[CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] NICK: DON'T YOU WANT ME TO RUN MY FINGERS THROUGH YOUR HAIR? REMY: NO, DON'T TOUCH ME! NO -- OH! NICK: THIS IS THE THANKS I GET AFTER DRIVING YOU HOME? REMY: "DRIVING ME HOME"? WE PUSHED THAT BIKE THE LAST FOUR BLOCKS. NICK: I'VE BEEN MEANING TO FIX THAT FOR WEEKS. REMY: COULD YOU PLEASE DO SOMETHING ABOUT THOSE HANDS? NICK: OK, ON ONE CONDITION. REMY: WHAT? NICK: HAVE DINNER WITH ME TONIGHT. REMY: YOU'VE ALREADY SPENT PRACTICALLY ALL DAY WITH ME. NICK: UH-UH-UH-UH. TIRED OF ME ALREADY? REMY: NO, I JUST DON'T WANT YOU TO GET TIRED OF ME. NICK: WE'LL HAVE DINNER TONIGHT OVER STEAK, POTATOES, CHOCOLATE DECADENCE. REMY: OH, YOU TWISTED MY ARM. NICK: 7:30? REMY: I'LL BE READY. NICK: KEEP IT FORMAL, OK? REMY: WELL, I DON'T HAVE THAT MANY FORMAL-TYPE DRESSES. NICK: WHATEVER YOU WEAR WILL BE FINE. REMY: OH. HANDS! NICK: OK. REMY: NOW. I'LL SEE WHAT WE HAVE TO DRINK. RUSSELL'S VOICE: PAYBACK TIME, BABE. JUST SO YOU KNOW, I HAD A TALK WITH CAPT. CARLINO TODAY. YOU'RE DEAD MEAT. JOE: REMY LIED TO YOU, PAULINA. SHE'S BEEN WORKING AN ANGLE ALL ALONG. PAULINA: I DON'T BELIEVE YOU. THIS GUY RUSSELL BLOWS INTO TOWN MAKING WILD ACCUSATIONS ABOUT REMY, AND YOU BUY IT? JOE: COME ON, PAULINA, SHE SCAMMED RUSSELL OUT OF 500 BUCKS. SHE THREW HERSELF IN FRONT OF HIS MOTORCYCLE, THEN SHE WENT AFTER HIM FOR MONEY -- THE SAME THING SHE'S DOING WITH NICK. PAULINA: WELL, NICK'S NOT OUT ANY $500, NOW IS HE? JOE: HOW DO YOU KNOW? DO YOU KNOW THAT? HE COULD BE OUT A LOT MORE THAN THAT BY NOW. PAULINA: OH, MY GOD. JOE, YOU GOT TO LISTEN TO ME. JOE: NO, PAULINA, LISTEN TO ME -- I KNOW HOW YOU FEEL ABOUT HER, BLUE EYES, OK, AND AS LONG AS SHE WASN'T ANY THREAT TO YOU OR TO OUR FAMILY, I WAS WILLING TO GO ALONG WITH WHAT YOU WANTED, BUT NOT NOW. SHE'S A CON ARTIST. SHE'S USING YOU. SHE'S GOING AFTER NICK. SHE'S SETTING HIM UP, AND I WON'T HAVE IT. I WANT HER GONE. CASS: THERE YOU ARE. LILA: OH. CASS: HI. SO -- LILA: HI. CASS: HI. LITTLE CHILLY TO BE SITTING POOLSIDE, ISN'T IT? LILA: UH -- NO, I'M FINE. I'M FINE. WHAT ARE YOU DOING HERE? CASS: I JUST DROPPED OFF SOME CONTRACTS FOR RACHEL. YOU DON'T SEEM FINE. LILA: OH -- I JUST -- I HATE THIS WAITING, THAT'S ALL. CASS: NINTH MONTH IS VERY UNCOMFORTABLE, AS I RECALL. LILA: YEAH. I MEAN, YOU KNOW, THE BABY'S FINE. HE'S NOT EVEN KICKING ME TONIGHT. JUST SO CLOSE TO MY DUE DATE, I FEEL BETTER WHEN THE FATHER OF MY BABY'S AROUND, THAT'S ALL. CASS: YOU DON'T KNOW WHERE MATT IS, DO YOU? LILA: NO, AND IT DOESN'T MATTER BECAUSE YOU DON'T KNOW HOW CLOSE WE'VE BEEN GETTING LATELY. CASS: NO, BUT I SAW HOW CLOSE HE AND SOFIA WERE JUST NOW. LILA: HE'S WITH SOFIA? HE WAS FURIOUS WITH HER EARLIER. CASS: WHEN I LEFT MY OFFICE, I SAW THEM TOGETHER AT CARLINO'S. I WOULDN'T EXPECT HIM BACK TOO SOON IF I WERE YOU. SOFIA: I'M SORRY ABOUT THE OTHER NIGHT. MATT: NO WAY. I'M THE ONE WHO'S SORRY. SOFIA: I SORT OF FLIPPED OUT, BUT WHEN I SAW LILA KISS YOU -- MATT: OH, COME ON, SOFIA. THAT MEANT NOTHING. SOFIA: WELL, YOU WERE CELEBRATING THE SALE OF THE PAINTINGS. MATT: YES, I KNOW. THE GUY FROM THE LUMINA FOUNDATION INSISTED THAT ALL THREE OF US GO OUT FOR DRINKS. AND THEN HE DISAPPEARED. I WANTED TO CELEBRATE WITH YOU. SOFIA: AND I WANTED TO BE WITH YOU. MATT: ALL RIGHT, THEN. HAVE DINNER WITH ME TONIGHT. SOFIA: NO LILA? NO ZAK? MATT: UH-UH. JUST THE TWO OF US. I GOT SOMETHING SPECIAL ON MY MIND. SOFIA: I'D LOVE TO. CASS: AND MY STOMACH'S ON EMPTY. WHAT DO YOU SAY WE BLOW THIS POP STAND AND GET A BITE TO EAT? LILA: UH -- CASS, LOOK, I GET SO TIRED SO EARLY. WHY DON'T YOU GO HOME. CASS: AND LEAVE YOU ALL BY YOUR LONESOME? YOU'D NEVER LET ME HEAR THE END OF THAT. LILA: NO, REALLY, YOU DON'T HAVE TO BABYSIT ME. BESIDES, I CAN GET MATT HERE ANYTIME I WANT. CASS: YEAH, RIGHT. LILA: NO, REALLY, HE GAVE ME THIS -- THIS BEEPER. I MEAN, SUPPOSEDLY, IF I JUST PUSH THIS LITTLE BUTTON, HE COMES RUNNING. LILA: OOPS. CASS: WELL, I GUESS WE'RE GOING TO SEE HOW WELL THAT THING WORKS, AREN'T WE? LILA: OH. [PAGER BEEPS] SOFIA: OH, THAT MUST BE BILLY ABOUT NEW YORK. ZAK: I DON'T AR A BEEPER. MATT: NO, IT'S ME. I GOT TO CALL LILA. SOFIA: SHE'S REELING YOU IN BY REMOTE CONTROL NOW? MATT: I BOUGHT IT FOR HER, SOFIA. WHERE'S THE PAY PHONE? DO YOU HAVE A QUARTER? SOFIA: WELL, IF I WANT TO SPEND ANY TIME ALONE WITH YOU, I'LL HAVE TO TAKE THE BATTERIES OUT OF THAT THING. MATT: HEY, HEY, IT'LL TAKE A MOMENT. WE GOT THE REST OF THE NIGHT. SOFIA: EVEN AT A DISTANCE, HER TIMING IS INCREDIBLE. MATT: THE LINE'S BUSY. SOFIA: OH, SO YOU'RE NOT THE ONLY ONE LILA HAS ON CALL. MATT: OH, COME ON, SOFIA. LILA CAN GO INTO LABOR AT ANY TIME, AND IF SHE DOES, I NEED TO BE THERE. SOFIA: OF COURSE YOU DO. I'M SORRY. MATT: LOOK, I DON'T THINK SHE WOULD BEEP ME IF IT WASN'T AN EMERGENCY. ALL RIGHT, ALL RIGHT, AT LEAST I DON'T THINK THAT SHE WOULD. I'M GOING TO GO BACK TO THE HOUSE AND CHECK ON HER. SOFIA: ALL RIGHT. SO MUCH FOR DINNER, HUH? MATT: NO, HEY, HEY, WE'RE STILL ON. I'LL CALL YOU LATER. SOFIA: OK. OH -- DON'T FORGET THIS. MATT: THANK YOU. SOFIA: SO YOU WANT TO BET THAT I'M GOING TO HAVE DINNER ALONE TONIGHT? ZAK: WHY DO YOU LET LILA GET AWAY WITH IT? SOFIA: BECAUSE YOU SAW WHAT HAPPENED THE OTHER NIGHT. EVERY TIME I TRY TO FIGHT HER, I END UP LOOKING LIKE THE WICKED WITCH OF THE WEST. ZAK: YOU'RE TOO THIN-SKINNED. YOU CAN'T LET HER GET TO YOU. SOFIA: I KNOW -- I PLAY INTO HER HANDS, RIGHT? ZAK: YOU GOT TO BREAK THE PATTERN. SOFIA: HOW? ZAK: WHATEVER LILA DOES, DON'T REACT. A WOMAN LIKE LILA, SHE CAN SMELL IT IF SHE'S GETTING TO YOU. MATT WANTS TO BE WITH YOU, RIGHT? ISN'T THAT THE IMPORTANT THING? SOFIA: YEAH. THAT'S RIGHT. WOULD YOU MIND DOING ME A FAVOR AND DRIVING ME OVER TO THE CORY HOUSE, PLEASE? ZAK: SURE. YOU THINK THAT'S A GOOD IDEA? SOFIA: OH, I THINK IT'S A FABULOUS IDEA. THIS IS GOING TO BE ONE DINNER DATE THAT LILA IS NOT GOING TO WRECK -- UNLESS SHE'S REALLY IN LABOR. NICK: ALL CLEAN. [GLASS BREAKS] REMY: OH, WHY DID I DO THAT? NICK: I THOUGHT YOU HEARD ME COME IN. REMY: WHY DO I ALWAYS MESS EVERYTHING UP? NICK: WHAT HAPPENED? REMY: WHAT ARE YOU TALKING ABOUT? NICK: I'M TALKING ABOUT THE FACT THAT YOU'RE A TOTALLY DIFFERENT PERSON NOW THAN WHEN I LEFT THE ROOM TO WASH MY HANDS. REMY: WELL, I TOLD YOU, YOU KNOW -- YOU GET TO KNOW ME, YOU'RE GOING TO GO RUN SCREAMING THE OTHER WAY. NICK: WHAT'S GOING ON? REMY: YOU DON'T KNOW ME, NICK. YOU DON'T KNOW THE STUFF THAT I HAVE BEEN THROUGH. NICK: OK. WE'LL DO THIS LATER. YOU'RE HAVING A MOOD. WE'LL TALK LATER, WHEN YOU'RE READY. REMY: THAT'S NOT WHAT YOU SAID A COUPLE WEEKS AGO. NICK: WELL, I WAS LOOKING FOR GUARANTEES THEN. JUST TRYING TO PROTECT MYSELF. REMY: YEAH, WELL, YOU CAN KEEP PROTECTING YOURSELF. YOU COULD STILL GET HURT. NICK: SO COULD YOU. THERE ARE NO GUARANTEES, REMY. WE GOT TO TAKE A CHANCE ON EACH OTHER. REMY: I -- I COULDN'T TAKE IT IF YOU EVER ENDED UP HATING ME. NICK: YOU'RE NOT THE ONLY ONE WITH A PAST, OK? I WAS CONVICTED OF RAPE, REMEMBER? REMY: I KNOW, BUT YOU DIDN'T DO IT. NICK: BUT I WAS ACCUSED IN THE FIRST PLACE BECAUSE I MESSED MY LIFE UP SO BAD. I WAS DRINKING AND CAUSING TROUBLE. REMY: IT'S LIKE YOU'RE TALKING ABOUT A COMPLETELY DIFFERENT PERSON. NICK: I CHANGED. FOR THE BETTER, I HOPE. REMY: YOU KNOW, YOU ARE THE NICEST GUY I HAVE EVER MET. NO ONE HAS EVER TALKED TO ME THE WAY YOU DO. NICK: MY LIFE HASN'T BEEN THE SAME SINCE YOU STEPPED OUT IN FRONT OF MY MOTORCYCLE. REMY: WELL, I DON'T KNOW WHAT HIT ME HARDER -- YOUR BIKE OR YOUR EYES LOOKING DOWN ON ME. NICK: HAVE I TOLD YOU YET? REMY: WHAT? NICK: YOU HAVE THE MOST BEAUTIFUL MOUTH I'VE EVER SEEN. JOE: CAN WE PLEASE JUST TALK ABOUT THIS CALMLY? PAULINA: NO! JOE: PAULINA -- PAULINA: JOE, YOU COME IN HERE, WALK IN HERE LAYING DOWN THE LAW, TELLING ME YOU WANT HER GONE, AND I'M SUPPOSED TO BE CALM? JOE: GIVE ME THIS, ALL RIGHT? WILL YOU LOOK AT WHAT SHE'S GOT US DOING? PAULINA: REMY IS NOT RESPONSIBLE FOR US FIGHTING. WE ARE MANAGING THAT ALL ON OUR OWN. JOE: OH, OK. YOU KNOW, SHE'S BEEN A PROBLEM BETWEEN US EVER SINCE SHE SHOWED UP HERE. PAULINA: SHE IS NOT THE PROBLEM. WE ARE. JOE: OK. PAULINA: JOE, YOU LOOK AT HER LIKE A COP. I SEE HER FOR THE KID ON THE STREET, ALL ON HER OWN, JUST LIKE I WAS. JOE: PAULINA, YOU HAVE SIMILAR BACKGROUNDS. OTHER THAN THAT, THAT'S IT. SHE IS NOTHING LIKE YOU. PAULINA: JOE, I WAS REMY WHEN I FIRST CAME TO BAY CITY, EXCEPT ANGRIER AND SNEAKIER. I KNEW MAC CORY WAS MY FATHER, BUT DID I TELL ANYONE? NO. I GOT MYSELF HIRED AS A BABYSITTER IN THE CORY MANSION. TALK ABOUT A SCAM ARTIST. I WANTED THEM TO PAY FOR EVERYTHING I NEVER HAD! YOU SEE, THAT'S A PAULINA YOU NEVER KNEW BECAUSE I CHANGED. AND REMY CAN CHANGE, TOO. JOE: SWEETHEART, I THINK YOU'RE SO BUSY SEEING WHAT SHE CAN BE THAT YOU DON'T REALLY SEE WHAT SHE IS. PAULINA: OK, FINE, SUPPOSE YOU'RE RIGHT. SUPPOSE SHE'S NOTHING BUT A CON ARTIST, AFTER NICK FOR HIS MONEY AND LATCHING ON TO ME BECAUSE I'M A CORY. JOE: NO, NO, I NEVER SAID THAT, OK? I DO THINK SHE CARES ABOUT YOU. PAULINA: AND THAT MAKES A DIFFERENCE. SHE CARES. SHE'S STARTING TO FEEL SAFE HERE, JOE. SHE'S NOT THE SAME PERSON SHE WAS WHEN SHE FIRST GOT HERE. JOE: I THINK SHE'S EXACTLY THE SAME. PAULINA: JOE, ALL THAT KID HAS EVER KNOWN IS SURVIVAL, MAKING IT ON HER OWN. AND IF THAT MEANT SCAMMING PEOPLE OR STEALING, SHE DID IT -- AND I DID IT, TOO. SEE, YOU HAVE NO IDEA WHAT IT'S LIKE TO BE OUT THERE ON YOUR OWN, ALONE. YOUR SENSE OF RIGHT OR WRONG AND WHO YOU ARE, IT ALL GETS SCREWED UP. JOE: OK, I NEVER SAID SHE DIDN'T GET RAW DEAL, ALL RIGHT? PAULINA: BUT I AM WHO I AM TODAY BECAUSE RACHEL BELIEVED IN ME. RACHEL AND CARL, THEY BELIEVED IN ME AND THEY LOVED ME AND THEY MADE ME BELIEVE IN MYSELF. NOW, REMY DESERVES THAT SAME CHANCE. WHAT SHE DOESN'T DESERVE IS TO BE CUT OFF BECAUSE WHAT YOU MIGHT BE AFRAID OF WHAT MIGHT HAPPEN. I CAN'T DO THAT, JOE. NO, LET ME REPHRASE THAT -- I WON'T -- WON'T DO THAT TO HER. JOE: WE GOT A REAL PROBLEM, THEN, BECAUSE I WON'T ACCEPT SOMEONE INTO MY LIFE WHO COULD HURT THE PEOPLE I LOVE, RUN SOME SCAM ON US AND THEN DISAPPEAR. PAULINA: JOE, YOU'RE PUNISHING HER FOR HER PAST. WHY CAN'T YOU SEE WHO SHE IS NOW? JOE: PAULINA, WHAT I SEE IS THAT GUY RUSSELL STANDING IN MY OFFICE TELLING ME SHE DID EXACTLY THE SAME THING TO HIM THAT SHE IS DOING TO NICK. PAULINA: MY BET IS THAT YOU'LL NEVER SEE THAT CREEP AGAIN, THAT HE WAS JUST HERE TO MAKE TROUBLE FOR HER. JOE: WHATEVER. WHATEVER THE CASE MAY BE, NICK HAS TO KNOW ABOUT THIS. PAULINA: NO. NO. NO, NOT NOW. JOE: I'M SUPPOSED TO JUST STAND HERE AND KEEP MY MOUTH SHUT WHILE SHE GOES AFTER HIS MONEY, TOO? PAULINA: IF SHE ASKS HIM FOR MONEY, THEN WE'LL TELL HIM. JOE: IT COULD BE TOO LATE BY THEN. PAULINA: NO, SHE CARES FOR HIM, JOE. I KNOW SHE DOES. I KNOW SHE'D NEVER DO ANYTHING TO HURT HIM. JOE: PAULINA, STOP. PAULINA: NO, PLEASE, PLEASE. PLEASE, JOE. PLEASE DON'T SAY ANYTHING TO HIM. LET ME TALK TO HER. DOESN'T SHE DESERVE A CHANCE TO TELL HER SIDE OF WHAT HAPPENED WITH RUSSELL? JOE: HOW DO YOU KNOW YOU'RE GOING TO GET THE TRUTH? PAULINA: BECAUSE I WILL. I KNOW I WILL. NOW, I'M GOING TO GO TALK TO HER, BUT YOU PLEASE LET ME HANDLE THIS. PROMISE ME YOU'RE NOT GOING TO SAY ANYTHING TO NICK. FELICIA: AND I THOUGHT I WAS A WORKAHOLIC. RACHEL: WHAT ON EARTH ARE YOU DOING HERE AT THIS HOUR OF THE EVENING? FELICIA: WELL, THIS IS ACTUALLY A DUAL MISSION. ONE -- DINNER. YOU HAVEN'T EATEN, HAVE YOU? RACHEL: I'M STARVING. FELICIA: I KNEW IT. ALL RIGHT, OPEN THAT UP. OK, LET ME GET THIS. RACHEL: OH! SALMON. FELICIA: YES, COLD SALMON. SALADE VERTE. I LEARNED HOW TO SAY THAT AFTER I LEFT THE SOUTH SIDE OF CHICAGO. RACHEL: OH, IT SOUNDS DELICIOUS IN ANY LANGUAGE. FELICIA: THERE YOU GO. RACHEL: THANK YOU SO MUCH FOR BRINGING ME DINNER. FELICIA: THERE YOU GO. YOU'RE WELCOME. RACHEL: THAT WAS VERY, VERY SWEET. NOW, WHAT IS THE SECOND PART OF YOUR MISSION? FELICIA: THIS, MY FRIEND, IS 3/4 OF MY NEW BOOK. RACHEL: WHY YOU GIVING IT TO ME NOW? YOU WANT ME TO READ IT BEFORE YOU'RE FINISHED? FELICIA: I DO, YES. RACHEL: THAT'S A FIRST. FELICIA: GO AHEAD. COME ON. RACHEL: YOU MUST THINK IT'S REALLY GOOD. FELICIA: LET'S EAT. RACHEL: AHEM. EXCUSE ME? FELICIA: I DO. I DO THINK IT'S VERY GOOD. RACHEL: COOL. I CAN'T WAIT. FELICIA: YOU KNOW, I -- I GOT MY WHOLE IDEA FOR THE STORY FROM THAT BEAUTIFUL PAINTING OF THE WOMAN IN THE STUDY IN THE HOUSE. RACHEL: OH, THAT IS A BEAUTIFUL PAINTING, ISN'T IT? FELICIA: YEAH. IT REALLY WAS -- IT WAS A GOOD INSPIRATION FOR ME. IT REALLY WAS. RACHEL: WELL, I'M GLAD YOU GOT SOME INSPIRATION BEFORE LILA PUTS IT ON THE AUCTION BLOCK. FELICIA: OH, YOU'RE NOT ACTUALLY GOING TO SELL YOUR ART COLLECTION, ARE YOU? YOU'VE APPROVED THAT? RACHEL: YES, I HAVE TO. WE'RE VERY NEEDY OF CASH FLOW RIGHT NOW IN THIS COMPANY, SO I'M GOING TO LET HER GO AHEAD AND DO IT. IT WAS A GOOD IDEA. LISTEN, SHE'S TRYING VERY -- FELICIA: "TRYING." RACHEL: YEAH. YOU KNOW, IT'S REALLY -- WOULD YOU LIKE SOME COFFEE? FELICIA: MM-HMM. RACHEL: IT'S REALLY AMAZING. I COME HOME EVERY SINGLE DAY, SHE'S GOT A NEW SCHEME TO MAKE MONEY QUICK. FELICIA: ARE YOU SURE SHE HASN'T SOLD THE LIVING ROOM FURNITURE YET? RACHEL: IT WAS THERE WHEN I LEFT THIS MORNING, BUT, YOU KNOW, YOU NEVER KNOW. FELICIA: YOU KNOW, SHE HAS NO INTENTION OF LEAVING THAT HOUSE AFTER THIS BABY COMES. YOU KNOW THAT, DON'T YOU? RACHEL: THAT'S NOT GOING TO BE HER CALL. FELICIA: THANK YOU. RACHEL: ESPECIALLY NOT SINCE SHE TRIED TO ENTRAP MATT INTO MARRYING HER AND IT DIDN'T WORK. FELICIA: WELL, YOU KNOW, HOW DO YOU KNOW SHE WON'T GET MATT TO MARRY HER? RACHEL: WELL, THE ONLY WAY SHE'D BE ABLE TO DO IT IS IF HE WAS TAKEN OVER BY THE POD PEOPLE OR SHE DRUGGED HIM. FELICIA: WELL, YOU KNOW, I WOULDN'T PUT IT PAST HER -- ESPECIALLY IF SHE THINKS THERE'S MONEY IN IT FOR HER. RACHEL: MONEY? WHAT ARE YOU TALKING ABOUT? FELICIA: SHE MADE A BET WITH -- SOMEONE. IF SHE GETS MATT TO MARRY HER BEFORE THIS BABY COMES, THERE WILL BE $100,000 COMING TO HER. CASS: [SOUTHERN ACCENT] FACE IT, SUGAR BABE -- MATT CAN'T SEE YOU FOR THE DUST. [NORMAL VOICE] IT'S OVER. I WIN, YOU LOSE. LILA: OUCH. I STILL HAVE TWO WEEKS TO GO HERE. CASS: TWO WEEKS. LILA: THAT'S RIGHT. CASS: MY, TWO WHOLE WEEKS FOR MATT TO FALL OUT OF LOVE WITH SOFIA AND MARRY YOU. LILA: IT'S NOT OVER TILL IT'S OVER. CASS: OH, IT'S OVER, BABY. YOU JUST DON'T KNOW IT. LILA: WELL. CASS: YOU KNOW, I PLANNED ON BEING MERCIFUL, BUT NOW GROVELING IS JUST THE BEGINNING OF WHAT I'LL EXPECT FROM YOU. LILA: I WOULDN'T HOLD YOUR BREATH IF I WERE YOU. [CASS INHALES] LILA: BLUE IS NOT YOUR SHADE. MATT: LILA. CASS: MATT. MATT: YOU'D BETTER HAVE A DAMN GOOD EXPLANATION FOR THIS. CASS: IT WORKED. REMY: PAULINA, HI. PAULINA: WE HAVE TO TALK. REMY: YOU KNOW WHAT? I CAN'T. ACTUALLY, I'M REALLY GLAD YOU'RE HERE. I'LL SHOW YOU MY DRESS FOR TONIGHT. PAULINA: REMY -- REMY: NICK IS TAKING ME OUT TO DINNER. WE ARE HAVING -- PAULINA: KNOCK IT OFF AND LEVEL WITH ME ABOUT THE GUY FROM CHICAGO, THE ONE I PAID OFF FOR YOU. REMY: I DID. PAULINA: YOU DIDN'T TELL ME EVERYTHING, NOW DID YOU? REMY: NO, I THINK I DID. MY FRIEND ELISE, SHE WAS DYING AND I NEEDED THE MONEY. I -- I THINK I TOLD YOU -- PAULINA: WHAT ELSE HAPPENED BETWEEN YOU AND RUSSELL? REMY: WHAT DID HE TELL YOU? PAULINA: HE DIDN'T. HE TOLD JOE. REMY: JOE. I'M TOAST. PAULINA: EITHER YOU TELL ME EVERYTHING RIGHT NOW OR JOE GOES TO NICK. REMY: HE CAN'T DO THAT. PAULINA: YOU DIDN'T TELL ME THAT YOU STEPPED IN FRONT OF RUSSELL'S MOTORCYCLE, NOW DID YOU? REMY: I TOLD YOU THAT I SORT OF SCAMMED HIM. PAULINA: BUT YOU DIDN'T TELL ME HOW! WAS THERE REALLY A SICK FRIEND, REMY? WERE YOU PLANNING TO DO THE SAME THING TO NICK, PLANNING TO TAKE HIM FOR EVERYTHING HE'S WORTH, TOO? REMY: YOU GOT IT! IT WAS A SCAM, RIGHT FROM THE VERY BEGINNING. I THREW MYSELF IN FRONT OF NICK'S MOTORCYCLE AND I SET HIM UP FOR THE KILL. NICK: HEY, JOE, HOW YOU DOING? JOE: HEY, NOT BAD. WHO'S GETTING MARRIED? NICK: WHAT, THIS OLD THING? JOE: OH, JEEZ. NICK: GOT A DATE. JOE: REMY? NICK: WHO ELSE? JOE: COUPLE DAYS AGO, YOU WERE HAVING YOUR SUSPICIONS ABOUT HER, HUH? NICK: I WAS WRONG. JOE: WELL, SOUNDED TO ME LIKE YOU HAD REASON TO BE SUSPICIOUS. NICK: SO SHE'S SECRETIVE. A LOT OF PEOPLE DON'T LIKE TO TALK ABOUT THEIR LIVES, JOE. IT'S NOT A CRIME. JOE: NO. NO, IT WOULD JUST -- IT'D MAKE ME WONDER IF SHE HAD SOMETHING TO HIDE, THAT'S ALL. NICK: REMY AND I ARE GREAT TOGETHER, OK? WHEN I DIDN'T TRUST HER, I ALMOST BLEW MY CHANCES WITH HER. SHE ALMOST DUMPED ME. JOE: WOULDN'T BE TOO SURE ABOUT THAT. NICK: JOE, I HAVEN'T FELT LIKE THIS IN MONTHS, SINCE BEFORE MY DAD DIED. IT'S HER. I JUST LIKE BEING AROUND HER. JOE: NO, I UNDERSTAND THAT, ALL RIGHT? BE CAREFUL, OK? NICK: WHY DO YOU KEEP SAYING STUFF LIKE THAT? COME ON, YOU WANT TO TELL ME SOMETHING? RACHEL: WHO IS SHE MAKING HIS BET WITH? FELICIA: WELL, YOU KNOW, THAT'S NOT REALLY IMPORTANT. RACHEL: OH, YES, IT'S IMPORTANT TO ME. THIS IS MY SON WE'RE TALKING ABOUT -- MY SON'S FEELINGS, MY SON'S FUTURE. FELICIA: YEAH, BUT THE PERSON THAT IS MAKING THIS BET -- REALLY, THAT WASN'T THEIR INTENTION. I MEAN, THEY'RE JUST, YOU KNOW, CAUGHT UP IN SOME EMOTIONS GONE AWRY, YOU KNOW, THINKING BLURRED BY DESIRE AND PASSION. RACHEL: I DON'T NEED THE 20 CHAPTERS. I JUST NEED THE NAME, FELICIA. FELICIA: RACHEL, I CAN'T. PLEASE, I CAN'T. RACHEL: IT'S CASS! IT'S CASS! FELICIA: WAIT A MINUTE. YOU DID NOT HEAR THIS FROM ME, RACHEL. RACHEL: OH, HOW COULD HE DO SOMETHING THIS LOW? FELICIA: HE DIDN'T -- LOOK, I THINK HE'S TRYING TO PROVE TO LILA THAT SHE'S WRONG ABOUT MATT, THAT ONCE AND FOR ALL, SHE JUST CAN'T HAVE HIM. RACHEL: SO HE'S GOING TO PUT HIMSELF ON THE LINE FOR A HUNDRED GRAND JUST TO PROVE A POINT? FELICIA: OH, COME ON, CASS DOESN'T HAVE THAT KIND OF MONEY. YOU KNOW THAT. RACHEL: WELL, THEN WHY IS HE GOING OUT ON A LIMB? FELICIA: I KNOW YOU'RE NOT GOING TO BELIEVE THIS. RACHEL: I DON'T BELIEVE IT ALREADY. FELICIA: HE'S JEALOUS. RACHEL: OF MATT? FELICIA: YES. RACHEL: HE HAS FEELINGS FOR HER? FELICIA: I KNOW. I AM JUST AS DISGUSTED ABOUT THIS AS YOU ARE, BELIEVE ME. RACHEL: WELL, WAIT A SECOND. THAT'S WHY HE LEFT THE HOSPITAL THAT TIME AND STOPPED THE WEDDING THE FIRST TIME. FELICIA: LISTEN, I HAVE BEEN WATCHING THESE TWO FOR WEEKS -- THEIR BODY LANGUAGE, THEIR SPARRING BACK AND FORTH. THEY'RE MAD FOR EACH OTHER. THEY'RE JUST TOO STUBBORN TO ADMIT IT. RACHEL: WAIT, WAIT -- SO SHE RETURNS THIS FEELING? FELICIA: HONEY, SHE SAYS HE'S HER BEST FRIEND. RACHEL: HE'S HER ONLY FRIEND. FELICIA: AND CONFIDANT. SHE GOES TO HIM EVERY TIME SHE'S IN TROUBLE -- EVERY TIME. RACHEL: THAT DOES SOUND LIKE SHE'S IN LOVE. FELICIA: RIGHT. RACHEL: SO YOU THINK THIS THING IS MUTUAL? FELICIA: OH, GOD, AS MUCH AS I HATE TO SAY THIS, I THINK HE'S SMITTEN WITH THE LITTLE BARRACUDA. RACHEL: YOU KNOW, YOU KNOW, YOU KNOW, THIS COULD JUST SOLVE A LOT OF PROBLEMS FOR MATTHEW AND ALL OF THE REST OF US. FELICIA: YES. NOW, I'VE BEEN THINKING, IF WE DID SOME REALLY CAREFUL PLANNING HERE, I THINK EVERYONE INVOLVED COULD POSSIBLY LIVE HAPPILY -- FELICIA and RACHEL: EVER AFTER. RACHEL: HAS A CERTAIN RING. FELICIA: DOES, DOESN'T IT? LILA: I BEEPED YOU BY ACCIDENT. MATT: OH, COME ON, LILA. LILA: I DID. CASS, TELL HIM. CASS: OH, LEAVE ME OUT OF THIS. MATT: LOOK, THIS IS FOR EMERGENCY USE ONLY. LILA: I KNOW THAT. I LEFT IT ON THE CHAIR AND CASS PLOPPED HIMSELF DOWN ON IT. CASS: I DID NOT. LILA: AND THEN I TRIED TO CALL YOU, AND YOUR CELL PHONE WAS BUSY AT FIRST AND THEN IT DIDN'T ANSWER. MATT: WELL, I TURNED IT OFF. LILA: WHY? MATT: LOOK, NEVER MIND THAT. I THOUGHT YOU HAD GONE INTO LABOR OR FALLEN OR SOMETHING. LILA: WELL. NOW WE KNOW OUR LITTLE EMERGENCY PLAN WORKS. CASS: THAT'S OUR LILA -- ALWAYS LOOKING FOR THE SILVER LINING. MATT: YEAH. WELL, NOW THAT I KNOW THAT EVERYTHING IS OK, I GOT A DINNER DATE TO KEEP. LILA: UH -- YEAH, YOU GO ON AND ENJOY YOURSELF. I'LL BE HERE -- ALONE. CASS: YOU'D BETTER GO WHILE THE GOING'S GOOD, MATT. MATT: ALL RIGHT. THANKS. SOFIA: HEY, MATT. MATT: SOFIA, HEY. SOFIA: IS EVERYTHING ALL RIGHT? MATT: YEAH. FALSE ALARM. LILA: SORRY. THE BEEPER WENT OFF BY ACCIDENT. ZAK: WELL, IF I'M NOT NEEDED ANYMORE -- LILA: OH, ZAK, WHY DON'T YOU STAY? CASS: YEAH, JOIN THE PARTY. CHIP? ZAK: ANOTHER TIME. DUTY CALLS. SOFIA: HEY, THANKS FOR DRIVING ME. ZAK: ANYTIME. HANG TOUGH. SOFIA: GOT IT. MATT: WHAT WAS THAT ABOUT? SOFIA: NOTHING. LILA: HEY, I HAVE AN IDEA. WHY DON'T WE ALL GO TO DINNER TOGETHER? CASS: I THOUGHT YOU WEREN'T HUNGRY. LILA: THAT WAS BEFORE. I'M STARVING NOW. MATT: SOFIA AND I ALREADY HAVE DINNER PLANS, DON'T WE? SOFIA: YES, WE DO. CASS: AIN'T LOVE GRAND? LILA: UH, MATT? HOW LONG YOU GOING TO BE GONE? MATT: I'LL BE OUT LATE. AND KEEP YOUR HANDS OFF OF THAT BEEPER. CASS: I'LL SEE THAT SHE DOES. MATT: THANK YOU, CASS. LILA: WHAT IF THERE IS AN EMERGENCY? CASS: YOU HAVE ME. SO, CHINESE OR PIZZA? LILA: CASS, I DON'T WANT TO GO TO DINNER. CASS: YOU JUST SAID YOU WERE STARVING. LILA: NEVER MIND WHAT I SAID. CASS: DOESN'T JUNIOR HAVE A VOTE IN THIS? LILA: JUNIOR SEEMS TO BE DOWN FOR THE COUNT. THIS IS USUALLY HIS TIME TO HOWL, YOU KNOW. CASS: IS HE ALWAYS ACTIVE IN THE EVENINGS? LILA: YEAH. HE'S A NIGHT OWL, JUST LIKE HIS MOTHER. CASS: AND NOW? LILA: AND NOW NOTHING. CASS: WHEN WAS THE LAST TIME THAT HE KICKED UP A STORM? LILA: YESTERDAY AFTERNOON. CASS: MIGHT NOT HURT TO HAVE A DOCTOR CHECK YOU OUT. LILA: TONIGHT? CASS: WE CAN MEET HIM AT THE HOSPITAL. LILA: CASS, IF YOU'RE TRYING TO SCARE ME, IT'S WORKING. LILA: CASS, LOOK, I WAS FINE. I WAS DOING OK UNTIL YOU STARTED STARTED IN ABOUT THE HOSPITAL. AND NOW YOU'RE SCARING ME HALF TO DEATH. CASS: WERE YOU DOING OK? LILA: YES. YES, I WAS. YOU KNOW, I HAVE A LOT OF BOOKS, AND I READ IN THE BOOK THAT -- THAT JUST BECAUSE THE BABY'S NOT MOVING, THAT DOESN'T NECESSARILY MEAN THAT THERE'S A PROBLEM. CASS: WHY ARE YOU SO AGAINST HAVING THE DOCTOR CHECK YOU OUT? LILA: BECAUSE IT'S NOT NECESSARY, THAT'S WHY. CASS: WELL, LOOK, I'VE GOT NOTHING BETTER TO DO. LET'S GO. LILA: NO. CASS: LILA, YOU LEVEL WITH ME. SOMETHING'S BEEN WRONG ALL EVENING, HASN'T IT? LILA: CASS, IT'S NOT JUST THAT THE BABY'S NOT MOVING. I'M NOT HUNGRY. AND WHEN I DO EAT, I -- I GET SICK. AND THEN I HAVE THIS PAIN IN MY BACK ALL THE TIME. CASS: HEY. HEY. WHATEVER IT IS, WE'LL FIND OUT AND WE'LL TAKE CARE OF IT. LILA: YOU KNOW, FOR THE LONGEST TIME, I WOULDN'T LET MYSELF LOVE THIS BABY, BUT DO YOU THINK GOD IS PUNISHING ME? CASS: NO, NOT ANY GOD I KNOW, HONEY. LILA: BECAUSE EVERYTHING I LOVE I LOSE, CASS. CASS: THAT'S IN THE PAST. LILA: YOU KNOW, I HAD A MISCARRIAGE BEFORE. CASS: BUT THIS IS DIFFERENT, AND YOU KNOW IT. HONEY, YOU FOUGHT FOR THIS BABY. YOU KEPT HIM ALIVE. AND HE'S HUNG IN THERE FOR YOU, TOO, ALL THE WAY. HE'S NOT GIVING UP, AND I'M NOT GOING TO LET YOU GIVE UP, EITHER. LILA: THIS BABY MEANS EVERYTHING TO ME, CASS. FOR THE FIRST TIME IN MY LIFE, I DON'T FEEL ALONE. CASS: YOU KEEP TELLING HIM THAT AND PLANNING YOUR FUTURE TOGETHER WHILE I TAKE YOU TO THE HOSPITAL. PLEASE TRUST ME. LILA: OK. ALL RIGHT, LET'S GET IT OVER WITH. CASS: YOU'D BETTER TELL MATT. LILA: I CAN'T. CASS: WHERE'S THE BEEPER? LILA: NOT AFTER WHAT HAPPENED EARLIER. CASS: WHERE IS THE BEEPER? LILA: IT'S ON THE TABLE. CASS: HERE, PUNCH IN MY CAR PHONE NUMBER. MATT: NOW BE CAREFUL. SOFIA: WHERE ARE WE? MATT: A MILLION MILES AWAY. ALL RIGHT. OPEN YOUR EYES. SOFIA: OH. IT'S BEAUTIFUL. MATT: I WANTED YOU TO HAVE ALL THE ROMANCE AND ALL THE LOVE WE HAD IN NEW YORK RIGHT HERE AT HOME. SOFIA: I DON'T KNOW WHAT TO SAY. MATT: CHAMPAGNE? SOFIA: OH, YOU THOUGHT OF EVERYTHING. MATT: WE CAN COME HERE ANYTIME WE WANT, DREAM OUR DREAMS, PLAN OUR FUTURE. SOFIA: AND I -- I THOUGHT YOU WERE STILL ANGRY WITH ME. MATT: OH, SOFIA, WHEN YOU BLEW UP THE OTHER NIGHT, IT MADE ME REALIZE THAT WE NEED SOME TIME FOR JUST THE TWO OF US. SO TO TONIGHT. SOFIA: TO US. MATT: NOW AND FOREVER. SOFIA: IT'S LIKE THE REST OF THE WORLD DOESN'T EXIST HERE. MATT: IT DOESN'T. NOT HERE. NO PROBLEMS, NO FIGHTS. JUST US. SOFIA: IF ONLY THAT WERE TRUE. MATT: OH, HEY, LOOK. HA-HA. SOFIA: WHAT? MATT: OUR FIRST STAR. GO AHEAD, MAKE A WISH. SOFIA: OK. I WISH THAT YOU AND I CAN BE ALONE JUST ONCE. AND I CAST A SPELL ON THAT BEEPER. THAT'S NOT GOING TO GO OFF AGAIN. MATT: HA-HA. WISH GRANTED. SOFIA: OK, BUT HOW DO WE KNOW THAT LILA -- HOW CAN WE BE SURE THAT SHE DOESN'T -- MATT: OH, COME ON, SOFIA. YOU SAW HER. SHE'S FINE. BESIDES -- SHH. YOU'LL BREAK THE SPELL. SOFIA: I LOVE YOU SO MUCH. JOE: YOU EVER THINK ABOUT HOW YOUR LIFE MUST LOOK TO REMY? NICK: JUST WON'T LET IT GO, WILL YOU? JOE: NO, CAN'T DO IT. NICK: OK, I'LL PLAY. JOE: GOOD. NICK: MY LIFE MUST LOOK LIKE EASY STREET TO REMY. I GOT A FARM, FAMILY -- JOE: GREAT BIG INHERITANCE. NICK: SO NOW SHE'S JUST AFTER ME FOR MY MONEY. JOE: NOT JUST. NICK: SAVE YOUR BREATH, JOE. I ALREADY GOT THE LECTURE FROM CHRIS. AND FOR THE RECORD, SHE HASN'T ASKED ME FOR A DIME. JOE: SHE'S SMARTER THAN THAT. NICK: COME AGAIN? JOE: THERE'S ALL KINDS OF CONS, NICK. NICK: I DON'T BELIEVE THIS, JOE. COME ON. JOE: NICK, I KNOW WHAT I'M TALKING ABOUT. I WORKED THE NEW YORK CITY RACKET SQUAD. CONS TAKE THEIR TIME. THEY BUILD TRUST. NICK: SO THAT'S WHAT SHE'S DOING? JOE: IT'S BEGINNING TO LOOK THAT WAY. NICK: GOT ANY PROOF, JOE? SHE HAVE A RECORD? JOE: NOPE. NICK: WHERE DO YOU GET OFF CALLING REMY A CON ARTIST? BUTT OUT. CANCEL MY DINNER RESERVATIONS. I'LL TAKE MY MONEY SOMEWHERE ELSE. PAULINA: I AM NOT LEAVING HERE UNTIL WE GET THIS SETTLED. NOW, IF YOU WANT ME HERE WHEN NICK GETS BACK, I'LL BE GLAD TO BE HERE. REMY: OK, FINE. GOD. I CAME TO BAY CITY BECAUSE THAT'S AS FAR AS MY MONEY WOULD TAKE ME. PAULINA: KEEP TALKING. REMY: I SIZED NICK UP FROM A DISTANCE. PAULINA: MM-HMM. REMY: EXPENSIVE-LOOKING MOTORCYCLE, SEXY, DARK-LOOKING GUY. AND WHAT DID I HAVE TO LOSE? I WAS ALONE. I HAD NOWHERE TO GO, AND I KNEW THAT I COULD CON HIM. PAULINA: SO YOU DID STEP IN FRONT OF HIS MOTORCYCLE DELIBERATELY. REMY: YEAH, I DID. PAULINA: OH, REMY -- REMY: BUT WHEN HE PICKED ME UP AND HE LOOKED AT ME, I KNEW THAT HE WAS LONELY, TOO. AND IT TURNED OUT THAT HE WAS ACTUALLY THINKING OF LEAVING TOWN THAT NIGHT. AND SO THEN I CONNED HIM INTO LIKING ME AND INTO TAKING ME INTO HIS LIFE. PAULINA: WHAT ARE YOU AFTER? JUST THE FACTS. REMY: YOU KNOW WHEN YOU'RE BEAT-UP INSIDE AND SOMEONE'S NICE TO YOU? WELL, NICK WAS NICE TO ME THAT NIGHT. I STARTED DREAMING ABOUT HAVING A BOYFRIEND AND ABOUT GOING ON DATES AND ABOUT HAVING SOMEONE FALL IN LOVE WITH ME AND LEARNING WHAT IT'S LIKE TO MAYBE FEEL LOVE. I GOT REALLY INTO IT. I WAS WILLING TO DO WHATEVER TO GET WHAT I WANTED. PAULINA: WHAT YOU WANT -- IS IT NICK OR NICK'S MONEY? REMY: YOU KNOW WHAT? JOE'S RIGHT. I'M NO GOOD. PAULINA: HONEY, JOE GREW UP IN A HOUSE WITH TWO PARENTS WHO LOVED HIM. HE DOESN'T KNOW WHAT IT'S LIKE TO BE US. I DO KNOW YOU, AND I CARE. REMY: AND I'M GOING TO PAY YOU BACK EVERY SECOND -- EVERY PENNY OF THAT MONEY. PAULINA: YES, YES, YES. YES, YOU WILL. BUT LIKE I SAID, I'VE BEEN WHERE YOU ARE, WHICH MEANS I KNOW EVERY GAME YOU'RE PLAYING AND SOME YOU HAVEN'T EVEN THOUGH OF. YOU WANT ME FOR YOUR FRIEND, YOU GOT ME. BUT I'M GOING TO BE ALL OVER YOU LIKE PAINT ON SHEETROCK. I SEE YOU PULLING ANYTHING WITH NICK, AND YOU'LL BE JOE'S PROBLEM. YOU DIG? REMY: YEAH. I DIG. PAULINA: COME HERE. SOFIA: HEY, YOU DIDN'T MAKE YOUR WISH. MATT: OH, MY WISH. ALL RIGHT. I WISH THAT THIS TIME NEXT YEAR, YOU AND I ARE MR. AND MRS. MATTHEW CORY. WHAT DO YOU THINK? SOFIA: I THINK THAT THIS IS THE PLACE WHERE WISHES ARE GRANTED AND DREAMS COME TRUE. MATT: THANK YOU. THANK YOU FOR NOT GIVING UP ON US. SOFIA: SHH. YOU'RE GOING TO BREAK THE SPELL. BESIDES, IN A FEW WEEKS, YOUR BABY WILL BE BORN AND WE'LL BE FREE. MATT: YOU'RE RIGHT. WE'RE ALMOST THERE, AREN'T WE? SOFIA: AND LIFE'S GOING TO BE LIKE THIS ALL THE TIME. MATT: YOU HAVE NO IDEA HOW MUCH I WANTED THAT. SOFIA: SO CLICK YOUR HEELS THREE TIMES. MATT: I DON'T HAVE TO. I ALREADY HAVE EVERYTHING I'VE EVER WISHED FOR RIGHT HERE IN MY ARMS. LILA: IT'S BAD NEWS. I KNOW IT'S BAD NEWS. CASS: WHY DON'T YOU LET THE MEDICAL TEAM GET THEIR VOTE IN BEFORE YOU DECIDE THAT. COME ON. LILA: WHERE'S MATT? CASS: I HAVEN'T HEARD BACK FROM HIM YET. LILA: IT'S HIS BABY, YOU KNOW. HE'S GOT TO KNOW. CASS: I WON'T LEAVE YOU ALONE. LILA: OK. CAN YOU PAGE HIM AGAIN, JUST ONE MORE TIME, PLEASE? CASS: I ALREADY HAVE FIVE TIMES. I'VE LEFT PHONE MESSAGES, TOO. LILA: OH. OK, YOU WIN, I LOSE. CASS: OH, FORGET ABOUT THE STUPID BET. LILA: HE'S WITH SOFIA. HE DOESN'T CARE ABOUT ME. HE NEVER DID CARE ABOUT ME. THIS POOR BABY. CASS: MATT WILL BE HERE, I PROMISE YOU. I WON'T GIVE UP UNTIL I FIND HIM. ZAK: CASS WINTHROP TOOK LILA TO THE HOSPITAL, AND MATT DOESN'T KNOW ANYTHING ABOUT IT. I HEARD SOFIA SAY SHE'D LIKE TO TAKE THE BATTERIES OUT OF MATT'S PAGER. HE'S NOT GOING TO BE HAPPY WHEN HE FINDS OUT WHAT HAPPENED. MAN: WELL DONE. THAT COULDN'T HAVE WORKED OUT BETTER IF WE'D PLANNED IT. THIS CALLS FOR A CELEBRATION. ZAK: I FIGURED THAT WAS THE NEXT STEP. NICK: REMY, IT'S NICK. REMY: I'M COMING. HI. NICK: YOW. YOU LOOK AMAZING. CAN I COME IN? REMY: YEAH. I'M SORRY. I'M NOT QUITE READY YET. NICK: NO PROBLEM. REMY: OK, I'LL BE RIGHT BACK. NICK: WAIT A SECOND, WAIT A SECOND. HANG ON. REMY: WHAT? NICK: COME LOOK AT THE STARS WITH ME. REMY: OK. NICK: LOOK AT THAT. REMY: LOOKS LIKE ZILLIONS OF DIAMONDS. NICK: LIKE THAT NIGHT AT VICKY'S HOUSE, REMEMBER? REMY: UH-HUH. THE NIGHT YOU -- YOU TOOK ME TO MEET YOUR FAMILY. NICK: WE WERE SITTING OUT BACK, LOOKING AT THE STARS. I KNEW THEN HOW I FELT ABOUT YOU. REMY: NICK -- NICK: I HOPE YOU REMEMBER TONIGHT FOREVER. OPEN IT. NICK: HOPE YOU LIKE THEM. REMY: LIKE THEM? THEY'RE THE MOST BEAUTIFUL THINGS I'VE EVER SEEN. NICK: DIAMONDS. LIKE THE STARS. REMY: YEAH -- NOT REAL DIAMONDS? NICK: WELL, THEY'RE SMALL, BUT THEY'RE REAL. WHEN I SAW THEM, I REMEMBERED THAT NIGHT. LOOK, THEY SPARKLE, LIKE THE STARS. REMY: I CAN'T TAKE THEM. NICK: REMY -- REMY: I CAN'T. NICK: REMY -- REMY. WAIT. REMY, WAIT A MINUTE! PAULINA: REMY WANTS WHAT WE ALL WANT -- TO BE LOVED, JOE. SHE'S NEVER HAD THAT. JOE: SHE ADMITTED SHE THREW HERSELF IN FRONT OF NICK'S MOTORCYCLE. THAT'S A START. PAULINA: THANKS FOR NOT TELLING NICK ABOUT HER PAST. JOE: I CAME CLOSE. HE'S REALLY HOOKED. PAULINA: I KNOW SHE CARES ABOUT HIM, TOO, A LOT. IF YOU HAD SEEN HER FACE WHEN SHE STARTED TALKING ABOUT THEIR DATE -- JOE: DROP IT, PLEASE? DROP IT? PAULINA: OK. JOE: FIRST SIGN OF TROUBLE -- PAULINA: I KNOW. I TOLD HER. SHE TRIES TO PULL ANYTHING, I HAND HER OVER TO YOU. SHE KNOWS I'M WATCHING HER. JOE: SEE, YOU SHOULDN'T HAVE TO POLICE HER. PAULINA: IT WON'T BE FOR LONG, JOE. SHE WANTS TO CHANGE. SHE DOES. COME ON, TRUST ME. I KNOW WHAT I'M DOING. JOE: IF SHE BLOWS IT, A LOT OF PEOPLE STAND TO LOSE. PAULINA: SHE WON'T. I KNOW SHE WON'T. RACHEL: YOU SHOULDN'T HAVE DRIVEN ME HOME. I WAS PERFECTLY CAPABLE OF DRIVING MYSELF HOME. FELICIA: YOU'RE DEAD ON YOUR FEET, AND WHATEVER ENERGY YOU'VE GOT LEFT, I'D LIKE YOU TO SPEND IT READING MY BOOK, ALL RIGHT? RACHEL: MM-HMM. THANK YOU FOR DINNER, THANK YOU FOR DRIVING ME HOME, AND, MOST ESPECIALLY, THANK YOU FOR THIS. FELICIA: ANYTIME. NOW, TRY AND GET SOME SLEEP, ALL RIGHT? RACHEL: WELL, WAIT A SECOND. I'M COUNTING ON YOU TO COME UP WITH AN IDEA TO GET CASS AND LILA TOGETHER. FELICIA: LISTEN, I DIDN'T WRITE ROMANCE NOVELS ALL THESE YEARS WITHOUT COMING UP WITH SOMETHING. RACHEL: GOOD. FELICIA: ALL RIGHT, I'LL CALL YOU. RACHEL: OK. FELICIA: ALL RIGHT. [TELEPHONE RINGS] RACHEL: HELLO? CASS: RACHEL, HI, IT'S CASS. RACHEL: OH, HI, CASS. FELICIA AND I WERE JUST TALKING ABOUT YOU. CASS: DO YOU KNOW WHERE MATT IS? I'VE GOT TO FIND HIM. RACHEL: NO, I JUST GOT IN. WHY? WHAT'S WRONG? CASS: WELL, IT'S LILA. SHE'S BEEN ADMITTED TO THE HOSPITAL. RACHEL: IS SHE IN LABOR? CASS: NO, BUT SHE'S SCARED. SHE'S ASKING FOR MATT. DOCTOR: HOW ARE YOU FEELING NOW, MRS. ROBERTS. LILA: I'M NOT GOING TO BE ALL RIGHT UNTIL SOMEBODY TELLS ME SOMETHING ABOUT MY BABY. NOW, THAT LADY THAT WAS IN HERE, SHE DIDN'T SAY ANYTHING -- THE ONE THAT DID THE SONOGRAM. DOCTOR: I'M SORRY. I'M AFRAID THERE'S A PROBLEM. SOFIA: I WISH TONIGHT WOULD NEVER END. MATT: DOESN'T HAVE TO. WE COULD SPEND THE REST OF THE NIGHT IN THE BOATHOUSE AND WATCH THE SUN COME UP IN THE MORNING. SOFIA: MM-HMM. I'D LIKE THAT. MATT: YEAH? SOFIA: MM-HMM. MATT: WE CAN GO FOR A SWIM RIGHT NOW, THOUGH. SOFIA: I DON'T HAVE MY BATHING SUIT. MATT: WHO CARES? SOFIA: WE CAN'T. MATT: SURE WE CAN. SOFIA: YOUR FAMILY. MATT: NO ONE IS AROUND. I'M POSITIVE. SOFIA: WELL, YOU KNOW WHAT? MATT: WHAT? SOFIA: TWO CAN PLAY THAT GAME. MATT: OH, I TAKE THAT AS A YES? SOFIA: UH-HUH. LAST ONE IN IS A ROTTEN EGG. MATT: WAIT A MINUTE. THAT'S NOT FAIR. YOU GOT LESS TO TAKE OFF. SOFIA: WHAT DO YOU MEAN? MATT: WHAT DO I MEAN? WAIT, WAIT, WAIT, WAIT, WAIT. SOFIA: OH. IT'S WARM. MATT: WAIT, WAIT, WAIT. RACHEL: MATTHEW? MATTHEW, CASS -- OH. MATT: OH! RACHEL: CASS CALLED FROM THE HOSPITAL. IT'S AN EMERGENCY. IT'S LILA, OK? [CAPTIONING MADE POSSIBLE BY U.S. DEPARTMENT OF EDUCATION] [CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.] [PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE]