
 RACHEL: WE'RE NOT GOING
TO TALK ABOUT THIS AGAIN,
ALL RIGHT?

 FELICIA: THIS IS SO CASS.
NO PLANNING, NO CONSIDERATION,
AND NO WARNING.
HE JUST DECIDES HE'S GOING
TO GET MARRIED, AND THAT'S IT,
AND THE REST OF US JUST KIND
OF HAVE TO HOP TO.
 SERGEI: HOP TO WHERE?
 FELICIA: TO THE PARK,
TODAY, THIS AFTERNOON.
 SERGEI: SO QUICK?
 FELICIA: MY POINT EXACTLY.
AND I GUARANTEE YOU HE NEVER
EVEN GAVE IT ONE MINUTE
OF PLANNING, EVEN THOUGH
HE THINKS HE HAS.
[DOORBELL RINGS]
 FELICIA: OH, YOU KNOW WHAT
THAT IS?
 SERGEI: WHAT?
 FELICIA: THAT'S 911.
THAT'S CASS, PANICKING.
HE PROBABLY KNOWS HOW OVER
HIS HEAD HE IS RIGHT NOW.
[RING]
 FELICIA: AND YOU KNOW WHO
HE WANTS TO COME AND SEE?
ME.
THAT'S WHO -- ME.
HE KNOWS WHAT HE'S DONE --
OR MORE IMPORTANTLY,
WHAT HE HASN'T DONE.
AND YOU KNOW WHAT HE'S GOING
TO DO?
HE'S GOING TO DROP TO HIS KNEES,
AND HE'S GOING TO BEG ME
FOR HELP.
[RING]
 SERGEI: HOW IS HE GOING
TO RING THE DOORBELL
FROM HIS KNEES?
 FELICIA: YOU KNOW HOW MANY
TIMES I HAVE BAILED HIM OUT,
HOW MANY YEARS WE HAVE GONE
THROUGH THIS?
 SERGEI: WHY DON'T WE JUST
OPEN THE DOOR AND ASK HIM THAT
QUESTION?
[RING]
 FELICIA: OH, HE'S NEVER GOING
TO ADMIT IT.
HE WOULD NEVER ADMIT THAT
HE IMPOSES ON ME, THAT
HE USES ME.
AND YOU KNOW WHAT?
I AM SICK TO DEATH OF IT.
REALLY SICK OF IT.
SWEETIE!
OH, HONEY!
 CASS: HI.
 FELICIA: CONGRATULATIONS.
 CASS: OH, THANKS.
 FELICIA: OH, YOU DESERVE
THE BEST.
 CASS: ANKS.
 FELICIA: WHAT CAN I DO?
 CASS: WELL, EVERYTHING IS
PRETTY MUCH ALL SET EXCEPT
FOR ONE THING.
I CAME HERE TO PLEAD
FOR A BEST MAN.
 SERGEI: OH, WELL,
CASS -- WE BARELY KNOW EACH
OTHER.
 CASS: WELL, THAT WORKS OUT
VERY WELL, MY FRIEND,
BECAUSE I WASN'T THINKING
OF YOU.
 FELICIA: BOY, ARE YOU LUCKY,
HUH?
I LOOK FABULOUS IN A TUXEDO
AND A TOP HAT.

 FELICIA: NO PLANNING, 
NO CONSIDERATION,
AND NO WARNING.
HE JUST DECIDES HE'S GOING
TO GET MARRIED, AND THAT'S IT,
AND THE REST OF US JUST KIND
OF HAVE TO HOP TO.
 SERGEI: HOP TO WHERE?
 FELICIA: TO THE PARK,
TODAY, THIS AFTERNOON.
 SERGEI: SO QUICK?
 FELICIA: MY POINT EXACTLY.
AND I GUARANTEE YOU HE NEVER
EVEN GAVE IT ONE MINUTE
OF PLANNING, EVEN THOUGH
HE THINKS HE HAS.
[DOORBELL RINGS]
 FELICIA: OH, YOU KNOW WHAT
THAT IS?
 SERGEI: WHAT?
 FELICIA: THAT'S 911.
THAT'S CASS, PANICKING.
HE PROBABLY KNOWS HOW OVER
HIS HEAD HE IS RIGHT NOW.
[RING]
 FELICIA: AND YOU KNOW WHO
HE WANTS TO COME AND SEE?
ME.
THAT'S WHO -- ME.
HE KNOWS WHAT HE'S DONE --
OR MORE IMPORTA CC MIGHT NEED
YOUR HELP.

 ETTA MAE: WHAT DO YOU MEAN
ABOUT DOING IT THE RIGHT WAY?
 CHRIS: THIS WHOLE THING HAS
TO COME OFF LIKE I GOT A GREAT
JOB OFFER MYSELF AND WAS GOING
TO BE MOVING DOWN THERE ANYWAY.
 ETTA MAE: WHY?
 CHRIS: BECAUSE I DON'T WANT
TONI TO THINK I'VE MADE SOME BIG
SACRIFICE FOR HER.
I DON'T WANT HER TO THINK THAT
SHE OWES ME ANYTHING.
I MEAN, WE'VE BEEN EQUAL ALL
THIS TIME.
I DON'T WANT TO PUT ANY PRESSURE
ON HER.
I DON'T WANT TO MAKE HER FEEL
BAD THAT I --
 ETTA MAE: WELL, COME ON.
YOU KNOW, YOU WERE DOING SO GOOD
FOR A FEW MINUTES.
FINISH THE SENTENCE.
 CHRIS: I JUST DON'T WANT
TO MAKE HER FEEL WEIRD THAT
I WOULD DO SOMETHING LIKE THIS
FOR HER WHEN I KNOW SHE WOULDN'T
DO THE SAME THING IN MY PLACE.
 ETTA MAE: YOU KNOW, I JUST
REMEMBERED THAT I HAVE TO MAKE
A VERY IMPORTANT CALL.
IT'S A -- A SUPPLIER.
YOU JUST SIT TIGHT,
RIGHT HERE, OK?
YOU DON'T MOVE.
I'LL BE RIGHT BACK.
PLEASE, DEAR LORD, DON'T LET ME
BE LATE.
 TONI: DON'T TELL CHRIS ABOUT
THE JOB, OK?
I'M JUST GOING TO TELL HIM
THE TAMPA THING FELL THROUGH.
 JOE: WHY?
 TONI: BECAUSE I DON'T WANT
HIM THINKING I GAVE UP SOMETHING
REALLY BIG FOR HIM.
IT'S A LITTLE TOO MUCH PRESSURE,
YOU KNOW.
I DON'T WANT HIM TO FEEL
TRAPPED.
[TELEPHONE RINGS]
 JOE: CARLINO.
 ETTA MAE: HELLO, JOE.
IT'S ETTA MAE.
LISTEN, IS TONI THERE?
NO, NO, NO, NO, NO.
DON'T TELL HER IT'S ME.
JUST SAY YES.
 JOE: YES.
 ETTA MAE: WELL, DID YOU GIVE
HER HER JOB BACK?
 JOE: YES.
 ETTA MAE: WELL, LISTEN TO ME,
JOE.
YOU ARE GOING TO HAVE TO FIRE
HER, RIGHT AWAY.
 REMY: HEY.
 PAULINA: HEY, YOU.
COME HERE, COME HERE,
COME HERE, COME HERE, COME HERE.
NOW, YOU ARE COMING TO DINNER
BEFORE YOU LEAVE, PROMISE?
 TONI: I PROMISE.
I NEVER PASS UP A DINNER
AT YOUR HOUSE.
 PAULINA: WELL, VERY GOOD.
YOU KNOW YOU WILL BE VERY MISSED
IN THIS TOWN.
BAY CITY WON'T BE THE SAME
WITHOUT YOU.
 TONI: YEAH, I CAN SORT
OF TELL.
I'M EMBARRASSED TO SAY THIS,
BUT --
 PAULINA: WHAT?
 TONI: I'M NOT LEAVING.
 PAULINA: YOU'RE NOT?
 TONI: NO.
 JOE: TONI?
TONI, I NEED YOU TO GET OVER
TO THE LUCKY LADY RIGHT AWAY.
 TONI: WHAT'S UP?
 JOE: SOME STRANGE GUY HANGING
AROUND OVER THERE.
I WANT YOU TO CHECK IT OUT.
 TONI: THERE'S A PATROLMAN
OVER THERE, ISN'T THERE?
 JOE: NOW, LISTEN --
LISTEN TO ME -- YOU'RE MOTHER
OWNS THE PLACE.
ETTA MAE WOULD NEVER LET ME HEAR
THE END OF IT IF I SENT SOME
PATROLMAN OVER THERE,
ALL RIGHT, INSTEAD OF YOU,
WHO HAPPENS TO BE MY BEST COP.
 TONI: YOU ALWAYS SAY JOSIE'S
YOUR BEST COP.
 JOE: JOSIE'S NOT HERE RIGHT
NOW.
 PAULINA: WAIT, WAIT,
WAIT, WHAT A MINUTE.
YOU'RE STILL WORKING HERE?
 TONI: WELL, NOT IF HE TALKS
TO ME LIKE THAT, I'M NOT.
 JOE: MOVE, MOVE.
 TONI: OK, YES, SIR, I WILL.
I'M OUT OF HERE.
 PAULINA: SHE'S REALLY
STAYING?
 JOE: LOOKS THAT WAY.
 PAULINA: OH, MY GOSH.
THIS HAS BEEN SUCH A GREAT DAY.
OH.
[TELEPHONE RINGS]
 JOE: CARLINO.
 CARL: I HAVE SOMETHING URGENT
I'D LIKE TO DISCUSS WITH YOU.
IT'S ABOUT PAULINA AND THIS
TRUST FUND BUSINESS.
YEAH, RACHEL AND I WOULD LIKE
TO SEE YOU RIGHT AWAY AND ALONE,
IF THAT'S POSSIBLE.

 TONI: WHAT IS GOING ON?
 ETTA MAE: THERE IS THIS CRAZY
MAN INSIDE.
I MEAN, HE'S TALKING ALL CRAZY.
BUT I GOT ALL THE PEOPLE OUT.
 TONI: DOES HE HAVE A WEAPON?
 ETTA MAE: NO, NO, NO WEAPON.
 TONI: HE DOESN'T HAVE
A WEAPON?
HE'S JUST TALKING?
 ETTA MAE: WELL, YOU DIDN'T
HEAR HIM.
 TONI: OK, LOOK, I DON'T HAVE
TIME FOR THIS TODAY, MAMA.
I'M SORRY.
 ETTA MAE: WAIT A MINUTE.
YOU ARE BACK ON THE JOB
10 MINUTES AND ALREADY YOU'RE
BEHIND?
 TONI: I KNOW.
IT'S JUST THAT ANY OTHER
PATROLMAN COULD HAVE DONE THIS,
YOU KNOW.
 ETTA MAE: NO, NOT WHEN I HAVE
MY OWN PERSONAL, HIGH-RANKING
OFFICER, THEY DON'T.
I MEAN, LOOK, DID YOU TAKE
THE JOB BACK OR WHAT?
 TONI: YEAH, I DID.
DON'T TELL CHRIS, OK?
 ETTA MAE: I AM NOT TALKING
TO THAT MAN.
AND I'M NOT TALKING
TO YOU ANYMORE, EITHER.
WE OUT HERE JAWING AT EACH OTHER
WHEN THE PERP IS INSIDE,
TRYING TO TAKE MY HIGH-PRICED
CAPPUCCINO MACHINE.
 TONI: THE PERP?
COULD YOU GET A GRIP?
ARE YOU WATCHING TOO MUCH
"HOMICIDE"?
"THE PERP."
 TONI and CHRIS: WHAT ARE
YOU DOING HERE?
 ETTA MAE: THANKS,
OFC. BURRELL.

 MATT: HEY.
I JUST PUT JASMINE DOWN.
SHE WAS CRAWLING AROUND
THE GARDEN ALL DAY.
TOTALLY WORE HER OUT.
SHE WAS HAVING A GREAT TIME.
 LILA: OH, GOD, YOU'RE GOING
TO BE NICE ABOUT THIS.
I CAN'T TAKE IT.
 MATT: WHAT?
 LILA: MATTHEW, LOOK, I TRIED
TO GET THERE BEFORE
THE INVITATION DID, BUT CLAUDIA
SAID THAT I MISSED YOU, AND THEN
I HEARD YOU GOT SPECIAL
DELIVERY, SO --
 MATT: OH, YEAH.
POP-UP WEDDING.
 LILA: LOOK, I'M SO SORRY
ABOUT THAT.
I DIDN'T EVEN KNOW THAT CASS
SENT THE INVITATIONS OUT.
IF I HAD KNOWN THAT --
 MATT: LILA, IT'S YOUR WEDDING
DAY.
DON'T YOU HAVE BETTER THINGS
TO DO THAN APOLOGIZE TO ME?
 LILA: NO.
THIS IS IMPORTANT.
MATT?
 MATT: I'M FINE.
REALLY, NOW GO DO SOMETHING
WITH YOUR HAIR, OR YOU'RE GOING
TO BE VERY DISAPPOINTED WHEN
YOU SEE THE WEDDING PICTURES.
GO.
 LILA: YOU'RE A BLESSING
TO ME, MATT CORY.
YOU KNOW THAT?
I GREW UP THINKING ALL MEN WERE
IRRESPONSIBLE, SELFISH DOGS WHO
DIDN'T GIVE A DAMN ABOUT ANYBODY
BUT THEMSELVES.
 MATT: SUCH TALK ON
YOUR WEDDING DAY.
ARE YOU GOING TO SHARE THAT
WITH CASS?
 LILA: I'M JUST HAPPY THAT
OUR LITTLE GIRL'S GOING TO GROW
UP KNOWING MEN CAN BE HEROES,
YOU KNOW?
 MATT: WELL, SHE'LL KNOW CASS,
TOO.
I HOPE YOU TWO ARE VERY HAPPY.
 LILA: THANKS.
BUT YOU HAVE TO DO ME A FAVOR.
I NEED A FAVOR MATT.
PLEASE.
 MATT: SURE. NAME IT.
 LILA: WELL, THERE'S A CERTAIN
SOMEONE I KNOW THAT I WANT TO BE
MY MAID OF HONOR.
BUT SHE'S TOO LITTLE TO CRAWL
DOWN THE AISLE, AND EVEN
IF SHE WAS, I THINK SHE'D MESS
UP HER DRESS.
 MATT: MM-HMM.
 LILA: SO, I NEED SOMEBODY
STRONG AND SPECIAL WHO'S KIND
OF A HERO TO SORT OF CARRY
HER DOWN THE AISLE.
WILL THAT BE YOU?

 FELICIA: HONEY, ARE YOU SURE
YOU HAVE TIME FOR THIS VISIT?
 CASS: WELL, YOU KNOW,
I HAVE TO MAKE TIME.
IT'S MY WEDDING DAY.
HOW COULD I NOT SPEND SOME TIME
HERE WITH WALLY?
 FELICIA: OH, I KNOW.
I FEEL CLOSE TO HIM HERE, TOO.
 CASS: GEE, I WONDER IF SAM
RATCLIFFE IS AROUND?
YOU REMEMBER SAM.
HE'S THE GORILLA KEEPER.
 FELICIA: OH, YEAH.
HE AND WALLY WERE SUCH GREAT
FRIENDS.
 CASS: YEAH, HE ALWAYS TELLS
ME IF IT'S OK TO GO DOWN
INTO THE HABITAT.
 FELICIA: HEY, I DON'T SEE HIM
ANYWHERE.
DO YOU?
 CASS: NO.
THE ROPE LADDER'S DOWN, SO THAT
MUST MEAN THAT THE GORILLAS ARE
SOMEWHERE ELSE.
 FELICIA: WE HOPE.
 CASS: HEY, THEY'VE GOT A NEW
LAGOON DOWN THERE.
COME ON, LET ME SHOW YOU.
COME ON.
 FELICIA: OH, ARE YOU SURE?
 CASS: COME ON.
 FELICIA: YOU KNOW, THIS IS
SO LIKE WALLY, LEAVING ALL
OF HIS MONEY FOR THE CARE
OF THE GORILLAS THAT HE LOVED
SO MUCH.
 CASS: YEAH.
I JUST HOPE CAROLYN AND RICHARD
APPRECIATE IT.
 FELICIA: YOU KNOW --
 CASS: YOU KNOW --
 FELICIA: WHAT?
 CASS: I WAS GOING TO INVITE
THEM TO THE WEDDING.
 FELICIA: OH, YOU CAN'T.
I MEAN, IT'S NOT GOOD FORM
TO INVITE AN OLD GIRLFRIEND.
 CASS: HOW MANY TIMES DO
I HAVE TO TELL YOU?
SHE IS NOT A GIRLFRIEND.
I HAD NOTHING TO DO
WITH ENCOURAGING HER.
 FELICIA: SO THEN IT'S NOT
YOU'RE FAULT THAT SHE FELL
HOPELESSLY IN LOVE WITH YOU,
HUH?
 CASS: IT MUST HAVE BEEN
MY ANIMAL MUSK.
 FELICIA: OH, RIGHT.
 CASS: I CAN'T HELP IT
IF I'M IRRESISTIBLE.
 FELICIA: YEAH, TO GORILLAS?
 CASS: TO FEMALES OF ALL
KINDS.
 FELICIA: OH, STOP IT.
 CASS: LOOK OUT, LET ME GET
DOWN HERE.
 FELICIA: BE CAREFUL.
OK?
 CASS: YEP.
YOU KNOW SOMETHING?
IT'S SO STRANGE.
MOST OF THE TIME WHEN WE MISS
PEOPLE, IT'S BECAUSE WE'RE
IN TROUBLE OR WE'RE CONFUSED
OR WE NEED SOMETHING, BUT THAT'S
NOT IT AT ALL WITH WALLY.
I MEAN, SURE, I MISS HIM
AT TIMES LIKE THAT,
TOO, BUT I MISS HIM AT TIMES
WHEN SOMETHING GOOD HAPPENS.
 FELICIA: IT'S GOOD TO SEE
YOU SO HAPPY.
HE WOULD THINK SO, TOO.
 CASS: YOU THINK SO?
WELL, YOU GET USED TO IT
BECAUSE IT'S CLEAR SAILING
FROM NOW ON.
ALL RIGHT, LET ME SEE IF THIS
WORKS.
 FELICIA: OK, HERE I COME.
 CASS: WATCH IT.

>>  WHEN I'M WITH YOU
YOU TAKE ME AWAY
TO ANOTHER WORLD 
>> CELEBRATING 35 YEARS
OF TELEVISION EXCELLENCE.

 MAN: PERIMETER SEEMS SECURE.
AND YOU -- YOU'VE BEEN HERE
THE WHOLE TIME, RIGHT?
 SECOND MAN: RIGHT,
MR. RATCLIFFE.
I HAVEN'T MOVED FROM THIS SPOT.
 MR. RATCLIFFE: AND YOU'RE
SURE THERE'S NO ONE
ON THE ISLAND?
 MAN: NOBODY BUT THE GORILLAS.
 MR. RATCLIFFE: OH, GOOD.
I'VE JUST RELEASED THEM.
CAROLYN SEEMED REAL ANTSY TO GET
OUT TODAY, AND RICHARD JUST
WANTED A NAP.
 MAN: WELL, I GUESS THEY'RE
BOTH READY FOR A CHANGE
OF SCENERY.
 MR. RATCLIFFE: WELL,
THEY'VE GOT IT NOW.
YOU CAN PULL UP THE LADDER.

 FELICIA: IT'S BEAUTIFUL.
 CASS: ISN'T IT NICE?
 FELICIA: OH, YES.
 CASS: BUT I MUST TELL YOU,
I FEEL LIKE I'M BEING WATCHED.
 FELICIA: OH, COME ON.
YOU SAY THAT EVERY TIME WE COME
HERE.
I'M SURE THE GORILLAS ARE
LOCKED UP.
YOU'RE SAFE FROM CAROLYN.
 CASS: I SURE HOPE SO.
OH, YOU KNOW WHAT I FOUND,
GOING THROUGH SOME OLD STUFF?
GET A LOAD OF THESE.
 FELICIA: OH.
OH, LOOK AT HIM.
 CASS and FELICIA:
YOU REMEMBER THE --
 CASS: HOLD IT!
OH, NO!
 WOMAN: HOW IN THE WORLD?
 FELICIA: WALLINGFORD!
 WALLINGFORD: FELICIA!
 FELICIA: OH, WALLINGFORD!
 WOMAN: WAIT, WAIT A MINUTE --
YOU CAME DOWN HERE TO GET US
OUT?
 WALLINGFORD: SURE.
PRETTY NEAT DISGUISE, HUH?
 FELICIA: HE'S NOT REALLY
A PLUMBER.
 CASS: WAIT A MINUTE,
WALLINGFORD.
THIS JUST DOESN'T WASH.
 WALLINGFORD: HEY,
LISTEN, PAL -- IF YOU DON'T WANT
TO BE RESCUED, I'LL TAKE
THE LADIES OUT AND YOU CAN STAY.
HOW'S THAT?
 FELICIA: HE WAS ALWAYS THERE
FOR US.
 CASS: WAS HE EVER.
GOD, THOSE WERE THE DAYS.
 FELICIA: WEREN'T THEY.
WOULDN'T HE JUST HATE WHAT WE'RE
DOING RIGHT NOW?
HE HATED TO GO BACK.
HE ONLY LIKED TODAY
AND TOMORROW.
 CASS: HE WAS NEVER ONE
FOR LOOKING BACK, WAS HE?
 FELICIA: NO, NEVER.
 CASS: HE WAS ALWAYS SURE THAT
TOMORROW WOULD BE EVER BETTER.
MORE LAUGHS --
 FELICIA: AND LOVE,
LIKE YOU AND LILA AND CHARLIE
AND JASMINE.
YOU KNOW,
YOU'LL GO SOMEWHERE WONDERFUL.
 CASS: AND WHATEVER'S IN STORE
FOR YOU -- WHO COULD IMAGINE?
 FELICIA: THESE DAYS?
OH, I DON'T KNOW.
 CASS: WELL, IF THERE'S A GOD
IN HEAVEN, I HOPE IT'S
ABSOLUTELY, SPECTACULARLY
WONDERFUL, BECAUSE YOU DESERVE
IT, MORE THAN ANYBODY I KNOW.
 FELICIA: EXCEPT YOU, MAYBE.
 CASS: WELL, I WAS TRYING
TO BE NICE.
 FELICIA: I KNOW THAT.
I WANT YOU TO STOP RIGHT NOW
BECAUSE YOU'RE GOING TO MAKE ME
CRY, AND THEN I'LL BE ALL CRIED
OUT FOR THE WEDDING, AND I WON'T
LOOK GOOD.
 CASS: YOU ARE SO DEAR TO ME.
I KNOW NEITHER OF US NEEDS
TO TALK ABOUT THAT OR SAY IT.
 FELICIA: BUT YOU KNOW WHAT?
SOMETIMES IT'S REALLY GREAT
TO HEAR.
I LOVE YOU, CASS.
 CASS: I LOVE YOU, TOO.

 PAULINA: HEY, SWEETIE.
THAT YOUR APPLICATION
FOR BAY CITY U.?
 REMY: YEAH, IT'S PART OF IT.
 PAULINA: OH, COOL, COOL.
HEY, WAIT A MINUTE.
THIS LOOKS LIKE A STORY.
 REMY: THAT'S THE --
THAT'S THE ESSAY PART.
I WAS HOPING YOU COULD PROOFREAD
IT FOR ME.
 PAULINA: OH, SWEETIE,
I'D LOVE TO, BUT I'M NOT
A WRITER, AND I'M CERTAINLY NOT
AN EDITOR.
OK, WELL, AT LEAST IT'S NOT
GEOMETRY HOMEWORK.
NOW, YOU HAVE TO PROMISE ME
TO DO WELL IN SCHOOL SO YOU CAN
HELP DANTE WHEN HE NEEDS
HELP WITH --
"MY MOM"?
THIS IS YOUR ESSAY?
 REMY: YEAH.
 PAULINA: "EVERY DAY, I'D WAKE
UP AND TELL MYSELF THE SAME
THING ABOUT MY MOM -- 'WHEREVER
SHE IS, SHE'S NOT WORTH IT.
SHE'S SOME TRASHED-OUT JUNKIE
OR A ROTTEN PERSON.
SHE NEVER THINKS ABOUT YOU.
YOU ARE NOT LOVED.'
I TRIED EVERY DAY TO BELIEVE
THAT.
EVERY DAY I FAILED,
BECAUSE SOMEWHERE IN THE WORLD,
MY MOM WAS HOLDING ON TO ME
WITH A SILVER CHAIN,
JUST LIKE THE ONE I WOKE UP
WITH IN MY HAND EVERY DAY,
HER FIRST GIFT TO ME AFTER SHE'D
GIVEN ME LIFE SO SHE WOULD STAY
CONNECTED TO ME NO MATTER WHAT.
I KNEW I WAS LOVED.
BUT I NEVER KNEW HOW MUCH.
I NEVER KNEW WHAT THAT MEANT
TILL SHE FOUND ME."
HONEY, I CAN'T.
 REMY: PLEASE.
GO ON.
I MEAN EVERY WORD OF IT.
 PAULINA: I WILL NEVER --
NEVER UNDERSTAND HOW THE WORST
THING I COULD EVER DO
IN MY LIFE, TO GIVE YOU UP,
COULD POSSIBLY BE REDEEMED.
I DON'T DESERVE THE CHANCE
YOU'VE GIVEN ME.
 REMY: IT'S NOTHING
IN COMPARISON TO WHAT YOU HAVE
GIVEN ME.
 PAULINA: HOW DID I HAVE
A DAUGHTER WHO IS SO SMART,
SO BEAUTIFUL, AND SO WISE?
HOW DID YOU MANAGE THAT
WITH THE START I GAVE YOU?
 REMY: GOOD GENES.
 PAULINA: OH.
OH, BABY, I LOVE YOU.
I LOVE YOU SO MUCH.
OH, GOD.
OH, GOD, WHERE THE HELL IS JOE?
IF WE DON'T GET GOING, I'M GOING
TO BE BAWLING EVEN MORE LIKE
A BABY AND WE STILL HAVE
A WEDDING TO GET THROUGH.
 REMY: WELL, I DON'T KNOW
ABOUT JOE.
HE SAID HE'D BE BACK.
HE HAD SOMETHING REALLY
IMPORTANT TO DO.

 CARL: JOE, WE DON'T WANT ANY
ARGUMENTS ABOUT THIS.
 RACHEL: WE DISCUSSED THIS
LAST NIGHT, AND WE MADE
THE ARRANGEMENTS TODAY.
 JOE: YOU DISCUSSED THIS
BEFORE YOU SAW PAULINA?
 RACHEL: YES.
 JOE: AND SHE GAVE
YOU THE MONEY BACK?
 RACHEL: YES, BUT
SHE SHOULDN'T HAVE.
IT'S HER MONEY.
IT ALWAYS HAS BEEN.
AND YOU GUYS NEED A HOUSE.
YOU HAVE A BIG FAMILY NOW.
 JOE: LOOK, RACHEL, I --
CARL, THANK YOU, BUT, NO.
I CAN'T DO THIS.
 RACHEL: JOE, IT'S HER MONEY.
YOU NEED THAT HOUSE.
 JOE: LOOK, IT'S NOT ABOUT
A HOUSE.
THAT'S NOT WHAT THE MONEY'S
FOR, OK?
WE HAVE REMY TO TAKE CARE
OF NOW.
REMY'S GOING TO GO TO COLLEGE.
NO. THANK YOU.
 CARL: BUT WE'D ALREADY
PROVIDED FOR DANTE, AND THIS
MORNING, WE DID EXACTLY THE SAME
FOR REMY.
 JOE: YOU WHAT?
 CARL: PAULINA'S CHILDREN WILL
HAVE EVERYTHING THEY NEED
FOR THEIR EDUCATION.
 RACHEL: AND RIGHT NOW
THEY NEED A HOUSE.
 JOE: UH --
 CARL: NOW, PLEASE,
PLEASE, DON'T FIGHT WITH US,
JOE.
JOE, JOE, WE WANT TO DO THIS.
 JOE: CARL, THANK YOU.
THANK YOU, BUT, NO.
LISTEN, RACHEL, WE HAVEN'T SEEN
EYE TO EYE ON THINGS, OK?
 RACHEL: WELL, YOU DON'T
HAVE TO.
WE'RE FAMILY.
FAMILIES DON'T HAVE TO SEE EYE
TO EYE TO GO ON LOVING EACH
OTHER.
THAT'S ONE OF THE PERKS.
TAKE THE MONEY.
 JOE: IT'LL BE A VERY HAPPY
HOME, I PROMISE YOU THAT.
 RACHEL: WELL, THEN IT WILL
HAVE BEEN WORTH IT.
 JOE: YOU KNOW WHAT?
I WANT TO GET OUT OF HERE.
I'M SORRY TO RUN, BUT THERE'S
SOMETHING I NEED TO DO BEFORE
THE WEDDING.
 CARL: HEY, OF COURSE, GO ON.
GO AHEAD.
WE'LL SEE YOU THERE.
 JOE: YOU WILL BE THE FIRST
GUESTS IN OUR HOUSE.
 RACHEL: THAT WILL BE
DELIGHTFUL.
 CARL: WE'LL BE HONORED.
 JOE: COME HERE.
 RACHEL: MMM.
WE'LL SEE YOU LATER.
 JOE: YEAH.
 RACHEL: OH, SPRING,
IT STARTED LATE THIS YEAR.
IT'S AS THOUGH THERE'S NEW
REBIRTH IN THIS WHOLE FAMILY,
STARTING WITH AMANDA
AND CAMERON, AND MATTHEW
WITH HIS NEW LITTLE BABY,
AND JOE AND PAULINA
AND THEIR LARGE FAMILY AND NEW
HOUSE.
AND EVEN CASS AND LILA.
 CARL: WE'RE ALL BEING REBORN.
I LIKE THE WAY YOU LOOK AFTER
YOUR FAMILY.
NEW BEGINNINGS, EH?
LET'S MAKE IT OFFICIAL.
WOULD YOU MARRY ME?

 TONI: SO, OK, WHAT WERE
YOU GOING TO SAY?
 CHRIS: WELL, I HADN'T FIGURED
OUT EXACTLY WHAT JOB I WAS GOING
TO MAKE UP YET.
I FIGURED IF I HAD SAID I WAS
GOING TO BE EDITOR IN CHIEF
OF THE "TAMPA TRIBUNE,"
YOU WOULD HAVE FIGURED I WAS
LYING QUICKER.
AND THEN I FIGURED MAYBE I WOULD
GO TO YOUR MOM FOR SOME HELP.
 TONI: WELL, SHE DID HELP
IN HER OWN SICK AND SORDID
AND TWISTED WAY.
 CHRIS: SO WHAT WERE YOU GOING
TO SAY?
 TONI: WELL, MINE WAS EASY.
I WAS JUST GOING TO SAY
THE TAMPA JOB FELL THOUGH.
 CHRIS: HMM.
 TONI: SO YOU'RE GOING TO TELL
ME THAT YOU WERE SITTING HERE
LOOKING FOR APARTMENTS.
I CANNOT BELIEVE IT.
 CHRIS: I CAN'T BELIEVE YOU'RE
GOING TO GO BACK TO THAT MESSY
DESK OF YOURS.
 TONI: IT'S NOT SO BAD.
YOU'D REALLY GO TO TAMPA FOR ME,
HUH?
 CHRIS: LADY, I WOULD GO
ANYWHERE FOR YOU.
 TONI: AND I WOULD STAY
ANYWHERE FOR YOU.
 CHRIS: YEAH?
SO I TELL YOU WHAT --
INSTEAD OF US GOING IN DIFFERENT
DIRECTIONS LIKE WE ARE SO WONT
TO DO --
 TONI: MM-HMM.
 CHRIS: HOW ABOUT WE STAY
RIGHT HERE AND WORK ON THIS
TOGETHER?
I DON'T KNOW ABOUT YOU,
BUT I THINK WE'RE GOING TO BE
REAL HAPPY.
 TONI: OH, YEAH?
WHERE?
YOU JUST QUIT YOUR JOB
AT THE "HERALD," AND I JUST TOOK
MINE BACK.
 ETTA MAE: TONI?
JOE CALLED.
HE SAID YOU'RE FIRED.
 TONI: MAMA, WHY DON'T
YOU JUST PULL UP A CHAIR?
 CHRIS: YEAH.
 TONI: AND JOIN THE
CONVERSATION.
 ETTA MAE: OH, YOU KNOW,
I DON'T WANT TO SPOIL THE MOOD.
 TONI: RIGHT, AND YOU YELLING
THINGS LIKE THAT IS NOT
SPOILING IT?
 ETTA MAE: LOOK, I'M NOT
TAKING ANYMORE ATTITUDE
FROM YOU, BECAUSE IF IT WASN'T
FOR ME BEING ON MY J-O-B,
THIS MAN WOULD BE DOWN IN TAMPA
IN SOME HUMID APARTMENT SWATTING
FLIES.
AND YOU WOULD BE WALKING
THE BEAT IN BAY CITY.
ANYWAY, I'M LEAVING.
 TONI: BYE.
 CHRIS: BYE.
 ETTA MAE: YOU KNOW, I JUST
GOT ONE MORE THING TO SAY.
 TONI: IS IT "BYE"?
 ETTA MAE: I HAVE LEFT A SONG
ALL CUED UP FOR YOU TWO
TO LISTEN TO.
JUST PRESS "PLAY."
TOOTLES.

 PAULINA: HERE YOU GO.
YOU'RE THE BEST.
JOE, WHERE HAVE YOU BEEN?
IT'S GETTING LATE.
 JOE: I HAD TO GO SEE CARL.
 PAULINA: WHY?
 JOE: HE HAD SOMETHING FOR ME.
 PAULINA: CARL GAVE
YOU A SHOVEL?
 JOE: MM-HMM, SORT OF.
 PAULINA: IS HE ALL RIGHT?
 JOE: I DON'T KNOW, BUT THAT'S
BESIDE THE POINT.
RIGHT NOW THIS IS FOR
THE GROUNDBREAKING.
SO COME ON.
THE TWO OF YOU FOLLOW ME.
IN THE CAR, WE'LL TALK.
COME ON.
 PAULINA: WELL, WHAT ABOUT
DANTE?
 JOE: WE'LL PICK HIM UP
ON THE WAY.
COME ON, LET'S GO.
 PAULINA: WAIT A MINUTE --
JOE --
 REMY: WHAT ARE WE DOING?

 CHARLIE: I BORROWED THIS
FROM DAD'S DRAWER, SO IT CAN BE
SOMETHING BORROWED.
 LILA: WELL, I'M CERTAINLY
GOING TO NEED THIS TODAY,
THAT'S FOR SURE.
 CHARLIE: AND THIS MY DAD GAVE
ME FOR MY LAST BIRTHDAY.
AND, WELL, IT'S BLUE AND IT'S
KIND OF LIKE I'M MARRYING YOU,
TOO, SO --
 LILA: OH, SWEETHEART.
YOU KNOW, WE COULD MAKE THIS
BORROWED.
 CHARLIE: NO, I WANT
YOU TO HAVE IT.
AND MAYBE I'LL BORROW IT
SOMETIME.
 LILA: YOU GOT A DEAL.
OH, THANK YOU SO MUCH.
 MATT: LILA?
LILA, HAVE YOU SEEN THE TIME
LATELY?
 LILA: OH!
 MATT: HELLO?
 LILA: OH, GOOD LORD, I DON'T
HAVE TIME TO GET -- OK.
SOMETHING'S NOT RIGHT.
SOMETHING'S NOT RIGHT.
 MATT: WELL, IT'S
YOUR CURLERS.
I THINK YOU SHOULD LOSE THEM.
 LILA: NO, NO, IT'S SOMETHING
ELSE.
 MATT: NOTHING'S WRONG.
WOULD YOU GO?
WHAT COULD GO WRONG NOW?
 LILA: YOU DON'T UNDERSTAND.
 MATT: JUST GET READY.
 CHARLIE: SHE'S MARRYING
MY DAD.
ANYTHING CAN GO WRONG.

 CASS: YOU KNOW, I HATE
TO DO IT, BUT I GOT TO GET
MARRIED.
WE GOT TO GO.
 FELICIA: I'M SO GLAD WE CAME
HERE, THOUGH.
 CASS: ME, TOO.
 FELICIA: YOU KNOW, IT'S FUN
TO LOOK BACK ON ALL THOSE
RIDICULOUS SCRAPES WE USED
TO GET INTO.
 CASS: YES.
 FELICIA: YOU KNOW,
I'M FEELING SO MATURE NOW --
 CASS: LADDER.
 FELICIA: AND SO RELIABLE.
 CASS: LADDER.
 FELICIA: AND SO, I DON'T
KNOW --
 CASS: THE LADDER!
 FELICIA: HUH?
 CASS: WHERE THE HELL IS
THE LADDER?

[MUSIC PLAYS]
 SINGER:  IT'S VERY CLEAR
OUR LOVE IS HERE TO STAY
NOT FOR A YEAR
BUT EVER AND A DAY
THE RADIO
AND THE TELEPHONE
AND THE MOVIES
THAT WE KNOW
MAY JUST BE PASSING FANCIES
AND IN TIME MAY GO
BUT, OH, MY DEAR
OUR LOVE IS HERE TO STAY
TOGETHER WE'RE
GOING A LONG, LONG WAY
IN TIME THE ROCKIES MAY CRUMBLE
GIBRALTAR MAY TUMBLE
THEY'RE ONLY MADE OF CLAY
BUT OUR LOVE IS HERE
TO STAY 

 FELICIA and CASS: SAM?
 FELICIA: SAM?
 CASS: OH, SAM?
 FELICIA: SAM!
 CASS: YO, SAM?
 FELICIA: HELP!
 CASS: SAM! SAM!
 FELICIA: HELP! SAM!
SOMEBODY, PLEASE!
 CASS: SAM!
 FELICIA: SOMEBODY, PLEASE!
 CASS: PLEASE HELP US!
SAM, WE'RE STUCK IN THE HABITAT!
SAM!
OH, SAM!
 FELICIA: SAM!

>> STAY TUNED FOR SCENES
FROM TOMORROW'S SHOW.

 ALLI: THIS IS THE MOST
AWESOME PLACE FOR A WEDDING.
 AMANDA: IT IS PRETTY
ROMANTIC, ISN'T IT?

 LILA: WHAT ARE YOU DOING HERE
ANYWAY?
YOU HAVE TO STEAL MY THUNDER
ON MY WEDDING DAY?
 MATT: LILA --
 VICKY: HEY, HEY, HEY, HEY!
 JAKE: PUT THE GUN DOWN.
PUT THE GUN DOWN.
 LILA: YOU WOULDN'T DARE SPRAY
ME WITH THAT THING.
 VICKY?: DON'T UNDERESTIMATE
A PREGNANT WOMAN WITH A SQUIRT
GUN.
 LILA: CAN'T FIND CASS
ANYWHERE.
I'VE BEEN ABANDONED
ON MY WEDDING DAY, AND THERE'S
NOTHING I CAN TAKE WORSE THAN
PITY.
I'VE GOT TO GET OUT OF HERE,
SWEETHEART.

 CASS: YOU'VE GOT 30 MINUTES
TO GET ME TO THE PARK, FELICIA!

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PRODUCTIONS, INC.]

[CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.]

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