[CAPTIONING MADE POSSIBLE BY NCI'S CORPORATE PARTNERS] PAULINA: I DID SAVE IT. [BABY CRIES] DOCTOR: BEFORE WE GO ANY FURTHER, I NEED TO KNOW YOU'RE CERTAIN ABOUT THIS. BECAUSE ONCE THE DECISION IS MADE, THERE'S NO TURNING BACK. ARE YOU SURE THIS IS WHAT YOU WANT? PAULINA: YES. DOCTOR: THEN IT'S DONE. AND NOW THAT IT IS, HERE'S A PIECE OF ADVICE -- DON'T EVER TELL ANYONE WHAT HAPPENED HERE TODAY BECAUSE THE BEST THING YOU CAN DO FOR YOURSELF AND THAT CHILD IS FORGET THIS BABY EVER EXISTED. PAULINA: IS THAT MY BABY? IS IT A BOY OR A GIRL? NO, WAIT. PLEASE. GIVE THIS TO WHOEVER TAKES THE BABY. SOMETHING FROM ITS MOTHER. SEE, I HAVE ONE JUST LIKE IT. JOE: PAULINA? PAULINA. WHAT IS IT? WHAT'S WRONG? PAULINA: HUH? ZAK: YOU WANTED TO SEE ME? JORDAN: YOU WERE WRONG, ZAK. I JUST RECEIVED WORD FROM LONDON. THERE'S STILL A COPY OF "BEYOND IMAGINATION" IN CIRCULATION. ZAK: WHAT? BUT THAT'S NOT POSSIBLE. I GOT RID OF EVERY COPY THERE WAS. JORDAN: APPARENTLY YOU MISSED ONE. ZAK: I'LL HOP THE NEXT FLIGHT TO LONDON. JORDAN: DON'T BOTHER. ZAK: BUT WE HAVE TO DESTROY THAT BOOK. JORDAN: YES. YOU CERTAINLY DO. BUT IT'S NOT IN LONDON, ZAK. IT'S RIGHT HERE IN BAY CITY. CASS: HEY, CHRIS. CHRIS: HEY, HEY. CASS: WHAT'S UP? WHY THE HURRY TO SEE ME? CHRIS: GOT SOME NEWS I THINK YOU'LL BE INTERESTED IN. CASS: OH, CAN IT WAIT? I CAN'T FOCUS ON A THING UNTIL I'VE HAVE MY COFFEE. CHRIS: WELL, YOU COULD BE WAITING HERE ALL DAY FOR ETTA MAE TO FIGURE OUT HOW TO USE THAT NEW CAPPUCCINO MACHINE OF HERS. ETTA MAE: I HEARD THAT, CHRIS MADISON. I'M GOING TO GET YOU. CASS: SO WHAT'S YOUR NEWS? CHRIS: IT'S ABOUT LUMINA. CASS: WELL, SUDDENLY COFFEE SEEMS UNIMPORTANT. CHRIS: YEAH, THAT'S WHAT I THOUGHT. YOU KNOW THAT BOOK ZAK WILDER SAID HE READ, THE ONE WRITTEN BY THAT GUY JORDAN STARK 200 YEARS AGO? CASS: "BEYOND IMAGINATION." HOW COULD I FORGET? CHRIS: I FOUND A COPY. CASS: HOW? I THOUGHT IT WAS COMPLETELY OUT OF CIRCULATION. CHRIS: YOU'RE TALKING TO AN ACE REPORTER HERE, BABY. A CONTACT OF MINE IN LONDON WAS DOING SOME RESEARCH IN A RARE BOOKSTORE, FOUND AN OLD COPY ON A BACK BOOKSHELF SOMEWHERE. CASS: WHEN CAN HE GET IT OVER TO US? CHRIS: ALREADY SHIPPED IT OUT. AS A MATTER OF FACT, A MESSENGER SHOULD BE ON HIS WAY OVER HERE RIGHT ABOUT NOW. CASS: SO WITH ANY LUCK, THIS COULD HELP US FIGURE OUT WHAT JORDAN STARK IS DOING HERE IN BAY CITY AND WHAT HE'S DONE TO MATT AND LILA. LILA: OH. GOOD MORNING. RACHEL: GOOD MORNING. THE BABY LET YOU SLEEP IN? LILA: AH. YES. MATTHEW GOT UP WITH HER. I TELL YOU SOMETHING, YOUR SON IS SO WONDERFUL. HE JUST TURNED TO ME AND SAID, "LILA, YOU STAY RIGHT WHERE YOU ARE." RACHEL: YOU WANT ME TO BELIEVE HE WAS IN BED WITH YOU. LILA: WELL, THAT'S WHERE MOST MARRIED PEOPLE USUALLY ARE. RACHEL: YOU'RE NOT A CONVENTIONAL MARRIED COUPLE. LILA: WELL, WE ARE NOW. I MEAN, YOU KNOW, LAST NIGHT WAS PROBABLY ONE OF THE MOST PASSIONATE NIGHTS OF MY ENTIRE LIFE. RACHEL: OH, PLEASE, PLEASE. THIS IS MY SON WE'RE TALKING ABOUT. I DON'T NEED THE DETAILS. MATT: MORNING, MOM. RACHEL: GOOD MORNING, DARLING. LILA: HI. MATT: LILA. YOU SLEEP OK? LILA: UH, YES. YES, I DID. AND YOURSELF? MATT: WELL, I CAN'T COMPLAIN. I'LL SEE THE TWO OF YOU LATER. RACHEL: OK. LILA: OK. RACHEL: WELL. YOUR NIGHT OF PASSION DIDN'T SEEM TO LEAVE MUCH OF AN IMPRESSION ON HIM. LILA: YOU KNOW WHAT? I DON'T CARE WHAT YOU THINK. MATTHEW AND I HAVE A REAL MARRIAGE, AND I AM SICK TO DEATH OF PEOPLE SAYING WE DON'T, INCLUDING YOU. RACHEL: LILA, IF YOU'RE GOING TO DISCUSS THE MOST INTIMATE DETAILS OF YOUR LIFE, YOU'VE GOT TO BE PREPARED FOR SOME COMMENT. LILA: I'M SORRY. I SHOULDN'T HAVE SPOKEN TO YOU LIKE THAT. 'S JUST THAT EVER SINCE MATTHEW AND I SAID "I DO," PEOPLE ARE SNICKERING ABOUT OUR MARRIAGE, AND THAT'S HARD TO TAKE. ESPECIALLY NOW THAT MATT AND I ARE STARTING TO A LITTLE BIT FALL IN LOVE. RACHEL: LOVE DOESN'T HAVE ANYTHING TO DO WITH THIS. LILA: I THOUGHT YOU ACCEPTED OUR MARRIAGE. RACHEL: DID I HAVE ANY CHOICE? LILA: WHY? SO HARD TO BELIEVE THAT SOMEBODY MIGHT ACTUALLY WANT TO BE MARRIED TO ME? RACHEL: YES, WHEN THAT SOMEBODY WAS IN LOVE WITH SOMEONE ELSE. LILA: RIGHT. SOFIA. WELL, DON'T YOU THINK I KNOW THAT MATTHEW HAS FEELINGS FOR SOFIA? BUT SHE'S GONE AND I'M HERE, AND WE HAVE A DAUGHTER TOGETHER -- ONE THAT WE BOTH LOVE. RACHEL: THIS ISN'T ABOUT YOUR FEELINGS FOR JASMINE. THIS IS ABOUT YOUR FEELINGS FOR EACH OTHER. LILA: BUT THEY'RE CONNECTED. DON'T YOU SEE? WE BOTH LOVE JASMINE. THAT MEANS WE'RE GETTING CLOSER AND STRONGER. RACHEL: IT DOESN'T BOTHER YOU, LILA, THAT YOUR HUSBAND MADE A 180 ON YOUR WEDDING DAY? LILA: NO. HE WAS OVERCOME BY EMOTION, LOVE FOR HIS DAUGHTER. RACHEL: WELL, HE WAS OVERCOME BY SOMETHING. AND HE HASN'T BEEN THE SAME SINCE. DON'T YOU WANT TO KNOW WHAT HAPPENED TO HIM? LILA: NO, I DON'T. I DON'T WANT TO THINK ABOUT IT. I WISH YOU WOULD JUST LEAVE IT ALONE. RACHEL: WHAT ARE YOU AFRAID OF, LILA? LILA: DON'T YOU THINK I REALIZE THAT MATTHEW AND I AREN'T HEAD-OVER-HEELS IN LOVE YET? BUT HE LOVES HIS DAUGHTER AND HE WANTS TO BE THERE FOR HER FULL-TIME. ISN'T THAT EXPLANATION ENOUGH FOR WHY HE MARRIED THE MOTHER OF HIS CHILD? RACHEL: IT WOULD HAVE BEEN. IT'S NOT ANYMORE. LILA: WHY? WHAT MADE YOU CHANGE YOUR MIND? RACHEL: JORDAN STARK. ZAK: YOU HAVE THE COPY. YOU SCARED THE HELL -- JORDAN: THIS IS MY COPY. I'VE HAD IT ALL ALONG. ZAK: THEN THE OTHER ONE IS STILL OUT THERE? JORDAN: THERE'S ANOTHER BOUND, PUBLISHED EDITION IN BAY CITY RIGHT NOW. ZAK: HOW'D IT GET HERE? JORDAN: SEEMS SOME OF OUR OVERLY INQUISITIVE FRIENDS WERE ABLE TO TRACK IT DOWN AFTER YOU TOLD THEM OF ITS EXISTENCE. ZAK: WHAT DO YOU WANT ME TO DO? JORDAN: YOU SHOULD KNOW THAT WITHOUT ASKING. JORDAN: NO ONE CAN READ THIS BOOK. NOT A WORD OF IT. ZAK: LOOK, I KNOW THAT THIS IS MY RESPONSIBILITY. BUT IF THE BOOK IS ALREADY HERE -- JORDAN: CLEAR YOUR MIND. FOCUS. YOU'LL KNOW EXACTLY WHAT TO DO. I'VE TRAINED YOU WELL, ZAK. TAUGHT YOU TO MASTER THE ABILITIES THAT ARE ALREADY INSIDE YOU. YOU HAVE THE SKILLS. USE THEM. TONI: HEY. HI. CHRIS: HEY. TONI: I DIDN'T EXPECT YOU TO BE HERE. HOW YOU DOING? CHRIS: ALL RIGHT. TONI: WHAT? YOU DON'T SEEM HAPPY TO SEE ME. CHRIS: OH, NO. NO, STOP IT. YOU KNOW I'M ALWAYS HAPPY TO SEE YOU. HERE, HAVE A SEAT. TONI: YOU DON'T LOOK LIKE YOU'RE HAPPY TO SEE ME. CASS: WELL, WE'RE WAITING FOR A PACKAGE. CHRIS: YEAH. COULD BE A VERY BIG DEAL. TONI: YEAH? WELL, WHAT IS IT? GOT ME CURIOUS. CHRIS: UH -- WHAT'S GOING ON WITH YOU OVER AT THE STATION? ANY LEADS ON VICKY? TONI: NO, JUST AMATEUR PSYCHICS AND PSYCHOS AND PEOPLE WHO GOT TO GET A LIFE -- CHRIS: YEAH. TONI: YOU KNOW. CHRIS: SAME THING'S GOING ON UP AT THE "HERALD" HOTLINE. TONI: MM-HMM. CHRIS: EVERYBODY WANTS TO COME UP WITH SOMETHING FOR JAKE'S SAKE. ETTA MAE: WELL, HERE WE GO. TONI: HEY. HEY. ETTA MAE: YEAH. YOU KNOW, I WENT BY TO SEE THE BOYS THIS MORNING. OH, THEY MISS THEIR MAMA SO MUCH. TONI: I KNOW. ETTA MAE: HEY, BABY. TONI: HI. WE'LL FIND HER. ETTA MAE: OH. TONI: WE'LL FIND HER. SHE'S NOT GOING TO RECOGNIZE THIS PLACE WHEN SHE GETS BACK. ETTA MAE: I KNOW. BUT SHE WAS THE ONE THAT SAID, "LISTEN, ETTA, IF YOU'RE LOSING MONEY ON THE LUCKY LADY, WHY DON'T YOU CHANGE IT?" AND I DID. CASS: HEY, THIS IS A PERFECT SKIMMED LATTE. CIVILIZATION HAS FINALLY COME TO BAY CITY. ETTA MAE: THANKS. CHRIS: VICKY WAS RIGHT. TURNING THE LUCKY LADY INTO A COFFEE BAR WAS A SMART MOVE. TONI: YEAH. ETTA MAE: I HOPE SO. CHRIS: TO VICKY. ETTA MAE and CASS: TO VICKY. TONI: TO VICKY, DEFINITELY. ETTA MAE: OH, BRING HER HOME. CASS: HEAR, HEAR. ETTA MAE: NOW IF WE CAN JUST GET EVERYBODY TO KNOW THAT THIS IS THE PLACE TO GO IF YOU WANT A CUP OF JOE -- TONI: OH, CHRIS. WHY DON'T YOU ASK YOUR FRIEND THE LOVE LADY TO MAKE A PERSONAL APPEARANCE? ETTA MAE: YEAH. CHRIS: UM, I DON'T THINK THAT'S SUCH A GOOD IDEA, ACTUALLY. TONI: WHY NOT? CHRIS: UH -- ETTA MAE: WHY NOT? I MEAN, WITH ALL THE FANS SHE HA SHE'D BRING A LOT OF BUSINESS HERE. CASS: YEAH. CHRIS: YEAH, BUT YOU KNOW HOW THE LOVE LADY IS. I MEAN, HER SCHEDULE'S SO BOOKED UP, SHE'S PROBABLY -- YOU KNOW, SHE'S BOOKED UP FOR MONTHS, I'M SURE. TONI: WELL, I'M SURE IF YOU ASK HER. CHRIS: WELL, YOU KNOW, THE THING OF IT IS HER COLUMN IS SO OBJECTIVE, SHE MIGHT NOT FEEL COMFORTABLE ABOUT ENDORSING A PUBLIC PLACE. CASS: OH, COME ON, CHRIS. I DOUBT THAT ONE CUP OF COFFEE IS GOING TO COMPROMISE HER JOURNALISTIC INTEGRITY. TONI: IT WOULDN'T. IT WOULDN'T. I'M SURE SHE'D BE HAPPY TO DO IT. CHRIS: I'M SORRY, GUYS, I JUST -- I JUST DON'T FEEL COMFORTABLE ABOUT ASKING HER. I'M SORRY. TONI: OK. CHRIS: OK? TONI: OK. NO PROBLEM. I UNDERSTAND. SO I'LL ASK HER MYSELF. PAULINA: NOTHING'S WRONG. JOE: YOU'RE GOING THROUGH BOXES FROM THE ATTIC. PAULINA: YEAH. I THOUGHT WE SHOULD GET RID OF SOME OF THIS STUFF. JOE: IS THAT WHAT WAS KEEPING YOU AWAKE LAST NIGHT -- BOXES? PAULINA: HUH? I SLEPT OK. JOE: PAULINA. PAULINA: WHAT? JOE: IF YOU DON'T WANT TO TELL ME WHAT'S WRONG, THAT'S FINE, OK? BUT JUST BE STRAIGHT WITH ME. ALL RIGHT? I WOKE UP AT 4:00 A.M. YOU WEREN'T EVEN IN BED. PAULINA: I GOT UP EARLY. JOE: 4:00 A.M. THAT'S PRETTY EARLY. PAULINA: I'VE GOT A LOT TO DO TODAY, JOE. JOE: WHAT'S IN THAT BOOK? PAULINA: IT'S JUST AN OLD ADDRESS BOOK, YOU KNOW, FOR THE CHRISTMAS CARDS. JOE: THESE BOXES ARE FROM -- THEY'RE FROM GOLD STREET, RIGHT? PAULINA: UH-HUH. I THOUGHT I MIGHT, YOU KNOW, SEND MY OLD CREW A PICTURE OF YOU AND DANTE, SHOW THEM HOW LUCKY I AM. YOU WANT SOME BREAKFAST? I MADE SOME PANCAKES. JOE: PAULINA, PAULINA -- PAULINA: WHAT? JOE: SOMETHING'S BEEN BOTHERING YOU FOR A WHILE NOW, OK? I KNOW THAT. AND IF YOU WANT TO TALK ABOUT IT, I'M READY TO LISTEN. DOCTOR: DON'T EVER TELL ANYONE WHAT HAPPENED HERE TODAY. ANYONE. JOE: YOU KNOW I WOULD NEVER PUSH YOU TO TALK ABOUT SOMETHING THAT YOU DIDN'T WANT TO, OK? WE TALKED ABOUT THAT. I PROMISED YOU THAT, AND I MEANT THAT. WE ALSO PROMISED EACH OTHER THAT WE WOULD TRY TO DEAL WITH ALL THE TOUGH STUFF TOGETHER. REMEMBER? PAULINA: I REMEMBER. JOE: I'M HERE FOR YOU. ALL THE TIME, OK? SO WHEN YOU WANT TO TALK -- PAULINA: MAYBE I'M -- I'M READY NOW. [KNOCK ON DOOR] PAULINA: OH. AHEM. I'LL GET THAT. JOE: NO, NO -- PAULINA: NO, NO, I CAN GET IT. NO, JUST -- REMY: HI, PAULINA. PAULINA: REMY, HI. WHAT'S UP? REMY: I KIND OF WANTED TO TALK, BUT IF IT'S A BAD TIME, I -- PAULINA: NO, NOT AT ALL. COME ON IN. I JUST MADE SOME COFFEE. IT'S IN THE KITCHEN. YOU CAN GO AHEAD, HELP YOURSELF. JOE -- YOU AND I, WE CAN TALK LATER. JOE: SURE. WHATEVER. I GOT TO GET TO WORK ANYWAY. REMY: YOU KNOW WHAT? I REALLY CAN COME BACK. PAULINA: SWEETHEART, GO AHEAD. I'LL BE IN IN A MINUTE, OK? REALLY. IT'S FINE. I'LL CALL YOU LATER. JOE: YEAH, LISTEN TO ME. I DON'T WANT TO LEAVE HERE UNTIL I KNOW YOU'RE OK, ALL RIGHT? PAULINA: JOE, I'LL BE FINE. DANTE AND I ARE GOING TO SPEND THE DAY WRAPPING CHRISTMAS PRESENTS FOR THE KIDS AT THE HOSPITAL, OK? AND YOU'RE SUPPOSED TO PLAY SANTA AGAIN THIS YEAR, AREN'T YOU? JOE: ONLY IF YOU PLAY MRS. CLAUS. PAULINA: NO WAY. THAT COSTUME'S WAY TOO BIG FOR ME NOW. YOU CAN GO SOLO, CAN'T YOU? FOR ME? JOE: HOW AM I GOING TO SAY NO TO A FACE LIKE THAT? LISTEN, I'LL BE BACK FOR DINNER, ALL RIGHT? AND THEN WE'RE GOING TO TALK. BECAUSE WHATEVER THIS THING IS, YOU'VE BEEN DEALING WITH IT BY YOURSELF LONG ENOUGH. LILA: YOU MET JORDAN STARK? RACHEL: YES. THIS INTERESTS YOU? LILA: NO. IT'S JUST THAT NOBODY GETS TO SEE HIM. RACHEL: I KNOW. LILA: BUT YOU SAW HIM, FACE-TO-FACE? RACHEL: YES. WE TALKED ABOUT MATTHEW. LILA: WHAT ABOUT MATTHEW? RACHEL: ABOUT THE MORNING OF YOUR WEDDING WHEN HE WENT TO SEE MR. STARK. APPARENTLY HE ARRIVED VERY CONFUSED AND UPSET. BUT STARK SAID WHEN HE LEFT HE HAD ACHIEVED, UM -- A LEVEL OF CLARITY, I THINK, IS THE WAY MR. STARK PUT IT. WOULD YOU KNOW WHAT HE MEANT BY THAT? LILA: NO. I MEAN, YOU KNOW. MATTHEW BECAME A FATHER AND DADDY. THAT'S ENOUGH TO CHANGE ANYONE, ISN'T IT? RACHEL: LILA, JUST TELL ME WHAT YOU KNOW. LILA: WHY WOULD I KNOW ANYTHING? RACHEL: BECAUSE YOU WERE THE ONE WHO BROUGHT THESE PEOPLE INTO OUR LIVES WHEN YOU ARRANGED FOR THE SALE OF THE PAINTINGS. LILA: NO. THAT WASN'T ME. THAT WAS ZAK. RACHEL: AND WHO BROUGHT ZAK INTO OUR LIVES? LILA: NO. I JUST MET HIM. IT WAS COINCIDENCE. RACHEL: LILA, PLEASE, TELL ME WHAT YOU KNOW ABOUT STARK. TELL ME WHAT YOU THINK HE'S DONE TO MY SON. PAULINA: WELL, IT TOOK A WHILE, BUT I THINK DANTE'S ACTUALLY DOWN FOR THE COUNT. REMY: OH. PAULINA: SO -- YOU SAID YOU WANTED TO TALK TO ME. NOW TALK. REMY: WELL, HERE'S THE THING. I NEEDED SOME SHELVES BUILT AT THE APARTMENT, AND I FOUND A FLIER DOWNSTAIRS FOR A CARPENTER, AND SO I CALLED HIM, AND HE CAME OVER. PAULINA: AND HE HIT ON YOU? REMY: STOP! NO, HE'S A REALLY NICE GUY. PAULINA: MM-HMM. REMY: HE'S JUST A LOUSY CARPENTER. I PUT ONE BOOK ON THAT SHELF, AND IT SLIDES OFF -- BE CAREFUL. I PUT TWO ON, THE WHOLE THING COMES DOWN. PAULINA: AND YOU PAID THIS GUY HOW MUCH? REMY: IT DOESN'T MATTER, REALLY. ANYWAY, I JUST -- I HAVE A FEELING THAT THIS CARPENTER GIG ISN'T GOING TO LAST VERY LONG. PAULINA: HMM. WELL, YOU DON'T HAVE TO BE A PSYCHIC TO FIGURE THAT OUT. REMY: YEAH. BUT WE KIND OF GOT TO TALKING A BUNCH WHEN HE WAS OVER, AND I KNOW HE REALLY NEEDS THE WORK. SO I WAS WONDERING IF YOU MAYBE COULD USE A BUSBOY OR ANYTHING? PAULINA: I'D LOVE TO HELP YOU OUT. REMY: THEN YOU'LL HIRE HIM? PAULINA: THE THING IS I JUST DON'T NEED ANYBODY RIGHT NOW. REMY: THAT'S OK. I UNDERSTAND. PAULINA: I TELL YOU WHAT I'LL DO. I'LL KEEP MY EARS OPEN. IF I HEAR ANYTHING, I'LL LET YOU KNOW. HOW'S THAT? REMY: THAT'D BE COOL. THANKS. PAULINA: OK. SO -- WHY DON'T YOU JUST HAND ME THOSE TAGS? THANKS. REMY: GIRL OR BOY, AGE 6 TO 8. I DON'T KNOW HOW MANY PRESENTS I GOT WITH THOSE STUPID STICKERS ON THEM. PAULINA: YEAH, YEAH, YEAH. I'VE BEEN THERE. IN FACT, THERE WAS A TIME THAT I ACTUALLY THOUGHT MY NAME REALLY WAS "GIRL, 6 TO 8." REMY: DON'T GET ME WRONG. I MEAN, I LOVED GETTING THE PRESENTS, BUT IT WOULD HAVE BEEN NICE IF JUST ONCE I GOT A PRESENT FROM SOMEBODY WHO ACTUALLY KNEW WHO I WAS. PAULINA: REMY, CAN I ASK YOU SOMETHING PERSONAL? REMY: LIKE YOU DON'T ALREADY KNOW MY WHOLE LIFE STORY. PAULINA: I'VE JUST BEEN WONDERING, YOU KNOW. YOU'RE SO -- YOU'RE SO PRETTY. YOU'VE GOT SUCH A GREAT PERSONALITY. REMY: SO WHY WAS I NEVER ADOPTED? PAULINA: IF YOU DON'T WANT TO TALK ABOUT IT, IT'S OK. REMY: NO, IT'S OK. I JUST -- AS A KID, I WASN'T ALL THAT HEALTHY. PAULINA: WELL, WHAT WAS WRONG? REMY: ASTHMA. PAULINA: THAT'S TREATABLE. REMY: YEAH, WITH, LIKE, A GAZILLION TRIPS TO THE E.R. THE FIRST COUPLE THAT HAD ME, THEY COULDN'T REALLY DEAL, SO THEY SORT OF RETURNED ME. PAULINA: THAT MUST'VE BEEN HORRIBLE. REMY: YEAH, BUT, ONCE I OUTGREW THE ASTHMA, I WAS A DISCIPLINE PROBLEM. PAULINA: AND WHAT DID YOU DO? REMY: WHENEVER THEY WOULD PUT ME WITH A NEW FAMILY, I'D JUST RUN. PAULINA: WHY? DIDN'T YOU WANT TO BE WITH A FAMILY? REMY: YEAH. MY REAL FAMILY. ONCE THAT FIRST COUPLE SENT ME BACK, I REALIZED THAT IF I COULDN'T BE WITH MY REAL MOM, I DIDN'T WANT TO BE WITH ANYBODY. TITO: YO. HEY, WHAT'S UP? IT'S ME. YEAH, DID YOU FIND ANYTHING OUT? WHAT? NO, I NEED YOU TO FIND SOMETHING OUT ON THIS PAULINA CARLINO. WHAT DO YOU MEAN, "ZILCH"? NO. SOMETHING THAT'S GOING TO CONVINCE HER THAT I'VE BEEN TRYING TO TRACK HER DOWN FOR YEARS. WHAT? WELL, LET ME TELL YOU SOMETHING, OK? MAYBE THERE WON'T BE A NEXT TIME. TONI: WELL, I DON'T GET IT. I MEAN, THE LOVE LADY AND I HAD A WONDERFUL CONVERSATION AT THE LUMINA BALL. WHY CAN'T I JUST ASK HER? CHRIS: T, YOU JUST CAN'T, SWEETIE. CASS: WHEN DID THIS MESSENGER SAY HE WAS GOING TO GET HERE? CHRIS: I DON'T KNOW. HOWEVER LONG IT TAKES TO GET FROM THE "HERALD" TO HERE, I GUESS. TONI: WELL, WHY NOT? SHE'S SO POPULAR NOW. WE COULD REALLY HELP THE PLACE. CHRIS: BECAUSE -- OH, YOU KNOW WHAT, SHE'S -- I JUST REMEMBERED -- SHE'S AWAY. SHE'S -- YEAH, SHE'S AWAY. SHE'S FAR AWAY. TONI: WELL, HOW FAR AWAY COULD SHE BE? CHRIS: HOW -- BRAZIL. TONI: SHE'S IN BRAZIL? CHRIS: YEAH, SHE TOLD ME SHE HAD TO GO BRAZIL. TONI: REALLY? FOR WHAT? CASS: SHE PROBABLY HAD TIME TO KILL WHILE SHE WAS WAITING FOR A MESSENGER FROM THE "HERALD." CHRIS: I DON'T KNOW. A CONVENTION OR SOMETHING, I THINK SHE SAID. TONI: ADVICE COLUMNISTS CONVENTION? CHRIS: OH, SWEETIE, LOOK, I DON'T WANT TO FIGHT. LOOK, YOU WIN, OK? WHEN SHE GETS BACK, I PROMISE I WILL ASK HER MYSELF, OK? MAN: CHRIS MADISON? CASS: HEY, HERE IT IS. CHRIS: THAT'S ME. THAT'S ME. MAN: PACKAGE. CHRIS: THANK YOU. IT'S ABOUT TIME, MAN. WHERE YOU BEEN? ALL RIGHT. FINALLY WE GET TO SEE WHAT THIS "BEYOND IMAGINATION" IS ALL ABOUT. CASS: AND WHAT JORDAN STARK IS ALL ABOUT. PAULINA: I KNOW HOW THAT IS -- WONDERING ABOUT YOUR REAL MOM, WHAT SHE'S REALLY LIKE. REMY: DO YOU EVER HAVE ANY FANTASIES? PAULINA: YOU KIDDING ME? ALL THE TIME. I'D ACTUALLY CONVINCED MYSELF -- WELL, ALMOST CONVINCED MYSELF -- THAT I WAS THE SECRET LOVE CHILD OF PRINCESS GRACE. REMY: I MADE MY MOTHER UP. PAULINA: OH. REMY: EVERY SINCE I WAS A LITTLE GIRL, I JUST HAD THIS PICTURE IN MY MIND OF GRACE, ACTUALLY. PAULINA: REALLY? REMY: YEAH. IT'S KIND OF DORKY, I KNOW, BUT THAT'S THE NAME THAT I GAVE HER. I ALWAYS USED TO TELL MYSELF THAT GRACE DIDN'T REALLY WANT TO GIVE ME UP BUT THAT SHE JUST DIDN'T HAVE A CHOICE. PAULINA: PEOPLE HAVE TO MAKE THEIR OWN CHOICES, YOU KNOW. REMY: YEAH. YOU KNOW, I USED TO TELL MYSELF THAT SHE WAS PROBABLY REALLY YOUNG. PARENTS PROBABLY MADE HER DO IT. AND THAT SHE HOPED, YOU KNOW, THAT SHE DID THE RIGHT THING. GAVE HER BABY A BETTER LIFE THAN A COUPLE OF BROKE KIDS COULD, YOU KNOW? IT'S WEIRD. AT CHRISTMAS TIME, I PICTURE HER IN THIS PINK AND WHITE BEDROOM IN THIS LITTLE HOUSE WITH A WHITE PICKET FENCE. AND SHE'S LOOKING OUT THE WINDOW, WONDERING WHERE I AM AND HOPING THAT I'M OK. PAULINA: MAYBE SHE IS. REMY: I USED TO THINK THAT IF I COULD ONLY JUST GET TO THAT HOUSE AND TELL HER THAT SHE WAS WRONG, THAT MY LIFE WASN'T BETTER WITHOUT HER, THAT SHE WOULD TAKE ME BACK AND THAT WE WOULD FINALLY BE A FAMILY, YOU KNOW? ME AND MY MOM. DOCTOR: BECAUSE THE BEST THING YOU CAN DO FOR YOURSELF AND THAT CHILD IS FORGET THIS BABY EVER EXISTED. REMY: I KNOW IT'S A STUPID THING. IT'S A STUPID IDEA TO THINK THAT I COULD ACTUALLY FIND MY REAL MOM AND THAT -- PAULINA: NO. NO, NO. NO. IT'S NORMAL TO FEEL THAT WAY. REMY: YEAH, BUT, STILL -- I MEAN, PAULINA, WHERE DID IT GET ME? YOU KNOW, EVERY TIME I RAN AWAY FROM ONE OF THOSE HOUSES, IT MADE IT HARDER FOR THEM TO PLACE ME WITH SOMEONE WHO'D ACTUALLY KEEP ME. AND THEN IT WAS JUST TOO LATE. I WAS TOO OLD FOR THE SYSTEM, AND I ENDED UP ALONE. PAULINA: YOU KNOW, I WANTED TO FIND MY MOM AS MUCH AS YOU WANTED TO FIND YOURS. REMY: DID YOU? PAULINA: YES, YES. BUT BY THE TIME I TRACKED HER DOWN SHE WAS GONE. I ONLY GOT TO VISIT HER GRAVE. REMY: I AM SO SORRY. PAULINA: SOME GOOD CAME OUT OF THAT, YOU KNOW. IN TRYING TO FIND MY MOTHER, I FOUND RACHEL. AND EVEN THOUGH MAC, MY FATHER, HAD ALREADY DIED, TOO, RACHEL TOOK ME INTO HER FAMILY JUST LIKE HER OWN. REMY: YOU'RE RIGHT. YOU WERE REALLY LUCKY. PAULINA: YEAH, I WAS. BUT STILL, IT WOULD HAVE BEEN NICE TO HAVE BEEN ABLE TO MEET MY MOM JUST ONCE. REMY: THAT'S ALL I EVER WANTED WAS TO JUST SEE HER FACE AND JUST TO TALK TO HER, EVEN IF IT WAS JUST FOR A LITTLE WHILE. PAULINA: GIVE THIS TO WHOEVER TAKES THE BABY. SOMETHING FROM ITS MOTHER. TITO: IT'S ALL I HAVE OF MY MOTHER. PAULINA: REMY, IF YOU MET YOUR MOM, WHAT WOULD SHE HAVE TO SAY FOR YOU TO FORGIVE HER? CHRIS: ETTA MAE, YOU GOT A KNIFE? THIS THING IS WRAPPED TIGHT AS HELL. CASS: REMEMBER, IT'S 200 YEARS OLD. ETTA MAE: 200 YEARS OLD? CASS: WE DON'T WANT IT TO DISINTEGRATE, RIGHT? ETTA MAE: WHAT IS THIS? CHRIS: HERE WE GO. HERE WE GO. NOW LET'S SEE. SEE WHAT WE GOT. ETTA MAE: NO! TONI: NO, MAMA, DON'T TOUCH IT. DON'T TOUCH IT. ETTA MAE: LOOK, THIS THING COST ME $500! CHRIS: TURN IT OFF. ETTA MAE: TURN IT OFF? WAIT -- HOW -- CHRIS: OW. ETTA MAE: BABY -- CASS: ANYBODY KNOW HOW TO WORK ONE OF THESE CAPPUCCINO MACHINES? ZAK: FOCUS. CASS: ON OR OFF? YOU'RE MAKING ME NERVOUS. COME ON. RACHEL: I JUST WANT TO KNOW WHAT YOU KNOW, LILA. LILA: WHAT DO I KNOW? THE ONLY THING I KNOW IS THAT ZAK IS CONNECTED TO LUMINA AND THAT HE HELPED FIND JASMINE. RACHEL: RIGHT. LILA: RIGHT. AND IF JORDAN STARK IS RESPONSIBLE, THEN I'M GRATEFUL. THAT'S ALL. I'M JUST GRATEFUL. BUT THIS IDEA THAT HE HAS SOME MIND CONTROL OVER PEOPLE -- CASS COOKED THAT UP. I'M NOT SURPRISED THAT HE WOULD DO THAT, BUT YOU? RACHEL, I THOUGHT YOU WERE SMARTER THAN THAT. RACHEL: NO, YOU'RE RIGHT. I AM SKEPTICAL. BUT THIS CONCERNS MY FAMILY, LILA. THIS CONCERNS THE POSSIBILITY THAT SOMEBODY MAY BE MANIPULATING A MEMBER OF MY FAMILY, AND I WILL ENTERTAIN ANY POSSIBILITY. LILA: NO. YOU'RE CONCERNED BECAUSE YOU DON'T APPROVE OF ME. RACHEL: I'VE TAKEN YOU INTO MY FAMILY, LILA. LILA: YEAH, YOU SAY THAT. YOU SAY THAT, AND THEN YOU TURN AROUND AND YOU SAY THAT THE ONLY WAY THAT MATT COULD WANT ME IS IF HE WAS BRAINWASHED. HOW IS THAT SUPPOSED TO MAKE ME FEEL? RACHEL: LILA, THIS ISN'T ABOUT YOU. THIS IS ABOUT MY SON AND WHAT LUMINA MAY OR MAY NOT BE DOING TO HIM. LILA: FORGET LUMINA! FORGET THEM. OK? MATT AND I ARE MARRIED. WHY CAN'T YOU AND CASS AND EVERYBODY JUST ACCEPT THAT? HERE I JUSHAVE THIS ONE CHANCE TO BE HAPPY. WHAT IS SO WRONG WITH THAT? RACHEL: BUT ARE YOU HAPPY, LILA? YOU DON'T HAVE A REAL MARRIAGE. LILA: BUT WE WILL. IF EVERYONE WOULD JUST BACK OFF AND GIVE US A CHANCE. REMY: WHAT DO YOU MEAN? FORGIVE HER FOR WHAT? PAULINA: IF YOU COULD SEE YOUR MOM -- IF YOU COULD TALK TO HER, WHAT WOULD SHE HAVE TO SAY FOR YOU TO FORGIVE HER FOR GIVING YOU UP? REMY: WELL, SHE WOULDN'T HAVE TO SAY A THING. PAULINA: REALLY? REMY: WHY WOULD SHE, YOU KNOW? WHAT'S THERE TO FORGIVE? I'M SURE THAT SHE DIDN'T WANT TO GIVE ME UP, BUT SHE JUST DIDN'T HAVE CHOICE. PAULINA: IS THAT MY BABY? I KNOW YOU WANT TO BELIEVE THE BEST ABOUT YOUR MOM. AND THOSE DREAMS YOU HAD OF WHAT SHE MUST HAVE BEEN LIKE -- I MEAN, THAT MUST HAVE GOTTEN YOU THROUGH A LOT. REMY: EVERY CRUMMY DAY. PAULINA: BUT NOW THAT YOU'RE OLDER, CAN'T YOU SEE THAT MAYBE SHE WASN'T SO PERFECT? MAYBE HER PARENTS DIDN'T FORCE HER TO DO ANYTHING. REMY: WHY ARE YOU SAYING THIS? PAULINA: BECAUSE MAYBE SHE WAS -- SHE WAS JUST A GIRL WHO MADE A VERY HUMAN MISTAKE AND TRIED EVERYTHING SHE COULD TO MAKE IT RIGHT. REMY: NO. NO, I DON'T CARE HOW OLD I AM. I REFUSE TO BELIEVE THAT SHE WANTED TO GIVE ME UP. I MEAN, WHAT KIND OF PERSON WOULD WANT -- WANT TO GIVE UP THEIR OWN KID? PAULINA: YOU'RE RIGHT, YOU'RE RIGHT. I SHOULDN'T HAVE SAID ANYTHING. I JUST -- REMY: PAULINA, ARE YOU OK? PAULINA: YEAH, I'M FINE. I JUST -- I JUST NEED TO FINISH UP HERE, AND, YOU KNOW, I JUST HAD THIS BRILLIANT IDEA FOR YOUR FRIEND THE LOUSY CARPENTER. REMY: WHAT? PAULINA: ETTA MAE IS OPENING -- CHANGING LUCKY LADY OVER TO A COFFEE BAR, AND -- REMY: YEAH, I WAS THERE. THE PLACE LOOKS GREAT. PAULINA: WELL, IF SHE GETS AS MUCH TRAFFIC AS I THINK SHE'S GOING TO GET, SHE'S GOING TO NEED SOME EXTRA HELP, SO -- PAULINA: THAT'S A GREAT IDEA. I'LL MAKE SURE I TELL HIM ABOUT IT. PAULINA: WELL, TERRIFIC. WELL, WHY DON'T YOU JUST LET ME KNOW HOW THAT TURNS OUT, OK? I GOT TO -- I GOT TO GET THESE GIFTS OVER TO THE HOSPITAL, SO -- REMY: PAULINA? PAULINA: HMM? REMY: THANK YOU FOR LISTENING TO ME. PAULINA: OH, OF COURSE, SWEETHEART. I DIDN'T MIND. REMY: OF COURSE YOU'D SAY THAT. BUT I CAN KIND OF TELL I BROUGHT YOU DOWN. PAULINA: YOU DIDN'T DO ANYTHING WRONG. REMY: YES, I DID. NO ONE KNOWS BETTER WHAT YOUR LIFE WAS LIKE GROWING UP. AND, I MEAN, LOOK AT YOU NOW. YOUR DREAMS HAVE COME TRUE. YOU HAVE A BEAUTIFUL FAMILY. THIS TIME OF YEAR -- IT SHOULD BE THE HAPPIEST TIME OF YOUR LIFE, AND THE LAST THING YOU NEED IS A KID DUMPING ON YOU ABOUT WHAT A DRAG IT WAS NOT TO KNOW HER MOTHER. [MACHINE HISSES] >> WELL, WAIT A MINUTE -- WHERE'S THE PLUG? I'M TRYING TO PULL -- [HISSING STOPS] >> THERE WE GO. CASS: THE PLUG. WHAT A CONCEPT. CHRIS: OK. SO WHAT WENT WRONG IN THE FIRST PLACE? TONI: WE DON'T KNOW. WE NEVER READ THE INSTRUCTION BOOKLET. I'LL HELP YOU CLEAN THIS UP. CHRIS: WE'LL HELP YOU, TOO. JUST GIVE US A SECOND, ALL RIGHT? WE NEED TO CHECK OUT SOMETHING. TONI: OH, MAN. CHRIS: READY FOR THIS? ALL RIGHT. LET ME TELL YOU WHAT. I GOT THE BOTTOM, YOU TAKE OFF THE TOP. THERE YOU GO. CASS: OH, GOD. RACHEL: WHAT IS THE MOST PRECIOUS THING IN YOUR LIFE? LILA: MY BABY. RACHEL: OF COURSE. CAN'T YOU SEE? THAT'S THE WAY I FEEL ABOUT MATTHEW. IF SOMEONE IS TRYING TO HURT OR MANIPULATE HIM, I CAN'T LEAVE YOU OR MR. STARK ALONE. LILA: JORDAN STARK, PLEASE. YES, MR. STARK. THIS IS -- JORDAN: I KNOW WHO IT IS. WHAT DO YOU WANT? LILA: WHAT THE HELL DO YOU THINK YOU'RE DOING? JORDAN: I STRONGLY SUGGEST YOU CALM DOWN. NOW, WHAT'S THE PROBLEM? LILA: I JUST FOUND OUT THAT YOU MET WITH RACHEL AND YOU DISCUSSED MATTHEW AND OUR MARRIAGE WITH HER. JORDAN: YES. WHAT ABOUT IT? LILA: WHAT ARE YOU TRYING TO DO? DO YOU HAVE ANY IDEA HOW HARD THAT WAS FOR ME -- FACING RACHEL AND ALL THE QUESTIONS SHE HAD? JORDAN: WHAT'S YOUR POINT, LILA? LILA: I WANT TO KNOW WHY YOU'RE DOING THIS TO ME. DIDN'T I DO EVERYTHING YOU ASKED? DIDN'T I SPY ON MY HUSBAND'S FAMILY, GET THE INFORMATION THAT YOU WANTED? JORDAN: YES. THAT WAS VERY HELPFUL. LILA: SO WHY ARE YOU DOING THIS TO ME? WHAT, ARE YOU JUST GOING TO TAKE IT ALL AWAY? IS THAT WHY YOU MET WITH RACHEL? YOU MET WITH HER BEHIND MY BACK BECAUSE YOU WANTED ME TO THINK I HAD EVERYTHING, AND NOW YOU'RE JUST GOING TO TAKE IT ALL AWAY? JORDAN: GET AHOLD OF YOURSELF, LILA, NOW. IF YOU RECALL, THE LAST TIME WE SPOKE, YOU WERE VERY ANGRY. YOU DIDN'T WANT TO WORK WITH ME ANYMORE. WHEN RACHEL ASKED TO TALK TO ME, I DECIDED IT WAS TIME TO MOVE IN ANOTHER DIRECTION. LILA: I DID EVERYTHING YOU ASKED. WHAT MORE DO YOU WANT? JORDAN: FRANKLY, I NEED SOMETHING THAT BELONGS TO RACHEL. LILA: LIKE WHAT? JORDAN: SOMETHING CLOSE TO HER HEART THAT SHE CAN'T LIVE WITHOUT. PERHAPS SOMETHING SHE WEARS ALL THE TIME. LILA: WELL, I DON'T KNOW WHAT THAT MIGHT BE. THE ONLY THING THAT WOMAN WEARS ALL THE TIME IS HER WEDDING RING, AND SHE NEVER TAKES THAT OFF. JORDAN: WELL, THEN, THAT'S WHAT I NEED. LILA: YOU'VE GOT TO BE KIDDING ME. JORDAN: YOU CAN DO IT, LILA. I HAVE FAITH IN YOU. LILA: AND IF I DO IT, WILL YOU BACK OFF? JORDAN: I WOULDN'T THINK OF IT THAT WAY, LILA. INSTEAD, THINK ABOUT WHAT'S AT STAKE IF YOU DON'T. CHRIS: WE WERE THIS CLOSE. BUT THE GOOD THING IS, IF THIS WAS OUT THERE, THEN MAYBE THERE'S ANOTHER COPY OF THIS BOOK OUT THERE SOMEWHERE. CASS: YOU KNOW WHAT I'M STARTING TO THINK? MAYBE THE PURSUIT OF "BEYOND IMAGINATION" IS NOT SUCH A GREAT IDEA. MAYBE IT'S JUST A WILD GOOSE CHASE. CHRIS: WHAT DO YOU MEAN? CASS: THINK ABOUT IT. ZAK WILDER, A MAN NOBODY TRUSTS, A MAN WHO COULD VERY WELL BE WORKING FOR LUMINA, JUST HAPPENS TO DROP THE NAME OF A BOOK WRITTEN BY A GUY IN ENGLAND 200 YEARS AGO. CHRIS: SO YOU THINK WE WERE SET UP? CASS: I THINK THERE'S A VERY GOOD CHANCE THAT ANY CONNECTION BETWEEN THE AUTHOR OF "BEYOND IMAGINATION" AND THE JORDAN STARK WHO RUNS LUMINA NOW IS PROBABLY BEYOND ANYBODY'S IMAGINATION. CHRIS: YOU COULD BE RIGHT, BUT THE PROBLEM IS, WITHOUT THE BOOK WE CAN'T FIND ANY LEADS ON THIS JORDAN STARK GUY AND WHAT HE'S ABOUT, OR ANYTHING. CASS: LOOK, YOU'RE THE BEST REPORTER I KNOW. AND I'M THE BEST LAWYER I KNOW. BETWEEN THE TWO OF US, WE SHOULD BE ABLE TO COME UP WITH SOMETHING. CHRIS: DAMN STRAIGHT. LET'S DO THIS. REMY: HEY. HEY, TITO, WHAT'S GOING ON? IT'S GOOD YOU'RE HERE, ACTUALLY. TITO: YOU KNOW, PEACHES, FATE SEEMS TO ALWAYS BRING US TOGETHER. REMY: NOT THAT. I WAS TALKING TO PAULINA AND SHE SAID THAT ETTA MAE MIGHT NEED SOME EXTRA HELP HERE. TITO: WHOA, WAIT A SECOND. REWIND. YOU TALKED TO MAMA CARLINO ABOUT ME? REMY: DON'T WORRY. I DIDN'T USE YOUR NAME OR ANYTHING. I JUST SAID THAT YOU WERE A NICE GUY WHO WAS LOOKING FOR SOME EXTRA WORK. OF COURSE, I LIED ABOUT THE NICE GUY PART. TITO: CUTE. REMY: YEAH, ANYWAY. SHE REALLY KIND OF SEEMED TO WANT TO HELP YOU OUT, WHICH -- EVEN THOUGH YOU WERE A TOTAL STRANGER. SEE, THAT'S THE KIND OF PERSON SHE IS. YOU KNOW WHERE SHE IS RIGHT NOW? TITO: I DON'T KNOW -- FEEDING THE HOMELESS? REMY: VERY CLOSE. NO, SHE'S AT BCUH PLANNING A CHRISTMAS PARTY FOR SICK KIDS. TITO: OH, SHE IS. REMY: MM-HMM. TITO: ACTUALLY, I GOT TO SPLIT, PEACHES. I GOT SOME BUSINESS TO TAKE CARE OF. REMY: AREN'T YOU GOING TO ASK ABOUT THAT JOB, TITO? TITO: NO, DON'T WORRY ABOUT IT. I'VE GOT AN INTERVIEW SET UP. REMY: FOR WHAT? TITO: YOUTH DIRECTOR AT OUR LADY OF PURITY. BUT I DON'T THINK I'M GOING TO GET IT BECAUSE I'M A LITTLE OVER-QUALIFIED. BYE. REMY: BYE. ZAK: I DID IT! IT WAS JUST LIKE YOU SAID. ALL I HAD TO DO WAS FOCUS MY MIND ON MY GOAL, AND THE PAGES OF "BEYOND IMAGINATION" JUST TURNED INTO DUST. JORDAN: GOOD WORK, ZAK. ZAK: IT TOOK EVERY OUNCE OF ENERGY I HAD, BUT IT WAS WORTH IT. I MEAN, I'VE ALWAYS BELIEVED IN THE POWER OF THE MIND, BUT I'VE NEVER DONE ANYTHING LIKE THIS BEFORE. NOT EVEN CLOSE. JORDAN: YES, ZAK, IT'S A BIG STEP. BUT CONTROLLING OBJECTS IS JUST THE BEGINNING. CONTROLLING PEOPLE, THAT'S THE ULTIMATE CHALLENGE. RACHEL: BURNING A HOLE IN THE CARPET? LILA: HI. BARELY HEARD YOU COME IN. RACHEL: ARE YOU STILL UPSET ABOUT OUR CONVERSATION? LILA: NO. ACTUALLY, I WAS THINKING ABOUT HOW SORRY I WAS FOR SOME THE THINGS I'VE SAID. RACHEL: IT'S ALL RIGHT. IT'S ALREADY FORGOTTEN. LILA: YES. I JUST WANT TO KNOW THAT I UNDERSTAND WHY YOU'RE SO CONCERNED ABOUT MATTHEW. AND I THINK IT'S WONDERFUL THAT YOU'RE SO CONCERNED ABOUT YOUR SON. RACHEL: GOOD. I'M GLAD. NOW, I HAVE TO GO TO A MEETING, SO IF YOU'LL -- GIVE ME BACK MY HAND. LILA: OH, I'M SORRY. RACHEL: I'LL SEE YOU LATER, LILA. LILA: HOW AM I GOING TO GET THAT RING OFF HER FINGER? WHO AM I KIDDING? IT'S PRACTICALLY GLUED ON. [LILA SCREAMS] LILA: JASMINE! I'LL DO IT. I'LL DO IT. JOE: HEY, YOU. PAULINA: HEY. ANY WORD ON VICKY? JOE: NO. NO. HERE YOU GO. POOR JAKE CALLS, LIKE, EVERY HALF HOUR, AND I GOT NOTHING TO TELL HIM. PAULINA: I'LL GIVE HIM A CALL. JOE: GOOD. GOOD IDEA. SO, LISTEN, DANTE. OK, CALL GOOD. NOW, IF YOU WANT TO BE A COP, THE FIRST THING YOU GOT TO LEARN -- WHERE DOES THE CAPTAIN KEEP HIS STASH? YOU READY? LOOK AT THAT. LOOK AT THAT. CHECK IT OUT. COOL. LISTEN, HON. I GOT A FEW MINUTES IF YOU WANT TO PICK UP WHERE WE LEFT OFF THIS MORNING, YOU KNOW, TELL ME WHAT'S BEEN ON YOUR MIND THE LAST COUPLE DAYS. PAULINA: YOU KNOW, AFTER WE TALKED TODAY, I REALIZED THAT IT'S NOT SUCH A BIG DEAL AFTER ALL. DANTE: MOMMY, LOOK WHAT DAD DONE. JOE: YOU SURE ABOUT THAT? PAULINA: YEAH. IT'S JUST SOMETHING I MADE BIGGER IN MY MIND, THAT'S ALL. JOE: UH-HUH. I WON'T PUSH. HEY, DANTE, LISTEN. YOU, UH. TITO: PEACHES WAS RIGHT. SAINT PAULINA AIN'T HOME. CRAP, CRAP, CRAP, CRAP, CRAP. REMY: JUST TODAY SHE WAS TELLING ME ABOUT ALL OF THE CHRISTMASES SHE SPENT LIVING IN OTHER PEOPLE'S HOUSES, WRITING IN HER DIARY ABOUT HOW ALONE SHE WAS. TITO: THIS COULD BE THE JACKPOT. BINGO. TITO, YOU THE MAN. LILA: THE FIRST THING I'M GOING TO DO, IS THAT I AM GOING TO GET MATTHEW TO MAKE THIS MARRIAGE REAL SO IT CAN'T BE ANNULLED. AND THEN I'M GOING TO GET THAT RING OFF OF YOUR GRANDMA'S FINGER, YES I AM. THEN I AM GOING TO GIVE IT TO MR. STARK LIKE HE ASKED. I DON'T KNOW HOW, AND I DON'T KNOW WHY HE WANTS IT, BUT I'M GOING TO DO IT. [CLASSICAL MUSIC PLAYS] [CAPTIONING MADE POSSIBLE BY NCI'S CORPORATE PARTNERS] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]