[CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] REMY: OH, I HAD A FEELING -- LIKE, NOT A FEELING FEELING, BUT A REAL FEELING. YOU KNOW, I WAS HOPING AND I WAS PRAYING THAT THEY WOULDN'T CHARGE YOU, THAT YOU'D BE BACK, AND HERE YOU ARE. PAULINA: REMY -- REMY: AND DANTE, HE'S ASLEEP. IT TOOK ME A LITTLE WHILE, BUT FINALLY, I READ HIM A STORY -- JOE: REMY? REMY: AND IT SEEMED TO CALM HIM DOWN. I'M SORRY. I HAVE YOU STANDING IN YOUR OWN DOORWAY. COME ON. REMY: BUT YOU'RE HERE. PAULINA: ONLY FOR A LITTLE WHILE. THE JUDGE GAVE ME LONG ENOUGH TO GET MY AFFAIRS IN ORDER, KISS DANTE, AND SAY -- SAY GOOD-BYE. OH, GOD, JOE! RACHEL: AMANDA, CAREFUL. CARE-- SOMETHING'S WRONG. JORDAN: AMANDA, AMANDA. SHH, SHH. DON'T BE FRIGHTENED, IT'S JUST ME. I DIDN'T WANT TO WAKE YOU, BUT -- WELL, NOT YET ANYWAY. AMANDA: DAVID, WHAT ARE YOU DOING HERE? JORDAN: WELL, IT'S -- I WANTED TO DO SOMETHING FOR YOU. THESE. ALL THESE ARE FOR YOU. AMANDA: BUT WHY? JORDAN: OH, AMANDA. DON'T YOU KNOW BY NOW? I WOULD DO ANYTHING, ANYTHING AT ALL TO MAKE YOU HAPPY. AMANDA: DAVID, THESE ARE BEAUTIFUL. BUT IT'S JUST -- HOW DID YOU -- THIS IS JUST WEIRD. JORDAN: OH. WELL, THAT'S NOT THE REACTION I WAS LOOKING FOR. AMANDA: NO -- AND WONDERFUL. BUT WHY WOULD YOU DO THIS? JORDAN: WELL, I JUST -- I KNOW HOW DOWN YOU'VE BEEN LATELY, AND YOU'VE BEEN CONFUSED, AND I JUST WANTED TO SURPRISE YOU WITH SOMETHING -- I DON'T KNOW -- EXTRAORDINARY. AMANDA: WELL, YOU DID THAT, ALL RIGHT. JORDAN: I WAS HOPING TO BE QUIET ENOUGH NOT TO WAKE YOU. YEAH, I KNOW, CONSIDERING IT'S ME, IT'S KIND OF UNREALISTIC, ISN'T IT, BUT -- I DON'T KNOW. I WANTED TO FILL YOUR ROOM WITH FLOWERS WHEN YOU SAW IT IN THE MORNING AND FILL YOUR HEART WITH HOPE. I DON'T KNOW. AMANDA: DAVID, THAT IS SO SWEET. JORDAN: WELL, I GUESS IT WAS A -- I WAS TOO CLUMSY FOR THE BIG FINISH. BUT ANYWAY, NOW THAT YOU'RE AWAKE, LOOK AT ALL THE VARIETY. THERE ARE -- LOOK -- GRASS-LEAFED BUTTERCUPS. AMANDA: RANUNCULUS GRAMINEUS. HOW WOULD I KNOW THAT? JORDAN: AND THEN THESE. I REMEMBER YOU LIKED THIS ONE. SEE, YOU HAD A NAME FOR IT. WHAT WAS IT? STEPHANOTIS. AMANDA: YEAH, I VAGUELY REMEMBER THAT. CAMERON'S VOICE: IT'S DRY FLOWERS, MOSTLY. THE MAN AT THE LAB SAID THE FLOWER IS CALLED STEPHANOTIS. JORDAN: WHAT? WHAT IS IT? AMANDA: UH, IT'S JUST A -- IT'S A VERY STRONG SMELL FOR SUCH A SMALL FLOWER. JORDAN: WELL, MAYBE IT'S THE KIND OF SCENT THAT NEEDS A SECOND CHANCE. AMANDA: I DON'T KNOW. JORDAN: OH, COME ON. DON'T TELL ME I'VE DONE ALL THIS AND THEN YOU FIND THE SCENT OFFENSIVE? AMANDA: NO, NO, IT'S NOT THAT. I JUST -- I'M STARTING TO LIKE IT, ACTUALLY. JORDAN: GOOD. AMANDA: DAVID, THIS IS -- THIS IS WONDERFUL. I DO THINK MAYBE I SHOULD -- JORDAN and AMANDA: BE GETTING BACK TO SLEEP. JORDAN: YEAH. AMANDA: NOT THAT I'VE BEEN ABLE TO SLEEP ALL THAT WELL LATELY, BUT -- JORDAN: WELL, YOU KNOW WHAT? I THINK I HAVE THE PERFECT REMEDY FOR YOUR RESTLESSNESS. AMANDA: I DON'T TAKE PILLS OR ANYTHING. JORDAN: NO, NO, NO. IT'S NOTHING LIKE THAT AT ALL. IT'S A LOT MORE NATURAL. IT'S A -- I WAS THINKING ABOUT A WALK AND SOME FRESH AIR. AMANDA: AT THIS HOUR? YOU MUST BE KIDDING. JORDAN: COME ON, POKEY. WHERE'S YOUR SENSE OF ADVENTURE? AMANDA: I DON'T KNOW. JORDAN: I PROMISE AFTERWARDS YOU WILL SLEEP LIKE A BABY. AMANDA: WELL, SOMEHOW, WHEN YOU PUT IT LIKE THAT, IT MAKES SENSE. I JUST -- I FEEL LIKE I'M FORGETTING SOMETHING LIKE -- JORDAN: JUST A SWEATER. THAT'S ALL YOU NEED. JUST A SWEATER. NOW, SHH. SHH, SHH, SHH, SHH, SHH. We don't want to wake anyone in the house. AMANDA: Right. RACHEL: OH, MY GOD! IT'S CAMERON? OH, CAMERON, I'M SORRY. CAMERON? OH, CAMERON? I'M SORRY, CAMERON. RACHEL: CAMERON. OH, CAMERON, I'M REALLY SORRY. CAMERON? CAMERON? THERE. OH, COME ON. WAKEY UPPY. CAMERON: AMANDA! RACHEL: OH, GOD! DON'T SCARE ME. GEE, YOU JUST LIE STILL, OK? I THINK I JUST GAVE YOU A HEAD INJURY. CAMERON: WHERE'S AMANDA? RACHEL: SHE -- WHAT DO YOU -- WHERE DO YOU THINK SHE IS? SHE'S ASLEEP. CAMERON: I GOT TO GO FIND HER. RACHEL: NO, NO, NO. YOU'RE NOT GOING TO WAKE UP EVERYBODY IN THIS HOUSEHOLD. NOW, WHAT'S GOING ON? CAMERON: OH. OH, YOU'RE REALLY GOOD WITH THAT POKER. RACHEL: THANKS. WHAT ABOUT AMANDA? CAMERON: I THINK SHE'S GONE. I GOT TO JUST GO AFTER HER. RACHEL: WHERE WOULD SHE GO AT THIS HOUR, CAMERON? CAMERON: I DON'T KNOW. I PUT A MOTION DETECTOR BY HER ROOM. IT STARTED BEEPING. IT WENT OFF LIKE CRAZY. SHE'S OUTSIDE. I GOT TO FOLLOW HER. RACHEL: SHE'D NEVER GO OUTSIDE ALL ALONE AT THIS TIME OF NIGHT. CAMERON: ARE YOU SURE? RACHEL: NO, I'M NOT SURE. I DON'T UNDERSTAND WHAT SHE'S BEEN DOING THESE DAYS. COME ON, LET ME HELP YOU UP. OK, GO SLOWLY, GO SLOWLY. GOD, ARE YOU ALL RIGHT? CAMERON: YEAH. GOING TO BE FINE. RACHEL: OK. I'M GOING TO GO UPSTAIRS AND CHECK HER ROOM. YOU STAY HERE. CAMERON: YEAH, MM-HMM. RACHEL: IF YOU FEEL SICK, GO OUTSIDE. CAMERON: HMM. YOU'RE WASTING YOUR -- YOU'RE WASTING YOUR TIME. SHE'S ALREADY GONE. RACHEL: HONEY? WOW. SOMEBODY'S BEEN BUSY. AMANDA? AMANDA, WHERE ARE YOU? AMANDA: YOU KNOW, SOMEHOW, DAVID, WHENEVER YOU SUGGEST THAT WE GO FOR A WALK, WE ALWAYS END UP HERE. JORDAN: AM I HOPELESSLY PREDICTABLE? AMANDA: AFTER TURNING MY BEDROOM INTO A FLOWER SHOP TONIGHT, I DON'T THINK SO. JORDAN: WELL, I JUST KNOW HOW MUCH YOU LOVE THIS WHOLE GARDEN. IT SEEMS TO SOOTHE YOU. AMANDA: IT DOES. I FEEL BETTER. JORDAN: I -- I HAVE A CONFESSION TO MAKE. AMANDA: OH, NO. YOU'RE REALLY A FROG UNDERNEATH THAT PRINCE CHARMING EXTERIOR. JORDAN: WHAT? OH. YES, THAT WAS FUNNY. NO, NO. MY CONFESSION IS THAT I'VE BEEN THINKING -- WELL, DREAMING, REALLY -- OF BEING HERE ALONE ON JUST SUCH A NIGHT AS THIS WITH YOU. AMANDA: YOU KNOW, I CAN'T -- I CAN'T REALLY UNDERSTAND IT. JORDAN: WHAT? I'M NOT FOLLOWING YOU. AMANDA: WHY I'M -- WHY I'M SO ATTACHED TO THIS PLACE. I MEAN, WHEN I WAS A CHILD, IT WAS JUST THIS SECRET PLACE OF MINE THAT I USED TO COME TO WHEN I WAS SAD OR DEPRESSED, AND IT WAS PEACEFUL. AND NOW I FEEL ALMOST AS IF I NEED TO BE HERE. JORDAN: YOU'RE DRAWN TO IT? AMANDA: I KNOW THAT PROBABLY SOUNDS A LITTLE STRANGE TO YOU. JORDAN: NO. NOT AT ALL. I MEAN, I SAY IF SOMETHING IS SPEAKING INSIDE YOU THAT LOUDLY, LISTEN TO IT. HAVE TO ADMIT, I'M GROWING QUITE FOND OF THIS GARDEN MYSELF. MAY I? AMANDA: OH. JORDAN: IT'S JUST THE MOONLIGHT -- IT CASTS A LIGHT, A COLOR, IN YOUR HAIR. IT'S JUST LIKE THAT FLOWER. YOU ARE SO BEAUTIFUL. CAMERON: AMANDA? AMANDA? AMANDA: DID YOU HEAR SOMETHING? JORDAN: NO, I THINK IT WAS PROBABLY JUST THE POUNDING IN MY CHEST. AMANDA: I DON'T KNOW. I -- I HEARD -- THOUGHT I HEARD SOMEBODY CALLING MY NAME. JORDAN: WELL, MAYBE IT WAS A NIGHTINGALE. NO, IT WOULD BE TOO LATE FOR NIGHTINGALES -- BUT I HEAR THAT MOURNING DOVES CAN OFTEN SOUND VERY HUMAN. AMANDA: NO, NO. I KNOW WHAT I HEARD. CAMERON: AMANDA? JORDAN: WELL, YOU KNOW, IT'S BEEN SAID THAT ONE'S IMAGINATION BETRAY THEM WHEN YOU GET CLOSE TO SOMEONE. AMANDA: NO, SHH, SHH, SHH. CAMERON: AMANDA? JOE: REMY, LOOK -- THANK YOU FOR EVERYTHING, AND I THINK YOU'VE DONE JUST ABOUT EVERYTHING YOU CAN DO HERE, OK? THANKS. REMY: YEAH. I BETTER GO. JOE: YEAH. TONI WILL GIVE YOU A RIDE HOME. OK? RIGHT, TONI? TONI: NO, I CAN'T DO THAT. JOE: YOU CAN'T? TONI: NO, I'M SORRY, JOE. I CAN'T. JOE: TONI, PAULINA AND I WOULD LIKE A LITTLE PRIVACY, PLEASE. TONI: YEAH, I KNOW, BUT PAULINA WAS TAGGED A FLIGHT RISK, AND YOU TAUGHT ME THAT I CAN'T -- JOE: NO, I TAUGHT YOU TO THINK FOR YOURSELF. THAT'S THE FIRST THING I TAUGHT YOU. WE'RE TALKING ABOUT PAULINA, TONI. TONI: I KNOW. I'M SORRY. I JUST CAN'T. JOE: YOU CAN'T. YOU CAN'T. WELL, LET ME GIVE YOU SOMETHING YOU CAN DO. YOU CAN TAKE YOUR RULE BOOK AND SHOVE IT UP WHERE THE SUN DON'T SHINE! PAULINA: STOP, STOP, STOP. JOE: NO! THIS IS WRONG, TONI. PAULINA: JOE, STOP IT. STOP IT. I HAVE SEEN TOO MANY PEOPLE DUMP ON YOU BECAUSE YOU WERE JUST DOING YOUR JOB. NOW, SHE'S JUST DOING HER JOB. NOW, JUST STOP IT. JOE: LOOK, WE WOULD LIKE A FEW MINUTES OF PRIVACY ALONE, AND OUR BABYSITTER FOR OUR SON WOULD NEED A RIDE HOME. IT'S 4:00 IN THE MORNING, FOR GOD'S SAKE. TONI: YEAH, I KNOW. I UNDERSTAND THAT. AND, PAULINA, IF IT WAS UP TO ME -- PAULINA: I KNOW, TONI. NO -- LISTEN TO ME. LOOK AT ME. LOOK AT ME, JOE. THIS IS HARD ON EVERYBODY, EVEN TONI. SHE'S OUR FRIEND, AND RIGHT NOW WE NEED FRIENDS. HONEY? [TELEPHONE RINGS] PAULINA: HONEY? JOE: YEAH? PAULINA: EASE UP. REMY: LISTEN, I CAN WALK HOME. REALLY, IT'S NOT THAT FAR. PAULINA: NO, AT THIS -- NO, HONEY, AT THIS HOUR, I WILL CALL YOU A CAB. JOE'S VOICE: HEY, THIS IS THE CARLINOS' PHONE. YOU KNOW WHAT TO DO. [ANSWERING MACHINE BEEPS] MAN: JIMMY NASH, WBCN. CAN YOU COMMENT ON ALLEGATIONS IN THE EVENING NEWS THAT YOU MURDERED MAYOR HARRISON TO KEEP HIM FROM REVEALING THAT YOU SOLD YOUR INFANT SON, ONE TIMOTHY BANACEK -- JOE: SHUT IT OFF! REMY: TITO? YOU -- SOLD? PAULINA: HIS NAME -- THEY'VE GOT HIS NAME. I NEVER WANTED ANYONE TO KNOW, AND NOW IT'S GOING TO BE IN THE PAPERS OR ON TV. GOD, I DIDN'T THINK. YOU MUST HATE ME. REMY: NO. ARE YOU KIDDING, PAULINA? I COULD NEVER HATE YOU. YOU -- YOU'RE LIKE A MOTHER TO ME. PAULINA: SOME MOTHER. I SHOULD HAVE TOLD YOU. I SHOULD HAVE TOLD TIM. I -- I GOT TO -- PLEASE, I NEED YOU TO DO SOMETHING FOR ME. REMY: ANYTHING. PAULINA: I NEED YOU TO GET TIM FOR ME. BRING TIM HERE FOR ME, PLEASE. RACHEL: I'M CALLING THE POLICE. CAMERON: RACHEL, WAIT. I DON'T WANT AMANDA TO KNOW I'VE BEEN FOLLOWING HER. IT'LL ONLY UPSET HER. RACHEL: I'M PUTTING AN A.P.B. OUT FOR A MISSING PERSON. CAMERON: NO. RACHEL: NO, COME ON! CAMERON: YOU CAN'T CALL THE COPS. THEY'RE ONLY GOING TO TELL YOU THAT SHE HASN'T BEEN GONE LONG ENOUGH AND THAT SHE WENT UNDER HER OWN FREE WILL. NOW, HAVE YOU CHECKED HER ROOM? RACHEL: YEAH. YOU DIDN'T BY ANY CHANCE SEND HER FLOWERS? LOTS OF FLOWERS? CAMERON: NO. I ALREADY TOLD YOU, I'M NOT TRYING TO GET BACK INTO HER LIFE THAT WAY. RACHEL: I'M NOT TALKING ABOUT THAT. HER ROOM IS FULL OF FLOWERS. DAVID HALLIDAY? CAMERON: YEAH, HALLIDAY. THINK SHE WENT OUT WITH HIM? RACHEL: I DON'T KNOW. I DON'T KNOW. LET'S CHECK. WHERE'S HER BOOK? OH, GOOD. OOH. GOOD. MM-HMM. IT'S JUST A MACHINE. CAMERON: I DON'T LIKE THIS. RACHEL: I DON'T LIKE IT, EITHER, BECAUSE I FEEL LIKE JORDAN STARK IS MAKING US SWING IN THE BREEZE. YOU ARE RIGHT. THE POLICE WILL SAY THAT SHE LEFT OF HER OWN FREE WILL, BUT JORDAN STARK HAS BEEN ALTERING THE PEOPLE IN THIS FAMILY'S WILL FOR QUITE A WHILE NOW. CAMERON: DO YOU REALLY THINK IT'S JORDAN THAT'S DOING SOMETHING TO AMANDA? RACHEL: I SAW A VIDEOTAPE IN HIS OFFICE. IT WAS OF AMANDA. STARK WANTS AMANDA, AND YOU AND I BOTH KNOW WHY. AMANDA: DAVID, WHY DID YOU DO THAT? GRABBING ME THROUGH THE GATE LIKE THAT? IS THIS YOUR WAY OF TRYING TO MAKE ME GO TO SLEEP? JORDAN: NO, OF COURSE NOT. I'M SORRY. I GUESS I WAS STILL IN ADVENTURE MODE. I THOUGHT PERHAPS THAT TONIGHT YOU -- AMANDA: WHAT, THAT I WOULD WANT TO GO AND SEE THE OLD GARDEN OR WHATEVER THAT IS? YOU COULD HAVE ASKED ME. JORDAN: OF COURSE. OF COURSE, YOU'RE RIGHT. IT'S JUST -- YOU LOOK SO AMAZING TONIGHT, IT KIND OF TOOK MY BREATH AWAY, AND I GUESS I'M NOT THINKING STRAIGHT. I'M SORRY. AMANDA: DAVID, SOMETIMES YOU ARE LIKE A PUPPY. JORDAN: SO -- SO YOU'RE NOT -- YOU'RE NOT MAD AT ME, THEN? AMANDA: NO. NO. I THINK I SHOULD PROBABLY GET BACK UP TO THE HOUSE, THOUGH. I HAVE TO TRY TO GET SOME SLEEP. JORDAN: NO. NO, DON'T -- DON'T GO. AMANDA: DAVID, THIS HAS BEEN A VERY LONG AND VERY STRANGE NIGHT. JORDAN: I KNOW, AND THAT'S WHY I THINK I SHOULD MAKE IT UP TO YOU WITH A BEDTIME STORY. AMANDA: WELL, I HAVEN'T HAD THAT OFFER IN A LONG TIME. ALL RIGHT. JORDAN: GOOD. NOW, JUST YOU HAVE TO REMEMBER ONE THING. ANY STORY IS TRUE IF YOU JUST BELIEVE. REMY: BANACEK RULE NUMBER ONE -- NEVER LET YOUR MIND WANDER. NUMBER TWO -- NEVER LET IT WANDER IN A DARK ALLEY ALONE IN THE MIDDLE OF THE NIGHT. TITO: I DIDN'T SEE YOU COMING. REMY: YEAH, NO KIDDING, SHERLOCK. I COULD HAVE BEEN SOMEONE DANGEROUS. TITO: YEAH, LIKE CARLINO'S PSYCHO BABYSITTER. WHAT ARE YOU DOING HERE? REMY: LOOKING FOR YOU. I TRIED THE PARKS. I TRIED THE DOCKS. CAB FARE WAS GETTING TOO HIGH, SO HERE'S THE LAST STOP -- CARLINO'S. TITO: YEAH. WELL, YOU'RE LUCKY IT WAS ME BACK HERE. I COULD HAVE BEEN SOMEONE DANGEROUS. REMY: SO YOU KNOW, HUH? TITO: YEAH. REMY: TITO, I'M SO SORRY YOU HAD TO FIND OUT THIS WAY. TITO: WHATEVER. REMY: NO, I KNOW THAT IF IT WAS MY MOTHER AND I FIND OUT NOT ONLY THAT SHE GAVE ME UP BUT SHE -- TITO: I SAID WHATEVER. SO HOW'D YOU GET -- HOW'D YOU GET THE CAB FARE? REMY: PAULINA. SHE ASKED ME TO COME LOOK FOR YOU. TITO: SHE'S OUT? THOUGHT THE PAPER SAID THAT SHE WAS LOCKED UP. REMY: THEY GAVE HER A FEW HOURS SO THAT SHE COULD SAY GOOD-BYE. SHE'S A WRECK, TITO. SHE REALLY, REALLY NEEDS TO SEE YOU. TITO: I DON'T KNOW. I DON'T KNOW, REMY. REMY: OK, YOU MUST -- YOU MUST BE REALLY TICKED OFF AT HER, I KNOW, BUT IF SHE DID KILL THAT GUY LIKE THEY SAY, SHE DID IT TO PROTECT -- TO PROTECT YOU, NOT TO PROTECT HERSELF, TO KEEP PEOPLE FROM KNOWING ABOUT HOW SHE GAVE YOU UP BECAUSE SHE LOVES YOU. TITO: LOOK, JUST SPARE ME THE GUILT TRIP, OK? I'LL GO OVER THERE. REMY: I'M NOT -- I'M NOT TRIPPING YOU HERE. IT'S JUST I SAW HER FACE. TITO: I'M SORRY, I JUST GOT A LOT GOING ON IN MY HEAD, YOU KNOW? REMY: I KNOW. THIS PLACE MUST REMIND YOU OF HER, HUH? TITO: YEAH, I GUESS. YEAH. HEY, LET'S -- LET'S JUST GO. REMY: NO, WELL -- I GUESS IT MUST BE A LITTLE WEIRD FOR YOU, HUH? TITO: WHAT'S THAT? REMY: WELL, AFTER EVERYTHING THAT WE'VE BEEN THROUGH, YOU HAVE SOMEONE IN YOUR LIFE THAT IS WILLING TO DO ANYTHING FOR YOU. EVEN MURDER. PAULINA: HERE'S A WEEK'S WORTH OF MEALS FOR DANTE. I GUESS YOU COULD JUST REPEAT AFTER MONDAY. JOE: JUST -- PAULINA: HERE. JOE: OK, THANKS. BABY, JUST PLEASE RELAX, OK? EVERYTHING'S GOING TO BE ALL RIGHT. PAULINA: NO, LISTEN TO ME. LISTEN TO ME. DON'T TELL RACHEL UNTIL TOMORROW, OK? SHE JUST ESCAPED FROM A FREAKING CLOCK TOWER, FINDS OUT THAT I'VE BEEN ARRESTED AND FORGED HER NAME. JUST -- JUST TELL HER HOW SORRY I AM. JOE: LISTEN TO ME -- RACHEL WILL UNDERSTAND. PAULINA: JOE, THERE'S SO MUCH MORE TO DO, SO MANY CALLS TO MAKE. JOE: I WILL HANDLE THE PHONE CALLS TOMORROW. IT'S LATE NOW. PAULINA: NO, NO, THERE'S SO MANY PEOPLE THAT NEED TO KNOW I'M SORRY. THERE'S BARELY ANY TIME LEFT. TONI: PAULINA, I'M GOING TO GIVE YOU SOME TIME, OK? PAULINA: THANK YOU. JOE: PAULINA? PAULINA, ONE THING YOU HAVE TO DO RIGHT NOW IS STOP SAYING YOU'RE SORRY. PAULINA: BUT, JOE, I AM. LOOK AT WHAT I'M DOING. LOOK AT WHAT I'VE DONE TO OUR FAMILY -- YOU AND DANTE AND TIM AND MY WHOLE FAMILY. JOE: I AM LOOKING. I'M LOOKING. YOU KNOW WHAT I SEE? PAULINA: WHAT? JOE: I SEE A LOT OF GOOD. I SEE SOMEBODY WHO GIVES MORE LOVE AND WHO CARES ABOUT MORE PEOPLE THAN ANYBODY I HAVE EVER MET. PAULINA: BUT, JOE, I -- JOE: I'M NOT FINISHED, I'M NOT FINISHED. WHEN I CAME TO THIS TOWN, BACK HOME, I WAS READY TO PACK IT IN. I THOUGHT THE WORLD WAS A CESSPOOL, PAULINA. I JUST THOUGHT LIFE WAS ABOUT PUTTING ONE FOOT IN FRONT OF THE OTHER JUST TO GET THROUGH THE MUCK. AND THEN I MET YOU. AND YOU HAD THIS FACE LIKE AN ANGEL, AND YOU -- YOU MADE ME LOOK AND REMEMBER A DIFFERENT WORLD, A WORLD WHERE PEOPLE CARE ABOUT THE PEOPLE THAT THEY LOVE, THEY TAKE CARE OF THE PEOPLE THAT THEY LOVE. BABY, I GOT A HOME BECAUSE OF YOU. I GOT A SON BECAUSE OF YOU. I GOT STINKING TOMATO PLANTS IN THE BACK YARD BECAUSE OF YOU. YOU GAVE ME A WHOLE LIFE. SO FOR GOD'S SAKE, STOP SAYING YOU'RE SORRY. PAULINA: BUT, JOE -- JOE: NO. THERE ARE SO MANY PEOPLE IN THIS FREAKING WORLD, PAULINA, WHO HURT PEOPLE JUST BECAUSE THEY CAN. IT NEVER EVEN OCCURS TO THEM TO SAY THEY'RE SORRY. PAULINA, PEOPLE ARE LUCKY JUST TO KNOW YOU, LET ALONE HAVE YOU CARE ABOUT THEM. PAULINA: I THINK YOU'VE GOT THAT BACKWARDS. IT'S YOU. PEOPLE ARE LUCKY TO HAVE YOU CARE ABOUT THEM. AND I'M THE LUCKIEST. YES. JOE: OK. OK, COME ON. PAULINA: OK. SO, YOU ARE GOING TO LET DANTE HELP YOU WITH THOSE TOMATO PLANTS, RIGHT? JOE: I PROMISED HIM, DIDN'T I? PAULINA: WELL, HE'S COUNTING ON IT, YOU KNOW? JOE: I KNOW. PAULINA: OH. JOE: AND YOU KNOW WHAT? YOU'RE GOING TO BE RIGHT THERE, TOO. WE'RE ALL GOING TO BE MAKING THE SAUCE TOGETHER. PAULINA, I GOT SO MUCH TO LOOK FORWARD TO -- GETTING YOU THROUGH THIS, GETTING YOU CLEARED, AND BEING A FAMILY AGAIN -- YOU, ME, DANTE, AND TIMOTHY. PAULINA: TIM? YOU MEAN THAT? JOE: THAT'S WHAT YOU'RE YOU MEAN THAT? JOE: THAT'S WHAT YOU'RE FIGHTING FOR, ISN'T IT? PAULINA: YES. JOE: THEN I MEAN IT. FROM THE CENTER OF MY SOUL, I MEAN IT. RACHEL: I AM WELL AWARE OF WHAT TIME IT IS, BUT JORDAN STARK HAS KEPT ME UP MANY NIGHTS. SO ARE YOU DRIVING, OR AM I? CAMERON: I DON'T THINK IT'S A GOOD IDEA TO HAVE A FACE-OFF WITH STARK RIGHT NOW. RACHEL: SO, WHAT DO YOU WANT ME TO DO? YOU WANT ME TO CURL UP WITH A BOOK ON THE SOFA WHILE MY CHILD IS TURNED INTO A ZOMBIE BY THAT GUY? CAMERON: I KNOW IT'S HARD, BUT I THINK WE SHOULD JUST LAY LOW FOR A WHILE AND NOT LET HER KNOW THAT WE KNOW THAT SHE LEFT THE HOUSE. RACHEL: YEAH, FINE, SO SHE GET MORE DAZED AND CONFUSED AND SHE CAN BELIEVE THAT WE'RE ENEMIES? CAMERON: LOOK, IF SHE KNOWS THAT WE'RE CHECKING ON HER, IT'LL ONLY PUSH HER AWAY. RACHEL: SHE DOESN'T TRUST US. CAMERON: THAT'S BECAUSE SHE HASN'T BEEN HERSELF. RACHEL: I KNOW SHE HASN'T. SHE DOESN'T TRUST THE VERY PEOPLE WHO LOVE HER THE MOST. CAMERON: THAT'S WHY WE HAVE TO SEE WHERE SHE'S GOING, WHO SHE'S BEEN GOING WITH, AND THEN CONFRONT HER WITH IT. AND THEN SHE'LL KNOW THAT WE'RE STILL ON HER SIDE. RACHEL: RIGHT. CAMERON: BUT SHE CAN'T KNOW THAT I'M TAILING HER -- RACHEL: OH -- CAMERON: BECAUSE SHE WOULD TELL WHOEVER SHE'S WITH. AND WE DON'T KNOW EXACTLY WHO WE'RE DEALING WITH HERE, SO WE CAN'T TRUST HER -- I'M NOT SAYING YOU CAN'T TRUST YOUR OWN DAUGHTER. I LOVE YOUR DAUGHTER. RACHEL: WAIT A SECOND. I AM NOT BEING SENTIMENTAL HERE. I'M THINKING. YOU'RE RIGHT. I'M THINKING SHE'S GONE. THIS IS A PERFECT TIME TO SEARCH HER ROOM. CAMERON: I LIKE THE WAY YOU THINK. RACHEL: COME ON. JORDAN: ONCE UPON A TIME, LONG, LONG AGO, IN A GARDEN VERY MUCH LIKE THIS, THERE LIVED A BEAUTIFUL PRINCESS. SHE TENDED THE FLOWERS IN HER GARDEN. AND BECAUSE SHE LOVED THEM VERY, VERY MUCH, THEY REWARDED HER WITH BLOSSOMS ALL THE YEAR ROUND. IT WAS AN ETERNAL SPRING. AND MANY PEOPLE THOUGHT THE GARDEN WAS MAGICAL, AND WORD OF IT SPREAD THROUGHOUT THE KINGDOM, BUT THE PRINCESS -- THE PRINCESS KNEW BETTER. SHE KNEW THAT THE MAGIC OF HER FLOWERS WAS SIMPLY THAT THEY WERE LOVED, AND THAT'S WHY THEY NEVER DIED. NOW, THE KING, HER FATHER, WAS VERY ANXIOUS THAT THE PRINCESS MARRY. HE IMAGINED A WEALTHY, HANDSOME PRINCE FOR HER DAUGHTER. BUT THE PRINCESS WAS VERY UNHAPPY ABOUT THAT AND TOLD HER FATHER, "I WILL ONLY MARRY THE MAN WHO UNDERSTANDS MY GARDEN." WELL, MANY SUITORS CAME TO VISIT THE PRINCESS IN HER GARDEN, HOPING THAT THEY COULD MARRY HER. THEY POKED AT HER FLOWERS AND THEY TORE THEM APART, TRYING TO FIGURE OUT WHAT IT WAS THAT MADE THEM BLOOM ALL THE YEAR ROUND. THEY DIDN'T UNDERSTAND HER GARDEN. SO SHE WOULDN'T MARRY AND SENT THEM ALL AWAY. THEN, ONE DAY, A YOUNG SCIENTIST CAME TO THE PALACE TO VISIT THE KING. HE WAS BRILLIANT. BUT HE WAS MISSHAPEN AND UGLY. HE WAS SO UGLY THAT WHEN HE ARRIVED, ALL THE MAIDSERVANTS AND THE MANSERVANTS RAN AWAY IN FEAR. UNHAPPY AND SPENT, HE SAT DOWN IN THE GARDEN TO COLLECT HIS THOUGHTS BEFORE RETURNING HOME. WHILE HE WAS SITTING, THE PRINCESS CAME TO THE GARDEN TO TEND TO THE FLOWERS, AND HE WATCHED HER WHILE SHE WATERED THE FLOWERS AND CARED FOR THEM. AND THEN SUDDENLY, SHE TURNED TO HIM, UNAFRAID, AS IF SHE KNEW HE'D BEEN SITTING THERE ALL ALONG, AND SAID, "I HEAR THAT YOU ARE A BRILLIANT MAN. CAN YOU TELL ME WHY MY FLOWERS NEVER DIE?" WELL, THE UGLY MAN, HE LOOKED AT THE BEAUTIFUL PRINCESS, AND HE LOOKED AT THE FLOWERS. AND HE REPLIED, "YOUR FLOWERS NEVER DIE BECAUSE YOU LOVE THEM. NO SCIENCE CAN EXPLAIN IT. NO BRILLIANCE CAN UNDERSTAND IT. BUT THE FACT REMAINS -- LOVE NEVER DIES." AT THAT MOMENT, THE BEAUTIFUL PRINCESS AND THE UGLY MAN FELL DEEPLY IN LOVE, AND THEY DECIDED TO MARRY. WELL, WHEN HER FATHER, THE KING, HEARD THESE THINGS, HE WAS IRATE. "NEVER," HE CRIED. "NEVER." HE FORBADE THE TWO TO EVER SEE ONE ANOTHER AGAIN, BUT THEY WERE DETERMINED TO BE TOGETHER. AND SO THEY MARRIED IN SECRET. AND ON THEIR WEDDING NIGHT, HIGH UP IN THEIR FORGOTTEN CASTLE KEEP, THEY FILLED THEIR WEDDING CHAMBER WITH FLOWERS FROM THE ETERNAL GARDEN. AND JUST AS THEY WERE ABOUT TO MAKE LOVE, THE KING AND HIS GUARDS BURST INTO THE ROOM. THEY ARRESTED THE MAN. HE STRUGGLED TO TRY TO GET FREE, BUT THE GUARDS HELD HIM TIGHT, AND THE KING TOLD HIM THAT HE WOULD NEVER SEE HIS BEAUTIFUL PRINCESS AGAIN. THE PRINCESS JUMPED FROM THE BED, RAN TO THE WINDOW WITH TEARS IN HER EYES, AND SHOUTED, "YOU CAN'T TAKE HIM AWAY FROM ME BECAUSE LOVE NEVER DIES." AND WITH THAT, SHE LEAPT FROM THE WINDOW, BIDDING HER LOVER ADIEU. THEY NEVER FOUND THE PRINCESS' BODY, ALTHOUGH SHE MUST HAVE DIED. THE MAN BELIEVED THAT SOMEWHERE, ROAMING THE EARTH, WAS HER SPIRIT, AND SO HE VOWED HE WOULD NOT GIVE UP HIS SEARCH UNTIL HE HAD FOUND HIS LOVE AGAIN. AMANDA: IT'S SO BEAUTIFUL. IT'S SO FAMILIAR. JORDAN: AMANDA, I WANT YOU SO MUCH. I NEED YOU SO MUCH. WE BELONG TOGETHER. CAN'T YOU FEEL IT, TOO? AMANDA: YES. YES, I DO, BUT WHY IS IT SO UPSETTING? WHAT -- I'M SORRY. I'M SORRY. I DON'T KNOW WHAT IS WRONG WITH ME. IT SMELLS LIKE YOU. THANKS. WHAT AM I -- WHAT AM I DOING HERE? JORDAN: AMANDA. AMANDA: IT'S COLD. I MEAN, I SHOULD -- I SHOULD BE GOING BACK UP TO THE HOUSE. JORDAN: SLEEP WELL. RACHEL: SEE WHAT I MEAN? SOMEBODY HAS AN IN WITH THE FLORIST. CAMERON: HAVEN'T SEEN THIS MANY FLOWERS SINCE MY WEDDING DAY. I HURT HER SO BAD. RACHEL: HEY, LISTEN, YOU'RE NOT THE FIRST PERSON WHO HURT SOMEBODY. AND THIS ISN'T HELPING AMANDA, SO LET'S LOOK THROUGH THESE FLOWERS AND FIND A CARD. SOMEBODY MUST HAVE SENT A CARD. CAMERON: YOU'RE RIGHT. THANKS. WHEW -- THESE STINK. RACHEL: LOOK AT THIS. SHE'S NEVER SKETCHED. CAMERON: JUST ADD IT TO THE LIST OF WEIRD THINGS SHE'S BEEN DOING. RACHEL: YEAH, BUT LOOK AT IT. DOESN'T IT -- WHAT DOES IT REMIND YOU OF? CAMERON: IT'S JUST A PICTURE OF A LANDSCAPE. RACHEL: NO, LOOK AT THE COMPOSITION. LOOK AT THE COMPOSITION. LOOK. TONI: I'M SORRY, GUYS, BUT IT'S ABOUT THAT TIME. PAULINA: NO, PLEASE. PLEASE NOT YET. I CAN'T WAKE DANTE TO SAY GOOD-BYE. HE'LL BE TOO SCARED. AND I HAVEN'T SEEN TIM YET. PLEASE LET ME JUST TALK TO -- TONI: I KNOW, I KNOW, BUT THE JUDGE SAID YOU HAVE THREE HOURS, AND I THINK IT'LL BE EASIER FOR YOU IF YOU TAKE THAT INTO CONSIDERATION. [KNOCK ON DOOR] PAULINA: SO MANY TIMES I WANTED TO TELL YOU HOW I GAVE YOU UP. I JUST COULDN'T FIND THE WORDS. I DIDN'T WANT IT TO BE PUBLIC. TITO: IT DOESN'T MATTER. PAULINA: YES, IT DOES. I NEVER WANTED TO HURT YOU THIS WAY, EVER. TITO: HEY, LOOK, THE PAST IS THE PAST. YOU DID WHAT YOU HAD TO DO. RIGHT? AND BELIEVE ME, YOU'VE MADE UP FOR IT, MORE THAN YOU'LL EVER KNOW. I KNOW WHAT IT'S LIKE TO MESS UP AND MESS UP BIG. PAULINA: I WANT YOU TO GET OUT OF BAY CITY RIGHT NOW. DO YOU UNDERSTAND ME? TITO: HOW? PAULINA: USE WHATEVER YOU GOT -- BEG, BORROW, STEAL, WHATEVER IT TAKES. YOU JUST GET OUT OF TOWN. I DON'T WANT YOU HERE WHEN THIS TRIAL STARTS. DO YOU UNDERSTAND ME? TITO: YEAH. TONI: IT'S THAT TIME. IT'S ALMOST DAWN, OK? WE GOT TO GET ROLLING. PAULINA: I MEAN IT. I JUST NEED TO KISS DANTE, PLEASE. JOE: I DON'T CARE WHAT PAULINA JUST SAID TO YOU. I EXPECT YOU TO STAY RIGHT HERE BESIDE HER SIDE THROUGHOUT THIS WHOLE THING. YOU GOT THAT? TITO: BUT SHE SAID THAT -- JOE: NO BUTS. LOOK, MAYBE YOU NEVER HAD ANY FAMILY BEFORE, SO LET ME RUN DOWN THE DRILL FOR YOU. STICKING TOGETHER IS WHAT FAMILY IS ALL ABOUT. NOW, SHE'S IN A HELL OF A MESS RIGHT NOW, MOSTLY BECAUSE SHE LOVES YOU. SO I'LL BE DAMNED IF YOU'RE GOING TO TURN YOUR BACK ON HER RIGHT WHEN SHE NEEDS YOU THE MOST. RACHEL: THERE. SEE? IT'S ALL COMING TOGETHER. CAMERON: DOESN'T THAT -- THAT LOOKS LIKE THE PAINTING YOU SOLD JORDAN STARK. RACHEL: RIGHT. THE ONE HE GAVE BACK TO US. YOU SEE? IT ALL COMES BACK TO JORDAN STARK. CAMERON: WELL, WHERE'S THE PAINTING NOW? RACHEL: MATTHEW SENT IT OUT TO BE RESTORED. CAMERON: OK, SO LET ME GET THIS STRAIGHT. AMANDA, WHO DOESN'T DRAW, SUDDENLY DECIDES TO SKETCH TWO PEOPLE WHO ARE IN A PAINTING THAT'S NO LONGER IN THE HOUSE? SO HOW DID SHE DO THAT? RACHEL: SHE'S VERY FAMILIAR WITH THE PAINTING, BUT SHE NEVER SKETCHES. CAMERON: WELL, WHERE IS -- RACHEL: I HAVE TO FIND THIS PAINTING. CAMERON: WELL, TELL ME WHERE IT IS. I'LL FIND IT. RACHEL: HALLIDAY. HALLIDAY SENT IT TO SOME RESTORER. CAMERON: YOU SEE THAT? HALLIDAY -- HE'S EVERYWHERE I TURN. RACHEL: CAMERON, IT'S EITHER DAVID HALLIDAY OR IT'S JORDAN STARK. THEY CAN'T BOTH BE THE BAD GUY. JORDAN: OH, I WAS SO CLOSE. I ALMOST HAD HER. AND I WILL HAVE HER. AMANDA WILL SLEEP WITH ME. AND WHEN SHE DOES, HER HEART WILL NO LONGER BELONG TO CAMERON SINCLAIR. IT WILL BELONG TO AMALIE. AND AMALIE WILL BELONG TO ME. RACHEL: CAMERON, SHE'S OUT THERE. CAMERON: RACHEL, I DON'T THINK IT'S A GOOD IDEA FOR HER TO SEE ME RIGHT NOW. RACHEL: OK. CAMERON: JUST YOU TAKE CARE OF HER, AND THEN I'LL CALL YOU LATER. RACHEL: YEAH. HONEY? AMANDA? WAKE UP. AMANDA: MOM. RACHEL: HEY. WHAT ARE YOU DOING OUT HERE, HONEY? IT'S COLD. ARE YOU ALL RIGHT? AMANDA: YEAH, I THINK SO. WHY AM I OUT HERE AGAIN? WHAT'S WRONG WITH ME? RACHEL: I DON'T KNOW. UM -- I THINK IT'S JUST YOU MUST HAVE BEEN SLEEPWALKING. THAT'S ALL. NOTHING'S WRONG WITH YOU. NOTHING AT ALL IS WRONG WITH YOU. PAULINA: MOMMY'S GOING ON A BIG TRIP, OK? BUT DADDY WILL BE HERE. AND REMY AND TIM. YOU REMEMBER TIM, DON'T YOU? HE'S YOUR BIG BROTHER. JOE: MOMMY WON'T BE GONE FOR LONG, OK? YOU GOT A KISS FOR HER? PAULINA: GIVE ME A KISS. JOE: A KISS? DANTE: OH, MOMMY. JOE: HEY. I WANT TO GO WITH YOU. PAULINA: NO. NO, DANTE NEEDS YOU MORE. JUST HUG ME TIGHT, BABY, OK, BECAUSE IT'S GOING TO HAVE TO LAST ME A LONG TIME. GOD. I LOVE YOU, BABY. DANTE: MOMMY. PAULINA: OH, GOD. DANTE: MOMMY. PAULINA: COME HERE. SHH, SHH, SHH, SHH. OK, OK. COME ON. TONI: YOU ALL SET? PAULINA: I LOVE YOU, BABY. I LOVE YOU. RACHEL: AMANDA, YOU NEED A GOOD NIGHT'S SLEEP, AND THEN EVERYTHING WILL COME BACK TO YOU. AMANDA: THERE WERE FLOWERS HERE ON THE END TABLE. RACHEL: UH -- RIGHT, THERE WERE. I MOVED THEM. I MOVED THEM -- THEY'RE HERE. I'LL BRING THEM BACK. HERE THEY ARE. THESE -- HERE THEY ARE. AMANDA: I REMEMBER. RACHEL: WHAT DO YOU REMEMBER? WHAT, DARLING? WHAT DO YOU REMEMBER? AMANDA: FORGET IT. IT'S GONE. RACHEL: WELL, ALL YOU NEED IS SOME SLEEP, AND THEN EVERYTHING'S GOING TO GET CLEARER. AMANDA: IT JUST DOESN'T MAKE SENSE. RACHEL: WHAT? WHAT DOESN'T MAKE SENSE? AMANDA: THIS FEELING THAT I HAVE. RACHEL: DESCRIBE IT, DARLING. AMANDA: IT'S AS IF I WANT SOMEONE TO KNOW WHERE I AM. [TELEPHONE RINGS] JORDAN: DAVID HALLIDAY HERE. RACHEL: MR. HALLIDAY, THIS IS RACHEL CORY HUTCHINS. I THINK IT'S TIME WE MET. >> STAY TUNED FOR SCENES FROM TOMORROW'S SHOW. LILA: THIS IS THE SKINNY ON MS. ANNE O'DONNELL, WHICH PROVES THAT SHE IS NOTHING BUT TROUBLE. ANNE: CASS, WHAT ARE YOU DOING? JORDAN: THE LAST THING WE NEED IS FOR AMANDA CORY TO TURN TO THE ONE MAN WHO CAN DESTROY ALL OF OUR PLANS. CAMERON: YEAH, THAT'S THE LAST THING WE WANT. [CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.]