[CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] ZAK: I THOUGHT YOU DIDN'T WANT ANYONE TO SEE YOU. MAN: LOOK AT THEM. THEY'RE POURING IN LIKE ANTS, AND NOT ONE OF THEM HAS THE IMAGINATION TO LOOK UP. ZAK: I'VE GOTTEN TO KNOW A LOT OF THESE PEOPLE. THEY'RE OK. MAN: SENTIMENT HAS NO PLACE IN OUR WORK. ZAK: BUT OUR RESEARCH IS HUMAN POTENTIAL. MAN: "POTENTIAL." "POTENTIAL" IS THE OPERATIVE WORD, ZAK. TONIGHT IS ONLY THE BEGINNING. ZAK: WHAT WE'RE PLANNING, IT'S GOING TO CAUSE CONFUSION, PAIN FOR MANY OF THEM. MAN: COME. MAN: WELCOME TO THE FUTURE, LADIES AND GENTLEMEN. LILA: CAMERON? CAMERON: NO WISECRACKS. LILA: OK. CAMERON: DON'T TELL ME YOU'RE NOT GOING TO THIS SHINDIG. LILA: OH, I WISH. MATT WANTS ME TO STAY HOME AND REST. CAMERON: CONSIDER YOURSELF LUCKY. WHERE'S AMANDA? LILA: AMANDA? OH, WELL, SHE LEFT A LITTLE WHILE AGO. CAMERON: ARE YOU KIDDING? I'M SUPPOSED TO PICK HER UP. WHAT'S GOING ON? LILA: WELL, THERE'S ONLY ONE WAY TO FIND OUT. CAMERON: NOT THIS GUY. I DIDN'T EVEN WANT TO GO TO THIS THING IN THE FIRST PLACE, AND I'M CERTAINLY NOT GOING ALONE. LILA: AHEM. BYE-BYE. WELL, I AM. EVEN IF I HAVE TO WEAR THIS UGLY, OLD RENTAL GOWN. EVERYBODY ELSE GOT A BEAUTIFUL BALL GOWN EXCEPT FOR ME. WELL, THAT'S ALL RIGHT. IF CINDERELLA CAN BAG HER PRINCE, SO CAN I. CAMERON: ALL RIGHT, AMANDA, WHERE ARE YOU? AMANDA: DO AS YOU'RE TOLD AND YOU WON'T GET HURT. [MUSIC PLAYS] [APPLAUSE] FELICIA: WELL, THIS IS ANOTHER WORLD, ALL RIGHT. SINGER: HOT SUMMER STREETS AND THE PAVEMENTS ARE BURNING I SIT AROUND TRYING TO SMILE BUT THE AIR IS SO HEAVY AND DRY CASS: GET A LOAD OF THE GUY IN THE MIDDLE. TALK ABOUT THE BODY ELECTRIC. DENISE: GIVE ME THE REAL THING ANYTIME. CASS: I WILL. FELICIA: YOU KNOW, I WONDER WHICH ONE OF THEM IS OUR HOST. CASS: WELL, WHOEVER HE IS, HE'S A BIG SPENDER, THAT'S FOR SURE. FELICIA: MMM. AND GOOD TASTE. THE FOOD IS DIVINE. DENISE: WHAT KIND OF BUSINESS IS LUMINA? FELICIA: WELL, NONE OF US REALLY KNOW THAT. I HOPE I FIND OUT TONIGHT. SINGERS: IT'S A CRUEL CRUEL SUMMER NOW YOU'RE GONE YOU'RE NOT THE ONLY ONE IT'S A CRUEL SINGERS: THE CITY IS CROWDED AND MY FRIENDS ARE AWAY AND I'M ON MY OWN JAKE: I'LL GET IT. MARLEY: JAKE. JAKE: MATTER OF FACT, I THINK YOU'D BETTER PUT THIS ON. IT APPEARS THAT IT'S THE DRESS CODE. MARLEY: YOU LOOK VERY HANDSOME IN THAT. JAKE: WELL, I MUST TELL YOU, I FEEL VERY UNCOMFORTABLE. VICKY: HELLO. SORRY, I HAD AN ENGINEERING PROBLEM. JAKE: I WOULD HAVE BEEN GLAD TO GIVE YOU SOME ASSISTANCE. MARLEY: VICKY, YOU LOOK BEAUTIFUL. VICKY: OH, THANK YOU. MARLEY. MARLEY: YES. VICKY: OH, YOU DECIDED TO COME AFTER ALL. MARLEY: I'M NOT SO SURE IT WAS A GOOD IDEA. I'M NOT SURE JAKE THINKS IT WAS, EITHER. VICKY: WELL, I DO. I THINK IT WAS A GREAT IDEA. I KNOW YOU'VE BEEN ON EDGE -- WELL, YOU KNOW, WITH EVERYTHING THAT'S HAPPENED. MARLEY: DON'T WORRY ABOUT ME. YOU TWO JUST -- YOU GO AND HAVE A GOOD TIME. JAKE: COME ON, YOUNG LADY, LET'S JUST WADE RIGHT IN. VICKY: MARLEY. JAKE: COME ON. MARLEY: I REALLY SHOULD -- I SHOULD CALL DONNA, CALL THE NURSE TO SEE IF SHE'S OK. VICKY: I KNOW THIS IS THE FIRST TIME YOU'VE LEFT HER. SHE'S GOING TO BE JUST FINE. MARLEY: I GUESS YOU'RE RIGHT. SINGER: NO, DON'T YOU LEAVE ME NO, DON'T YOU LEAVE ME COME ON, COME ON NO, DON'T YOU LEAVE ME NO, DON'T YOU LEAVE ME NO, DON'T YOU LEAVE ME COME ON, COME ON IT'S A CRUEL SINGERS: CRUEL SINGER: CRUEL SUMMER TYRONE: DONNA. DONNA, ARE YOU ALL RIGHT? DONNA, I'VE GOT YOU. I'VE GOT YOU. YOU ALL RIGHT? WHAT HAPPENED? WHAT HAPPENED? OK, LISTEN. I'M NOT GOING ANYWHERE, ALL RIGHT? I'M NOT GOING ANYWHERE, DONNA. IS ANYBODY HOME? IS ANYONE HOME? I CAN'T BELIEVE THEY LEFT YOU HERE ALONE. I KNOW YOU CAN'T TELL ME, BUT WHY ARE YOU DRESSED IN THIS COSTUME? YOU KNOW WHAT? I'M GOING TO CALL JAKE AND VICKY. I'M GOING TO LEAVE A MESSAGE. THEN I'M GOING TO CALL AN AMBULANCE BECAUSE I THINK YOU NEED TO SEE A DOCTOR, ALL RIGHT? WHAT IS IT, DONNA? WHAT IS IT? WHAT, THE GLASS? I KNOW. I SEE THE BROKEN GLASS. YOU PROBABLY KNOCKED IT OFF THE TABLE BY AN ACCIDENT. WAIT A MINUTE. IT WASN'T AN ACCIDENT, WAS IT? ALL RIGHT, DONNA, I'M LISTENING TO YOU, OK? TRY TO -- TRY TO TELL ME WHAT'S WRONG. WHAT IS IT? WHAT? WHAT, THIS? THIS -- IT'S AN INVITATION TO A PARTY AT THE LUMINA -- IT'S AT THE LUMINA FOUNDATION. THAT'S RIGHT. RIGHT. THAT'S WHY I'M DRESSED -- I'M GOING THERE. OK, NOW, WHAT? YOU NEED A -- YOU WANT A PEN? YOU NEED A PEN? ALL RIGHT. ALL RIGHT, DONNA. I'M NOT GOING ANYWHERE, ALL RIGHT? TAKE YOUR TIME. TAKE YOUR TIME. TYRONE: "TAKE ME." "TAKE ME"? DONNA, TAKE YOU WHERE? TYRONE: DID VICKY'S SISTER DRESS YOU UP IN THIS COSTUME? YES. OK. WAS SHE SUPPOSED TO COME BACK AND PICK YOU UP? NO? I WISH I KNEW WHAT THE HELL WAS GOING ON. TYRONE: OK, DONNA. IT'S ALL RIGHT. IT'S ALL RIGHT. I DON'T NEED TO HAVE ALL THE ANSWERS. IF IT MEANS THAT MUCH TO YOU, WE'LL PLAY IT YOUR WAY, OK? [MUSIC PLAYS] FELICIA: OH. LISTEN -- YOU KNOW, YOU CAN'T HARDLY TELL WHO ANYONE IS HERE WITH ALL THESE MASKS. MAYBE YOU COULD POINT OUT YOUR EMPLOYER TO ME? EXCUSE ME. EXCUSE ME. HEY, HEY, HEY. CASS: HEY, HEY. FELICIA: WHAT? CASS: YOU TRYING TO GET US KICKED OUT? FELICIA: I ONLY WANTED TO KNOW WHO OUR HOST WAS. THAT'S ALL. DENISE: WHY DON'T THE TWO OF YOU DANCE. FELICIA: OH, NO, NO, NO, NO, NO. I WOULDN'T DREAM OF STEALING YOUR DATE FROM YOU. DENISE: CASS AND I HAVE THE WHOLE EVENING AHEAD OF US. I'M GOING TO TAKE A LOOK AT THE VIEW. CASS: OH, BEHAVE. FELICIA: WELL. OH, THERE HE IS. GO ON AND ASK HIM. CASS: EXCUSE ME. WAITER: CHAMPAGNE? CASS: INFORMATION. IS THERE GOING TO BE A RECEIVING LINE THIS EVENING? WE'RE LOOKING FORWARD TO MEETING OUR HOST, THE LUMINATE. WAITER: I'LL SEND A WAITER OVER WITH CANAPES. FELICIA: SEE. I TOLD YOU. CASS: SO I GUESS IT WASN'T JUST YOU. COME ON, LET'S DANCE. LET'S SHOW THEM HOW TO DO IT. FELICIA: OOH. YOU SURE YOU WANT TO DANCE WITH ME, HONEY? CASS: ABSOLUTELY, DARLING. FELICIA: REALLY? VICKY: MARLEY, THAT DRESS IS REALLY A KNOCKOUT. MARLEY: OH, IT'S NOT REALLY ME. VICKY: WELL, JUDGING FROM THE LOOKS YOU'RE GETTING, I'D SAY THE MEN AGREE WITH ME. MARLEY: THEY'RE LOOKING AT YOU, NOT AT ME. VICKY: UH-UH. MARLEY: VICKY, EVEN WHEN WE LOOKED EXACTLY ALIKE, YOU WERE THE ONE THAT MEN WERE ALWAYS ATTRACTED TO. VICKY: I DON'T KNOW IF THIS IS THE TIME -- PROBABLY NOT, BUT I JUST -- I DON'T KNOW WHAT TO SAY ABOUT WHAT YOU TOLD ME ABOUT YOU TRYING TO KILL YOURSELF. IT'S JUST -- MARLEY: SHH, SHH, SHH. IT'S JAKE. VICKY: THANK YOU. JAKE: LADIES? MARLEY: THANK YOU. CASS: SO, WHO DO YOU THINK OUR MYSTERY HOST IS? FELICIA: I DON'T KNOW. MAYBE HE'S GOING TO MAKE ONE OF THOSE GRAND ENTRANCES LATER. CASS: OR MAYBE WE'RE ALL BEING SET UP. FELICIA: WHAT? CASS: WELL, THAT MOVIE "AND THEN THERE WERE NONE" STARTED OUT THE SAME WAY. EVERYBODY ENDED UP DEAD. FELICIA: OH. YOU KNOW WHAT? IF YOU DON'T PAY MORE ATTENTION TO DENISE, YOU'RE GOING TO END UP DEAD. CASS: DON'T WORRY. SHE'S CRAZY ABOUT ME. FELICIA: OH, GOD. YOU ARE THE MOST INSUFFERABLE, MOST ARROGANT MAN ALIVE. OW! CASS: YOU HAD THAT COMING. FELICIA: YOU ARE A CAD. CASS: OH, SORRY. HONEY, HONEY. FELICIA: WHAT? CASS: HERE, HERE. PEACE OFFERING. FELICIA: OH, I DO LOVE FOOD. ALWAYS A SUCKER FOR IT. WHAT? WHAT? CASS: SALMON. LILA LOVES SALMON. FELICIA: JUST EAT IT. EAT IT. CASS: I CAN'T. MARLEY: I THINK IT WOULD BE BETTER IF I JUST LEFT. VICKY: MARLEY, PLEASE. PLEASE STAY HERE WITH US. JAKE AND I WILL STAY BY YOUR SIDE, I PROMISE. WON'T WE, JAKE? JAKE: YES. RIGHT BY YOUR SIDE. MATT: WOW. SOFIA: CAN YOU BELIEVE THIS? MATT: SURE IS SOMETHING. SOFIA: WELL, I GUESS WE BETTER PUT ON OUR MASKS. MATT: HERE, LET ME HELP YOU. OK. CINDY: COME ON, MARLEY. CINDY: COME ON, MARLEY. I'VE GOT PLANS OF MY OWN THIS EVENING. MARLEY: JUST TO TAKE THE EDGE OFF. JAKE: WELL, YOU KNOW, MARLEY, IF YOU FIND IT TOO TOUGH BEING HERE, MAYBE -- VICKY: SHE WON'T. SHE WON'T. MARLEY: YOU'RE RIGHT. YOU'RE RIGHT, I DON'T -- I DON'T NEED THIS. SOFIA: OH. THIS IS OUT OF, LIKE, A MOVIE. MATT: HEY. THANK YOU. TO HAPPILY EVER AFTER. SOFIA: TO FINALLY BEING ALONE. MATT: WITHOUT YOU-KNOW-WHO HANGING AROUND. TONIGHT'S FOR US. SOFIA: OOH. DON'T LOOK NOW, BUT FELICIA MAY WANT US TO JOIN THEM. MATT: WELL, SHE'S GOING TO HAVE TO WAIT. OOH, THANK YOU. SO'S THE REST OF THE WORLD. TILL I HAVE ONE DANCE WITH THE WOMAN I LOVE. SINGER: PUT YOUR BODY IN BABY SINGERS: PUT YOUR BODY IN MOTION LET IT ALL GO SINGER: PUT YOUR BODY IN MOTION SINGERS: BODY IN MOTION MAN: I TAKE IT THAT ONE IS SOFIA? ZAK: YES, IT IS. MAN: THE ONE WITH MATT CORY? ZAK: MM-HMM. MAN: SHE IS LOVELY. QUITE A DISTRACTION FOR ANY MAN. ZAK: I WAS HOPING LILA HAD COME WITH THEM, BUT I HAVEN'T SEEN HER. MAN: ALL OF THIS IS IN HONOR OF LILA. IF SHE DOESN'T SHOW, IT'S ALL BEEN FOR NOTHING. FIND HER. BRING HER HERE. LILA: A PRETTY GIRL RACHEL: IS LIKE A MELODY WELL, WELL, WELL. LILA: UH -- I THOUGHT YOU LEFT. RACHEL: NO, I WAS OUT FOR A WALK. IT'S AMAZI WHAT YOU WILL LEARN WHEN YOU'RE OUT FOR A WALK. LILA: BUT YOU'RE NOT IN YOUR COSTUME. RACHEL: WELL, I HAVEN'T QUITE DECIDED WHETHER I'M GOING TONIGHT OR NOT. BUT I DO HAVE TO GO TO THE OFFICE. YOU'RE NOT GOING TO BE VERY COMFORTABLE LAZING AROUND THE HOUSE IN THE COSTUME, ARE YOU? LILA: OH, THIS? OH. I JUST WANTED TO TRY IT ON. RACHEL: AND DO YOUR HAIR AND MAKEUP? LILA: YES, WELL, I HAD NOTHING BETTER TO DO. RACHEL: I'M SORRY. IT IS DIFFICULT, ISN'T IT? EVERYONE'S GOING TO THE PARTY EXCEPT YOU. BUT YOU DID PROMISE MATTHEW. LILA: YES, AND A PROMISE IS A PROMISE. RACHEL: YES, A PROMISE IS A PROMISE. WELL, YOU TAKE CARE AND HAVE A RESTFUL EVENING. LILA: UH -- YEAH. WELL, HAVE FUN. RACHEL: OH, AND BY THE WAY, I DID SEND THE CAB ON HIS WAY. I SAW NO POINT IN HIM STAYING BECAUSE YOU DID PROMISE MATTHEW AFTER ALL, DIDN'T YOU? GOOD NIGHT. LILA: OH. OH, I HATE YOU. I HATE YOU. OOH! OH. OUCH. I'M A CINDERELLA IN NO HOPE OF A PRINCE. OH, WHAT AM I GOING TO DO? [TELEPHONE RINGS] LILA: HELLO? ZAK: LILA, IT'S ZAK. WHY AREN'T Y HERE? LILA: DON'T ASK. ZAK: DO YOU WANT ME TO COME PICK YOU UP? LILA: OH, NO, NO. FORGET IT. I'M NOT GOING ANYWHERE. I'M GROUNDED. ZAK: LILA, YOU NEED TO BE HERE. IF THERE'S ANY HOPE OF YOU WINNING MATT BACK, YOU HAVE TO -- LILA: LOOK, RACHEL PUT A MONKEY WRENCH INTO MY PLANS. I'M STUCK HERE. ZAK: DO ME A FAVOR. SIT DOWN, TAKE A DEEP BREATH, AND FOCUS. LILA: NO, I'M ALL FOCUSED OUT. ZAK: IT WORKS. YOU KNOW IT DOES. LILA: OH, PLEASE. I DID FOCUS, AND ALL IOT WAS A RENTAL COSTUME AND AN EMPTY HOUSE. ZAK: TRY AGAIN. THE CELESTIAL BALL NEEDS YOU. PAULINA: IF I HEAR ONE MORE COMPLAINT ABOUT YOUR COSTUME, I AM GOING TO RENT "THE ENGLISH PATIENT" FOR A WEEK UNTIL YOUR CRY WITH MERCY. JOE: HEY, HEY, HEY, HEY. WHO SET ME UP ON THIS DOUBLE DATE WITH NICK AND MINNIE THE MOOCHER, HUH? PAULINA: DON'T. JOE: DON'T PUSH YOUR LUCK. PAULINA: DON'T -- YOU STOP. [KNOCK ON DOOR] JOE: GETTING A HEADACHE. PAULINA: OH, STOP. WHAT DID I SAY? WHAT DID I SAY? JOE: WHAT? PAULINA: "ENGLISH PATIENT." I'M TELLING YOU. JOE: I HEARD YOU. NICK: HI. JOE: HEY. NICK: COME ON IN -- WATCH. PAULINA: DUCK. DUCK. JOE: LOOKING GOOD, NICKY. NICK: HEY, HOW YOU DOING? PAULINA: YOU LOOK GREAT. JOE: LIKE THE KNIGHTS OF COLUMBUS. PAULINA: THANKS. SO WHERE'S REMY? NICK: WELL, I HEARD THE WATER BEING TURNED OFF, SO I KNOW SHE'S OUT OF THE SHOWER. PAULINA: GOOD. JOE: YOU MEAN SHE'S NOT DRESSED YET? NICK: I DON'T KNOW. NICE HELMET, JOE. REMY: DID I KEEP YOU WAITING LONG? NICK: WOW, YOU LOOK BEAUTIFUL. REMY: THANKS TO PAULINA. SHE MADE THE COSTUME. PAULINA: I AM SO HAPPY YOU'RE GOING WITH US TONIGHT. REMY: ME, TOO. JOE: SO, WHAT DO YOU SAY WE GET THIS SHOW ON THE ROAD, HUH? PAULINA: JOE, JOE, WE'RE HAVING FUN, REMEMBER? NICK: YES. AND WE'RE ALL SET. PAULINA: ALL RIGHT, LET'S GO. COME ON. NICK: JOE, YOU OK WITH THAT? JOE: ABSOLUTELY. PAULINA: COME ON, YOU GUYS. PAULINA: REMY? REMY: PAULINA, I -- PAULINA -- PAULINA: EASY, EASY. JOE: IF YOU TWO DON'T HURRY UP, WE'RE GOING TO MISS ALL THE FOOD. REMY: JOE, YOU AND NICK GO AHEAD AND GO DOWN TO THE CAR. I NEED REMY'S HELP TO FIX SOMETHING ON MY COSTUME. JOE: TELL YOU WHAT. I'LL MEET YOU AT THE CAR. PAULINA: ALL RIGHT, SWEETHEART. REMY: ALL OF A SUDDEN, I JUST -- I DON'T KNOW. I JUST -- I GOT THIS FEELING LIKE SOMETHING REALLY, REALLY TERRIBLE IS GOING TO HAPPEN. PAULINA: I KNOW THAT FEELING. REMY: YOU DO? PAULINA: CAN'T BREATHE, COLD SWEATS, DRY MOUTH. HONEY, IT HAPPENS BEFORE ALL THE BEST OCCASIONS -- PARTIES AND WEDDINGS. REMY: I'VE -- I'VE BEEN REALLY, REALLY EXCITED EVER SINCE NICK ASKED ME, BUT -- PAULINA: YOU FROZE. REMY: YOU NOTICED. PAULINA: YEAH. THAT FEAR, IT'S -- IT'S THE FLIP SIDE OF EXCITEMENT. REMY: IT IS? PAULINA: YES. MAYBE GIRLS WHO GROW UP WITH MOMS OR WHO GO TO SWEET 16 PARTIES OR DO WHATEVER IT IS NORMAL GIRLS DO -- MAYBE THEY GET USED TO THAT FEELING. THEY KNOW WHAT IT IS. REMY: I NEVER REALLY -- I DON'T KNOW. I NEVER THOUGHT OF IT THAT WAY, I GUESS. PAULINA: YEAH? WELL, YOU KNOW, SOMETIMES THE GOOD THINGS SCARE ME MORE THAN THE BAD THINGS DO. REMY: YEAH. BAD TIMES YOU GET USED TO. PAULINA: YEAH. SO IT'LL BE A LITTLE SCARY TONIGHT. BUT IT'LL BE WONDERFUL, TOO. YOU HAVE A GUY WHO CAN'T TAKE HIS EYES OFF YOU. AND YOU LOOK LOVELY. JUST BE YOU AND ENJOY. REMY: THANK YOU. PAULINA: NOW, IF WE DON'T GET DOWN TO THAT CAR, JOE WILL TALK NICK OUT OF GOING TO THIS PARTY AND YOU AND I WILL END UP AT THE BOWLARAMA IN THESE GETUPS. REMY: YEAH. PAULINA: SO, ARE YOU READY? REMY: YEAH, I'M READY. PAULINA: OK, READY -- SWOOSH! AMANDA: ALL RIGHT, YOU CAN TAKE OFF THE BLINDFOLD. CAMERON: WHATEVER YOU SAY, DRIVER. AMANDA: WHERE TO, SIR? CAMERON: ANYWHERE WHERE I CAN BE ALONE WITH YOU. AMANDA: THAT'S NOT IN MY JOB DESCRIPTION. CAMERON: IT IS NOW, MISS CORY. AMANDA: AND WHEN DID YOU KNOW IT WAS ME? CAMERON: THE MINUTE I HEARD, "DO WHAT YOU'RE TOLD AND YOU WON'T GET HURT." AMANDA: NO WAY. I WORKED HARD ON THAT VOICE. CAMERON: I NEVER MET A KIDNAPPER WHO SMELLED LIKE YOU, HAD AS SOFT A TOUCH AS YOU. SO WHAT'D I DO TO DESERVE ALL THIS? AMANDA: AH. PAYBACK. I THOUGHT I'D DRIVE YOU AROUND FOR A WHILE AND MAKE SNAP JUDGMENTS AND BERATE YOU AND YOUR VALUES. CAMERON: NOW, DID I DO THAT TO YOU? AMANDA: CONSTANTLY, FOR MONTHS. CAMERON: I HAD TO DO SOMETHING. I WAS ALWAYS FIGHTING THE URGE TO JUMP IN THE BACK SEAT WITH YOU. AMANDA: YOU HAD THAT URGE? WHY DID YOU RESIST IT? CAMERON: DUTY. WHAT ARE YOU DOING? AMANDA: I WAS NEVER VERY GOOD AT RESISTING URGES. CAMERON: THIS ROLE REVERSAL THING IS KIND OF NICE. SINGERS: YOU SET MY SOUL ON FIRE YOU SET MY SOUL ON FIRE YOU SET MY SOUL ON FIRE YOU SET MY SOUL ON FIRE MARLEY: CINDY, WHAT ARE YOU DOING HERE? CINDY: SHH. I'M KEEPING A LOW PROFILE UNTIL I SPRING MY SURPRISE ON GRANT. MARLEY: I HOPE DONNA'S ALL RIGHT. CINDY: OF COURSE SHE'S ALL RIGHT. AFTER THAT HUGE DOSE OF MUSCLE RELAXANTS WE GAVE HER, SHE'S IN DREAMLAND RIGHT NOW. HOW'S IT GOING WITH YOU AND JAKE AND VICKY? MARLEY: SHE'S BEING WONDERFUL TO ME. CINDY: OF COURSE SHE IS, NOW THAT SHE THINKS THAT DONNA'S THE ONE THAT CALLED HERSELF MARNIE AND TRIED TO GET ME TO RUN HER DOWN IN THE CEMETERY. BUT IS JAKE WARMING UP TO YOU? MARLEY: NO, AND VICKY'S PRACTICALLY THROWING HIM AT ME. SHE KEEPS SAYING, "LET'S JUST TAKE CARE OF MARLEY." HE STILL DOESN'T TRUST ME. CINDY: WELL, YOU HAVE PULLED SOME PRETTY FAR-OUT STUFF. MARLEY: ME? WHAT ABOUT VICKY? SHE WAS STILL MARRIED TO JAKE THE NIGHT SHE SHACKED UP WITH SHANE, AND SHE WAS WITH SHANE THE NIGHT MY FATHER DIED. CINDY: MARLEY. MARLEY: SHE'S ALWAYS DOING THINGS. SHE'S ALWAYS TAKING HER PLACE. SHE'S ALWAYS BEING SELFISH. CINDY: SHH. SHH. IT'S TIME TO PUT OUR PLAN INTO ACTION. VICKY'S ABOUT TO GET A PHONE CALL. MARLEY: I'M VERY NERVOUS. CINDY: THERE IS NOTHING WRONG WITH THAT GIRL THAT COULDN'T BE CURED WITH ANTIDEPRESSANTS AND A BASEBALL BAT. MARLEY: SOON, JAKE. SOON. VICKY: COULD YOU PLEASE TRY TO BE A LITTLE BIT NICER TO MARLEY? JAKE: MARLEY OR MARNIE? VICKY: SHE TOLD YOU WHY SHE TOLD TYRONE HER NAME WAS MARNIE. JAKE: OH, AND YOU'RE GOING TO BUY INTO THAT STORY? SHE SAID SHE WAS GOING TO OFF HERSELF, SO TYRONE SAVED HER. VICKY: I'M NOT STUPID. I KNOW SHE'S NOT AS FAR OUT OF THE WOODS AS I HAD HOPED, BUT SHE -- SHE THOUGHT ABOUT SUICIDE, JAKE. SHE COULD DO IT AGAIN. WE HAVE TO WATCH OVER HER. JAKE: I GUESS THIS MEANS WE'RE NOT DANCING ANYMORE. VICKY: WE PROMISED HER WE WOULD STAY CLOSE. JAKE: NO, VICKY, NO. YOU PROMISED HER. NOW, WHY DID WE COME TO THIS STUPID CITY TO LOOK FOR YOUR FAMILY IN THE FIRST PLACE? VICKY: BECAUSE WE THOUGHT THEY WERE RICH. GO DANCE WITH MARLEY. JAKE: DON'T PUSH IT. VICKY: HEY, YOU SCRATCH MY BACK, I'LL SCRATCH YOUR BACK -- IF YOU KNOW WHAT I MEAN. JAKE: I HATE IT WHEN I'M EASY. VICKY: I'LL BE RIGHT BACK. JAKE: OH, NOW YOU'RE GOING TO DESERT ME? VICKY: NO, NO, IT'S NOT THAT. I JUST -- I'M A LITTLE WORRIED ABOUT MOM. DON'T TELL MARLEY, BUT I'M JUST GOING TO CALL HER HOUSE AND JUST CHECK IN WITH THE NURSE. TYRONE: I CAN'T BELIEVE I'M DOING THIS, BUT I'VE ALWAYS BEEN A SUCKER FOR A PRETTY LADY. LILA: I WILL GO TO THE BALL. YES, I WILL. I WILL, TOO. I WILL TOO GO TO THE BALL. YES, I'M GOING TO THE BALL. AMANDA: LILA! WHERE IS THE WHITE TRASH WHEN YOU NEED HER? PAULINA: LILA, DID YOU IRON OUR DRESSES? RACHEL: WE'RE GOING TO BE LATE FOR THE BALL. LILA: OH, NO, WE'RE NOT. NO, NO. AMANDA: ASLEEP ON THE JOB. PAULINA: AGAIN! LILA: NO. NO, NO, NO, NO. I WAS JUST SO TIRED AFTER I IRONED ALL THOSE DRESSES THAT I DOZED OFF. BUT I'M READY. I AM. RACHEL: READY FOR WHAT? LILA: FOR THE BALL, OF COURSE. RACHEL: YOU? PAULINA: LOOKING LIKE THAT? RACHEL: SHE DOESN'T GET IT, DOES SHE? SHE'S NEVER, EVER GOING TO GO ANYWHERE EVER AGAIN. AMANDA: NEVER. PAULINA: BECAUSE MATT LOVES SOFIA SO THERE! LILA: THAT'S NOT FAIR. EVERYBODY GETS TO GO TO THE BALL AND MEET THEIR PRINCE CHARMING. PAULINA: PRINCE WHO? RACHEL: FORGET THE FAIRY TALE, HONEY. YOU CAN'T EVEN WIGGLE YOUR SWOLLEN TOOTSIES INTO A GLASS MUKLUK. AMANDA: WHY ARE WE TALKING ABOUT HER? I WANT TO TALK ABOUT ME. PAULINA: LET'S TALK ABOUT HER. LILA: STOP IT. STOP IT. THIS IS NOT WHAT I FOCUSED ON AT ALL. I FOCUSED ON PRINCE CHARMING. CASS: ARE YOU READY, HONEY LA? LILA: OH, CASS. UH -- UH -- YOU'RE NOT SUPPOSED TO SEE ME. YOU'RE SUPPOSED TO MEET ME AT THE BALL. PAULINA: DO YOU HAVE OKRA FOR BRAINS OR WHAT? DENISE: WHO'S THE DUMPLING WITH THE DRAWL? CASS: CINDERELLA. SOMEONE WHO'S NEVER GOING TO HAVE ANY FUN EVER, EVER, EVER, EVER AGAIN. LET'S GO, DARLING. LILA: CASS? OH. OH. CASS. WAIT. CASS. CASS. OH. OH, CASS. WAIT FOR ME. OH. OH, WHATEVER AM I GOING TO DO NOW? OH, GOODY. ARE YOU MY FAIRY GODPERSON? ZAK: YOUR WISH IS MY COMMAND. LILA: OH. OH, GOOD. OK, I'M READY. GO AHEAD AND ZAP ME. ZAK: THAT'S SO OLD. NOWADAYS, WE'RE INTO THE MAGICAL FIVE-LETTER WORD. IT BEGINS WITH F AND ENDS WITH S. LILA: OH, NO, NOT THAT. ZAK: FOCUS, LILA. LILA: ANYTHING BUT THAT. ZAK: FOCUS. LILA: NO, NO. ZAK: FOCUS, LILA. LILA: OH, PLEASE. ZAK: FOCUS. LILA: GIVE ME A PUMPKIN OR A DRESS MADE BY MICE, BUT GET OFF MY BACK WITH THAT FOCUS THING! ZAK: FOCUS. LILA: NO, NO, NO. GET OFF MY BACK WITH THAT FOCUS THING! GET OFF MY BACK WITH THAT FOCUS THING. I HATE THE FOCUS THING. CAMERON: WHOA. TALK ABOUT BEING OUT OF YOUR ELEMENT. AMANDA: OH, PUT YOUR MASK ON. YOU'LL FEEL SAFE. CAMERON: SAFE IS HAVING YOU STAY VERY, VERY CLOSE TO ME. AMANDA: WELL, DON'T WORRY ABOUT THAT. THAT'S A GIVEN. LET ME JUST GET THIS STRAIGHT FOR YOU, OK? CAMERON: THIS DRESS IS SOMETHING ELSE. AMANDA: SO ARE YOU. CAMERON: I DON'T BELIEVE THIS. AMANDA: WHAT? CAMERON: YOU. US. BEING HERE TOGETHER. AMANDA: WELL, I'M JUST TRYING TO BE A GOOD CHAUFFEUR, SIR. CAMERON: WELL, I DON'T DESERVE IT. AMANDA: HEY, WE BOTH DESERVE TO BE HAPPY, AND WE'RE HAPPIEST TOGETHER. CAMERON: ARE YOU SURE THAT'S WHAT YOU WANT EVEN AFTER EVERYTHING THAT HAPPENED? AMANDA: LET'S NOT GO THERE TONIGHT, OK? ALL I WANT TO TALK ABOUT TONIGHT IS YOU AND ME. CAMERON: IF THAT'S WHAT YOU WANT, YOU GOT IT. AMANDA: YOU WANT TO GO CHECK OUT THE VIEW? CAMERON: WELL, THAT COULD BE VERY DANGEROUS. AMANDA: DANGEROUS? CAMERON: YES -- YOU, YOU'RE WEARING METAL, WE COULD HIT A MAGNETIC FIELD -- YOU'RE GONE. AMANDA: JUST HOLD ON TIGHT. VICKY: OPERATOR, THIS IS AN EMERGENCY. COULD YOU PLEASE CHECK THE NUMBER ON THIS LINE? MY MOTHER'S AN INVALID, AND SOMEONE SHOULD BE ANSWERING THE PHONE. WAITER: EXCUSE ME -- MRS. McKINNON? VICKY: YES? WAITER: YOU HAVE A CALL FROM A NURSE ABOUT YOUR MOTHER. VICKY: THANK YOU, THANK YOU. OPERATOR, MYSTERY SOLVED. THANKS. I'M RIGHT BEHIND YOU. MARLEY: I DON'T KNOW WHO THIS IS HARDER FOR -- ME OR YOU. SINGER: WAKE UP YOUR CONSCIOUSNESS JAKE: LET'S JUST NOT GET INTO THIS RIGHT NOW. WHY DON'T YOU JUST TRY TO RELAX AND ENJOY THE PARTY. MARLEY: IT'S REALLY FUN TO WATCH EVERYBODY DANCE. JAKE: WOULD YOU LIKE TO DANCE? MARLEY: REALLY, JAKE, YOU DON'T HAVE TO ASK -- JAKE: YES OR NO, MARLEY? YES OR NO? MARLEY: YES. YES, I WOULD LOVE TO DANCE. JOE: WOW. PAULINA: WOW. [JOE WHISTLES] PAULINA: OH, HONEY, THE HELMET. COME ON. JOE: I KNOW THE HELMET, ALL RIGHT? NO BROOMHEAD JOKES, ALL RIGHT? PAULINA: ALL RIGHT. COME ON PUMPKIN -- HEAD. JOE: VERY FUNNY. PAULINA: I KNOW, BUT I LOVE YOU. JOE: YEAH, YEAH. SINGER: DON'T CLOSE YOUR EYES MAN'S VOICE: WELCOME TO LUMINA, LADIES AND GENTLEMEN. WE ARE HONORED TO BE AMONG YOU HERE IN BAY CITY. NICK: HEY, IT'S OK. JUST SPECIAL EFFECTS. MAN'S VOICE: IT IS OUR HOPE TONIGHT TO BRING YOU ILLUMINATION IN ALL ITS WONDER. WE WOULD LIKE TO BEGIN THIS EVENING'S EVENTS BY ASKING THIS LOVELY AND GRACIOUS LADY, A FORCE FIELD IN HER OWN RIGHT, TO ASSIST US IN OUR OPENING REMARKS. MISS GALLANT, IF YOU WOULDN'T MIND? [CROWD REACTS] FELICIA: HOW CLEVER OF THEM TO SEND SUCH A GREAT-LOOKING MESSENGER. WOW. MAN'S VOICE: LUMINA PROMISES YOU AN EVENING CHARGED WITH THE UNEXPECTED. MARLEY: THE UNEXPECTED? WHAT NEXT? TYRONE: WOW. THIS IS SOME PLACE. TYRONE: HOW YOU DOING, DONNA? YOU OK? ARE YOU OK? GOOD. YOUR DAUGHTERS ARE GOING TO KILL ME FOR THIS. TYRONE: LUMINA ROOFTOP, HERE WE COME. LILA: MMM. MMM. ZAK: PUTTING AWAY A PIECE OF CAKE LIKE THAT -- TALK ABOUT SUBLIMATING. WAKEY-WAKE. THERE'S WORK TO BE DONE. LILA: UGH. ZAK. WHAT ARE YOU DOING IN MY DREAM? I TOLD YOU TO GO AWAY. YOU KNOW, I WANTED TO DREAM ABOUT CASS -- I MEAN, MATT AND ME AT THE BALL. ZAK: BUT MATT'S WITH SOFIA. LILA: WELL, YES, HE IS. AND I'M HERE IN THIS BIG, OLD HOUSE. THIS BIG, OLD, LONELY, MORTGAGED HOUSE. AND CASS WAS HERE, AND HE -- HE LOOKED SO HDSOME, JUST LIKE PRINCE CHARMING. ZAK: PRINCE CHARMINGS DON'T RUN OFF TO THE BALL WITH OTHER WOMEN. LILA: MATT DID. CASS DID, TOO. ZAK: THEN YOU BETTER WAKE UP AND START DOING YOU KNOW WHAT. LILA: OH, NO. UH-UH. I'M ALL FOCUSED OUT. ZAK: I CAN'T MAKE MAGIC UNLESS YOU BELIEVE. LILA: I CAN'T HAVE WHAT I WANT. RACHEL TOOK THAT AWAY. ZAK: OH, YE OF LITTLE FAITH. IF YOU DO YOUR PART, I'LL DO MINE. YOU'VE GOT NOTHING TO LOSE, EVERYTHING TO GAIN, MRS. CORY. LILA: "MRS. CORY." OH, YES. MRS. CORY. MRS. MATTHEW CORY. FELICIA: WELL, I'M SURE YOU'RE WONDERING WHY I INVITED YOU HERE TONIGHT. [LAUGHTER] FELICIA: THIS -- THIS NOTE IS FROM A MR. JORDAN STARK. IT SEEMS HE'S THE PRESIDENT OF THE LUMINA FOUNDATION. WELL, AT LEAST WE HAVE A NAME FOR OUR HOST. IT SAYS, "TONIGHT IS A GREAT MOMENT FOR LUMINA AND FOR YOU. I HOPE THE COMMUNITY WILL WELCOME THE LUMINA FOUNDATION AND ENCOURAGE ITS WORK. I APOLOGIZE FOR MY RECLUSIVE NATURE, AND I ASK YOU NOT TO JUDGE LUMINA FOUNDATION BY APPEARANCES OR LACK OF THE SAME BUT BY WHAT WE MIGHT ACCOMPLISH. PLEASE ENJOY THE REST OF THE EVENING. UNTIL WE MEET, JORDAN STARK." WELL, I'M AFRAID -- I'M AFRAID THAT'S ALL. [APPLAUSE] FELICIA: TALK ABOUT CHEAP THEATRICS. SINGER: STAY AWAY FELICIA: ALL RIGHT. MAN: YOU READ THAT WITH A REAL LACK OF FEELING. FELICIA: DON'T YOU THINK THAT MR. STARK SHOULD SHOW HIMSELF? DON'T YOU THINK THIS IS A LITTLE SILLY? MAN: ARE YOU ALWAYS SO SUSPICIOUS? FELICIA: DO YOU WORK HERE? MAN: I DON'T BELIEVE IN WORK. LET'S DANCE. SINGER: KICK OFF YOUR SHOES SIT RIGHT DOWN NICK: WHAT'S GOT YOU SO SPOOKED? REMY: NOTHING. I'M OK NOW. NICK: IT WAS THAT LIGHTNING EFFECT. REMY: YEAH, IT JUST, YOU KNOW, WEIRDED ME OUT FOR A SECOND. THAT'S ALL. NICK: IT BROUGHT IT ALL BACK -- THE TIME YOU WERE STRUCK BY LIGHTNING. REMY: YEAH. I GUESS. NICK: HERE, HAVE SOME OF THIS. CINDY: [DISGUISED VOICE] WELL, I CAN'T GET TO THE PHONE EVERY SECOND. I DO HAVE A PATIENT TO ATTEND TO. VICKY: EXCUSE ME, I JUST PANICKED WHEN NO ONE ANSWERED THE PHONE. HOW IS MY MOTHER? CINDY: OH, SHE'S AGITATED, VERY AGITATED. SHE KEEPS WRITING YOUR NAME OVER AND OVER -- "GET VICTORIA, CALL VICTORIA." SHE REALLY WANTS TO SEE YOU. ALONE. VICKY: SHE DOES? CINDY: YES. IT COULD BE A BREAKTHROUGH. I'VE SEEN THIS KIND OF THING BEFORE. VICKY: SO SOON? BUT THE DOCTOR SAID IT COULD BE -- CINDY: I SAID IT COULD BE. BUT IF I WERE YOU, LOVE, I'D GET OVER HERE. VICKY: FINE. FINE, I WILL. I'LL BE RIGHT THERE. THANK YOU SO MUCH. OH, THANK GOD. MAYBE SHE'S FINALLY COMING OUT OF THIS. SINGERS: SPREAD YOUR WINGS AND LET ME COME INSIDE 'CAUSE TONIGHT'S THE NIGHT IT'S GONNA BE ALL RIGHT 'CAUSE I LOVE YOU, GIRL VICKY: HEY. JAKE: HEY. MARLEY: HI. JAKE: WHAT'S THE WORD FROM HOME? EVERYTHING OKEY-DOKEY? VICKY: IT'S NOTHING TO BE UPSET ABOUT. I JUST NEED TO STEP OUT FOR A LITTLE WHILE. JAKE: I'LL GO WITH YOU. VICKY: NO. NO, IT'S OK. I'LL BE BACK BEFORE YOU EVEN HAVE A CHANCE TO MISS ME. YOU STAY WITH MARLEY. MARLEY: WHAT'S WRONG? IT'S NOT THE BOYS, IS IT? VICKY: NO, NO, NO, IT'S -- IT'S DONNA. I JUST WANT TO GO OVER TO YOUR HOUSE AND CHECK ON HER. SINGER: DON'T SAY A WORD TYRONE: OK, DONNA, YOU CAN SEE THE WHOLE SHOW FROM HERE, ALL RIGHT? I'M JUST GOING TO GO AHEAD AND GO FIND VICKY. I'LL BE RIGHT BACK, OK? NOW, WHAT ABOUT YOUR MASK? YOU WANT TO KEEP IT ON, YOU WANT TO TAKE IT OFF, OR -- YOU TELL ME. WHAT DO YOU WANT TO DO? OK, ALL RIGHT. ALL RIGHT. YOU HANG IN THERE. I'LL BE RIGHT BACK. SINGER: UPSTAIRS BEFORE THE NIGHT'S TOO OLD 'CAUSE TONIGHT'S THE NIGHT FELICIA: YOU SEEM TO KNOW AN AWFUL LOT ABOUT ME -- MY FANNY GRADY DAYS, EVEN MY DAUGHTER LORNA. AND DON'T TELL ME IT'S BECAUSE YOU READ MY BOOKS. MAN: I'M A CELEBRITY NEWS JUNKIE. FELICIA: DO I KNOW YOU? DO YOU LIVE IN BAY CITY? MAN: YES, I LIVE HE. YOU ENJOYING THE PARTY MORE NOW? FELICIA: OH, I DON'T KNOW. I'VE SORT OF DONE THE PARTY SCENE. IT'S ALL VERY GLAMOROUS BUT VERY PREDICTABLE. MAN: YOU'RE A DIFFICULT WOMAN TO PLEASE. FELICIA: NO. NO, NOT REALLY. I'M ENJOYING DANCING WITH YOU. YOU KNOW, I REALLY DON'T KNOW YOUR NA-- WHERE DID HE GO? TYRONE: VICKY, VICKY -- HEY, I'VE BEEN LOOKING ALL OVER FOR YOU. VICKY: WHY? WHAT'S WRONG? TYRONE: WELL, I STOPPED BY DONNA'S ON MY WAY HERE, AND IT'S A GOOD THING I DID BECAUSE I FOUND HER ALONE AND FRIGHTENED. JAKE: WHAT DO YOU MEAN, "ALONE"? VICKY: WHAT ARE YOU TALKING ABOUT? I TALKED TO THE NURSE. I MEAN, SHE WAS THERE. SHE TOLD ME THAT MOM WANTED TO SEE ME. TYRONE: NO, THERE WASN'T ANY NURSE THERE. JAKE: THIS IS WEIRD. VICKY: I'M GOING OVER THERE. TYRONE: NO, NO, I'LL SAVE YOU A TRIP. SHE'S HERE. VICKY: WHAT? TYRONE: YEAH, I BROUGHT HER HERE. VICKY: WHY? TYRONE: WELL, BECAUSE SHE WOULDN'T HAVE IT ANY OTHER WAY. SHE'S READY TO MOVE HEAVEN AND EARTH TO GET TO YOU. VICKY: WHERE IS SHE? TYRONE: I'LL TAKE YOU. COME ON. LILA: I WILL. I WILL -- [DOORBELL RINGS] LILA: OH. ZAK. OH -- ZAK? OH. I'M COMING. MAN: MISS LILA ROBERTS? LILA: YES. WHO ARE YOU? MAN: PETER OF THE PUMPKIN COACH SERVICE. LILA: YOU'RE KIDDING, RIGHT? MAN: THIS IS FOR YOU. I'M TO WAIT WHILE YOU TRY IT ON. LILA: AND THEN? MAN: THEN THAT'S UP TO YOU. IS THERE ANYPLACE YOU'D LIKE TO GO? NICK: SOMEONE JUST SAID DONNA'S HERE. REMY: BUT SHE WAS IN AN ACCIDENT, WASN'T SHE? NICK: YEAH. REMY: WELL -- SOFIA: I THOUGHT SHE WAS STAYING AT HER DAUGHTER'S HOUSE. MATT: YEAH, SHE WAS BEDRIDDEN. JOE: DONNA -- HOW CAN SHE BE HERE? PAULINA: I CAN'T BELIEVE IT, EITHER, BUT I HEAR SHE WAS HERE. VICKY: WHERE IS SHE? WHERE IS SHE? TYRONE: SHE'S GONE. I DON'T KNOW. VICKY: GONE? JAKE: GONE? TYRONE: I LEFT HER SETTLED RIGHT HERE. I DON'T KNOW WHAT'S GOING -- JAKE: WHAT THE HELL ARE YOU TALKING ABOUT, TYRONE? VICKY: TYRONE, SHE DIDN'T JUST GET UP AND WALK AWAY BY HERSELF. TYRONE: WAIT, THERE SHE IS. THERE SHE IS. VICKY: MOM. OH, MOM. THANK GOD. ARE YOU OK? ARE YOU OK? WHAT ARE YOU DOING HERE? MOM? OH, MY GOD. [CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]