[CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.] FELICIA: THERE IS SO MUCH HUMAN SUFFERING IN THE WORLD TODAY, AND WE ALL WANT TO DO SOMETHING REAL, SOMETHING OTHER THAN WRITING JUST A CHECK. WELL, THIS PROCEDURE THAT I'M TALKING ABOUT MAYBE IS THAT SOMETHING. YOU KNOW, ALL OF US HAVE WITHIN OURSELVES A GENUINE MIRACLE. WE ALL CAN GIVE THE GREATEST GIFT, THE GIFT OF LIFE, TO NOT ONLY MY FRIEND BUT OTHERS LIKE HIM. SO, PLEASE, GO TO YOUR NEAREST HOSPITAL, REGISTER AS A BONE MARROW DONOR TODAY, AND GIVE THAT GREAT GIFT. THANK YOU. SERGEI: THERE IS ONLY ONE WORD THAT CAN DESCRIBE FELICIA GALLANT, AND THAT IS ANGEL. YOU'RE BEAUTIFUL. FELICIA: ANGEL SPANGEL. HOW DO YOU KNOW THAT I'M NOT JUST DOING ALL OF THIS SO I'M ATONING FOR YEARS OF WICKEDNESS? SERGEI: I DON'T BELIEVE IN YOU. FELICIA: NO? SERGEI: NO. YOU'RE NOT DOING GOOD FOR ME. YOU ALWAYS DO GOOD. FELICIA: BELIEVE ME, IF I WERE MOTHER TERESA REINCARNATED -- WHICH I'M NOT -- I JUST DON'T KNOW HOW MUCH MORE GOOD I CAN DO TO HELP YOU. THAT'S WHY YOU'VE GOT TO HELP YOURSELF NOW, AND I THINK YOU NEED TO START RIGHT NOW. SERGEI: BUT, FELICIA, I AM PRISONER HERE IN HOSPITAL -- FELICIA: I KNOW. SERGEI: AND I AM -- WHAT AM I GOING TO DO FROM THIS HOSPITAL BED? FELICIA: WAIT UNTIL YOU SEE WHAT I HAVE OUTSIDE HERE. THEN YOU WON'T ASK ME THAT QUESTION. DONNA: NOW, I MADE THIS EXACTLY THE WAY YOU TOLD ME TO, BUT IT JUST -- SOMETHING DOESN'T SEEM RIGHT. MARLEY: OH. DONNA: IT'S TOO MUCH VINEGAR, RIGHT? MARLEY: OH, JUST A -- JUST A TOUCH TOO MUCH. DONNA: OK. MARLEY: OH. DONNA: HERE. MARLEY: OH, KIRKLAND, HERE. COME HERE. COME HERE. YOU'RE JUST IN TIME. YOU CAN HELP ME ADMINISTER SOME FIRST AID TO NANA'S COLE SLAW. KIRKLAND: WHEN'S MOM GOING TO BE BACK? DONNA: WELL, ACTUALLY, SHE AND JAKE ARE OUT LOOKING FOR HIS NEPHEW. MARLEY: RIGHT. DONNA: WHAT'S HIS NAME? WHAT'S HIS -- MARLEY: SEAN. DONNA: SEAN. MARLEY: SEAN. DONNA: SEAN. KIRKLAND: IS HE COMING TO THE BARBECUE? MARLEY: WELL, IF THEY FIND HIM, I'M SURE YOUR MOM WILL INVITE HIM. AND SPEAKING OF BARBECUES, I'M TAKING ORDERS. SO, DO YOU WANT HAMBURGER OR HOT DOG OR BOTH? KIRKLAND: HOT DOG. I WISH WE HAD THE ONES THAT THEY HAVE AT THE PARK. I HAD ONE LAST YEAR AFTER MY DAD MADE A SPEECH. EVERYONE CLAPPED AFTER IT. IT MADE A LOT OF NOISE. DONNA: THE SPEECH. THE MEMORIAL DAY SPEECH AT SOLDIER'S FIELD. MARLEY: BET IT MADE YOU -- DONNA: THE MAYOR MAKES IT. MARLEY: REALLY PROUD OF YOUR DAD WHEN EVERYBODY WAS CLAPPING FOR HIM, HUH? KIRKLAND: YEAH. WHO'S GOING TO MAKE THE SPEECH THIS YEAR? MARLEY: THE ACTING MAYOR, I GUESS. SO, DO YOU THINK THAT STEVEN WILL WANT A HAMBURGER OR HOT DOG, OR IS HE GOING TO BE TOO STUFFED FROM THAT BOY SCOUT PICNIC? KIRKLAND: I DON'T THINK HE'LL BE HUNGRY. I'M NOT HUNGRY, EITHER. DONNA: WELL, THEN WE JUST HAVE TO WORK ON YOUR APPETITE AND -- AND -- WELL, WHY DON'T WE SET THE TABLE TOGETHER? MARLEY: YEAH. DONNA: AND THEN WE CAN CHECK TO SEE IF WE HAVE ALL THE INGREDIENTS FOR DESSERT. I UNDERSTAND THAT YOU LIKE S'MORES? MARLEY: MMM. DONNA: YES? KIRKLAND: YES. JAKE TAUGHT ME AND STEVEN HOW TO MAKE THEM WITH DOUBLE MARSHMALLOWS. WANT ME TO ASK HIM TO TEACH YOU HOW TO MAKE THEM LATER? DONNA: WELL, I DON'T KNOW. MARLEY: SWEETHEART, WE -- WE DON'T KNOW IF JAKE'S GOING TO BE ABLE TO MAKE IT. KIRKLAND: JAKE SAID HE WOULD PLAY BASEBALL WITH US TODAY. MARLEY: YEAH, I KNOW HE REALLY WANTS TO -- KIRKLAND: DON'T SAY JAKE'S NOT COMING. THAT'S NOT TRUE. HE WOULDN'T MISS THE BARBECUE -- NEVER IN A MILLION YEARS. VICKY: WHEN SEAN SAID HE WANTED TO STAY WITH US, I THOUGHT YOU WERE BEHIND THE WHOLE THING. I JUST COULDN'T TAKE THE KID SERIOUSLY. JAKE: I CANNOT BELIEVE THAT YOU THOUGHT THAT I WOULD PAY SOME RANDOM KID TO PRETEND LIKE HE WAS MY NEPHEW JUST TO PROVE A POINT. VICKY: IF YOU THOUGHT IT WOULD TEACH ME A LESSON, YOU WOULD. JAKE: LOOK, I KNOW YOU DIDN'T DRIVE THE KID AWAY ON PURPOSE, SO LET'S -- LET'S GET YOU BACK TO THE HOUSE BECAUSE THE KIDS ARE GOING TO PROBABLY WANT YOU TO FIRE UP THE BARBECUE. VICKY: THEY'RE HOPING YOU'LL STAY, TOO. COME ON. TELL THEM YOU'LL STAY. JAKE: MARLEY GOING TO BE THERE? VICKY: I THINK YOU KNOW THE ANSWER TO THAT QUESTION -- JAKE: THEN YOU HAVE MY ANSWER. VICKY: WAIT, WAIT. WAIT, WAIT. ALLI: OH -- VICKY, JAKE. HI. YOU GUYS AREN'T HERE TO SEE THE CONCERT, ARE YOU? JAKE: NO, ACTUALLY, WE'RE LOOKING FOR MY NEPHEW. VICKY: DID YOU -- MAYBE YOU HAPPENED TO SEE HIM. HE'S KIND OF ABOUT YOUR AGE, MAYBE A LITTLE BIT OLDER. TALL, THIN, DARK HAIR, BASEBALL CAP. DID YOU SEE ANYBODY WHO LOOKED LIKE THAT? ALLI: I COULD'VE WALKED RIGHT BY HIM. I WAS INTO MY MUSIC. TOTAL OBLIVION. JAKE: MM-HMM. MAYBE YOU COULD KEEP YOUR EYES PEELED FOR HIM NOW. ALLI: I'LL LET YOU KNOW IF I SEE HIM. JAKE: GREAT. VICKY: DO YOU THINK THAT'S GOING TO LEAD TO ANYTHING? JAKE: NOPE. DON'T KNOW. IT'S KIND OF WEIRD THAT SEAN NEVER TRIED TO GET IN TOUCH WITH ME OR FIND ME AT THE OFFICE. I MEAN, I DON'T KNOW THE KID, BUT IT JUST SEEMS LIKE IF -- WELL, IT'S ALMOST LIKE HE DIDN'T WANT TO BE FOUND. GUESS THE BEST WE CAN HOPE FOR IS, IF HE DOESN'T FIND SOMEPLACE TO STAY, HE'LL COME BACK. SEAN: DON'T COUNT ON IT. ALLI: EXCUSE ME. WHAT ARE YOU DOING? WHAT ARE YOU DOING? GIVE ME THAT. SEAN: HEY. HEY, GET OFF MY CAMERA. ALLI: WHAT ARE YOU, SOME KIND OF PERVERT? SEAN: WHAT ARE YOU DOING? GET OFF MY CAMERA. MARLEY: I WAS GOING TO SAVE THIS TILL LATER FOR A SURPRISE, BUT WE SHOULD GET IT OUT RIGHT NOW AND SET IT UP. KIRKLAND: WHAT'S THAT? MARLEY: WELL, IT'S A CROQUET SET. I PICKED IT UP WHEN I WAS OUT SHOPPING. IT'S REALLY FUN. IT'S KIND OF DIFFERENT. YEAH? KIRKLAND: YOU AND NANA CAN PLAY IF YOU WANT TO. I'M PLAYING BASEBALL WITH JAKE. DONNA: COME HERE AND SIT WITH ME FOR A SECOND. I KNOW THERE ARE A LOT OF THINGS GOING ON RIGHT NOW THAT YOU DON'T UNDERSTAND. AND ONE OF THE THINGS THAT YOUR AUNT MARLEY AND I DON'T WANT TO HAPPEN IS FOR YOU TO GET YOUR HOPES UP FOR SOMETHING THAT MIGHT NOT -- [DOOR OPENS] DONNA: COME TO PASS -- KIRKLAND: SEE? I TOLD YOU JAKE WAS COMING. HE'S GOING TO PLAY BASEBALL, HE'S GOING TO COOK THE HAMBURGERS, AND HE'S NEVER GOING TO GO AWAY AGAIN. JAKE: THE BASEBALL IS DEFINITELY ON, BUT I GOT TO PUT A COUPLE HOURS IN AT THE OFFICE. AND THEN I'LL COME BACK, AND YOU AND I CAN HIT THE PARK. KIRKLAND: WHY CAN'T WE JUST GO OUT BACK? AREN'T YOU GOING TO SET UP THE GRILL LIKE ALWAYS? JAKE: LOOK, I'D LOVE TO DO THAT, BUDDY, BUT THE PAPER'S SUPER BUSY, SO I'M GOING TO COME BACK. SCOUT'S HONOR. KIRKLAND: I'LL GO PRACTICE. DONNA: NO. THIS IS NOT A GOOD TIME. YOUR SISTER AND I HAVE BEEN TRYING TO CHEER HIM UP ALL MORNING. VICKY: OK, THEN YOU GO. PLEASE, YOU GO. TELL HIM YOU'LL STAY FOR A LITTLE WHILE. JAKE: YOU KNOW SOMETHING? I'D GIVE A MILLION BUCKS IF THAT -- IF IT WAS THAT EASY. IT'S JUST -- IT JUST ISN'T NOW, IS IT? TELL KIRK I'LL BE BACK JUST LIKE I PROMISED. MARLEY: HE WOULD HAVE STAYED IF I HADN'T BEEN HERE. VICKY: YOU KNOW WHAT? I'M JUST NOT GOING TO GO THERE TODAY. AS A MATTER OF FACT, I'M NOT GOING TO BE SORRY ABOUT ANYTHING TODAY. I'M JUST GOING TO -- I'M JUST GOING TO FOCUS ON -- ON WHAT I HAVE TO BE HAPPY ABOUT. I'M NOT GOING TO BE SAD ABOUT WHAT I DON'T. OK? GO UPSTAIRS. MARLEY: RIGHT. DONNA: SHE'S RIGHT. MARLEY: YEAH. SHE'S PUTTING UP A BIG FRONT. DONNA: IT WAS HER CHOICE TO HAVE YOU STAY HERE. MARLEY: WELL, WE ALL MAKE CHOICES THAT WE REGRET. DONNA: SHE DOESN'T REGRET IT, AND GOD KNOWS I DON'T REGRET IT. HAVING YOU HERE IS LIKE A GIFT. IT'S PROBABLY ONE I DON'T DESERVE, BUT WATCHING YOUR PATIENCE AND YOUR HUMILITY IS JUST -- IT'S LIKE A LESSON TO ALL OF US, DARLING. YOU'RE FINDING A NEW PLACE FOR YOURSELF IN THE WORLD. AND IT ALMOST MAKES ME BELIEVE THAT MAYBE I CAN DO IT, TOO. SO, NO MORE BLAMING YOURSELF FOR WHAT JAKE AND VICTORIA ARE GOING THROUGH, ALL RIGHT? I'M GOING TO GO CHECK ON HER, SEE HOW SHE'S DOING. [KNOCK ON DOOR] TYRONE: HEY. POINT ME TO A FREEZER BECAUSE I GOT STUCK IN TRAFFIC AND THIS ICE CREAM IS GOING TO TURN INTO -- AM I MISTAKEN, OR ARE YOU NOT EXACTLY IN THE HOLIDAY BARBECUE MOOD? MARLEY: NO, I'M NOT. I'M OK. JUST -- COULD YOU -- COULD YOU GIVE ME A RIDE SOMEPLACE? THERE'S SOMEWHERE I REALLY NEED TO GO. ALLI: GIVE IT TO ME. SEAN: HEY, COME ON. YOU'RE GOING TO WASTE A WHOLE ROLL OF FILM BECAUSE YOU WANT TO GET RID OF ONE PICTURE? COME ON, GIVE ME A BREAK. I WASN'T EVEN TRYING TO TAKE A PICTURE OF YOU. ALLI: OH, NO? THEN WHAT WAS YOUR CAMERA DOING IN MY FACE? SEAN: I WAS TRYING TO GET THE BUG THAT WAS ON YOUR SHOULDER. ALLI: THE WHAT? SEAN: YEAH. THERE WAS A BUG, AN INSECT, A THING WITH CRAWLING LEGS. ALLI: WHERE? THERE'S A -- WHERE? SEAN: UH, UH -- OH, HOW'D IT GET ALL THE WAY UP THERE? ALLI: WHERE? WHAT ARE YOU TALKING -- SEAN: I THOUGHT IT WAS A -- ALLI: PLEASE SAY IT'S NOT ON ME. OH, MY GOD. OH, MY GOD. GET IT OUT! GET IT OUT! IS IT GONE? SEAN: ALL RIGHT, ALL RIGHT, I CAN'T SEE -- ALLI: IS IT GONE? SEAN: SAY CHEESE ALLI: NICE. OK, SO YOU GOT ME. THERE WAS NO BUG, RIGHT? SEAN: NOPE. ALLI: NO. WOULD YOU STOP IT? WHAT ARE YOU, SOME KIND OF PSYCHO FREAK? SEAN: YOU'RE CALLING ME A PSYCHO FREAK. YOU SHOULD SEE YOUR HAIR. ALL RIGHT. LOOK, LOOK, LOOK. I WASN'T TRYING TO BOTHER YOU. I JUST THOUGHT YOU WERE TAKING A NAP. ALLI: OH -- SO, WHAT, YOU THINK IT'S COOL TO TAKE PICTURES OF PEOPLE WHILE THEY'RE SLEEPING? SEAN: NOT NECESSARILY WHEN THEY'RE SLEEPING. I JUST THINK THAT THE BEST PICTURE IS WHEN THE PERSON DOESN'T KNOW THE CAMERA'S THERE. ALLI: SO, WHAT, ARE YOU SHOOTING THIS STUFF FOR A MAGAZINE OR SOMETHING? SEAN: NAH, I'M JUST SHOOTING IT FOR ME, FOR MYSELF. BUT, HEY, IF THAT BOTHERS YOU, YOU KNOW, I'M GOING TO GET GOING ANYWAY. ALLI: WAIT, WAIT, WAIT. I KNOW WHO YOU ARE. FELICIA: THERE WE GO. SERGEI: MY KEYBOARD. FELICIA: YOU THINK OF THIS AS A VITAMIN SUPPLEMENT, SORT OF LIKE WITH ALL YOUR OTHER MEDICATIONS. ETTA MAE: NOW, IT'S MUCH HEAVIER THAN IT LOOKS. I WANT YOU TO KNOW THAT. FELICIA: YES, I KNOW, AND I THANK YOU. WE BOTH THANK YOU. ETTA MAE: ALL RIGHT. FELICIA: NOW, DON'T TELL ME THIS ISN'T WHO I THINK IT IS. ETTA MAE: OH, THIS YOUNG LADY HAPPENS TO BE MY BABY GIRL, HOME FROM BOARDING SCHOOL. K.C., SAY HELLO TO MR. RADZINSKY AND HIS -- SERGEI: THIS IS FELICIA. SHE IS MY LAWFULLY WEDDED WIFE, FOR BETTER, FOR WORSE -- ETTA MAE: YEAH. SERGEI: IN SICKNESS OR IN HEALTH. FELICIA: YEAH, WELL, THAT'S ABOUT IT. HELLO, K.C. K.C.: HI. FELICIA: FELICIA. NICE TO MEET YOU. YOU'RE PRETTIER THAN YOUR PICTURE, YOU KNOW? K.C.: THANK YOU. I'VE SEEN YOUR PICTURE, TOO, ON YOUR BOOKS. I HAVEN'T READ THEM ALL, BUT I'M WORKING ON IT. FELICIA: SO, SHE HAS LITERARY TASTE. I LOVE THAT. YOU MUST BE VERY PROUD. ETTA MAE: YEAH. SERGEI: IT IS GREAT HONOR TO MEET MISS BURRELL, WHO IS GREAT DAUGHTER OF GREAT FRIEND. K.C.: SO, YOU'RE A MUSICIAN, MR. RADZINSKY? SERGEI: MUSIC WAS MY LIFE. FELICIA: WHAT DO YOU MEAN, "WAS"? NOW, YOU STOP THAT. YOU'RE STILL A GREAT COMPOSER. YOU JUST HAVEN'T BEEN DOING IT, THAT'S ALL. IN FACT, THAT'S WHEN I GOT THE IDEA. YOU KNOW, WHY COULDN'T YOU? I MEAN, WHAT'S TO STOP YOU? COMPOSING YOU CAN DO LYING FLAT ON YOUR BACK. THAT'S WHY I CALLED ETTA MAE, TO HAVE HER BRING THIS. I TOLD HER ALL ABOUT THE C.D. WE'RE GOING TO PRODUCE. SERGEI: SHE TOLD YOU WE MAKE BIG PUBLICITY SO THAT PEOPLE WILL REGISTER TO BE BONE MARROW? K.C.: YEAH. ETTA MAE: YEAH. K.C.: THINK IT'S A GREAT IDEA. FELICIA: IT IS A GREAT IDEA AS LONG AS YOU GET BACK TO WORK. SO, COME ON NOW. GET CRACKING. I'LL LET THE LADIES OUT. GO ON. SERGEI: OK, I WILL TRY. K.C.: BYE. SERGEI: GOOD-BYE. ETTA MAE: BYE-BYE. SERGEI: THANK YOU. ETTA MAE: I DON'T KNOW, FELICIA. HE DOES NOT LOOK GOOD. I MEAN, NOW, DO YOU REALLY THINK HE IS STRONG ENOUGH TO COME UP WITH SOME MUSIC FOR A C.D.? FELICIA: I DON'T KNOW. ALL I KNOW IS THAT WHAT HE NEEDS RIGHT NOW MORE THAN ANYTHING IS A REASON TO KEEP FIGHTING. SO I'M HOPING AND PRAYING THAT IF I CAN GET HIM INVOLVED IN THE MUSIC -- [LOUD MUSIC] FELICIA: WELL, HE'S INVOLVED. NURSE: WHAT JUST CAME FROM INSIDE THAT ROOM? FELICIA: IT'S A SOUND OF TRIUMPH, OF -- NURSE: YOU ARE OUT OF YOUR EVER-LOVING MIND. FELICIA: WAIT, WAIT -- NURSE: KNOCK IT OFF, COMRADE. HEY, HEY -- HERE IN AMERICA, WE HAVE THIS CRAZY IDEA THAT A HOSPITAL SHOULD BE A PLACE WHERE PEOPLE CAN GET SOME REST. FELICIA: WHOA, WHOA, WHOA. GET YOUR HANDS OFF THIS. THIS IS PRIVATE PROPERTY. OTHERWISE YOU'RE GOING TO END UP IN A BED JUST LIKE HIM. FELICIA: YOU JUST -- YOU JUST DON'T UNDERSTAND THIS. YOU SEE, HE'S AN ARTIST. MUSIC IS LIKE NOURISHMENT. IF HE DOESN'T GET IT, HE WILL STARVE. NURSE: DID YOU HAPPEN TO MAYBE NOTICE ALL OF THE OTHER PEOPLE OUT THERE IN HOSPITAL GOWNS AND ROBES? MR. RADZINSKY IS NOT THE ONLY PATIENT ON THIS FLOOR. THE EQUIPMENT HAS TO GO. FELICIA: YOU KNOW WHAT? WAIT A MINUTE. DIDN'T YOU TELL ME ABOUT SOME SORT OF HEADSET YOU COULD PLUG INTO THIS, AND YOU COULD HEAR THE MUSIC BUT NO ONE ELSE COULD HEAR THE SOUND? SERGEI: YES, FELICIA, BUT ARTIST CANNOT WORK LIKE THIS -- FELICIA: FINE. WE WILL GET A HEADSET, ALL RIGHT? AND WE WON'T DISTURB ANYONE. NURSE: WELL, IT SEEMS TO ME YOU COULD HAVE THOUGHT OF THAT BEFORE. FELICIA: OH, WELL, ISN'T THAT NICE. AN UNSOLICITED LITTLE TIP FROM YOU. BYE-BYE. ETTA MAE: GIRL, YOU NEED TO STOP IT. I HOPE YOU APPRECIATE HAVING YOUR VERY OWN PIT BULL. FELICIA: OH, THANK YOU. ETTA MAE: SERGEI, ENJOY YOUR MUSIC. K.C. AND I ARE GOING TO THE PARK -- FELICIA: OH. ETTA MAE: WHERE I KNOW THE MUSIC THERE WILL NOT COME NOWHERE NEAR -- SERGEI: THERE IS MUSIC IN THE PARK TODAY? K.C.: OH, YEAH. IT'S A BIG AMERICAN HOLIDAY. YEAH. WE'RE GOING TO MEET MY SISTER TONI AND HAVE A PICNIC. SERGEI: WHAT IS PICNIC? K.C.: PICNIC? IT'S WHERE YOU BRING A BLANKET AND FOOD AND -- ETTA MAE: AND YOU FIGHT THE ANTS TO SEE WHO GETS THE LEFTOVERS. NOW, K.C., YOU AND I BETTER GO ON BEFORE TONI WILL START WONDERING WHERE WE ARE. K.C.: MM-HMM. FELICIA: OK. LET ME WALK YOU OUT. ETTA MAE: TOODLES, BABE. SERGEI: THANK YOU. FELICIA: THANKS AGAIN. K.C.: WELCOME. BYE. FELICIA: THANKS. ETTA MAE: ALL RIGHTY. SERGEI: IT'S LIKE SAYING HELLO TO AN OLD FRIEND. FELICIA: THEN WHY DON'T YOU LOOK HAPPY ABOUT IT? SERGEI: I AM HAPPY. I AM JUST WISH A LITTLE BIT THAT -- FELICIA: WHAT? TELL ME. SERGEI: OH, THIS TALK ABOUT PARK AND GRASS AND TREES AND THE GLORIES OF SISTER NATURE. FELICIA: MOTHER NATURE. SERGEI: YES. BUT THIS ALSO MOTHER OF INSPIRATION. IF I COULD MAYBE JUST HAVE LITTLE FRESH AIR, THEN I WOULD FEEL THIS SONG IN MY HEART. THEN COME HOME, WRITE MUSIC. BUT WE HAVE BEEN IN HOSPITAL SO LONG, AND THERE IS NO BEAUTIFUL -- FELICIA: HOLD YOUR THOUGHT. CLOTHES ARE IN HERE. GET THEM. HERE YOU GO. YOU PUT THEM ON, AND WE'LL GO FIND THAT INSPIRATION. GO ON. SEAN: WHAT DO YOU MEAN, YOU KNOW WHO I AM? ALLI: PEOPLE ARE LOOKING FOR YOU. SEAN: WHAT PEOPLE? ALLI: WELL, LIKE YOUR UNCLE JAKE, FOR ONE. SEAN: UNCLE WHO? ALLI: OH, COME ON. DON'T PRETEND LIKE YOU DON'T KNOW WHAT I'M TALKING ABOUT. JAKE McKINNON AND HIS WIFE? THEY WERE HERE. THEY DESCRIBED YOU PERFECTLY. SEAN: I'M SORRY, BUT I DON'T KNOW ANYONE BY THE NAME OF JAKE McKINNON. ALLI: OH, REALLY. OOH -- "SEAN McKINNON, 4713 CRESCENT DRIVE, BOISE, IDAHO." WOW, SAME NAME AND EVERYTHING. WHAT A COINCIDENCE. SO, WHAT, IS THIS LYING THING A HOBBY, TOO, LIKE YOUR PHOTOGRAPHY? SEAN: YOU KNOW, I WASN'T LYING. ALL I SAID WAS THAT I NEVER MET THE GUY, AND THAT'S THE TRUTH. BUT EVEN MORE IMPORTANT, I NEVER WANT TO. ALLI: WHY? JAKE'S A COOL GUY. SEAN: YEAH, WELL, HIS WIFE'S A BIT SKETCHY. ALLI: YOU MET VICKY. SEAN: I DON'T KNOW IF YOU'D CALL IT A MEETING. WE BASICALLY EXCHANGED A FEW WORDS, AND THEN SHE SLAMMED THE DOOR IN MY FACE. ALLI: WHOA. WELL, THAT DOESN'T SOUND LIKE VICKY AT ALL. YOU HAVE TO BE KIDDING. SHE LOOKED REALLY WORRIED ABOUT YOU. SEAN: LOOK -- ALLI: BOTH SHE AND JAKE DID. SEAN: LOOK, LOOK. YOU OBVIOUSLY HAVE A DIFFERENT TAKE ON THESE PEOPLE, SO WHY DON'T YOU JUST DO ME A FAVOR. ALLI: WHAT? SEAN: JUST LEAVE ME ALONE. VICKY: YOU KNOW SOMETHING? EVEN IF WE HAD FOUND SEAN, I'M NOT SURE HE'D WANT TO LIVE HERE. DONNA: WHY NOT? VICKY: COME ON. "YES, THIS IS YOUR UNCLE JAKE'S HOUSE, BUT NO, HE DOESN'T LIVE HERE ANYMORE. HE LIVES IN A HOTEL." DON'T YOU THINK HE MIGHT THINK THAT'S A LITTLE WEIRD? DONNA: WELL, ACTUALLY, HE MIGHT NOT. VICKY: THIS IS NOT A HAPPY HOUSE, AND IT SHOWS. DONNA: YOUR SISTER FEELS A LOT OF RESPONSIBILITY FOR THAT. VICKY: THAT'S EXACTLY WHAT I DON'T WANT TO HAPPEN. DONNA: AND SHE DOESN'T, EITHER. SO YOU KNOW WHAT I'VE BEEN THINKING? THAT MAYBE I COULD TAKE RESPONSIBILITY FOR MARLEY AND THEN WE COULD LIVE IN HER HOUSE TOGETHER. VICKY: NO. NO. BECAUSE THEN IT WOULD SEEM LIKE I'D GIVEN UP OR SOMETHING. SHE HAS BEEN REJECTED AND REJECTED. IF I DO IT, SHE'S NEVER GOING TO GET BACK ON HER FEET AGAIN. DONNA: BUT IF SHE'S HERE, JAKE IS NOT. VICKY: I KNOW. THOSE BOYS NEED A FATHER SO MUCH. I'M JUST GOING TO HAVE TO MAKE HIM COME TO TERMS WITH THIS SOMEHOW. DONNA: "MAKE HIM COME TO TERMS." THAT'S A CRAZY THING TO SAY. WHEN DID YOU EVER MAKE HIM DO ANYTHING? VICKY: ALL RIGHT. I'M JUST GOING TO HAVE TO LET HIM COME TO IT IN HIS OWN TIME. IN THE MEANWHILE, I'M GOING TO GO SEE IF KIRKLAND WOULD ACTUALLY LET ME PITCH TO HIM. SWEETHEART? KIRKLAND? VICKY: KIRKLAND, WHERE ARE YOU? JAKE: THIS IS NOT A GOOD TIME. MARLEY: WELL, THERE WOULD NEVER REALLY BE A GOOD TIME, JAKE. I KNOW THAT. BUT I KNOW THE REAL REASON YOU'RE SITTING BEHIND THAT DESK ISN'T BECAUSE YOU HAVE SO MUCH WORK TO DO. IT'S BECAUSE IF YOU'RE THERE, THEN YOU DON'T HAVE TO BE AT THE BARBECUE. JAKE: WHAT IS IT YOU WANT, MARLEY? MARLEY: I WANT FOR YOU TO GO BACK WHERE YOU BELONG -- WITH THE FAMILY THAT NEEDS YOU. JAKE: YOU KNOW THE REASON THAT I CAN'T BE WITH THEM. SO, FOR GOD'S SAKE, DON'T PRETEND LIKE SOME HEART-TO-HEART IS GOING TO CHANGE ALL THAT, OK? MARLEY: JAKE, I'M GOING TO BE OUT OF YOUR HOUSE THE SECOND -- THE VERY SECOND THAT A JUDGE GIVES ME CLEARANCE. BUT IN THE MEANTIME, THERE HAS TO BE A WAY THAT YOU CAN STILL BE A HUSBAND TO VICTORIA AND A FATHER TO THE BOYS. JAKE: LET ME TELL YOU SOMETHING, MARLEY. IF BEING A GOOD FATHER TO THOSE BOYS MEANS THAT I HAVE TO EXPLAIN TO THEM WHY THE WOMAN WHO ALMOST TOOK THEIR MOTHER AWAY IS IN THE KITCHEN MAKING MILK AND COOKIES, THEN I'M SORRY, I'M TELLING YOU, I CAN'T DO THAT BECAUSE I DON'T KNOW WHAT THAT'LL DO TO THEM. MARLEY: WELL, COULD IT BE SHOWING THEM THAT PEOPLE WHO ARE SICK CAN GET BETTER? COULD IT BE SHOWING THEM THAT FORGIVENESS CAN BE ONE OF THE MOST POWERFUL FORCES IN THE WORLD? [TELEPHONE RINGS] JAKE: "HERALD." McKINNON. VICKY: JAKE, I'M SORRY TO BOTHER YOU AT WORK, BUT I CAN'T FIND KIRKLAND. JAKE: YOU -- YOU CAN'T FIND HIM. VICKY: NO. HE WAS OUTSIDE PLAYING WHEN YOU LEFT. I THOUGHT HE WAS RIGHT IN THE YARD, BUT I CAN'T FIND HIM AND I DON'T KNOW WHAT TO DO. JAKE: ALL RIGHT. YOU HANG ON, VIC. I'LL BE RIGHT THERE. MARLEY: IS IT KIRKLAND? IS HE MISSING? I SHOULD NEVER HAVE DONE THIS. I SHOULD JUST HAVE WALKED AWAY ON THAT VERY FIRST DAY. JAKE: THIS IS NOT YOUR FAULT. IT'S MINE. TYRONE: HEY. HEY. YOU SAID YOU WERE ONLY GOING TO BE FIVE MINUTES. WAIT. WHERE'S JAKE? MARLEY: VICTORIA JUST CALLED, AND KIRKLAND IS MISSING. TYRONE: MISSING? WAIT A MINUTE. DO YOU THINK HE RAN AWAY OR SOMETHING LIKE THAT? MARLEY: I DON'T KNOW. I DON'T KNOW WHAT TO THINK. WAIT A MINUTE. MAYBE I DO. COME ON. FELICIA: COME ON. YOU'RE BEING TOTALLY UNREASONABLE. NURSE: IF A PATIENT DID NOT NEED A DOCTOR'S WRITTEN PERMISSION TO LEAVE THE HOSPITAL, YOU WOULD HAVE PEOPLE TRYING TO CHECK OUT SO THAT THEY COULD, YOU KNOW, THROW DOWN A QUICK 10 BUCKS AT THE TRACK. THIS IS FOR MR. RADZINSKY'S OWN SAFETY. FELICIA: LOOK, IF I PROMISE YOU I'LL BRING HIM BACK IF HE GETS DIZZY, FAINT, ANYTHING -- NURSE: NOTHING DOING. FELICIA: WELL, I GUESS WE'RE JUST GOING TO TAKE MATTERS IN OUR OWN HANDS, THEN, AREN'T WE? COME ON. COME ON. NURSE: UNBELIEVABLE. YOU THINK YOU CAN JUST WALK RIGHT OUT OF HERE? FELICIA: YEAH, WE'RE DOING IT, AIN'T WE? SERGEI: AIN'T WE? TODAY AMERICA IS TRULY LAND OF FREE. NURSE: YOU CAN'T -- FELICIA: OH, BOY, I COULDN'T HAVE SAID THAT BETTER MYSELF. THANKS FOR ALL YOUR HELP. WE'LL JUST CHALK THIS UP TO FREEDOM. ALLI: SO, WHY'D YOU COME BACK TO THE PARK? I THOUGHT YOU WANTED TO BE ALONE. SEAN: YEAH, I DO, BUT -- ALL RIGHT, LISTEN. I JUST -- I FEEL KIND OF BAD BECAUSE ALL YOU WERE DOING WAS TRYING TO HELP ME. SO I JUST WANTED TO SAY I'M SORRY. HAVE A HAPPY HOLIDAY. ALLI: YOU KNOW, I STILL THINK YOU'RE WRONG ABOUT YOUR UNCLE. I'VE KNOWN JAKE SINCE I WAS PRACTICALLY A BABY. HE AND MY MOM USED TO OWN THE NEWSPAPER TOGETHER. AND I THINK YOU'D LIKE HIM. AREN'T YOU EVEN CURIOUS? SEAN: WHY SHOULD I BE? ALLI: WELL, FOR ONE, HE'S FAMILY. SEAN: OH. SO, IS THAT, LIKE, THE MAGIC WORD NOW? JUST BECAUSE YOU'RE RELATED TO SOMEBODY BECAUSE OF SOME BIOLOGICAL ACCIDENT OR WHATEVER, YOU'RE SUPPOSED TO -- WHAT? ALLI: OH, NOTHING. I WAS JUST PICTURING ME SAYING THAT TO MY GRANDMOTHER. "BEING RELATED TO SOMEONE BECAUSE OF A BIOLOGICAL ACCIDENT"? I THINK RACHEL CORY HUTCHINS WOULD HAVE A FEW CHOICE WORDS TO SAY ABOUT THAT. SEAN: SO, DOES YOUR GRANDMA LIVE AROUND HERE? ALLI: YEAH. SHE'S GOT A BIG HOUSE. I LIVE THERE WITH MY MOM AND MY UNCLE MATT. SEAN: ALL IN THE SAME PLACE? ALLI: YEAH. JUST KIND OF WORKED OUT THAT WAY. THERE'S A LOT OF ROOM. SEAN: YOU SEEM LIKE YOU'RE, LIKE, FROM SOME KIND OF MOVIE OR SOMETHING. YOU SEE "PLEASANTVILLE"? ALLI: IT'S NOT LIKE THAT, BELIEVE ME. MY MOM AND MY DAD -- THEY GOT DIVORCED WHEN I WAS A LITTLE KID. AND, WELL, MY MOM -- SHE'S WITH THIS NEW GUY NOW, AND AT FIRST I DIDN'T LIKE HIM. BUT NOW I GUESS HE'S OK. WELL, THEY WANTED TO SPEND THE DAY TOGETHER, AND I KIND OF FELT IN THE WAY. SO, THE PARK'S NICE, AND I FIGURED WHY NOT, RIGHT? SEAN: YEAH. IT'S NICE HERE. ALLI: SO, IS IT AS NICE AS THE PARKS IN -- WHAT WAS IT -- IDAHO? SEAN: YEAH, IDAHO. ALLI: YOU DON'T LIKE TALKING ABOUT YOURSELF, DO YOU? SEAN: NOT MUCH TO SAY. ALLI: COME ON. EVERYBODY HAS A STORY. SEAN: NOT ME. ALLI: WHAT ARE THESE? OH. WHO'S THAT? IS THIS YOUR MOM? SHE LOOKS LIKE -- SEAN: WHAT ARE YOU DOING? GIVE ME THAT. KIRKLAND: HOW'D YOU KNOW I CAME HERE? MARLEY: WELL, WE WERE TALKING ABOUT YOUR DAD'S SPEECH, AND I COULD TELL YOU WERE MISSING HIM TODAY. AND WHEN I FIND MYSELF MISSING MY DAD, I LIKE TO GO TO THE PLACE WHERE HE'S BURIED BECAUSE I FEEL CLOSE TO HIM THERE. KIRKLAND: STEVEN SAID ON MEMORIAL DAY YOU'RE SUPPOSED TO REMEMBER DEAD PEOPLE. BUT I REMEMBER MY DAD EVERY DAY. MARLEY: WELL, OF COURSE YOU DO. AND YOU KNOW WHAT? REMEMBERING YOUR DAD IS WHAT KEEPS PART OF HIM ALWAYS ALIVE. IT'S OK FOR YOU TO FEEL SAD. KIRKLAND: I DON'T WANT TO TALK ABOUT IT ANYMORE. MARLEY: I NEED TO ASK YOU A QUESTION, AND I NEED YOU TO TELL ME THE TRUTH. ARE YOU MAD AT ME? FEEL LIKE IF I WEREN'T AT THE HOUSE THEN JAKE WOULD BE HOME, DON'T YOU? WELL, I'M GOING TO MAKE IT SO HE DOES COME HOME. ALL RIGHT? IF -- IF YOU'LL COME WITH ME RIGHT NOW, I PROMISE I'LL MAKE EVERYTHING ALL RIGHT. MARLEY: OK. HERE WE GO. VICKY: SWEETIE -- OH, THANK GOODNESS YOU'RE ALL RIGHT. MARLEY: I ASKED TYRONE TO LET YOUR MOM AND JAKE KNOW WHERE YOU WERE. JAKE: THANK YOU. THANK YOU. HEY, YOU GAVE US A SCARE, BUDDY. NEXT TIME YOU FEEL LIKE TAKING OFF, LET SOMEBODY KNOW, OK? KIRKLAND: OK. VICKY: YOU'RE SO UNBELIEVABLE. YOU KNEW EXACTLY WHERE HE WAS. MARLEY: WELL, YOU WOULD HAVE FIGURED OUT IN TWO MORE MINUTES. YOU KNOW, I JUST GOT HERE FIRST. GO. I'LL SEE YOU AT HOME. VICKY: THANK YOU. OK. TYRONE: LOOKS LIKE THEY OWE YOU ONE AGAIN. MARLEY: NO. NO, THEY DON'T. KIRKLAND WOULDN'T EVEN HAVE RUN OFF IF HE HADN'T BEEN SO MISERABLE ABOUT JAKE. THAT LITTLE BOY HAS LOST SO MUCH. HE NEEDS JAKE AT HOME RIGHT NOW. TYRONE: I KNOW. I AGREE. I AGREE. IT'S A SHAME THAT JAKE CHOOSES NOT TO BE. HE'S NOT DOING THE RIGHT THING CONCERNING KIRKLAND. MARLEY: WELL, IF HE DOESN'T, THEN I HAVE TO. TYRONE: WHAT DO YOU MEAN? MARLEY: I WANT YOU TO DO SOMETHING FOR ME, OK? I WANT YOU TO BE A LAWYER, JUST MY LAWYER -- NOT MY FRIEND AND NOT MY -- ANYTHING ELSE. TYRONE: OK. MARLEY: FIND OUT WHAT IT WOULD TAKE TO GET ME READMITTED AT WILLOWDALE. TELL THEM I'VE BEEN -- TYRONE: WAIT A MINUTE. WAIT A MINUTE, MARLEY. YOU COULDN'T WAIT TO GET OUT OF THAT PLACE. I'M NOT GOING TO PUT YOU BACK IN THERE. MARLEY: IT'S ALL RIGHT. IT'S NOT GOING TO BE FOREVER, AND I CAN STAND IT. TYRONE: YOU CAN STAND IT? MARLEY: YEAH. TYRONE: YOU CAN STAND BEING WATCHED ALL THE TIME? YOU CAN STAND NOT BEING ABLE TO WALK OUTSIDE LIKE THIS ON A BEAUTIFUL DAY? YOU CAN STAND IT KNOWING SOMEONE'S ALWAYS TWO STEPS BEHIND YOU, READY TO BRING YOU BACK TO A ROOM WITH A LOCK ON ITS DOOR? WELL, MAYBE YOU COULD STAND IT, MARLEY, BUT I CAN'T. I CAN'T GO BACK TO VISITING HOURS. WHAT WE HAVE BETWEEN US, IT DESERVES MORE THAN THAT. IT NEEDS TIME AND SPACE TO GROW. MARLEY: I KNOW. I KNOW. BUT I CAN'T DO THAT UNLESS I HAVE MY WHOLE SELF TO GIVE, NOT JUST THE PARTS I FEEL GOOD ABOUT. AND, SEE, RIGHT NOW, I KNOW I CAN DO THE RIGHT THING -- NOT JUST FOR VICTORIA, BUT FOR TWO LITTLE BOYS WHO I LOVE VERY MUCH. AND I CAN CHOOSE NOT TO DO IT, BUT THEN I WOULD HAVE TO SHUT A WHOLE PART OF MYSELF DOWN. I DON'T WANT TO DO THAT. I DON'T WANT TO BE HALF A PERSON WHEN I COULD BE A WHOLE PERSON. TYRONE: MARLEY -- MARLEY: JUST DON'T SAY ANYTHING, OK? JUST -- JUST DO THIS FOR ME. PLEASE? ALLI: YOU'RE A LITTLE PARANOID, YOU KNOW THAT? WHAT, ARE THEY IN SOME KIND OF WEIRD ORDER OR SOMETHING? HERE. SEAN: ONE'S MISSING. ALLI: LOOK, I DIDN'T MEAN TO MESS THEM UP. I WAS JUST LOOKING. HERE. SEAN: THANKS. YOU KNOW, YEAH, YOU WERE RIGHT BEFORE WHEN YOU SAID THAT WAS A PICTURE OF MY MOTHER. ALLI: WELL, SO, WHY'D YOU FREAK OUT? I WAS JUST GOING TO TELL YOU I THINK SHE'S PRETTY. SEAN: WAS. ALLI: OH. I DIDN'T KNOW. SEAN: YEAH, NOBODY EXPECTED YOU TO. ALLI: I'M SORRY. SEAN: FORGET ABOUT IT. ALLI: WHAT ABOUT YOUR DAD? HE'S STILL AROUND, I HOPE. SEAN: YOU KNOW, I'M WORKING ON VOLUME ONE OF MY LIFE STORY. WHY DON'T I JUST FAX IT TO YOU WHEN IT'S DONE? IS THIS SOME SORT OF POLICY OF YOURS TO ASK 6,000 QUESTIONS TO EVERY SINGLE STRANGER THAT WALKS BY? ALLI: WAIT, WAIT. IT'S NOT LIKE YOU'RE JUST SOME STRANGER. I -- WHEN I WAS 7, I HAD A HUGE CRUSH ON YOUR UNCLE JAKE. HE HAD A MOTORCYCLE. NEED I SAY MORE? SEAN: YEAH, WELL, I WISH I HAD ONE, TOO. THEN I WOULDN'T HAVE TO HITCH ALL THE WAY BACK TO IDAHO. ALLI: TODAY? YOU'RE GOING BACK? YOU JUST GOT HERE. SEAN: WHAT IS IT, A CRIME? ALLI: NO, I JUST -- I THINK YOU SHOULD AT LEAST REST UP BEFORE YOU GO HOME. I MEAN, WE'LL GO OVER TO JAKE'S RIGHT NOW. YOU'LL MEET HIM, YOU'LL SPEND THE NIGHT. GIVE THE GUY HALF A CHANCE. MAYBE HE'LL SPRING FOR THAT TICKET IF YOU STILL WANT TO GO HOME. SEAN: MY UNCLE IS GOING TO BUY ME AN AIRLINE TICKET? HE DOESN'T EVEN KNOW ME. ALLI: HEY, JAKE McKINNON IS A COOL GUY. I MEAN, NOT ONLY IS HE RICH, BUT HE STILL HAS A MOTORCYCLE. SEAN: I DON'T KNOW IF I SHOULD TRUST YOU. ALLI: WHAT CHOICE DO YOU HAVE? I'M THE BEST FRIEND YOU HAVE IN BAY CITY. SEAN: WAIT. I DON'T EVEN KNOW YOUR NAME. TONI: GO, GO, GO, GO. K.C.: OK, OK, OK. ETTA MAE: YOU BETTER NOT HIT ME WITH THIS FRISBEE. K.C.: GIVE IT TO ME. ETTA MAE: I'M GOING TO GET BOTH OF YOU. TONI: SEE? I TOLD YOU YOU CAN'T CATCH. ETTA MAE: THAT'S WHY YOU DROPPED IT. K.C.: WHO TOLD YOU YOU COULD THROW? TONI: I THROW BETTER THAN YOU CATCH. ETTA MAE: I'M GOING TO NEED YOUR HANDS RIGHT OVER HERE. COME ON, SLOW POKE. K.C.: YOU KNOW, YOU NEVER ANSWERED MY QUESTION. ETTA MAE: WHAT? K.C.: WHAT IS UP WITH FELICIA GALLANT AND THAT RUSSIAN GUY? I CAN'T BELIEVE THOSE TWO ARE MARRIED. ETTA MAE: WELL, THAT MAKES TWO OF US. TONI: MARRIED? THAT GUY THAT USED TO SING IN THE CLUB? I DIDN'T KNOW THAT. ETTA MAE: I -- I DIDN'T TELL YOU, DID I? TONI: NO. ETTA MAE: WELL, IT IS A LONG STORY. TONI: WELL, YOU'RE NOT GOING TO HAVE TO TELL ME BECAUSE HERE THEY COME. ETTA MAE: OH, MY GOODNESS. FELICIA: HI. ETTA MAE: HELLO. FELICIA: HAPPY MEMORIAL DAY. I KNOW. SURPRISED TO SEE US, HUH? GIRLS, COULD YOU HELP ME WITH THIS, PLEASE? K.C.: OH, YEAH. FELICIA: YES, JUST PUT THIS DOWN. SERGEI, YOU ALL RIGHT, HONEY? SERGEI: I'M GOOD. FELICIA: OK. OH, THANK YOU, THANK YOU. ETTA MAE: I MEAN, THIS IS SUCH A SURPRISE. I WAS JUST TELLING THEM ABOUT OUR LITTLE VISIT TO THE HOSPITAL. FELICIA: OH, YOU WERE? ETTA MAE: YEAH. SERGEI, DON'T YOU THINK YOU SHOULD SIT DOWN? FELICIA: HONEY, IT'S ALL RIGHT. ETTA MAE: I MEAN, YOU THINK YOU SHOULD REALLY BE OUT AND ABOUT? SERGEI: I'M COME TO CELEBRATE AMERICAN HOLIDAY. WE GOING TO HAVE VERY NICE PICNIC. FELICIA: YES, WE ARE. YOU KNOW, I THOUGHT IT WOULD DO HIM A LOT OF GOOD TO GET OUT OF THAT -- WELL, THAT COLORLESS ROOM AND -- ETTA MAE: MM-HMM. FELICIA: AND GET OUT INTO THE SUNSHINE A LITTLE BIT, YOU KNOW? ETTA MAE: YEAH. SERGEI: OH, THIS IS EXCELLENT, EXCELLENT PICNIC. FELICIA: EAT SOMETHING, ALL RIGHT? COME ON. [ORCHESTRA TUNES UP] ETTA MAE: WHEN WAS THE LAST TIME THAT YOU DID ANYTHING FOR YOURSELF? FELICIA: WELL, YOU KNOW, THERE HASN'T BEEN A LOT OF TIME. ETTA MAE: THEN YOU SHOULD MAKE SOME TIME. SERGEI HAS BECOME YOUR LIFE'S WORK. YOU'RE SO GOOD-HEARTED AND YOU'RE SO GENEROUS, AND I KNOW YOU WANT WHAT'S BEST FOR HIM. BUT, HONEY, IF HE DOESN'T MAKE IT, THERE HAS TO BE SOME OF YOU LEFT -- FELICIA: HEY -- ETTA MAE: TO GO ON WITH. FELICIA: I APPRECIATE EVERYTHING YOU SAY. I DO. I DO. HEY. YOU OK? SERGEI: YEAH. [ORCHESTRA PLAYS "AMERICA, THE BEAUTIFUL"] SERGEI: LISTEN. LISTEN. SEAN: I'M NOT SURE THIS IS GOING TO WORK. ALLI: WHAT, YOU REALLY WANT TO HITCH ALL THE WAY BACK TO IDAHO TODAY? VICKY: WELL, HE'S IN THE BATHTUB. THANK GOD MARLEY KNEW WHERE TO FIND HIM. JAKE: YEAH, MARLEY CERTAINLY HAS A KNACK FOR FINDING MISSING PERSONS. MAYBE WE SHOULD TURN HER LOOSE AND SEE IF SHE CAN FIND MY NEPHEW. VICKY: YOU KNOW SOMETHING? MAYBE WE SHOULD CALL YOUR BROTHER. JAKE: WHAT, IN JAIL? VICKY: HE MIGHT KNOW WHERE SEAN WT WHEN HE LEFT HERE. JAKE: NO. HE KNOWS NOTHING ABOUT THIS KID. I CAN GUARANTEE YOU THAT. VICKY: GOD, I FEEL SO BAD ABOUT THIS. IT WAS ALL MY FAULT. I JUST MESSED IT UP. JAKE: IT'S NOT JUST YOU. WE'RE -- WE'RE ALL MESSED UP. WHOLE WORLD'S MESSED UP BEYOND RECOGNITION. YOU, ME, THE KIDS. ESPECIALLY KIRK. VICKY: WHAT DO YOU WANT TO DO ABOUT IT? [KNOCK ON DOOR] ALLI: HEY, LOOK WHO I FOUND AT THE PARK. VICKY: OH, SEAN. PLEASE COME IN. JAKE, IT'S SEAN. ALLI, COME ON IN. ALLI FOUND HIM AT THE PARK. JAKE: HEY, WE'VE BEEN LOOKING ALL OVER FOR YOU. GOOD TO SEE YOU. GLAD YOU'RE HERE. SEAN: YOU SURE ABOUT THAT? VICKY: LISTEN, PLEASE, LET ME EXPLAIN ABOUT WHAT HAPPENED BEFORE. I -- JAKE: NO NEED TO EXPLAIN. HE JUST NEEDS TO KNOW THAT HE'S WELCOME IN OUR HOME. SEAN: LOOK -- I JUST -- I JUST CAME TO SAY HELLO. I MEAN, I DON'T NEED TO STAY IF THERE'S NOT ENOUGH ROOM OR WHATEVER. MARLEY: OH. OH, NO. HEY, DON'T BE SILLY. THERE'S GOING TO BE PLENTY OF ROOM. HI. YOU MUST BE SEAN. I'M VICTORIA'S SISTER MARLEY. OH, THIS IS OUR MOTHER. DONNA: HI. SEAN: HI. DONNA: CALL ME DONNA. VICKY: OK. HOLD ON, HOLD ON. DONNA: WELCOME. VICKY: WHAT'S GOING ON HERE? WHERE ARE YOU GOING? ALLI: LOOK, WHY DON'T I TAKE OFF?T IT WAS NICE TO SEE ALL OF YOU. VICKY: BYE. SEAN: I'LL GO WALK HER OUT. MARLEY: I DON'T WANT YOU TO ARGUE WITH ME, OK? TYRONE IS CONTACTING THE JUDGE, AND I'M GOING TO GO BACK TO WILLOWDALE FOR A LITTLE WHILE. VICKY: NO. NO. ABSOLUTELY NOT. NO. MARLEY: IT'S ALL SETTLED, AND I'M OK WITH IT. REALLY, I AM. AND I THINK YOU KNOW IT'S REALLY FOR THE BEST. SERGEI: OH, BEAUTIFUL FOR PATRIOT'S DREAM THAT SEES BEYOND THAT YEARS INE ALABASTER CITIES GLEAM UNDIMMED BY HUMAN TEARS AMERICA SERGEI, TONI, and K.C.: AMERICA GOD SHED HIS GRACE ON THEE AND CROWN THY GOOD TONI, ETTA MAE, and K.C.: WITH BROTHERHOOD FROM SEA TO SHINING SEA K.C.: HOW'D YOU KNOW THE WORDS TO THAT SONG? TONI: I KNOW. WE'RE AMERICAN, AND WE ONLY KNOW THE FIRST VERSE. K.C.: YEAH. SERGEI: WHEN I LIVE IN RUSSIA, I LEARN THE WORDS TO THIS SONG BECAUSE I DREAM OF COME TO AMERICA. BUT THIS IS THE FIRST TIME THAT I CAN SING THE SONG AND THINK MAYBE I AM GOING TO BE AMERICAN CITIZEN BECAUSE NOW I'M MARRIED TO FELICIA GALLANT. AND FROM SEA TO SHINING SEA, THIS IS MY MIRACLE. FELICIA: IS MIRACLE. SO, LET'S TOAST. LET'S TOAST TO MORE MIRACLES. SERGEI: TO MORE MIRACLES. K.C.: TO MIRACLES. ETTA MAE: AND MORE MIRACLES. TONI: YEAH. SEAN: LOOK, I GAVE YOU A PRETTY HARD TIME. AND I DON'T KNOW WHY YOU HUNG AROUND TO GET ME OVER HERE, BUT THANKS. ALLI: SO, DO YOU THINK YOU'LL STICK AROUND? SEAN: I'LL HAVE TO SEE. I MEAN, THINGS SEEM PRETTY TENSE IN THERE. ALLI: GIVE IT A CHANCE. MAYBE I'LL SEE YOU AROUND. SEAN: BYE, ALLI. OH, I HEARD MRS. McKINNON CALL YOU THAT. ALLI: WELL, THEN I GUESS YOU KNOW WHERE TO FIND ME. JAKE: MARLEY, HOLD ON. I CAN'T -- I CAN'T LET -- MARLEY -- I CAN'T LET YOU DO THIS. IT'S NOT FAIR TO YOU. IT'S NOT FAIR TO VICKY. MARLEY: JAKE, IT'S ALL RIGHT. JAKE: NO, IT'S NOT ALL RIGHT. NOW, I PUT -- PUT VICKY IN A SITUATION WHERE SHE HAD TO CHOOSE BETWEEN YOU AND ME, AND THAT'S NOT RIGHT. WHERE'S TYRONE? MARLEY: HE'S OUTSIDE WAITING. BUT THE PAPERWORK'S ALREADY DONE. JAKE: YEAH, WELL, HAVE HIM UNDO IT, OK? AND THEN ONE DAY WE'LL GO BACK TO COURT, AND WE'LL TALK THEM INTO LETTING YOU HAVE A LITTLE PLACE OF YOUR OWN. UNTIL THEN, YOU'RE STAYING. I'M STAYING. VICKY: I LOVE YOU. I LOVE YOU SO MUCH. I LOVE YOU SO MUCH! SEAN: WHOA. HOW LONG WAS I GONE FOR? VICKY: HEY, YOU KNOW SOMETHING? PUT YOUR SEAT BELT ON, SEAN, BECAUSE YOU'RE IN FOR A WILD RIDE. YOU NEVER KNOW WHAT'S GOING TO HAPPEN IN THIS HOUSE. DONNA: I KNOW EXACTLY WHAT'S GOING TO HAPPEN. WE'RE GOING TO GET TO EAT. JAKE: COME ON, COME ON. LET'S GO THROW A SHRIMP ON THE BARBIE. MARLEY: I'LL GO GET THE HAMBURGERS AND HOT DOGS KIRKLAND ASKED FOR. VICKY: ALL RIGHT. I'M GOING TO GO TELL KIRKLAND THE GOOD NEWS. DONNA: OH, THIS IS JUST TOO GOOD. I CAN'T BELIEVE THIS. MARLEY: I KNOW. I'M AFRAID TO BELIEVE IT. I'M JUST SO HAPPY. DONNA: I WISH NICK WERE HERE TO SHARE THIS. WHERE IS HE? MARLEY: I THOUGHT YOU WERE GOING TO CALL HIM. DONNA: I DID. I CALLED HIM -- [NICK COUGHS] >> STAY TUNED FOR SCENES FROM TOMORROW'S SHOW. PAULINA: AND WHAT ABOUT REMY? JAKE: SHE'S CRITICAL. NICK: I'M GOING TO GET THE GUY WHO PUT YOU HERE. TITO IS NOT GOING TO GET AWAY WITH THIS. TITO: YES, HI, I'D LIKE A TICKET TO FIJI TODAY. JOE: WHEN WE GET THIS INFORMATION THAT NICK HAS, WE ARE GOING TO KNOW EXACTLY WHO KILLED GRANT. AND BY THE TIME I GET DONE WITH HIM, THIS BASTARD'S GOING TO WISH HE WAS NEVER BORN. LOOK, I KNOW I'M ASKING A LOT, BUT YOU GOT TO STALL. CASS: YOUR HONOR, THERE IS EVIDENCE CRITICAL TO THE DEFENSE THAT'S ON ITS WAY OVER HERE. JUDGE: THIS TRIAL IS OVER. [CAPTIONING MADE POSSIBLE BY PROCTER & GAMBLE PRODUCTIONS, INC.]